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I’m a science fiction and fantasy author with a love of fairytales. I enjoy genre-bending, genre-blending, and new takes on old stories. As a child, I had a book of fairytales illustrated with embroidered illustrations. In high school and college, when I had the opportunity, I always chose to read fairytales—I've even taken classes that exclusively explore fairytales. Now as an author, I’ve leaped feet first into fairytale retellings. My first series, Rove City, features fairytale retellings set in an intergalactic spaceship, and my second series is made up of collections of original fairytales. Next, I’m planning to take the original fairytales and turn them into my own retellings.
This classic retelling of Cinderella is the one that first got me into fairytale retellings. We see El as a young woman living with her stepmother, stepsisters, and godmother who can only do small magic. El is cursed with a spell of obedience, and she must do anything if someone else commands it. She keeps her curse a secret to the best of her ability, with only the aid of her godmother to keep her safe. The story spans several years of El’s life and features a slow, sweet romance with the prince, whom she gets to know throughout the entire story. My favorite part is the ending, where we see how her strength of character has grown to the point that she is able to stand up and do the right thing, despite the power of the curse.
ELLA ENCHANTED is a witty, refreshing take on the popular fairytale, Cinderella which preserves the spirit of the original but adds plenty of humorous twists and a spunky, intelligent female protagonist. "If you've read HARRY POTTER, try ELLA ENCHANTED" Publishers Weekly
Ella is given a blessing at birth by a very stupid fairy: She gets the gift of obedience! but the blessing turns into a horror for Ella who literally has to do what anyone and everyone tells her, from sweeping the floor to giving up a prrecious necklace! She has to battle with ogres and wicked stepsisters, make friends…
I’m a science fiction and fantasy author with a love of fairytales. I enjoy genre-bending, genre-blending, and new takes on old stories. As a child, I had a book of fairytales illustrated with embroidered illustrations. In high school and college, when I had the opportunity, I always chose to read fairytales—I've even taken classes that exclusively explore fairytales. Now as an author, I’ve leaped feet first into fairytale retellings. My first series, Rove City, features fairytale retellings set in an intergalactic spaceship, and my second series is made up of collections of original fairytales. Next, I’m planning to take the original fairytales and turn them into my own retellings.
This fairytale retelling is set in a land recovering from war. Cinderella is a landowner, but due to her late father’s poor management of funds, her estate owes significant debts. When she meets Friedrich, an intriguing noble who belongs to the enemy who won the war, everything becomes much more complicated. This fairytale retelling is clever and interesting, with a very different feel than most Cinderella retellings. It is engaging and definitely worth a read.
Cinderella may be a duchess, but her life is in tatters.
Orphaned, destitute, and living in a country recovering from a hostile takeover, Cinderella is desperate to save her lands and servants. She is so determined that when terrible taxes are placed upon her, she dons servants’ clothes and works like a commoner. Unfortunately, her sacrifices aren’t enough, and she is given one season to pay off her debt.
All seems lost, until Cinderella is befriended by the debonair Colonel Friedrich—a member of the Erlauf military and a citizen of the oppressing country that rules her homeland.
I’m a science fiction and fantasy author with a love of fairytales. I enjoy genre-bending, genre-blending, and new takes on old stories. As a child, I had a book of fairytales illustrated with embroidered illustrations. In high school and college, when I had the opportunity, I always chose to read fairytales—I've even taken classes that exclusively explore fairytales. Now as an author, I’ve leaped feet first into fairytale retellings. My first series, Rove City, features fairytale retellings set in an intergalactic spaceship, and my second series is made up of collections of original fairytales. Next, I’m planning to take the original fairytales and turn them into my own retellings.
This story kicks off a series of fairytale retellings filled with intrigue and adventure by sweeping the main character into a world of complex political machinations. She’s offered an opportunity for freedom from her conniving and overbearing family—all she has to do is deliver a message in exchange. But it turns out, the message was more dangerous than she could have imagined. This Cinderella retelling is unique in that there isn’t much magic in it, but it is filled with mystery, conspiracy, and swirling political machinations.
She has one job—attend a masqued ball and dance with a handsome prince. What could possibly go wrong?
Everything, that’s what.
After years of submitting to her stepmother’s unreasonable demands, Trystan finally has a chance to be free. The promise of a new life, in exchange for her help. Simple, right? After all, the old woman has only asked for one night. One night, one beautiful gown, one dance… and one message to be delivered to a mysterious recipient.
