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I created Hard Case Crime 20 years ago to revive the look, feel, and storytelling style of the great paperback crime novels of the 1940s and 50s: slender, high-velocity tales with irresistible premises, crackling dialogue, and powerful emotions, all presented behind gorgeous painted covers in the classic pulp style. Since then, I’ve had the opportunity to publish Stephen King, Joyce Carol Oates, Ray Bradbury, James M. Cain, Erle Stanley Gardner, Mickey Spillane, Brian De Palma, Ed McBain, and many more extraordinary authors.
The first novel about legendary private eye Phillip Marlowe is also the first mystery novel that ever made me cry when I turned the last page.
Marlowe’s poetic narration and bruised outsider’s voice offer a cynical but also strangely hopeful perspective on both the shady underworld types and the corrupt high-society folk who fill the “mean streets” down which Marlowe must walk (in Chandler’s much-quoted phrase).
Why hopeful when death–the big sleep–awaits us all? Because a man of principles like Marlowe can still bring a measure of justice in this unjust world, sometimes just by bearing witness.
Raymond Chandler's first three novels, published here in one volume, established his reputation as an unsurpassed master of hard-boiled detective fiction.
The Big Sleep, Chandler's first novel, introduces Philip Marlowe, a private detective inhabiting the seamy side of Los Angeles in the 1930s, as he takes on a case involving a paralysed California millionaire, two psychotic daughters, blackmail and murder.
In Farewell, My Lovely, Marlowe deals with the gambling circuit, a murder he stumbles upon, and three very beautiful but potentially deadly women.
In The High Window, Marlowe searches the California underworld for a priceless gold coin and finds himself…
Among other things, I'm an existentialist. A well-constructed mystery novel is an existential puzzle given to the reader to solve at his/her leisure, and the noir sub-genre has the further subtext that the protagonist—and the reader—are doomed in some way even if the solution is nailed. Romance novels are drivel and have no basis in reality, but noir and other types of mystery fiction reflect the way that the world works: you may solve this puzzle problem, but then you are left to a vast world that is rife with puzzles but without a coherent plot. The detective trudges on, achieves a kind of satisfaction, and then is thrust into the next crisis.
A treasure trove of noir short fiction, an impressive anthology of American greed, crime, and comeuppance by some of the genre’s greatest authors including Mickey Spillane, Evan Hunter, Elmore Leonard, Patricia Highsmith, Joyce Carol Oates, Dennis Lehane, Cornell Woolrich, and editor Ellroy. The 39 selected stories are a feast of excellence, a wide-ranging buffet of tasty tales from 1923 to 2007—makes me drool just thinking about a re-read.
A magisterial anthology of American noir writing in the 20th century by the best-selling author of the LA Quartet: The Black Dahlia. The Big Nowhere , LA Confidential and White Jazz. In his intoduction to The Best American Noir of the Century, James Ellroy writes, "noir is the most scrutinised offshoot of the hard-boiled school of fiction. It's the long drop off the short pier and the wrong man and the wrong woman in perfect misalliance. It's the nightmare of flawed souls with big dreams and the precise how and why of the all-time sure thing that goes bad." Offering…
I studied history in college and, after a few misspent years in broadcasting, worked in marketing and public relations for several companies. In my free time I wrote articles and books on historical events and people. A dozen years ago, on a trip to San Francisco and Alcatraz, I conceived of an idea for a novel. True to my background, it was based on a real historical event – the 1962 escape of three men in a raft from the prison. It wasn't until my mid-sixties when I felt ready to step out of my non-fiction comfort zone and write my first novel. Can't wait to start the next one.
It would be obscene to read this on a Kindle. This early Dashiell Hammett novel has to be read in paperback, the older a copy you can find, the better.
It has everything a great pulp novel should have; murder, crooked cops, gangs, and a rumpled too-honest-for-his-own-good hero. What I love about this book is how Hammett uses his own experience working for the Pinkerton Detective Agency (who were basically hired thugs) and a real historical event (a labor dispute in Montana that resulted in several deaths) to weave a solid crime novel.
Detective-story master Dashiell Hammett gives us yet another unforgettable read in Red Harvest: When the last honest citizen of Poisonville was murdered, the Continental Op stayed on to punish the guilty--even if that meant taking on an entire town. Red Harvest is more than a superb crime novel: it is a classic exploration of corruption and violence in the American grain.
