I wrote Orchid Muse: A History of Obsession in Fifteen Flowers. I’m a historian, a master gardener, and I’ve grown a few hundred orchids for over half my life. I love collecting stories of orchids because, well, they’re fascinating, and they offer a deeper connection to the pastime I love best.
A truly great addition to orchid history by a great master of botanical history at large.Endersby sets orchid culture in all of its larger historical contexts and adds intrigue and flare by following orchid fiction through the ages. It’s funny to boot! I'll be referring back to this book for years to come.
At once delicate, exotic, and elegant, orchids are beloved for their singular, instantly recognizable beauty. Found in nearly every climate, the many species of orchid have carried symbolic weight in countless cultures over time. The ancient Greeks associated them with fertility and thought that parents who ingested orchid root tubers could control the sex of their child. During the Victorian era, orchids became deeply associated with romance and seduction. And in twentieth-century hard-boiled detective stories, they transformed into symbols of decadence, secrecy, and cunning. What is it about the orchid that has enthralled the imagination for so many centuries? And…
I have been working on science and religion for 15 years now. While there are a number of books on Darwinism and religion (too many to count), the number on Darwin himself and his own (loss of) religion is far smaller. So, I wrote a short "spiritual biography" of the great man. Reading through the Darwin archives, it emerged that there was so much more to the story than “man finds evolution but loses God,” and the more I read around this topic and spoke to the leading academic scholars on the subject, the more I realized that that was the case for science and religion overall.
In the last decades of the 20th century, there emerged an increasingly acrimonious argument over what Darwinism meant, especially for humans. This wasn’t simply between creationists and Intelligent Design advocates on one side and Darwinians on the other. The Darwinists disagreed among themselves, something with as much fury as they disagreed with the other side.
Andrew Brown is a journalist who, unusually, has genuine expertise in both science and religion. More importantly, he is a cracking writer, and The Darwin Wars is not only intelligent and profound but also clever and witty.
This is an account of neo-Darwinist theories, including the influential Selfish Gene theory - and the misunderstandings they provoke. Divided between "Dawkinsians" and "Gouldians", these theories are explained and evaluated, showing the profound impact they have had on beliefs and culture.
While growing up as a budding intellectual, two of my passions were social science (in other words, politics), and natural science, particularly biology. For decades, I thought of those as two unconnected fields of knowledge. I studied politics in my professional capacity as a government professor, and I read nature and wildlife studies as a hobby. Then, one day in 2000, I picked up a copy of a book by Stephen J. Gould, a Harvard paleontologist. It struck me that in every sentence he was combining science and politics. It was an on-the-road-to-Damascus moment. Since then, I have studied and written about the politics of evolution.
The clearest and most comprehensive creationist critique of evolutionary biology. Johnson, a retired law professor, marshals every possible argument like a prosecuting attorney, employing reasoning and evidence that is either masterful and convincing, or deceitful and outrageous, depending upon your point of view. To Johnson, the biologists who work in the tradition of Darwin are not scientists, but propagandists in a political movement, using fake data and spurious arguments to bamboozle the public. His purpose is to clear the way for readers to be convinced that a huge, invisible, omnipotent, supernatural designer (no, don't call him God) authored the millions of organisms that have existed on Earth for 3.8 billion years. Is this a scientific critique or a political polemic?
Is evolution fact or fancy? Is natural selection an unsupported hypothesis or a confirmed mechanism of evolutionary change? These were the courageous questions that professor of law Phillip Johnson originally took up in 1991. His relentless pursuit to follow the evidence wherever it leads remains as relevant today as then. The facts and the logic of the arguments that purport to establish a theory of evolution based on Darwinian principles, says Johnson, continue to draw their strength from faith--faith in philosophical naturalism. In this edition Johnson responds to critics of the first edition and maintains that scientists have put the…
I’ve spent the past thirty years leading the movement to integrate the humanities, and especially literary study, with evolutionary psychology and cognitive neuroscience. I got my PhD in comparative literature right about the time the academic literary world was being convulsed by the poststructuralist revolution (Derrida, Foucault, et co). I felt a profound antipathy to the sterile paradoxes and attenuated abstractions of that theory. I wanted a theory that could get close to the power literature had over my own imagination. The evolutionary human sciences have provided me with a basis for building a theory that answers my own need to make sense of literature.
This is the first book I always recommend to people wanting to see what literary Darwinism is about. Gottschall has a gift for charming readers, reaching out and speaking to them personally. The book is loaded with condensed research, but all that information is presented in a readily accessible, conversational style. The book is also loaded with fascinating anecdotes—stories. Gottschall makes a compelling case that the human mind naturally craves stories.
Humans live in landscapes of make-believe. We spin fantasies. We devour novels, films, and plays. Even sporting events and criminal trials unfold as narratives. Yet the world of story has long remained an undiscovered and unmapped country. It’s easy to say that humans are “wired” for story, but why?
