We are social epidemiologists trying to understand how the societies we live in affect our health. Together, we try to communicate our scientific research to politicians and policy-makers, but even more importantly to everyone who is curious about how our worlds shape our wellbeing and who want to work together for positive change. We co-founded a UK charity, The Equality Trust, to build a social movement for a more equal society, and we are Global Ambassadors for the Wellbeing Economy Alliance, an international collaboration of organisations and individuals working to transform economic systems.
You probably view any connection to nature that you feel as a purely emotional and/or intellectual experience.
But what if we’re not individuals disconnected from other people and nature, but instead connected to nature and one another by biology and evolution in ways that have powerful implications for our ability to create societies that sustain both us as people and the planet we live on?
Like all our book picks, this one chimes with our own research – the more we learn about our real place in the world and how our world creates our realities, the better able we’ll be to change the world.
We are much more connected to nature and each other than it seems. We perceive ourselves as autonomous, discrete individuals with an unchanging inner self that persists throughout our lifetime, but this is an illusion.
On a physical, psychological and cultural level, we are all much more intertwined than we know: we cannot use our bodies to define our independent existence because most of our 37 trillion cells have such a short lifespan that we are essentially made anew every few weeks; the molecules that make up our bodies have already been component parts of countless other organisms, from ancient…
I am an anthropologist who has written or edited more than a dozen books on topics that range from the lives of trans sex workers, to the anthropology of fat. I have conducted extensive fieldwork in Papua New Guinea, Brazil, and Scandinavia. I work at Uppsala University in Sweden, where I am a Distinguished University Professor of Anthropology, and where I direct a research program titled Engaging Vulnerability.
This slim volume by Toni Morrison is a spare, elegant meditation on how what is absent – from view, from awareness, from narrative (in this case, what she calls the “Africanist presence” in the literary imagination) – exerts a structuring influence on what is present. The prose is characteristically beautiful, but what keeps me coming back to this book is the luminous tenor of Morrison’s engagement with literature that many people find objectionable and even racist. Rather than dismiss, condemn, and cancel, Morrison wants to understand, engage, and gain insight. “My project arises from delight, not disappointment”, she says, and that truly shows.
Pulitzer Prize-winning novelist Toni Morrison brings the genius of a master writer to this personal inquiry into the significance of African-Americans in the American literary imagination. Her goal, she states at the outset, is to "put forth an argument for extending the study of American literature...draw a map, so to speak, of a critical geography and use that map to open as much space for discovery, intellectual adventure, and close exploration as did the original charting of the New World-without the mandate for conquest."
Author of Beloved, The Bluest Eye, Song of Solomon, and other vivid portrayals of black American…
I
had never read Nabokov before, so this book was my introduction to the
alternating concentrated power and playfulness at work here. There is a great,
underlying seriousness to this investigation of the evils and
individual-crushing machinations of a dystopian, totalitarian State.
At moments
the story and prose rushes with an emotionless coldness, only to be re-balanced
by the self-sacrificing love of father for son. There is a deep humanity in the
book; alongside a terrible and pitiless exposure of the inhumane. The language
and storytelling are startlingly original and uncompromising, right from the
very beginning.
Krug, and his adversary, Paduk, "The Toad", make a fascinating
human aspect to this story of a country’s descent into authoritarian nightmare
and insanity. Even at the darkest moments, the exquisite beauty of thought and
language here offers the characters a last escape from Hell, even if only by
means of a Heaven-sent beam…
Part of the fabulous new hardback library of 22 Vladimir Nabokov books, publishing over the coming year, with an elegant new jacket and text design.
The state has been recently taken over and is being run by the tyrannical and philistine 'Average Man' party. Under the slogans of equality and happiness for all, it has done away with individualism and freedom of thought. Only John Krug, a brilliant philosopher, stands up to the regime. His antagonist, the leader of the new party, is his old school enemy, Paduk - known as the 'Toad'. Grieving over his wife's recent death, Krug…
My name is Mechal Roe and I have loved creating fun and colorful art to inspire the inner child in all of us. I began my journey in children's print design and worked my way up to Clothing Designer. It was quite rewarding, and I learned so much. After, I left to create a children's book and toys to serve underrepresented youth. Creating the book was a form of introspection to move me along my heart's path. It was also a gift to those young ones who also struggle with understanding themselves in the world.
I recommend this book because I have found the meaning of love to be elusive. Slipping in and out of my life's timeline. When love stays, it waits for me to generate it alone, by myself, in hopes that I will alchemize it to all of my relationships. Bell Hooks helped me see how to better understand the mystical workings of love, and it's sometimes confusing nature.
