Peeking over the American fence, I found myself in China in 2004 as the nation was transitioning from its quaint 1980s/90s self into the futuristic “China 2.0” we know it today. My occupation, like many expats, was small-town English teacher. I later departed for what would become a two-year backpacking sojourn across all 33 Chinese provinces, the first foreigner on record to do so. Since then, I have published three books about China; my anthology Unsavory Elements was intended as a well-meaning tribute to the expatriate experience, however my own essay – a bawdy account of a visit to a rural brothel – was understandably demonized. The following five books expand on that illicit theme.
Starting out as a serial in an 1890s Shanghainese magazine, yet remaining unpublished until 2005 following the discovery of its English translation among the belongings of the late Eileen Chang, The Sing-Song Girls of Shanghai is an unparalleled historical classic set in the pleasure quarters of the Qing Dynasty. Unlike the hyper-erotic writings of Li Yu and Lanling Xiaoxiao Sheng, the author, Bangqing Han, opted for a tempered realism unique for its period. Clocking in at 600 pages, and densely layered with multiple character arcs that are a bit difficult to keep track of, Sing-Song Girls may require more than one reading.
Desire, virtue, courtesans (also known as sing-song girls), and the denizens of Shanghai's pleasure quarters are just some of the elements that constitute Han Bangqing's extraordinary novel of late imperial China. Han's richly textured, panoramic view of late-nineteenth-century Shanghai follows a range of characters from beautiful sing-song girls to lower-class prostitutes and from men in positions of social authority to criminals and ambitious young men recently arrived from the country. Considered one of the greatest works of Chinese fiction, The Sing-song Girls of Shanghai is now available for the first time in English. Neither sentimental nor sensationalistic in its portrayal…
I’m a historian of modern China in the department of Chinese at the University of Oxford. I started off working on the twentieth century but have been drawn back into the Qing dynasty. It’s such an interesting and important period and one that British students often don’t know much about!
I loved this book because the story of the Zhang family brings the history of the Qing dynasty alive as real women experienced it. Qing dynasty people can seem very different from us, and it’s often hard to get a sense of their characters, but Mann does this by taking us right into their homes and making this a story of the three women who were also writers, poets, and teachers.
We hear about their studies, their loves, and their families’ grief when they died, and just when we’ve really got to know them, we find that they were also living through and writing about some of the great events of the nineteenth century like the Opium Wars and the Taiping Rebellion. It’s also beautifully researched by a great scholar.
The history of China in the nineteenth century usually features men as the dominant figures in a chronicle of warfare, rebellion, and dynastic decline. This book challenges that model and provides a different account of the era, history as seen through the eyes of women. Basing her remarkable study on the poetry and memoirs of three generations of literary women of the Zhang family - Tang Yaoqing, her eldest daughter, and her eldest granddaughter - Susan Mann illuminates a China that has been largely invisible. Drawing on a stunning array of primary materials - published poetry, gazetteer articles, memorabilia -…
I traveled to Xinjiang Uyghur Autonomous Region in the summer of 2019, where I saw for myself many of the tools of surveillance and control that the Chinese Communist Party has used to turn the region into an open-air prison. Since returning to the United States, I have tried to draw attention to the Uyghur genocide through my published articles and through my book, Middle Country, where I tell the story of the Uyghur genocide by weaving facts, history, and analysis into a narrative account of the week I spent in Xinjiang. I hope that my book can make this profoundly complex and multifaceted issue more accessible to the average person.
Peter C. Perdue gives an exhaustive account of the Qing Dynasty’s conquest of Xinjiang - which, according to many historians, was the first time a Chinese Dynasty consolidated its rule over the whole of the region. This history has important implications for claims regarding the legitimacy of Chinese rule over Xinjiang.
From about 1600 to 1800, the Qing empire of China expanded to unprecedented size. Through astute diplomacy, economic investment, and a series of ambitious military campaigns into the heart of Central Eurasia, the Manchu rulers defeated the Zunghar Mongols, and brought all of modern Xinjiang and Mongolia under their control, while gaining dominant influence in Tibet. The China we know is a product of these vast conquests.
