The most recommended books on the sociology of literature

Curious about the century that produced works as varied as Pride and Prejudice, Jane Eyre, and Bleak House? This is the book for you! Because it is organized by topics—money and social precedence to begin and the workhouse and death to end—it is easy to dip in and out of. It has added greatly to my understanding of 19th-century fiction. The invaluable glossary at the end lists terms that are strange to us in the 21st century and gives clear brief definitions. Now I know that loo was not an English euphemism for a toilet and that a ha-ha was not a joke! 

There is something magical about this book. It’s a brilliant piece of research and a touching evocation of a particular summer when, among other things, the poets Robert Browning and Elizabeth Barrett were secretly planning their elopement, Tennyson was planning a walking tour in Switzerland that included a visit to Charles Dickens, P. T. Barnum was touring with “General Tom Thumb,” and the artist Benjamin Haydon was approaching suicide. I was bowled over by the richness of lives lived packed into just two hundred pages.

Nowadays, Jane Austen’s novels look superficially like historical romances, but she actually wrote contemporary novels for a contemporary audience, and they are much more complicated and subtle than they first appear. This book explains many of the mentions of people, places, and events in her novels that were obvious to her readers, but which are far from obvious now.

Like Nero, King John’s awful reputation has been subject to revision in recent years, though others insist that his “lechery and treachery,” not to mention his cruelty, still places him as England’s worst king. John’s image was rehabilitated in the sixteenth century, however, when the king, in Djordevic’s words, became a “virtual obsession” among writers, dramatists, and contemporary historians.  Shakespeare created a tragic John seeking to defend his crown from rival claimants, foreign invasion, and an intrusive pope, while Protestant writers displayed an even more favorable stance towards John, who had opposed an intrusive papacy. John-as-tyrant was a crowd-pleaser, however, which accounted for the production of plays and poems that continued the traditional portraits of the mad, bad king.   

This is an outstanding collective study of the epistemological, sociopolitical, religious, and cultural transitions that have taken place in colonial Latin America as represented in its foundational cultural discourses. The "Introduction" explains the use of "transition" as a conceptual framework within a genealogy associated with transculturation, syncretism, hybridity, contact zones, and in-betweenness.

With the advent of colonialism, Quispe-Agnoli and Brian point out, the local indigenous population resisted but also appropriated new ways of documenting their reality without necessarily losing their traditional forms, as is often believed.

This interdisciplinary book is divided into six parts, focusing respectively on key cultural phenomena during colonial times: land, space, and territory; the body; belief systems; literacies; languages; and identities.

The contributors, all of them experts in their own subfields, cover a vast geographical space, from the Americas to the Philippines and China, and analyse cultural production and discourses published both in Europe and the… show more.

Some of the most original scholarship on Dante in the past fifty or so years has been historical and contextual. This research enables us to understand Dante’s texts more fully in their own immediate contexts, of course, but it also reflects the fact that many readers of Dante become increasingly interested in the wider contexts – ethical, political, philosophical, theological, economic, literary, cultural, etc. – that Dante’s own poetic masterpiece opens up. In thirty chapters, the collaborative volume Dante in Context exemplifies the best of this historical and contextual work, and provides an invaluable introduction to the world of Dante.   

The subterranean worlds of cities have long been represented as a literal ‘underworld’ – a hidden and shadowy realm inhabited by all sorts of marginalised and spectral figures and communities.

Very often, such communities – real, imagined, and mythical – have been deemed by elites to be morally, socially, and biologically threatening the above-surface city. As someone who does not generally read a huge amount of fiction, Heise’s wonderful book was a huge inspiration for me.

It explores and reveals like no other book how American urban underworlds have been represented across a range of American literature.

From New York through Chicago and Los Angeles, what emerges is a rich a vibrant history through which the lived and imagined world below cities have been pivotal in key novels.

I bought Shakespeare in a Divided America in the misguided belief that the author was the son of an old friend and colleague. The other attraction was Shakespeare himself: My mother was a high school English teacher, and the words of the Bard were a lingua franca at our dinner table. The book did not disappoint! 

In a series of chapters that carry the reader from the 1830s to the 2020s, Shapiro shows how Shakespeare’s plays have been entwined with the politics and culture of the nation on subjects ranging from race to manifest destiny, from immigration to same sex love.

The author is a professor of English at Columbia University who has written award-winning books about Shakespeare. What he offers here is an exciting intellectual journey. Drawing from original sources, he connects the dots to show how Othello was used by John Quincy Adams to support his opposition to… show more.

There is no U.S. equivalent to the comic strip “Mafalda,” a strip centered around a young, middle-class girl and her entourage of neighborhood friends set in mid-1960s Buenos Aires. The strip itself only lasted a decade but its afterlives continue to reverberate across Latin America and throughout other parts of the world. Today, the face of Mafalda—the strip’s namesake—can be found with a speech bubble protesting any number of injustices. It is probably no exaggeration to say that this is the most important comic strip ever written, and one whose appeal lies both in its simplicity and the subtle depth of its political humor. Published here in translation, Cosse, a noted scholar of cultural and social history, has written a biography of the strip and its characters as a way not only of understanding the crisis of Argentina’s middle classes, but the ways in which the mass media transform objects… show more.

As a voracious reader, I’ve often wondered about why exactly reading is so pleasurable—so essential—and whether others feel the same way about books as I do. Leah Price writes about books and reading clearly and entertainingly, busting myths about a “golden age” of books as well as the much-feared “death of the book.” I learned a lot from this book and enjoyed every minute.