Among other things, I'm an existentialist. A well-constructed mystery novel is an existential puzzle given to the reader to solve at his/her leisure, and the noir sub-genre has the further subtext that the protagonist—and the reader—are doomed in some way even if the solution is nailed. Romance novels are drivel and have no basis in reality, but noir and other types of mystery fiction reflect the way that the world works: you may solve this puzzle problem, but then you are left to a vast world that is rife with puzzles but without a coherent plot. The detective trudges on, achieves a kind of satisfaction, and then is thrust into the next crisis.
Detective
Turner is serious, author Bellem is not. Eleven short stories in 8-page comic
format from the monthly pulp magazine Hollywood Detective; humorist
S.J. Perelman describes Dan Turner as "the apotheosis of all private
detectives"; the Dan Turner stories are the flip side of Chandler and Hammett,
with delightful use of real and imagined slang: guns are 'roscoes,' a woman is
a 'doll,' 'cutie, 'frail,' or ‘dame.'
Included in most issues of "Hollywood Detective" pulp magazine was an eight-page Dan Turner comic. Eleven of those comics are reprinted in this "Best of" trade paperback (comic book sized pages).
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
Set during the London Blitz, I found this to be Greene’s most vivid novel.
His characters reel in the face of the power of Hitler’s onslaught on London, yet cling to the possibilities of love, even through the carnage and loss, until the wreckage of London overtakes them in a beautiful and tragic conclusion.
The love affair between Maurice Bendrix and Sarah, flourishing in the turbulent times of the London Blitz, ends when she suddenly and without explanation breaks it off. After a chance meeting rekindles his love and jealousy two years later, Bendrix hires a private detective to follow Sarah, and slowly his love for her turns into an obsession.
I have a close girlfriend who was once involved with a man she wanted to marry. The trouble was, the guy was always hanging out with this other woman who he’d known since childhood. Just friends, he said. Nothing going on. Ha! The shenanigans they got up to were unbelievable, and extremely upsetting to my girlfriend, who eventually broke up with the cad. Her unlucky experience got me interested in the psychology of the love triangle, and why some people remain mired in these dead-end relationships. My reading jam is anything twisty and suspenseful, and what’s more fraught than a three-way competition for someone’s affections.
Beware the replacement wife! Those folks we envy because they appear to have it all (flawless family/home/career, etc…) are often frantically treading water, desperate to keep that facade of perfection afloat. I know because I’ve been there, in a seemingly idyllic marriage where underneath the trappings of material success was, well, crap.
In this novel, the second wife thinks she’s got it goin’ on with the first wife’s ex, but things are not as they seem (are they ever in domestic thrillers, or real life??) I got a vicarious kick out of the two wives’ scheming and revenge-lust, and the dry humor laced throughout the story had me snickering with snarky delight!
There is no limit to the lies, suspicion, and secrets that can poison the perfect marriage in this twisting novel of suspense by USA Today bestselling author Kaira Rouda.
Kate Nelson had it all. A flourishing company founded with her husband, John; a happy marriage; and a daughter, Ashlyn. The picture-perfect family. Until John left for another woman. Tish is half his age. Ambitious. She's cultivated a friendship with Ashlyn. Tish believes she's won.
She's wrong.
Tish Nelson has it all. Youth, influence, a life of luxury, and a new husband. But the truth is, there's…
I grew up on farms, and have experienced the undercurrents that exist in small villages, which is why I like crime novels with rural settings. I worked as a couple counsellor for a while, which taught me that no fictional character can quite equal the real quirks and inconsistencies of real people—but I love those books which get close. Charles Dickens probably does it best! In my own novels I try to achieve something approaching this, in characters who break away from stereotypes and behave unpredictably. I like to think I manage to be witty sometimes, too—I really love humour, especially when it’s wordplay or subtly ironic.
This book caught my attention because it involves a house-sitter, just as my series does. But Morag’s story could not be more different. It depicts a terrible sequence of events arising from an innocent house-sitting assignment and a growing love for the place, which I as a reader very much shared. The house itself becomes both the setting and the main threat to the well-being of the ‘half-broken’ characters. The story is hauntingly compelling, the characters deeply likeable, and the writing a real delight. This has been one of my great favourites ever since I first read it.
A gripping tale of psychological suspense perfect for the readership of Minette Walters and Ruth Rendell, Half Broken Things is a novel that peers into the lives of three dangerously lost people…and the ominous haven they find when they find each other.
