67 books like Merlin and the Grail

Through the pages of this book, unfolds a tangible reality of the birth and boyhood of Merlin the magician, leading up to his central position in the legend of Arthur and the Knights of the Round Table.

As I read, I saw how Stewart wove a story using some accepted historical facts and myths, to create something new and solid. I saw the way Stewart used mystical moments and magical spells to sit above common logic.

Her ability to write in this imaginative way makes her characters more believable. And I do believe it. I have feelings of satisfaction at the end of the book, which inspired me to write my own historical story.

I was on Christmas break from school, and we were to spend the holiday week at my aunt’s place. The adults would play mahjong, but as the only kid in the house, there was nothing for me to do. My mom took me to Target, and I picked up a copy of Harry Potter, as I had heard good things about the book.

Once I started reading it, I was immediately under the spell of this magical world. Very few books could compare to the amazing world J.K. Rowling created in the Harry Potter series. 

I am awed by the ambition of this book, which really does cover everything suggested by the title. 

The author is a Professor of Archaeology at Oxford and as his bio says he also worked as a curator at the Pitt Rivers Museum there, so his expertise is clear. 

He writes with a very broad sweep, and his arguments that key elements of magic can be traced across wide spans of time and space might be controversial – but this book is a huge and fascinating treasure trove of information. 

For anyone who wants to know about the history of magic I think this is a great place to start. 

Sophie Page is an expert on magic in medieval Europe and in this book she was given free rein to choose fascinating images from the British Library’s collection of medieval manuscripts. 

As somebody who studies medieval manuscripts myself, and loves them as works of art as well as for the historical records they contain, this book is irresistible. 

It’s a little like being given a guided tour through an exhibition on the subject, by someone who really knows how alchemy and astrology – or even necromancy and sorcery – were performed. 

If you want to know how to summon a demon or uncover hidden treasure, you’ll find places to start in this book! 

I love all things Arthuriana, including the many, many times he has been shown on film. This book covers many aspects of how Arthur has been put on screen in fifteen chapters by different scholars. One of the great things about a volume of edited papers like this is that there is still room for you to think about another aspect of the subject not covered inside.

I have been inspired to write several articles based on noticing just such a hole–and of course, coming out in 1991, there have been a plethora of Arthur films and all the interesting points they bring up that this book does not cover. I think reading about film is a fabulous way to look at things with fresh eyes.

Mark Twain’s King Arthur time travel novel led to numerous others.

While Twain’s novel is more of a veiled attempt to depict his own time, other authors have depicted Camelot as a utopian place and asked what the world would be like if it had not fallen. In The Forever King, a young boy, Arthur Blessing, turns out to be a reincarnated King Arthur. He travels back in time to Camelot to try to restore its past glory.

He failed in the past, but with the help of the Holy Grail, he is determined not to fail again. The novel led to two sequels. Like all these time travel novels, the goal is to change the past to create a better future. But utopias are always hard to achieve.

Charles Williams’s books have been described as “supernatural thrillers.” Many later authors have tried to use the theme of a recently-rediscovered ancient holy relic, which various people want to get hold of for good or evil purposes, in this case the Holy Grail or Graal, but few have done it as well as Charles Williams. I’ve read it at least five times, and I also think it has one of the most attention-grabbing opening lines in fiction: “The telephone bell was ringing wildly, but without result, since there was no-one in the room but the corpse.”

This book is a blast to read and also packed with insight (the Holy Grail, no?) It’s a collection of short chapters on a wide range of questions that either a baby or seasoned memoirist might ask. How do I find my voice? How do I organize my material? Am I betraying my family? (When Karr asked her own mom if she minded being outed as a knife-wielding alcoholic who set her children’s toys on fire, Mrs. Karr apparently replied: “Oh hell, the whole town knew about that.”) Karr draws on her extensive experience as a best-selling memoirist and teacher of memoir, serving up hard-won wisdom and concrete practical advice. Reading The Art of Memoir is like trapping a celebrity genius in a hotel bar and getting the unvarnished version. You’ll love it.

This is an early example of mythology being used for a deliberate purpose: in this case, the promotion of Christian chivalric virtue. Full of dreamlike images and allegories, it also had a great influence on early fantasy writing, even if those creating early fantasy tales had never read it. And then, of course, there’s Monty Python.

I first read this book while at university. I re-read it after touring the Langue d’Òc region of France focusing on the folklore surrounding Mary Magdalene. This book advances the hypothesis that the historical Jesus married Mary Magdalene and travelled to the south of France, where their children married into nobility and established what became known as the Merovingian dynasty. This book provided a source of information as well as support, given my subject matter and the two entwining histories: the biblical era of Jesus and the 13th C siege of Montsegur. Its extensive bibliography provided a rich source of research, including academic articles, essays, and books.