Her work helped me appreciate that the endurance of pain is not the presence of love. Allowing love to be an inner source as life-giving, rather than codependently attaching to an outside source, which can be life-ending.
"The word "love" is most often defined as a noun, yet...we would all love better if we used it as a verb," writes bell hooks as she comes out fighting and on fire in All About Love. Here, at her most provocative and intensely personal, the renowned scholar, cultural critic, and feminist skewers our view of love as romance. In its place she offers a proactive new ethic for a people and a society bereft with lovelessness. As bell hooks uses her incisive mind and razor-sharp pen to explore the question "What is love?" her answers strike at both the…
I spent 36 years on the MIT faculty, an exhilarating stint in the academic fast lane. For 25 of those years, I served on my department’s promotion and tenure committee. I was also a journal editor, a book-series editor, and I ran technical conferences, just the kinds of things one expects from someone in my position. Along the way, I started reading novels about the academic life. Finding many of them wanting (too silly, too dysfunctional), I decided that after my retirement, I would write my own novels, presenting a realistic insider’s picture of life in the academic fast lane and the familial stresses that can result.
Pnin, a Russian émigré teaching at a not-wonderful college, is a remarkably endearing protagonist. I would welcome him into my home. Constantly swimming upstream, he is resolute yet humble. He takes on life in America with thoughtful determination and becomes victorious even in defeat. A stellar individual. Nabokov’s deftness with the English language enriches this short and highly accessible novel.
Professor Timofey Pnin, late of Tsarist Russia, is now precariously perched at the heart of an American campus. Battling with American life and language, Pnin must face great hazards in this new world: the ruination of his beautiful lumber-room-as-office; the removal of his teeth and the fitting of new ones; the search for a suitable boarding house; and the trials of taking the wrong train to deliver a lecture in a language he has yet to master.
Wry, intelligent and moving, Pnin reveals the absurd and affecting story of one man in exile.
I am a historian and economist who is fascinated by the intersection of the economy and culture. This started for me with the idea that economic ideas were shaped by the cultural context in which they emerged, which resulted in my book on the Viennese Students. Over time it has expanded to an interest for the markets for the arts from music to the visual arts, as well as the way in which culture and morality influence economic dynamism. Economics and the humanities are frequently believed to be at odds with each other, but I hope to inspire a meaningful conversation between them.
Perhaps Max Weber’s book on the Protestant Ethic should be on my list. But I prefer this book by sociologist Campbell which is at least as bold in its argument. It takes a fresh look at consumption and suggests that modern consumption draws on human imagination, a desire for novelty, and experimentation. Like Weber, Campbell traces the historical roots of modern economic action, and he does so by suggesting that Romanticism was not a hostile reaction to capitalism, but the imaginative counterpart to the productive revolution of the eighteenth century. As such Romanticism facilitated the Industrial Revolution and made the modern economy possible. Campbell does not explore this, but I think of the Romantic Ethic as the cultural background for the subjective theory of value in economics.
Originally published in 1987, Colin Campbell's classic treatise on the sociology of consumption has become one of the most widely cited texts in sociology, anthropology, cultural studies, and the history of ideas. In the thirty years since its publication, The Romantic Ethic and the Spirit of Modern Consumerism has lost none of its impact. If anything, the growing commodification of society, the increased attention to consumer studies and marketing, and the ever-proliferating range of purchasable goods and services have made Campbell's rereading of Weber more urgent still. As Campbell uncovers how and why a consumer-oriented society emerged from a Europe…
I am the grandson of a political refugee. My grandfather was a gunrunner in the Greek resistance to Turkish occupation of Chios prior to the 1st Balkan War. His guerilla activity placed his life in danger. He fled pursuit by the Turks, which led to his eventual emigration to the United States. From childhood my family experience was of lively discussions that were inflected by my grandfather’s experience of resistance and US citizenship. They sparked my fascination with the role of citizen voices in a democracy. That was a main focus of my academic career, teaching rhetoric for more than 40 years at Penn State University and the University of Colorado Boulder.
The idea of citizenship is vague and can be complicated. Sometimes it refers to a person recognized as a natural-born or naturalized denizen of a nation, sometimes the right to cast a ballot, sometimes law-abiding behavior, sometimes civic engagement, and, too seldom, engaging in public work. Bellah and his associates conducted a series of interviews with ordinary citizens across the US to ascertain their understanding and values with respect to private and public (citizenly) life.
