I have been an avid reader of historical fiction since I was very young, and I love learning about the life and times of different periods of history. One might describe me as a "research junkie." My desire to know more about the everyday lives of my historical characters has taken me on many wonderful adventures, and my personal library is full of books I use for research. I write fiction, creative nonfiction, and novels. I am currently completing a new novel about a family of downwinders, people who contracted cancer from government-sanctioned radioactive fallout from the atomic bomb tests in Nevada during the 1950s and 1960s.
Part of my job when writing historical fiction is to know the "lay of the land." That means understanding regional maps, the geography, the climate, and the flora and fauna of the era and location of my story. I turned to this book so often that some of the pages are falling out. Beautifully illustrated with color photos, maps, and drawings, this book describes the history and main features of twelve main geographical regions in the Holy Land and connects them to major events in the Old and New Testaments. It's an accessible resource that functions more as a cultural atlas than simply as a map atlas.
The first atlas of the Bible to treat its subject geographically rather than historically, this unique work features the main biblical sites, illustrated with photographs and colour maps. The book opens with a description of the Bible, explains how it came to be composed and how it has been transmitted to us through medieval manuscript copies and modern translations. The second section of the text provides an outline of the historical background of the Bible, from the time of Abraham to the close of the New Testament period. The third and principal section discusses the main geographical regions of the…
I still remember the day I discovered the family atlas (I must have about five; it then lived in my room, and my dad was probably irked, but too kind and encouraging to show it). Since then, I have been mesmerized by maps. How lucky I am to turn an early passion into a focus of research and teaching (I am a Classicist and Historian of Ancient Science). My publications include studies of narrative maps in Greco-Roman literature (they too were mesmerized by maps). You can find maps in the most unexpected places!
In this beautiful book, Maier guides her readers through the parallel development of Rome (imperial city, Holy See, thriving center of art and intellectualism) with the evolution of mapmaking.
I like the clear way that she shows how the changing city helped inform transitions in how and why maps are made. For example, medieval maps of Rome forefront of the city’s five churches, while downplaying other features, and give the cloistered monk (and modern reader) the opportunity to trace an imagined pilgrimage (I spent many childhood hours with the family atlas imagining my own journeys to faraway lands).
Only in the 19th century, when travel for pleasure becomes widespread, do maps of Rome (and elsewhere), advertising their sponsors, become more utilitarian, enabling tourists to find their own ways, and supplying cheap souvenirs.
One of the most visited places in the world, Rome attracts millions of tourists each year to walk its storied streets and see famous sites like the Colosseum, St. Peter's Basilica, and the Trevi Fountain. Yet this ancient city's allure is due as much to its rich, unbroken history as to its extraordinary array of landmarks. Countless incarnations and eras merge in the Roman cityscape. With a history spanning nearly three millennia, no other place can quite match the resilience and reinventions of the aptly nicknamed Eternal City. In this unique and visually engaging book, Jessica Maier considers Rome through…
I write, I read, I love people, and I have been living in a fantasy world ever since I was small. Personalities fascinate me and I have studied the little quirks and oddities that flavor individuals both in my artwork (I’m a portrait artist/oil painter), in my college major (counseling), and while writing my stories. What makes us who we are, and who our characters are, involves our backstories, our hopes, our fears, our dreams. Everyone has them and our characters in our stories should too. Oftentimes when I’m writing I find myself exploring a character more than I thought I would and that’s the fun part. I enjoy authors who do the same.
It’s not often you can pick up a fantasy book and laugh. Not only laugh but travel with a rogue group of people and enjoy every minute of it. The Girl from Everywhere is just plain fun! I loved the characters, so much personality! That it’s a time travel story makes it exciting, and I have a passion for tall ships, so she had me with the sailing adventure. Add to that humor and a feisty dialogue. I can’t say enough about this book.
The Girl from Everywhere, the first of two books, blends fantasy, history, and a modern sensibility. Its sparkling wit, breathless adventure, multicultural cast, and enchanting romance will dazzle readers of Sabaa Tahir and Leigh Bardugo.
As the daughter of a time traveler, Nix has spent sixteen years sweeping across the globe and through the centuries aboard her father’s ship. Modern-day New York City, nineteenth-century Hawaii, other lands seen only in myth and legend—Nix has been to them all.