It should be easy. Maybe even fun. Especially when she can slip away into the night after the dance, leaving no…
I’ve always loved retellings of all kinds, but my favorites subvert expectations, and I believe queer retellings provide the richest opportunities for subversion. In my own writing, I try to balance honoring the source material while also providing new perspectives, and nothing helps me achieve that more than reading widely. Retellings were also the subject of my master's critical thesis for Hamline University’s writing for children and young adults program.
This book, a retelling of “Cinderella,” is widely considered to be a foundational queer retelling, and I wholeheartedly agree with that assessment.
It was the first queer retelling I ever read and continues to be a favorite. It inspired me to write my own queer retellings and is a fine example of a novel that didn’t need sweeping battles and world-ending threats to be compelling.
I found Ash’s journey through grief and her path to love to be strong in their own ways. Quietly powerful stories like Ash are what I most enjoy, though they are a rarity, especially in YA, where things tend to be very high stakes.
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This book is for kids age
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15,
16, and
17.
What is this book about?
The haunting, romantic lesbian retelling of Cinderella and modern queer classic by award-winning author Malinda Lo -- now with an introduction by Holly Black, a letter from the author, a Q&A, and more!
In the wake of her father's death, Ash is left at the mercy of her cruel stepmother. Consumed with grief, her only joy comes by the light of the dying hearth fire, rereading the fairy tales her mother once told her. In her dreams, someday the fairies will steal her away. When she meets the dark and dangerous fairy Sidhean, she believes that her wish may be…
I’m a bit of an introverted extrovert who has a love/ hate relationship with people. I’m lucky to have wonderful family and friends, but social media baffles me and makes me question the future of mankind. I still can’t look away though. A degree in history, a love of psychology, and being a writer definitely foster my people-watching obsession. This fascination extends to fictional characters. Plot twists and world building are fantastic, but it is cheering for a character that pulls me in and keeps me hooked. As I’m also a moody reader, I love to pick the right character story to suit my mood!
Fairy tale retellings are another favorite of mine and I enjoyed this one as a light, frothy fun read. Part of the reason it worked well was Arnessa. She makes a great Cinderella by working hard and dreaming of more. Yes, there are definitely some family issues and a cute guy too. It doesn’t hurt that you can order a shot of luck at the magical coffee shop! If you need a pick-me-up during darker times, give this sweet read a chance!
A modern magical retelling of the classic Cinderella tale
After years of slaving beneath her step-mom's rule, Arnessa longs for something more.
She dreams of leaving her small town to attend a university where she can train to master her magic. Her stepmother denies this dream.
When all hope appears lost, a charming stranger enters her life, offering to guide Amessa in her studies, giving the teen confidence to stand up for herself.
An Unexpected Brew is part of a fairytale universe - inspirational tales filled with magic, rising hope, and personal discovery. These four separate adventures can be read…
I come from a large family, both immediate and extended. As a result, my writing often includes a spectrum of family relationships, from the functional to the toxic. Nurturing or gaslighting? Supportive or undermining? Fantasy is my genre of choice for playing with these dynamics because its otherworldliness creates a safe space to consider true-to-life patterns, including the default trust we grant to those closest to us, how quickly that crumbles when expectations fall short, and the echo effect our earliest interactions have upon the rest of our lives.
Everyone should have a favorite “Cinderella” story, and this fantasy romp is mine. Gingell turns the classic fairy tale upside down, maintaining its stepfamily-gone-wrong trope, but from an opposite angle. Ellen got her prince and her crown while her stepsisters Jane and Charlie received a life sentence in a magical prison. Only, she lied and schemed to do it, and now the pair of girls must plot their escape to clear their names.
I admire Jane’s quiet resolve and Charlie’s feral energy. Plus, any story with knockout lipstick earns some extra points from me.
Cinderella is married to The Prince, and the Evil Stepsisters are banished to a pocket dimension for their punishment and rehabilitation. It’s Happily Ever After.
Or is it?
Jane and Charlie have been imprisoned for two years now, serving a sentence especially chosen by their stepsister as justice for her sufferings. It seems that they’re the only two people in the world besides Ellen who know that Ellen’s “sufferings” were a carefully manipulative campaign to win a prince and a crown; the two stepsisters merely collateral damage.
But now, trouble is brewing at the castle: death threats, torn gowns, ruined…
Identity, agency, belonging, and transformation…these are the themes which drive me to write. I love historical fiction and historical fantasy because for female characters, the past was rife with oppression, which creates an even greater barrier to self-actualization and personal alchemy. There are still barriers for females in our present world, but setting a story in the past can more clearly call out those barriers and the ways females bust through them. We finally live in a world where historians and storytellers are unearthing the untold tales of the past. No longer are the narratives in the sole control of the victors and oppressors.