Overwhelmingly, those interviewed (mostly white, middle-class Americans) attached great value to their private lives, while acknowledging the importance of civic participation. They commonly expressed a belief that they should be publicly involved. However, when they discussed public life, they had a limited range of ideas about what that participation might look like, especially compared to the rich descriptions they offered for private life and why they valued it so.
First published in 1985, "Habits of the Heart" continues to be one of the most discussed interpretations of modern American society, a quest for a democratic community that draws on our diverse civic and religious traditions. In a new preface the authors relate the arguments of the book both to the current realities of American society and to the growing debate about the country's future. With this new edition one of the most influential books of recent times takes on a new immediacy.
I have been a writer for more than twenty years and have favored pursuing “truth in fiction” rather than “money in formula.” As author Edward St. Aubyn quotes: “Money has value because it can be exchanged for something else. Art only has value because it can’t.” I find books about writers are closer to my lived experience and connect me intimately with both the characters and their author.
A series of essays and observations by one of literature’s most incendiary writers, written during the decade of his greatest creativity which ended in a life-changing fatwa. Rushdie takes aim at diverse subjects such as racism in Britain, religious fanaticism and literature, the cult of individualism, writers conferences, and trivia about other writers. He holds a candle for the colonial writer who infused the English language with a multitude of thoughts, words, and phrases, and claims that the novel should be subversive, not representative. He also punches back at accusers and justifies his most vilified novel, The Satanic Verses, as a work of dissent not of abuse or insult, and explains its imagery and symbols.
Containing 74 essays written over the last ten years, this book covers a range of subjects including the literature of the perceived masters and of Rushdie's contemporaries, the politics of colonialism and the ironies of culture, film, politicians, the Labour Party, religious fundamentalism in America, racial prejudice and the preciousness of the imagination and of free expression.
My interest in the decade and in the Cold War came during graduate school. This was where I discovered Carl Sagan’s theory of a nuclear winter: that after a nuclear war, the debris and smoke from nuclear bombs would cover the earth and make it inhabitable for life on earth. Tracing debates between this celebrity scientist and U.S. policymakers revealed a hesitancy on either side to even consider each other’s point of view. This research made me reconsider the pop culture of my youth—films like The Day After and Wargames, music like “Shout” and “Everybody Wants to Rule the World,” and books from Don DeLillo’s White Noise to Dr. Seuss’ Butter Battle Book—and ultimately see them as part of a political contest in which lives—our lives—were in the balance.
This work of fiction arrived at the tail end of the Reagan Era. Read without context, it’s an enjoyable romp through the life of “Gen X’ers” and their pre-professional lives. However, much as psychologists of the 1950s ascribed one root cause of the growing problem of “Juvenile Delinquency” to fears of atomic war, Coupland’s characters are similarly disaffected from growing up during a period of similar fears—fears confirmed when one character dreams of dying in an atomic explosion. In tracing the lives of three fictional characters of this last Cold War generation, Coupland shows the emotional impact of growing up knowing that they could die any day. Seen in this light, Generation X captures the disaffection, disillusion, and dissatisfaction of a generation.
Generation X is Douglas Coupland's classic novel about the generation born from 1960 to 1978―a generation known until then simply as twenty somethings.
Andy, Claire, and Dag, each in their twenties, have quit pointless jobs in their respective hometowns to find better meaning in life. Adrift in the California desert, the trio develops an ascetic regime of story-telling, boozing, and working McJobs―"low-pay, low-prestige, low-benefit, no-future jobs in the service industry." They create their own modern fables of love and death among the cosmetic surgery parlors and cocktail bars of Palm Springs as well as disturbingly funny tales of nuclear waste,…
Michael, the author and narrator, has created a fun and interesting world with memorable characters.
His in-depth research shows through with actual cryptids that I'd never heard of, and tying them into a created world of intrigue and amusing personalities. His character voices and accents are very individualistic and well performed, keeping me looking forward to pressing play ASAP.
I've read everything this young author has written, met him at conventions, and encourage others to do the same. This guy is as charismatic as his books, and I look forward to his next book!
For most, Bayfield is a quaint, unassuming harbor town. For some, the decades-old headlines alleging unexplainable sightings of strange creatures in the water tell a different story. For a select few, the truth behind these legends, speculations, and folklore is more than a mere mystery: There’s magic in the bay. And for local fisherman Mr. Winslow Hoffner, it’s all just a matter of finding yourself in the wrong place at the right time...