But when her father gambles with her very existence, it all may be about to end. Rae Carson meets Outlander in this…
My early memories of San Francisco in the late 1970s are anything but glamorous. We lived in a crummy apartment down the street from the People’s Temple, and my preschool, in the always gray Sunset, served carob, not chocolate. Despite decamping for the greener pastures and white sands of Carmel-By-The-Sea, I was forever hooked by the gritty magic of San Francisco. I eventually returned to the city’s foggy Richmond District, where now I ruminate on past adventures, plot new ones, and write about the place I love. I'm the author of Moon Napa Sonoma, Moon California, and Moon Northern California, and my work has appeared in 7x7, the San Francisco Chronicle, and Alaska Magazine.
Rebecca Solnit’s San Francisco is an onion; not one to be peeled back, but one whose paper skins remain overlapping in layered complexity. Reflecting the city’s élan, this odd-sized book is a beautiful compendium of exquisitely illustrated maps, each unique in style and in juxtaposing themes. You’ll open it to find one plotting Bay Area culinary establishments against its Super Fund sites; then flip to a quixotic mapping of murders and Monterey Cypress; then to another revealing the lost world of South of Market or the Third Street corridor from 4000 B.C.E. to 2001. Each map has a corresponding essay, many written by writers other than Solnit, adding to the vibrancy of voices in this masterwork of a diverse and complex place.
What makes a place? "Infinite City", Rebecca Solnit's brilliant reinvention of the traditional atlas, searches out the answer by examining the many layers of meaning in one place, the San Francisco Bay Area. Aided by artists, writers, cartographers, and twenty-two gorgeous color maps, each of which illuminates the city and its surroundings as experienced by different inhabitants, Solnit takes us on a tour that will forever change the way we think about place. She explores the area thematically - connecting, for example, Eadweard Muybridge's foundation of motion-picture technology with Alfred Hitchcock's filming of "Vertigo". Across an urban grid of just…
Fiona Rule is a writer, researcher, and historian specialising in the history of London.
She is the author of five books: The Worst Street In London, London's Docklands, London's Labyrinth, Streets Of Sin, and The Oldest House In London.
A regular contributor to television and radio programmes, Fiona also has her own company, House Histories, which specialises in researching the history of people's homes. She holds an Advanced Diploma in Local History from the University of Oxford.
Not a book as such, but these maps tell the social historian a great deal about London in the late-1800s. They were compiled by Charles Booth, a wealthy philanthropist, who wanted to highlight the areas of London in the greatest need of help. In order to achieve this, he despatched a team of researchers to every street in London (except the City,) to assess their character. The results were entered onto a colour-coded map – yellow streets were the most affluent; black were the resorts of “vicious semi-criminals”.
A splendid - and necessary - publication...a great resource Iain Sinclair
Charles Booth's landmark survey of life in late-19th-century London, published for the first time in one volume.
In the late nineteenth century, Charles Booth's landmark social and economic survey found that 35 percent of Londoners were living in abject poverty. Booth's team of social investigators interviewed Londoners from all walks of life, recording their comments, together with their own unrestrained remarks and statistical information, in 450 notebooks. Their findings formed the basis of Booth's colour-coded social mapping (from vicious and semi-criminal to wealthy) and his seventeen-volume survey Inquiry into…
This book explains why so many countries and regions most of us know little about until they suddenly appear in the news will be critical players in our futures.
The author lists ten regions he believes will be central to world order or disorder. They are probable flashpoints for conflict over resources (eg Ethiopia and its control of water), strategic power (e.g., Australia, between the powerhouses of China and America), ethnic borders, and a frightening list of other desires or grievances.
Marshall presents his vast knowledge and reasoning in a clear and highly readable style, which - so soon - is proving prophetic (e.g., the recent events in the Sahel). It is fascinating and essential for knowing what the future will bring.
'I can't imagine reading a better book this year' Daily Mirror
Tim Marshall's global bestseller Prisoners of Geography showed how every nation's choices are limited by mountains, rivers, seas and concrete. Since then, the geography hasn't changed. But the world has.
In this revelatory new book, Marshall explores ten regions that are set to shape global politics in a new age of great-power rivalry: Australia, Iran, Saudi Arabia, the UK, Greece, Turkey, the Sahel, Ethiopia, Spain and Space. Find out why Europe's next refugee crisis is closer than it thinks as trouble brews in the Sahel;…
I taught American, European, and World History at the University of British Columbia for over 30 years. I was constantly reminded of the dynamics and consequences of slavery and how a history of black America should be more prevalent in understanding the development of American culture, institutions, and identity over time. In writing two books on colonial America and the American Revolution, the roots of America’s racial divide became clearer and the logic of permanence seemed irresistible. My Shaping the New World was inspired by a course I taught for years on slavery in the Americas. Compiling the bibliography and writing the chapters on slave women and families helped to refine my understanding of the “peculiar institution” in all its both common and varied characteristics throughout the Americas.
