Writing my first book, I found out how dependent my thinking about the world beyond my doorstep was on language made up by engineers (“Please don’t block the driveway”). Engineering language defined how I saw the street. It was a shock to realize how severely this had limited my thinking about public space but also a liberation to become aware of this: now I could perceive streets in completely new and different ways. The books I recommend all have made me perceive the world differently. I hope they do the same for you. Also, see the recommendations by my co-author, Marco te Brömmelstroet.
Many thousands of adults have learned to draw better by following Betty Edwards’ course. I am one of them.
In the book, she also explains why so many people (including me) believe they cannot draw. Why, she asks, do children spend so many hours at school learning to write? What if schools devoted that much time to drawing? Why don’t they?
Letting go of thinking in words and starting to use our senses to perceive the world helps us see the world more like it is and less as we believe it is. Betty Edwards provides great methods for getting ‘out of the words’ into the senses. I see more detail around me after having spent some time drawing something around me attentively.
'You will quickly amaze and delight yourself. Hands down the best and most life-enhancing thing I've done in lockdown' India Knight, Sunday Times
Drawing on the Right Side of the Brain is the world's most widely used drawing instruction book. Whether you are a professional, a student, or enjoy art as a hobby, Betty Edwards' practical step-by-step guide will give you greater confidence in your ability, deepen your artistic perception and provide a new way to appreciate the way you perceive the world around you.
This groundbreaking guide includes: - Expert advice on materials…
I have always been passionate about knowledge and learning and started my higher education by studying and teaching in the sciences. But I soon fell in love with the humanities, an ocean that brought me a new way of looking at the world and reinforced my intuition that the sciences and humanities are not ‘two cultures’ as sometimes portrayed but complementary endeavors as clear by historical studies themselves. My latest training in the history of science and the multi-cultural aspects of early science, in particular, has added a new passion, one for human understanding, tapping into our common heritage, as highlighted in my list, for serving an increasingly divided world.
I find this book fascinating and pioneering in more than one way. Not only does it uncover the historical development of the important science of optics in terms of theories of vision, the predominant form of the subject in premodern times.
But the book also covers key concepts and models in visual theory starting from ancient and medieval periods, including the extramission models of ancient Greek mathematicians and physicians, the intromission models of medieval Islamic and European natural philosophers, and the critical combination of those models and disciplines in generating dependent breakthroughs.
This is among a few monographs devoted to the subject that successfully draw on our common heritage in documenting and explaining the course of the field’s transmission and transformation.
Kepler's successful solution to the problem of vision early in the 17th century was a theoretical triumph as significant as many of the more celebrated developments of the scientific revolution. Yet the full import of Kepler's arguments can be grasped only when they are viewed against the background of ancient, medieval, and Renaissance visual theory. David C. Lindberg provides this background, and in doing so he fills the gap in historical scholarship and constructs a model for tracing the development of scientific ideas.
I am an author, illustrator, and award-winning creative director. I have loved to draw and make things since a young age, mostly wacky contraptions (inspired by my love of the Hanna-Barbera Wacky Races cartoons). I’m also passionate about mazes, having spent many family holidays drawing mazes on a small whiteboard for my two boys to complete.
While Jumbo Book of Amazing Mazes lacks the high-end production values of my other recommendations, it does offer a whopping 175 colourful illustrated mazes, enough (probably) to last the whole summer holidays! The mazes are varied, with many of them incorporating other puzzle techniques, so you’ll find code-word mazes, quiz mazes, number-logic mazes, and riddle mazes in the mix, this is something I like a lot, and one of the reasons it made my list. This book is great value for money and better than many, if not most, of the similarly priced alternatives (many of which only include black and white mazes, something to be aware of).
This jumbo book is packed with more than 175 colorful mazes of various puzzle types and features the fun and humorous Highlights! illustrations that kids know and love. Each maze is carefully designed to engage and entertain children while honing their concentration skills and attention to detail. In addition to irresistible traditional mazes, kids will enjoy untangling string mazes, solving code-word mazes, quiz mazes, number-logic mazes, riddle mazes, and more!
