87 books like The Odyssey

Ayla’s amazing story of survival in ancient times no doubt influenced me in writing my own book, although I didn’t realize it until I was deep into telling my own story.

Both Ayla and Na’amah were, in a way we find difficult to grasp today, intimately connected to nature. Their very survival turned on that deep understanding. Both women were considered “different,” a feeling that resonated with me.  

I was particularly drawn to the premise that explored how two distinct, but related tribes of humans could have evolved with different innate characteristics and capacities (one relying more on instincts and the other on problem solving).

Not to mention how fascinating that Auel imagined a course of evolution that modern anthropology is only recently vindicating!

At a whopping 1,152 pages, Stephen King’s The Stand was just too much to capture in a single movie.

That’s why, in 1994, CBS adapted it across four, ninety-minute episodes of a limited run “mini-series” (a fancy way of saying “a really long movie”). In all fairness, it had a great cast and was better than it had any right to be, and was far more enjoyable than CBS’s 2020 attempt at a do-over.

But even with a total six-hour runtime, it couldn’t capture all the story, heart, and nuance that made the book so incredible. It’s a feat to read, one I did to pass the time when bored in school, and one I will surely do again in the future.

Graham Hancock's book has inspired me to learn more about mysterious places like Stonehenge and Machu Pichu.

Graham is a former newspaper reporter, which is evident when reading his works. He goes to the site and gives you a report on what he saw and learned about the place. He includes history, native beliefs, and mainstream archaeological theory to help the reader develop a clear understanding of the mystery and the differing viewpoints about the mystery.

I highly recommend this book to anyone interested in mysterious places. 

Every myth has an origin, a root. Perhaps the root of all human mythos originated deep in the mountains that lay east of the Black Sea. Nart Sagas from the Caucuses, by John Colarusso, brims with exciting stories of an ancient mythological race of heroic demigods called Narts. These stories were almost lost to history when the Caucus mountain tribes suffered genocide at Russia’s hands. Through “linguistic archeology,” Colarusso rediscovered and breathed new life into this nearly extinct folklore. The author postulates the Nart Sagas not only heavily influenced more familiar European and Asian myths, but may pre-date them and may be the direct link to humanity’s Indo-European roots.

This epic by Homer has a great impact on epic culture.

Writing such an epic in the 700-800 BC era is mind-blowing, War of Troy which we used to read in comic books and movies has so well narrated citing the bravery of Greek and Trojan Heroes in the Iliad.

Everyone should read about the heroes of Iliad epic King Agamemnon, warrior Achilles and Odyssey’s Greek hero Odysseus, king of Ithaca and his return journey about the Trojan War. Greek mythology is always a great source of information about the ancient time wars and treaties.

Not a novel, but it reads like one, as Nicolson tells the story of how the greatest sea voyage tale of all time – The Odyssey, and its sister epic The Iliad – came to be, with a cast of characters including the Greek heroes, gods and goddesses crossing the land and seascapes of Ancient Greece. 

Nicolson argues that these poems emerged not in the 8th century BC, when they were first written down, but a thousand years earlier in the oral tradition. In them, he sees the origin myths of the people who became the Greeks – the fusion of the native people of the Eastern Mediterranean and invaders from the northern steppes. 

But it is Nicolson’s personal investment in his subject that is so beguiling. A sailor himself, he brings his deep knowledge of the sea, of sailing, navigation, the capriciousness of wind, the knife-edge between… show more.

Newly released from juvenile detention, Emmett Watson finds nothing waiting for him but his little brother—and two friends who have escaped in the trunk of a car: Duchess, a born con man, and Wooly who claims that a large fortune awaits him in New York. They convince Emmett to go east on the Lincoln Highway, the Rt. 66 of the north rather than the west.

Told from many viewpoints, this picaresque adventure is hard to put down. I do love great historical research.

Wrath Goddess Sing reimagines Achilles as a trans woman and rewrites her journey through the myths of the Iliad. It’s the debut novel of trans author Maya Deane.

Achilles takes several lovers, but this book is not an Achilles/Patroclus shipping vehicle, so don’t go in with that expectation. She’s delightfully complicated: brave, of course, and passionate, but also prickly at times, and hard to love. Her story casts Helen in a villainous, active role for once, and also considers how the gods function beyond Greek society; it feels extremely dense and well-researched, with a diverse cast of characters. There’s some controversy about the book, but I urge you to make up your own mind, and to reflect on the historical context that Deane is drawing upon.

Don't look for some high-brow version full of pseudo-Shakespearean language. Homer's story is a blood-and-guts tale (literally) of hard-bitten heroes, feuding among spiteful gods and bombastic military commanders. Try John Dolan's version from Feral house publishing, deliberately written as he imagined the story was first told – by soldiers sitting around a campfire exchanging yarns.

Logue’s modernist reworking of the Iliad – the Trojan war - mother of all Mediterranean contests, is quite unlike anything you’ll ever read. Logue doesn’t translate, he remakes. It’s as cinematic as a film script, cast in a poetic language as brilliant as anything in modern times, full of jump cuts, staccato effects, and startling contemporary references. The violence of the fighting has a slamming immediacy (‘Dust like red mist/Pain like chalk on slate’), the Mediterranean – ‘the sea that is always counting’ - glimmers and sighs, the Gods behave like spoiled children, helicopters go whumping over the dunes.