Jean is a house sitter at the end of a dreary career. Steph is nine months pregnant and on the run. And Michael is a thief. Through a mixture of deceit, good luck, and misfortune, these three damaged loners have come together at a secluded country home called Walden Manor. Now all three have found what they needed…
The books I’ve recommended here range from scholarship, young adult historical fiction, literary fiction, and a good spy mystery—all set in World War II. I’ve read widely in the field since I’ve written several nonfiction books for young readers and teens about World War II. Along with We Must Not Forget, these include Courage & Defiance, about the Danish resistance, Dive!, about the submarine war in the Pacific, D-Day: The World War II Invasion that Changed History, and We Had to Be Brave: Escaping the Nazis on the Kindertransport. I’m currently working on a book about a 1945 POW rescue in the Philippines.
Chris Cleave’s fourth novel was inspired by memories of his grandparents and their letters during the war. The novel follows the lives and relationships of four young people in Britain during the early years of World War II. It also follows action on the island of Malta, a part of World War II history not as well known. It’s also a story of love, friendship, and surprising choices. A warning: Do not read ahead. The novel has an incredible last scene and you don’t want to ruin it!
'Ian McEwan did this with Atonement, Sarah Waters did it with The Night Watch, and Chris Cleave does it too with Everyone Brave is Forgiven... A compelling and finely crafted novel.' FT
'An addictive, propulsive read' The Sunday Times
Summer Reading pick - Paula Hawkins, author of The Girl on the Train Top Ten hottest summer reads - Sunday Telegraph Instant New York Times Bestseller Evening Standard bestseller 'A cracker' Stylist, 10 Exciting Books in 2016 'His best book to date' Esquire, 10 best novels of 2016 Guardian Literary Highlight of 2016 Independent Best Book to read in 2016 Irish…
I grew up in Chicago in the waning days of Mayor Richard J. Daley’s machine, which politicized everything from schools to loading zones. Everyone—whether they were civil servants or small business owners—had to pledge loyalty to Da Boss, Hizzoner, or suffer the consequences. As a result, I’ve always gravitated to crime stories with a political element, one showing the effects of big conflicts on regular people. And I’ve written about the same.
Before the U.S. entered the war in Vietnam, Graham Greene forecast its disastrous consequences. His love triangle, set amid the escalating conflict, perfectly captures the naiveté of American interventionism overseas. I love the subtext of the tale, which is narrated by an embittered British journalist. Although it’s never spoken, we intuit that he is addicted to opium and living the life of a dissolute expatriate. Fowler watches in horror as a U.S. diplomat tries to steal both the woman and the country he has adopted. He claims impartiality and indifference until he cannot any longer.
Graham Greene's classic exploration of love, innocence, and morality in Vietnam
"I never knew a man who had better motives for all the trouble he caused," Graham Greene's narrator Fowler remarks of Alden Pyle, the eponymous "Quiet American" of what is perhaps the most controversial novel of his career. Pyle is the brash young idealist sent out by Washington on a mysterious mission to Saigon, where the French Army struggles against the Vietminh guerrillas.
As young Pyle's well-intentioned policies blunder into bloodshed, Fowler, a seasoned and cynical British reporter, finds it impossible to stand safely aside as an observer. But…
I am an engineer, scientist, turned technology manager who works in the field of Artificial Intelligence, and have gotten lost in Sci-Fi since I could first read. Now I want to share the stories that keep me awake at night.
Adam is a limited edition robot who can pass for human (something I can’t do on a bad day). It takes a while for Adam to learn to be part of that world, but as time passes, he moves from being the slave of his owner Charlie to being better than him in every way (just ask his girlfriend!). I kept thinking of what would it be like to have a better version of me hanging around the house. It took slaves a long time to be recognized as people, how long for the robots?
From the Booker Prize winner and bestselling author of Atonement—”a sharply intelligent novel of ideas” (The New York Times) that asks whether a machine can understand the human heart, or whether we are the ones who lack understanding.
Set in an uncanny alternative 1982 London—where Britain has lost the Falklands War, Margaret Thatcher battles Tony Benn for power, and Alan Turing achieves a breakthrough in artificial intelligence—Machines Like Me powerfully portrays two lovers who will be tested beyond their understanding. Charlie, drifting through life and dodging full-time employment, is in love with Miranda, a bright student who lives with a…
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