I’ve had a life-long love affair with the arts. I intended to become an artist, but ultimately became a psychologist researching psychological aspects of the arts. My first book, Invented Worlds, examined the key questions and findings in the psychology of the arts. In Gifted Children: Myths and Realities, I wrote about gifted child artists. My Arts & Mind Lab at Boston College investigated artistic development in typical and gifted children, habits of mind conferred by arts education, and how we respond to works of art. The walls of my home are covered with framed paintings by young children, often side by side paintings by professional artists.
This is a classic book by German-born psychologist Rudolf Arnheim, in which he lays out the principles underlying our perception and understanding of works of visual art. One of the major principles discussed is the human tendency to see the simplest form possible in any visual array. This ‘simplicity principle’ is also used to explain the intelligence and inventiveness of children’s art. In a brilliant chapter called Growth, Arnheim shows us that children are not striving towards realism; rather they are trying to create the simplest possible recognizable structural equivalent for the object they are representing. The inventiveness with which children reduce complex forms to simple structural equivalents requires far more intelligence than mindless copying.
Since its publication fifty years ago, this work has established itself as a classic. It casts the visual process in psychological terms and describes the creative way one's eye organizes visual material according to specific psychological premises. In 1974 this book was revised and expanded, and since then it has continued to burnish Rudolf Arnheim's reputation as a groundbreaking theoretician in the fields of art and psychology.
My journey began as a high school camp counselor at the Ability Center of Greater Toledo in Ohio. As I worked with children who had neurodevelopmental differences and collaborated with a co-counselor who had cerebral palsy, I saw how people with differences were marginalized and devalued despite being insightful, empathetic, passionate, funny, and talented. My appreciation for their strengths and perspectives shaped my approach as a pediatric neurologist, BCBA, neuroscientist, researcher, and founder of Cortica, which is focused on a whole-child, neurodivergent-affirming approach to care for autism and other neurodevelopmental differences. Reading is an important way for me to stay connected to the strengths-based lens I began cultivating in my teens.
Our society places a premium on verbal thinking, but over the course of my career, I’ve had the pleasure of learning from neurodivergent children who see the world around them in images and use those images to solve mundane and complex challenges alike. This book by Temple Grandin has helped me to shift my own mindset as a verbal thinker and appreciate the abilities of those who think in more abstract, non-linear, and systemic ways.
As a BCBA and pediatric neurologist, having the opportunity to hear directly from Grandin, who is autistic, is invaluable. I share her perspective that we do autistic people–and society as a whole–a great disservice when we relegate visual thinkers to the sidelines instead of empowering them to be the artists, designers, engineers, inventors, mechanics, and innovators our world desperately needs.
I'm currently an Honorary Fellow in Social Theory at the University of York, U.K. For more than five decades I've been working to promote more reflexive perspectives in philosophy, sociology, social theory, and sociological research. I've written and edited many books in the field of social theory with particular emphasis upon questions of culture and critical research in the expanding field of visual culture. Recent projects include Interpreting Visual Culture(with Ian Heywood), The Handbook of Visual Culture, and an edited multi-volume textbook to be published by Bloomsbury,The Bloomsbury Encyclopedia of Visual Culture. The passion to understand the thought and visual culture of both the ancient and modern world continues to inform my work.
Crary’s work provides a theoretical and empirically informed synthesis of the work of theorists like Berger, Debord, Baudrillard, Barthes, and Sontag. Like these earlier writers, the technological transformations of visual culture are at the heart of the social transformations of the modern world. To understand modernity is thus first to make sense of its visual logics, procedures, and practices. This general argument allowed the author to enter the granular historical details of how seeing and 'observation’ have become essential to the concerns of modern life. What he calls 'techniques of the observer’ are in fact the core sensory apparatus that has helped to shape the institutions and practices of modern life.
What can be visualized is correlated to the technical affordances and historical development of representational practices. This makes technologies of the visual central to social analysis. Some of the most powerful drivers of modern life are thus linked to…
Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle.
In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity.
Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing…
I am the co-author and CEO of The Wonder Weeks. I advise various global players in the field of babies and I'm a sought-after speaker at fairs and in daily exchange with mothers and fathers.
With all this knowledge I know the needs of parents and their children like no other, with my books and apps I stand for power to the parents!
High contrast baby books help babies to stimulate development, in the first months a baby develops sensations and patterns, so it is very helpful and good for the baby to discover colors and feel various materials like soft polyester. The book is strong stitching and absolutely safe for babies.
I'm a designer, a teacher, a father, a husband, and a friend. I love beautiful things and personally want to know why I find certain things more beautiful than others. I love learning about the world and finding connections between everyday experience and art. When I say “art” I really am blending art, design, architecture, landscape architecture, product design, etc. I believe everything is connected in some way. If I were to pigeonhole myself in any way I would call myself a generalist design thinker. I draw, I write, I make little objects, I make big objects – I see very little difference in any of these things.
This book outlines how the visual field operates at a psychological level.
I am an architect and cannot believe that we don’t teach straight from this and other Arnheim books more often. If you want to know what is happening to you, why you get chills up your spine when looking at art, read this book.
Arnheim is a psychologist, not a designer, so he breaks art down from this perspective.
For thirty-five years Visual Thinking has been the gold standard for art educators, psychologists, and general readers alike. In this seminal work, Arnheim, author of "The Dynamics of Architectural Form", "Film as Art", "Toward a Psychology of Art", and "Art and Visual Perception", asserts that all thinking (not just thinking related to art) is basically perceptual in nature, and that the ancient dichotomy between seeing and thinking, between perceiving and reasoning, is false and misleading. This is an indispensable tool for students and for those interested in the arts.
I was thrown into the deep end to learn about autism when our first son was diagnosed as autistic. As first-time parents, how were we to know that the struggles we faced went beyond the norm? We also have twins, one of whom is ADHD and the other dyslexic. Thus, not only have I spent a lot of time learning about autism, but I also enjoy turning to fiction to learn how others both struggle and find solutions. I started writing because the bedtime routine with my kiddos was very difficult. Nearly twelve years later, I am still using my writing to overcome the obstacles in my life.
I was surprised to see this on a list of neurodiverse books because I hadn’t remembered that Hannah, the professional cuddler has aphantasia which means she cannot form pictures in her head.
This story is an opposites attract where the characters have to live together for ninety-two days if they are to inherit a building. Hannah’s warmth is the polar opposite of Winter’s reserved coldness which makes living together difficult. However, the more Winter learns about how Hannah thinks and functions, the more she thaws.
I loved that each character helped the other step beyond her comfort zone.
An enemies-to-lovers lesbian romance with an ice queen whose frosty facade is melted by the power of touch.
Hannah Martin has an unusual job: she’s a professional cuddler. While she has a big heart for her clients, she hasn’t found someone special to snuggle up to in her personal life.
Winter Sullivan isn’t looking for love. She’s an aloof workaholic who’s built walls of ice around herself. She would rather drive toothpicks under her fingernails than cuddle, and she certainly doesn’t want to share her space with anyone.
When Winter’s estranged father dies, he leaves her one last surprise: she…
I am a neuroscientist best known for my studies and writings exploring the brain basis of consciousness. Trained as a physicist, I was for 27 years a professor of biology and engineering at the California Institute of Technology in Pasadena before moving to the Allen Institute in Seattle, where I became the Chief Scientist and then the President in 2015. I published my first paper on the neural correlates of consciousness with the molecular biologist Francis Crick more than thirty years ago.
This book, by the co-discoverer of the molecular structure of DNA, helped kick off the modern research enterprise that seeks to track and identify the neuronal correlates of consciousness, that is the footprints of consciousness in the brain. Crick argues that for tactical reasons, scientists should focus on more accessible aspects of consciousness, such as visual awareness, and provides an easy-to-follow introduction into the mammalian brain.
Applying the methodology of science to the search for the soul, the winner of the Nobel Prize for the discovery of DNA explores the fundamental questions of human consciousness, challenging science, philosophy, and religion. Reprint. 25,000 first printing.