This is best viewed as a template for the vast historiography of the slave trade that includes studies of the slave ship, the crews, the horrors of the “middle passage” and the organized acquisition in Africa and disposal in the Americas of African bodies. The Atlas is a graphic summary of the comprehensive base compiled by Eltis and his colleagues.
A extraordinary work, decades in the making: the first atlas to illustrate the entire scope of the transatlantic slave trade
Winner of the Association of American Publishers' 2010 R.R. Hawkins Award and PROSE Award
"A monumental chronicle of this historical tragedy."-Dwight Garner, New York Times
Between 1501 and 1867, the transatlantic slave trade claimed an estimated 12.5 million Africans and involved almost every country with an Atlantic coastline. In this extraordinary book, two leading historians have created the first comprehensive, up-to-date atlas on this 350-year history of kidnapping and coercion. It features nearly 200 maps, especially created for the volume,…
Ian Stuart Sharpe likes to imagine he is descended from Guðrum, King of the East Angles, although DNA tests and a deep disdain for camping suggest otherwise. He is the author of two novels set in his alternate Vikingverse, the All Father Paradox and Loki’s Wager. He once won a prize at school for Outstanding Progress and chose a dictionary as his reward, secretly wishing it had been an Old Norse phrasebook. It took him thirty years, but he has finally realised his dream.
If a picture is worth a thousand words, what value is an illustrated, annotated map complete with key dates and a timeline?! Most books carry a few maps that help orientate you to the text, but this atlas is a treasure trove. It provides a visual context that is hugely helpful in understanding how the world of the Vikings evolved.
Viking marauders in their longships burst through the defences of ninth-century Europe, striking terror into the hearts of peasants and rulers alike for two centuries. But the Vikings were more than just marine warriors and this atlas shows their development as traders and craftsmen, explorers, settlers and mercenaries. With over sixty full colour maps, it follows the tracks of the Viking merchants who travelled deep into Russia, of Viking mercenaries who served in the emperor's bodyguard at Constantinople, and Viking mariners who sailed beyond the edge of the known world to North America.
I have obsessed with maps my whole life, but I guess the main drive for studying them is my enjoyment of outdoor spaces, as a hiker, a mountaineer, and as a sailor: always with a paper map at hand. If you use GPS (a wonderful innovation) you will not only lose some of your precious orientation abilities but above all you will look less at the environment around you. I feel that paper maps do a great favor to my brain and to my enjoyment of places. The books below are a great tribute to maps; they helped me understand them better, and this affected the way I use them.
This is a super-authoritative book on the historical evolution of map-making by a renowned scholar of classics. It shows a surprising variety of maps from Antiquity to the present. Yet in this variety, Jacob is able to find important commonalities that help us understand what makes a map a map.
The take-home message for me has been that maps are engines of thought. By making a territory visible, they unleash a trove of otherwise unthinkable thoughts about it.
A novel work in the history of cartography, "The Sovereign Map" argues that maps are as much about thinking as seeing, as much about the art of persuasion as the science of geography. As a classicist, Christian Jacob brings a fresh eye to his subject - which includes maps from Greek Antiquity to the twentieth century - and provides a theoretical approach to investigating the power of maps to inform, persuade, and inspire the imagination. Beginning with a historical overview of maps and their creation - from those traced in the dirt by primitive hands to the monumental Dutch atlases…
I have obsessed with maps my whole life, but I guess the main drive for studying them is my enjoyment of outdoor spaces, as a hiker, a mountaineer, and as a sailor: always with a paper map at hand. If you use GPS (a wonderful innovation) you will not only lose some of your precious orientation abilities but above all you will look less at the environment around you. I feel that paper maps do a great favor to my brain and to my enjoyment of places. The books below are a great tribute to maps; they helped me understand them better, and this affected the way I use them.
This is a very engaging introduction to the history of mapmaking through lively narrated anecdotes, some of which are juicy, such as the persistence of inexistent geographic features (California was mapped as an island for many decades).
I also learned, to my astonishment, that Google has a simple, non-invasive way to know your home address: it is the first address most users look for when they connect to Google Maps!
Maps fascinate us. They chart our understanding of the world and they log our progress, but above all they tell our stories. From the early sketches of philosophers and explorers through to Google Maps and beyond, Simon Garfield examines how maps both relate and realign our history.
With a historical sweep ranging from Ptolemy to Twitter, Garfield explores the legendary, impassable (and non-existent) mountains of Kong, the role of cartography in combatting cholera, the 17th-century Dutch craze for Atlases, the Norse discovery of America, how a Venetian monk mapped the world from his cell and the Muppets' knack of instant…