In this delightful and original book, Jonathan Gottschall offers the first unified theory of storytelling. He argues that stories help us navigate life’s complex social problems—just as flight simulators prepare pilots for difficult situations. Storytelling has evolved, like other behaviors, to ensure our survival.
I don’t especially like Nietzsche, and rarely agree with him. As a professor of philosophy, I find that he is less original than is popularly assumed and less clear than he should be—not out of some mysterious profundity—so much as a recalcitrance or maybe inability to make plain what he thinks. Even so, I find it quite impossible to break away from Nietzsche. For my part, and I suspect for many readers who came upon him during their formative years, Nietzsche’s thought is so close to me that I’m always wrestling with it. Maybe that’s not a ‘result of’ but a ‘condition for’ reading it?
Reading Nietzsche without understanding the contexts he was working in and against is a bit like trying to interpret a text thread among friends from only one of their vantages. Without the context of ‘who,’ ‘what,’ and ‘when’ Nietzsche was reading and responding to, interpreters cannot grasp why he used the particular terms, phrasings, or rhetorical devices he did. Campioni, D’Iorio, Fornari, Fronterotta, and Orsucci—each remarkable scholars in their own right—deserve our gratitude for having cataloged Nietzsche’s (mostly) still-preserved personal library as it stands in the Weimar archives. Even better, they chronicled the margin notes, dog-eared pages, and various frustrated cross-outs or excited approbations that Nietzsche scribbled into those books. Nietzsches persönliche Bibliothekhas sat next to my keyboard for years, and still offers surprises when I wonder ‘did Nietzsche read Dostoyevsky in German or French translation’ or ‘which biology anthologies influenced his understanding of Darwinism?’
Der Band verzeichnet erstmals samtliche Werke und Noten aus Nietzsches persoenlicher Bibliothek (BN) bis Anfang Januar 1889. Er listet sowohl die Bestande der Herzogin Anna Amalia Bibliothek als auch die des Goethe- und Schiller-Archivs in Weimar auf. Die kritische Analyse anderer Bestandslisten ermittelte zudem zahlreiche heute nicht mehr vorhandene Titel. Ferner wurden samtliche Bucherrechnungen und -quittungen von Buchhandlern und Buchbindern ausgewertet, die im Goethe- und Schiller-Archiv aufbewahrt werden.
Neben den ca. 2.200 Titeln aus Nietzsches rekonstruierter Bibliothek enthalt der Band auch ein Verzeichnis samtlicher 'Lesespuren' Nietzsches (ca. 20.000), z.B. Anmerkungen, Unterstreichungen und Eselsohren. Erganzt durch zahlreiche Faksimile-Reproduktionen sowie durch philosophische,…
I have always wondered why people choose and act in particular ways, from heroism and altruism to selfishness and greed. Human society is a kaleidoscope of changing actions and fortunes. Social science tries to explain why. But I was dissatisfied with its answers. Then I discovered writers who used evolutionary ideas to help explain social and economic change. I realized that evolution did not mean reducing everything to biology. I became fascinated by Darwin’s deeper and wider ideas about human society, cooperation, and motivation. I read widely and joined with others of similar mind. It is an exciting and rewarding intellectual landscape to explore. I strongly recommend a long visit.
This clearly written and well-researched book shows that human evolution is as much about culture as it is about genes. Both evolve. And both involve the Darwinian principles of variation, selection, and replication of key bits of information. Robert Boyd and Peter Richerson are among the leading contributors to our understanding of how genes and culture co-evolve. The work rebuts exclusively gene-based accounts, and it shows how human evolution operates on multiple levels. Darwinian ideas remain paramount because they provide the over-arching framework in which both genetic and cultural evolution interact and guide human behavior. This book shows how a Darwinian evolutionary approach can rescue the theory of culture in social science from its many vagaries and past wrong turns.
Humans are a striking anomaly in the natural world. While we are similar to other mammals in many ways, our behavior sets us apart. Our unparalleled ability to adapt has allowed us to occupy virtually every habitat on earth, and our societies are larger, more complex, and more cooperative than any other mammal's. In "Not by Genes Alone", Peter J. Richerson and Robert Boyd argue that only a Darwinian theory of cultural evolution can explain these unique characteristics. "Not by Genes Alone" offers a radical interpretation of human evolution, arguing that our ecological dominance and our singular social systems stem…
I’ve spent the past thirty years leading the movement to integrate the humanities, and especially literary study, with evolutionary psychology and cognitive neuroscience. I got my PhD in comparative literature right about the time the academic literary world was being convulsed by the poststructuralist revolution (Derrida, Foucault, et co). I felt a profound antipathy to the sterile paradoxes and attenuated abstractions of that theory. I wanted a theory that could get close to the power literature had over my own imagination. The evolutionary human sciences have provided me with a basis for building a theory that answers my own need to make sense of literature.
Saunders is an unusually acute and subtle literary critic. She is deeply immersed in the great works of American literature, and she brings those works vividly to life. She penetrates deep into the evolved motives that regulate even the most seemingly idiosyncratic works. She demonstrates that literature is profoundly shaped by our evolved human motives and emotions.
