The most recommended books about censorship

I have read dozens of books on a variety of free speech topics–everything from political dissent to hate speech to pornography. But I have never found a single book on the entire history of free speech over the ages of Western civilization.

I love the way that this work portrayed the most significant free speech struggles from ancient Greece and Rome, through the Enlightenment, and beyond to today’s social media controversies. More often than not, histories are boring and pedantic, but this history kept me involved and interested right up to the last page.  

When Iris Carpenter was reporting on the war she, like all journalists, was subject to the rules of the military censors. But once the conflict was over she was free to publish the truth of all that she’d seen, and her 1946 memoir is an extraordinarily candid, occasionally harrowing read. As her title suggests, Carpenter’s principal objective was to expose the prejudice and stupidity against which she and her female colleagues had to battle, simply to get to the front—her account was one of the primary sources for my book. But she was also a fearless eyewitness and her memoir provides rare insights into the conditions of war, both its camaraderie and its horror.

Unlike the official history of the British Secret Intelligence Service (SIS), better known as MI6, by Keith Jeffery, this book is written without the censorship of the Service presenting the facts as the author, a journalist and academic, considers fit and proper to show. Very well written and covering a considerable period of time with many secret operations, it is a very good book which The Guardian described as ‘A remarkable achievement and an encyclopaedic post-war history which any student of the secret world should read.’

Another powerful collection of photographs, this book shows us the images by the famous photographer Dorothea Lange.

The War Relocation Authority (a civilian agency that ran the 10 civilian incarceration camps) hired Lange to “document” life in the camps. They were expecting to receive material that would be useful as propaganda, that would prove to the outside world that the conditions were decent and inmates happy. What they got instead were depictions of harsh conditions and institutionalization. Therefore, many of Lange’s photos were never published until this volume.

Where Billy Manbo’s photos showed us an inmate’s perspective, Lange’s photos can be read as a wordless attempt to criticize the government.

If you want to know what sort of pressures the Hollywood studies were under during World War II, from the OWI to the Production Code, then this book will help you sort it out.

The studios prior to the war were concerned about offending paying customers overseas, but once the war started, the Roosevelt administration wanted some oversight in how our enemies, our allies, and the Home Front were presented.

One of the most interesting parts is seeing how films about the Russians changed from humorous to supportive as they became our allies during the war and then back to untrustworthy as the war drew to a close. 

A detailed analysis of the mental state of Woodrow Wilson at the end of the First World War and his failure to get the Peace Treaty accepted by the Senate, which also brings Freud and a detective story into the mix.

I found the psychological analysis of Wilson’s state of mind both fascinating and revealing, and the explanation of how it affected his dealings with the Republican opposition intriguing. I will reread this book soon.

I love that Alan Gratz, a skillful storyteller, takes the important topic of banning and censoring books for children, and shows its dangerous side effects from a child’s point of view. We meet a well-meaning mother who wants to protect her child from, what she feels, are unsuited books in the school library. But one of those is Amy Anne’s most beloved book. She is not going to let these books disappear without a fight. In a respectful but effective manner she ends up showing the adults the importance of letting children make their own choices. 

I have been puzzled over the progressive left’s calls for governmental censorship for hate speech that they abhor, when they have so often been the victims of such governmental campaigns against subversive speech.

Nadine Strossen, the former national president of the ACLU, whom I have long called “The First Lady of Liberty,” has provided very strong arguments against such progressive calls for censorship. I love how Strossen, a true liberal in her own right, turns the tables on her more extremist partisan colleagues and makes a very good case for the old adage, “Not Censorship, but More Speech”! 

This book offers delightful details about Judy Blume, from her time growing up in New Jersey to the purchase of her first electric typewriter.

With the publication of Are You There God, It’s Me, Margaret in 1970, Judy made history with a unique book about a 12-year-old girl exploring religion and friendship.

I appreciate how Kathleen Krull takes us on the rollercoaster of Judy’s life, showing us her heartbreak when facing rejection letters, her steadfast determination to keep writing, and her joy when she finally achieved her goals. Judy Blume never gave up!

Since my own novel is set partly in post-war England, I was drawn to Ondaatje’s Warlight, which begins in 1945 London as the city is recovering from brutal bombing. Another hook for me was the youthful characters; my book is also populated with war-confused children. Ondaatje’s narrator, 14-year-old Nathaniel, recalls his youth with the benefit of adult wisdom. He and his sister Rachel are abandoned by their parents to the care of some eccentric and slightly dangerous characters. Their teen years are marked by many mysterious events and experiences, only beginning to clarify in retrospect. Do we ever know what’s really happening?