Peter C. Perdue chronicles this little-known story of China's expansion into the northwestern frontier. Unlike previous Chinese dynasties, the Qing achieved lasting domination over the eastern half of the Eurasian continent. Rulers used…
I’m a historian of modern China in the department of Chinese at the University of Oxford. I started off working on the twentieth century but have been drawn back into the Qing dynasty. It’s such an interesting and important period and one that British students often don’t know much about!
I loved this little book because, in just a short space, it takes you into what it was like to live through the Taiping Rebellion, one of the most important events in China’s nineteenth century, and it does it through the eyes of a child. It’s an amazing viewpoint, and the stories are dramatic.
The introduction, which explains all the background, and translation by Xiaofei Tian, who is a well-known poet in Chinese as well as a professor at Harvard, is also beautifully written.
"From the cry of a tiny insect, one can hear the sound of a vast world..." So begins Zhang Daye's preface to The World of a Tiny Insect, his haunting memoir of war and its aftermath. In 1861, when China's devastating Taiping rebellion began, Zhang was seven years old. The Taiping rebel army occupied Shaoxing, his hometown, and for the next two years, he hid from Taiping soldiers, local bandits, and imperial troops and witnessed gruesome scenes of violence and death. He lost friends and family and nearly died himself from starvation, illness, and encounters with soldiers on a rampage.…
It is a truth almost universally accepted that historically women had no way to support themselves except marriage…but it’s not true! I’m all-in on Happily-Ever-After, of course, but I absolutely love it when a heroine is smart, sensible, and able to support herself on her own. When she falls for someone, it’s got to be for real because she’s not afraid to take charge of her own life and make her own way, despite whatever obstacles are thrown at her.
This is about a mathematics prodigy in a steampunk version of 19th century China, who wants to study at the Imperial Academy in Peking….except that she’s a young woman and not allowed to enroll in the all-male academy. Needless to say, this does not stop Anlei, who disguises herself as a man, scores top marks on the exam, and falls in love with one of her fellow students at the same time. Brilliantly lush writing, inventive world-building, and a mathematical romance to make my nerdy heart sing.
War looms on the horizon. Can a young woman caught between family and country keep her loved ones alive?
China, 1853. Jin Soling's divided loyalties rest on a knife's edge. Paired with Chen Chang-wei, her former betrothed, Soling works as a physician in a secret factory building automatons to march on the empire's battleground cities. Though Soling and Chang-wei's bond has grown stronger, the strain of serving a country in turmoil threatens to tear them apart.
From a dangerous smuggling run in pirate-infested waters to a dramatic confrontation in the winding streets of Shanghai, Soling learns that the greatest danger…
A
fascinating journey. The Good Earth is a richly told tale of Wang Lung, from
his beginnings as a soon-to-be marrIed young man through the utter poverty he
and his growing family endure, to his eventual wealth and the complexities that
arise thereafter.
The novel is a detailed depiction of Chinese tradition
pre-revolution, the likes of which probably was never revealed to Western
culture before in such detail and likely has not been done in such an engaging
way since. A must-read.
Anna Wang was born and raised in Beijing, China, and immigrated to Canada in her 40s. She received her BA from Beijing University and is a full-time bilingual writer. She has published ten books in Chinese. These include two short story collections, two essay collections, four novels, and two translations. Her first book in English, a 2019 memoir, Inconvenient Memories, recounts her experience and observation of the Tiananmen Square Protest in 1989 from the perspective of a member of the emerging middle-class. The book won an Independent Press Award in the "Cultural and Social Issues" category in 2020. She writes extensively about China. Her articles appeared in Newsweek, Vancouver Sun, Ms. Magazine, LA Review of Books China Channel, Ricepaper Magazine, whatsonweibo.com, etc.
Pearl S. Bucks was the first American woman who won the Nobel Prize for Literature. She was brought to China by her missionary parents when she was an infant. She continued to spend much of the first half of her life in China from 1892 to 1934. This autobiography covers her growing up in China and returning to the U.S. Good-hearted and open-minded, she was the very few foreigners who had intimate access to ordinary Chinese people's lives and souls, which remain mysterious to most outsiders to this day. As a sharp-eyed observer and skillful writer, she gave an extraordinary account of the major events such as the collapse of the Qing Dynasty, the Boxer Rebellion, and the civil war between the Nationalists and the Communists. The missionary work brought her to China in the first place, but in the end, she admitted failure in bringing God to China. Pearl…
Like many Americans of my generation (boomer) who became China scholars, I witnessed the civil rights and anti-war struggles and concluded that we in the West could learn from the insights of Eastern thought and even Chinese Communism. I ended up specializing in modern political thought—I think of this field as the land of “isms”—nationalism, socialism, liberalism, and the like. I have lived in China and Japan, and spent twelve years as a historical researcher in Taiwan before returning to America to teach at the University of Connecticut. Today, I would not say China has the answers, but I still believe that the two most important world powers have a lot to learn from each other.