This is my favorite book of Donnelly’s, perhaps because I had the distinct pleasure of meeting her upon its release. This book was an inspiration to me as a writer. Not only is Isabelle considered “ugly,” but her spirit is so downtrodden at the beginning of the story because others don’t believe in her abilities. She must find her own agency and her own belief in her abilities to do great things and realize that real beauty shines from within.
'In an ancient city by the sea, three sisters - a maiden, a mother, and a crone - are drawing maps by candlelight. Sombre, with piercing grey eyes, they are the three Fates, and every map is a human life . . .'
Stepsister takes up where Cinderella's tale ends. We meet Isabelle, the younger of Cinderella's two stepsisters. Ella is considered beautiful; stepsister Isabelle is not. Isabelle is fearless, brave, and strong-willed. She fences better than any boy, and takes her stallion over jumps that grown men fear to attempt. It doesn't matter, though; these qualities are not valued…
I’m a TedX and keynote speaker, leadership expert, and corporate facilitator. I’m also a repeat software founder and CEO. I work extensively with Fortune 1000 and hyperscale organizations to connect leadership and culture directly to organizational outcomes, as well as diversifying C-suites and corporate boardrooms. I’m passionate about guiding leaders to measurable outcomes and helping others learn from failure (yes, it happens to all of us!) Over the years, I’ve learned the key is understanding and embodying your own values so you can build resilience for yourself as an individual, your team, and your organization as a whole. I hope my list of recommended books helps you do just that!
I love a book you can actually take action on and Tales of Potential delivers!
Joanna Bloor makes the case that most decisions about your career happen in a room you’re not in – which means you have to rely on someone else to tell your story and be your advocate. This book outlines exactly how to distill your story down to the most important elements, so it’s easy for others to tell effectively.
You’ll learn how to clearly communicate your potential and capabilities in a way that will have a lasting impact on your life.
Fantasy is my favorite genre, and honestly, I’m pretty deep in it. Not only do I read a lot of fantasy, I also write fantasy novels. I’ve been an active TTRPG player for the last few years, even creating and running a few campaigns. In addition, I wrote a one-shot campaign set in the world of my fantasy series, the Gifted Lands, which people can get for free when they sign up for my newsletter on my website. So it’s safe to say, I like fantasy. :) If you check out any of these books, let me know what you think of them!
From the songwriter who penned the hymn “Morning Has Broken” comes one of my most beloved books from childhood.
The Glass Slipper is a charming and fairly faithful retelling of Cinderella (meaning, there’s no “subversive fairy tale” elements here). But it makes sense — this book was published in 1946.
The Glass Slipper is a lovely, simple version of the Cinderella story, and through it all the power of hope and dreams shines through.
It was out of print for a few years, but readers, rejoice! It’s back in print! Definitely worth picking up a copy—and if you can get a used version, you can see the lovely illustrations that accompanied the book as well.
More than anything, Ella wants to go to the ball at the Royal Palace.
But Ella is the slave of the household, waiting on every wish and whim of her horrible stepsisters. They call her Cinderella for the ashes that cling to her face, hands and hair. How can Ella go to the Royal Palace?
Then, on the evening of the ball, something wonderful happens. Ella's Fairy Godmother comes to her rescue.
“Hope in dark places” has been the theme of my life, beginning at age 17 when my parents disowned me for my faith. I’ve walked through the “valley of the shadow of death” twice, battling cancer, and endured many other struggles, which everyone faces at some time in their lives. Reading Dragonsong by Anne McCaffrey as a teen gave me the courage to face the darkness, and so the characters in the stories I write and prefer to read do likewise.
When I first started reading this fantasy book club selection, I thought it would be a simple sort-of-like Cinderella tale and didn’t expect to be sucked into Leah’s story. My heart went out to her for all the ways she was unfairly treated and misunderstood, for I have known that pain. She was trying to save the royal family, and the queen exiled her!
The best part about this story is how brave and loyal Leah is, and how she doesn’t complain, even when she has good reason. I remember how difficult it was not to complain when I was a teen, so I especially appreciate the encouragement Leah gives without realizing it.
Only one person knows of the plot against the royal family and cares enough to try to stop it—the servant girl they banished.
Leah spends her days scrubbing floors, polishing silver, and meekly curtsying to nobility. Nothing distinguishes her from the other commoners serving at the palace, except her red hair.
And her secret friendship with Rafe, the Crown Prince of Imperia.
But Leah’s safe, ordinary world begins to splinter. Rafe’s parents announce his betrothal to a foreign princess, and she unearths a plot to overthrow the royal family. When she reports it without proof, her life shatters completely when…
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