From the time I was introduced to Depeche Mode, I quickly realized there was an underground scene dissecting the darker realms of human nature. It’s no easy task translating emotion into tangible products like film, books, and music, so if an artist can fixate an audience by getting them to interpret themselves and, the world, more effectively, there’s great value in that. If it hadn’t been for that, I probably wouldn’t have achieved things like being an award-winning author, a paralegal from the University of Texas at Austin, manage workshops via Airbnb Experiences, or receive academic certificates thru Coursera like the Science of Well-Being from Yale and Managing the Company of the Future from London Business School.
Simenon is a master storyteller and father of the noir genre. He quit school as a teenager and never attended a writing program. Dirty Snow is filled with psychological insight and hard facts about life. The main character, Frank Friedmaier, is a brawny young man who lives in his mother’s brothel in France under German occupation. A horrible crime, along with heinous acts, are committed because he cares about nothing and does things without reason. His life is deprived of a father and that void quickly becomes occupied by whores that facilitate a man without optimism. Simenon vividly takes us on a trip into the mind of a creature that can be uncomfortable for a lot of people. This is yet another dark classic about an anti-hero challenged by the notion that he is a man like any other.
Nineteen-year-old Frank Friedmaier lives in a country under occupation. Most people struggle to get by; Frank takes it easy in his mother's whorehouse, which caters to members of the occupying forces. But Frank is restless. He is a pimp, a thug, a petty thief, and, as Dirty Snowopens, he has just killed his first man. Through the unrelenting darkness and cold of an endless winter, Frank will pursue abjection until at last there is nowhere to go.
Hans Koning has described Dirty Snow as "one of the very few novels to come out of German-occupied France that gets it exactly…
There are, at the moment, a glut of authors writing about England in the 1800’s, but none of them can hold a candle to Laura Shepherd-Robinson.
Her prose is so immersive you are almost instantly transported back in time and place. Settle in for a fantastic experience, exploring the squalid and eye-opening underbelly of London’s ladies of the night.
One of this author’s trademarks is creating full-blown characters who you come to know and love within a few pages of their being introduced. Chief among them, and why I love this book above her other two, is her main character, Caroline Corsham, easily one of my favorite characters.
Caro is everything you want in a hero – smart, tough-minded, persistent in running down the perpetrator of the murders that keep the plot of this book racing along mud-splattered roads. I think about Caro all the time and sincerely hope the…
'The best historical crime novel I will read this year' - The Times
From the pleasure palaces and gin-shops of Covent Garden to the elegant townhouses of Mayfair, Laura Shepherd-Robinson's Daughters of Night follows Caroline Corsham as she seeks justice for a murdered woman whom London society would rather forget . . .
'This is right up there with the best of C. J. Sansom and Andrew Taylor' - Amanda Craig, author of The Golden Rule
London, 1782. Desperate for her politician husband to return home from France, Caroline 'Caro' Corsham is already in a state of anxiety when she…
I'm a hybrid author from Bulgaria, and my work mostly focuses on historical fiction and fantasy. History has always been mainly centered around the male point of view. But many female heroes would also like to tell us their stories. My fascination started with the women Haiduks of Bulgaria, which gave birth to my first book Sirma. And the more I researched, the more I realized countless historical female figures worldwide deserve just as much attention. I hope this list is enriching to all readers and helps them see their captivating point of view.
This is a historical novel about the life of Theodora, Empress of Byzantium. She was born in the sixth century and worked as a prostitute, but eventually became the most powerful woman in the Byzantine Empire. The book is very introspective and we learn a lot about Theodora's inner world. Even though the world throws the worst at her, she still finds the strength to continue onward and keep a sense of justice and positivity.
Multi-award winning novel including gold medals in the Readers' Favorite Historical Personage, IBPA's Best New Voice Fiction, eLit's Best eBook in Historical Fiction, Montaigne Medal finalist (Eric Hoffer Book Award) and Screencraft's Cinematic Book competition.
Inspired by true events, Far Away Bird delves into the complex mind of Byzantine Empress Theodora. This intimate biographical account follows the extraordinary transformation of a poor young woman in a rigid medieval society. From the brothels to the bathhouses, from the theaters to the palaces, Theodora learns to let go of the people she loves most and embrace her own exploitation. But when Theodora…
Since the publication of my first book in 1988, my emphasis has always been on history as “story.” That is, the stories of men and women in past centuries with whom we share a common humanity but who faced challenges very different from our own. My goal is to bring their stories to as wide an audience as possible. Whether they describe Newfoundland fisherman in the 17th-century North Atlantic, expatriate Irish men and women in 18th-century Bordeaux, or colonial New Yorkers defying British authority on the eve of the American Revolution, the common theme is the impact of trade and the sea on the lives of ordinary people.