This collection of essays examines selected works in the American literary tradition from an evolutionary perspective. Using an interdisciplinary framework to pose new questions about long admired, much discussed texts, the collection as a whole provides an introduction to Darwinian literary critical methodology. Individual essays feature a variety of figures-Benjamin Franklin to Billy Collins-targeting fitness-related issues ranging from sexual strategies and parental investment to cheating and deception. Attention is paid to the physical and social environments in which fictional characters are placed, including the influence of cultural-historical conditions on resource acquisition, status-building, competition, and reciprocity. The discussion throughout the volume…
I’ve spent the past thirty years leading the movement to integrate the humanities, and especially literary study, with evolutionary psychology and cognitive neuroscience. I got my PhD in comparative literature right about the time the academic literary world was being convulsed by the poststructuralist revolution (Derrida, Foucault, et co). I felt a profound antipathy to the sterile paradoxes and attenuated abstractions of that theory. I wanted a theory that could get close to the power literature had over my own imagination. The evolutionary human sciences have provided me with a basis for building a theory that answers my own need to make sense of literature.
Jonsson argues that humans are suspended between a need to see reality and an urge to mythologize. Darwin’s theory is impersonal and mechanical, but authors in the later 19th and early 20th centuries still found ways to turn evolution into morally charged dramas. Jonsson convincingly demonstrates that those same myth-making impulses shape our imaginative experience today. The literary criticism in this book is superb, and Jonsson’s own rhetoric has classic power.
Darwinian evolution is an imaginative problem that has been passed down to us unsolved. It is our most powerful explanation of humanity's place in nature, but it is also more cognitively demanding and less emotionally satisfying than any myth. From the publication of the Origin of Species in 1859, evolution has pushed our capacity for storytelling into overdrive, sparking fairy tales, adventure stories, political allegories, utopias, dystopias, social realist novels, and existential meditations. Though this influence on literature has been widely studied, it has not been explained psychologically. This book argues for the adaptive function of storytelling, integrates traditional humanist…
I’ve spent the past thirty years leading the movement to integrate the humanities, and especially literary study, with evolutionary psychology and cognitive neuroscience. I got my PhD in comparative literature right about the time the academic literary world was being convulsed by the poststructuralist revolution (Derrida, Foucault, et co). I felt a profound antipathy to the sterile paradoxes and attenuated abstractions of that theory. I wanted a theory that could get close to the power literature had over my own imagination. The evolutionary human sciences have provided me with a basis for building a theory that answers my own need to make sense of literature.
If you love horror, or are even mildly interested in it, you will find this book a real treat. Clasen is one of the world’s leading scholars of horror. Like Gottschall, he has the knack for engaging, personable writing, with witty turns that will make you laugh, even while the hair is standing up on the back of your neck at the horror scenarios he relishes describing. Clasen is absolutely convincing about the ways in which horror taps into our inherited ancestral fears and disgusts.
From vampire apocalypses, shark attacks, witches, and ghosts, to murderous dolls bent on revenge, horror has been part of the American cinematic imagination for almost as long as pictures have moved on screens. But why do they captive us so? What is the drive to be frightened, and why is it so perennially popular? Why Horror Seduces addresses these questions through evolutionary social sciences.
Explaining the functional seduction of horror entertainment, this book draws on cutting-edge findings in the evolutionary social sciences, showing how the horror genre is a product of human nature. Integrating the study of horror with the…
I am a scientist and technologist, trained in theoretical quantum physics, who became an Emeritus Professor of Network Technology from Oslo’s metropolitan university. I’ve strenuously tried to communicate the wonder of science to students and industry throughout my career. I’ve been privileged to know some of the great movers and shakers of science in my lifetime and it always gives me great pleasure to open someone’s mind to new ideas. These books have been an integral part of my own intellectual journey. I hope these recommendations will inspire the youngest and the oldest readers alike.
This selection is as much about its author as the book itself. It is one of a series of books, written in Dawkins superbly approachable style, on the subject of Darwinian evolution.
Dawkins began writing with his groundbreaking book The Selfish Gene. Unfortunately, the latter was rewritten so many times as to lose its initial impact, and this overshadowed the much better book The Extended Phenotype due to the forces of popular science publishing.
This newer book, with illustrations by his then-wife Laila Ward (of Dr Who fame) is a fine example from the man who brought us the Selfish Gene theory of forward evolutionary selection and multi-scale thinking. It’s a wild ride, written by a great writer and explainer whose role in modern science writing should not be underestimated.
The human eye is so complex and works so precisely that surely, one might believe, its current shape and function must be the product of design. How could such an intricate object have come about by chance? Tackling this subject-in writing that the New York Times called "a masterpiece"-Richard Dawkins builds a carefully reasoned and lovingly illustrated argument for evolutionary adaptation as the mechanism for life on earth.
The metaphor of Mount Improbable represents the combination of perfection and improbability that is epitomized in the seemingly "designed" complexity of living things. Dawkins skillfully guides the reader on a breathtaking journey…