I have long thought that one of the key ingredients of modern Chinese nationalism is a strong sense of ethnic identity for the people labeled “Han Chinese.” To a great extent this Han identity, though having ancient roots, was formed, elaborated, and ideologized around the turn of the twentieth century in opposition to the ruling Manchu Qing dynasty. This book shows how and why this happened.
China's 1911-12 Revolution, which overthrew a 2000-year succession of dynasties, is thought of primarily as a change in governmental style, from imperial to republican, traditional to modern. But given that the dynasty that was overthrown-the Qing-was that of a minority ethnic group that had ruled China's Han majority for nearly three centuries, and that the revolutionaries were overwhelmingly Han, to what extent was the revolution not only anti-monarchical, but also anti-Manchu?
Edward Rhoads explores this provocative and complicated question in Manchus and Han, analyzing the evolution of the Manchus from a hereditary military caste (the "banner…
As I write this, I massage aching bits of shrapnel still embedded beneath silvered scars. I’ve read many Vietnam War stories—praising the war, glorifying combat, condemning the war. My stories are 1st person limited POV, voice of a twenty-year-old sailor. My title is a spin-off of Joseph Conrad’s Heart of Darkness. By the time I wrote my memoir, I realized that our national goals in Vietnam had been Muddy from the beginning. I too, traveled Jungle Rivers. During my time on the riverboat, I witnessed Rivers of blood—rivers of life, trickle across our deck. And yes, Jungle is a fitting metaphor for our life at that time.
After my mother was committed, I went through five foster homes by sixteen. Wolff’s early years mirrored mine in some respects—broken home, high school dropout, military service a path forward. He even served in the Mekong Delta, arriving early in 1968 just as the Tet Offensive was trigged. I arrived one week later. Wolff’s tight dialogue and crazy exploits such as the color television resonated. But “Last Shot”—the last two pages really touched me as he reflects on a lost friend Hugh—no chance to live life and have a family. Many years ago my daughter went to Washington D.C. She asked if I knew anyone on the Wall. She returned with thirteen etchings. Each day I reflect on why I have lived so long and they never had a chance. Wolff shares that emotion so masterfully throughout his book.
Whether he is evoking the blind carnage of the Tet offensive, the theatrics of his fellow Americans, or the unraveling of his own illusions, Wolff brings to this work the same uncanny eye for detail, pitiless candor and mordant wit that made This Boy's Life a modern classic.
Life is pretty dull without passion. Since early childhood I was attracted to Chinese philosophy, then to all the cultural aspects that reflect it. At the same time, I felt the blood in my veins drawing me to ancestral roots. Learning about other cultures helps us learn about our own. I’ve been driven by sympathy for the immigrant experience, the suffering, and sacrifices made for a better, peaceful life. What prepared me to write Wuxia America includes my academic studies, living and working in Asia, and involvement in martial arts. My inspiration for writing stems from a wish to encourage ways to improve human relations.
I loved Elegant’s book because he included a highly detailed account of the period, an account only possible by a top China scholar.
Manchu is a fictional work set within a vivid history of 17th-century China when the Manchus from northeast Asia battled native Han Chinese causing the fall of the Ming dynasty (1368 to 1644). The great conflict is brought to life in a personal way, including the interactions of heroic characters, Eastern and Western. The result highlights varied perceptions of politics, warfare, and social relations.
I appreciate Elegant’s blend of academic precision and detail with creative storytelling to make history so interesting. He encases facts in an emotional plot. Elegant is a master wordsmith who stimulates thought, valuable for understanding the Manchu period as well as individual introspection.
A young, exiled British mercenary plays out his fortunes against a rich, exotic tapestry of love and warfare as China's last glorious Ming dynasty falls to the northern Manchu hordes