The common seaman and the pirate in the age of sail are romantic historical figures who occupy a special place in the popular culture, but they remain little known to us. But their lives are not beyond recovery. Rediker tours the sailor's North Atlantic, following seamen and their ships along the pulsing routes of trade and into rowdy port towns. He recreates life along the waterfront, where seafaring men from around the world crowded into brothels, alehouses, and city jails. And Rediker explores the natural terror that inevitably shaped the existence of those who plied the forbidding oceans of the globe in small, brittle wooden vessels. The mariners in Between the Devil and the Deep Blue Sea are working men, struggling to overcome the exploitive tendencies of the age in which they lived.
Between the Devil and the Deep Blue Sea focuses upon the seamen's experience in order to illuminate larger historical issues such as the rise of capitalism, the genesis of free wage labor, and the growth of an international working class. These epic themes were intimately bound up with the everyday hopes and fears of the common men who toiled upon the deep.
I’m the author of The Dirty Parts of the Bible, which has
been a #1 Kindle bestseller in Humorous Literary Fiction on several occasions. In school, I hated the sorts of novels we were assigned. Unable to connect
with them, I read Cliff’s Notes instead. Then we were given The Catcher in the Rye. It was a
revelation—literature can be relatable, engaging, and funny?! The next novel to grab me this way was The Adventures of
Huckleberry Finn. Like Catcher, it was gritty and often dark,
addressing serious concerns—but it did so with humor. These books were
my gateway into enjoying fiction—and, ultimately, to writing my own story in
the same category of serious-yet-funny.
This is a little-known gem by three-time Pulitzer Prize winner Thornton Wilder (best known for his play Our Town). Published in the 1935, it’s a contemporaneous account of Depression-era America, following the misadventures of traveling salesman and religious zealot, George Brush.
Coming off as preachy and self-righteous, George sparks ire and outrage wherever he goes. Yet, he’s a sincere and decent person. At the end of his misadventures, George is humbled and begins to broaden his views, making him a complex, sympathetic character.
Though renowned during his lifetime, Wilder has been largely forgotten in favor of flashier contemporaries. All of his works are worth rediscovering, but Heaven’s My Destination is closest to my heart as it was a major inspiration for my own book.
The law of contract is ripe for feminist analysis. Despite increasing calls for the re-conceptualisation of neo-classical ways of thinking, feminist perspectives on contract tend to be marginalised in mainstream textbooks. This edited collection questions the assumptions made in such works and the ideologies that underpin them, drawing attention to the ways in which the law of contract has facilitated the virtual exclusion of women, the feminine and the private sphere from legal discourse.
Contributors to this volume offer a range of ways of thinking about the subject and cover topics such as the feminine offeree, feminist perspectives on contracts…
As a young teenager, I lived in a small Texas town and loved touring the Victorian “gingerbread” homes full of antiques. I had an overwhelming desire to time travel back to the mid-1800s. When I learned of Diamond Bessie’s story, I was immediately intrigued because of the period, and also by the circumstances of her life. Why does a woman enter the world’s oldest profession? I discovered that I absolutely love research and “time traveled” back to that era by devouring everything I could get my hands on about life in the 19th century, especially for a marginalized woman like Bessie.
After not being able to find a publisher in the early 1900s, Josie Washburn self-published her memoir. In The Underworld Sewer, Josie not only describes her life as a prostitute and madam, but she also debunks the notion at the time that women became prostitutes to “satisfy their own unnatural lusts.” Josie wanted to educate the public about the true horrors and plight of the unfortunate women who had to resort to prostitution to survive and, ultimately, to motivate the public to effect change. Her memoir is as much a scathing commentary on society’s double standards as it is an account of her life as a demi-mondaine.
For twenty years Josie Washburn lived and worked in houses of prostitution. She spent the last twelve as the madam of a moderately fancy brothel in Lincoln, Nebraska. After retiring in 1907 and moving to Omaha, she turned to "throwing a searchlight on the underworld," including the "cribs" of Nebraska's largest city. The Underworld Sewer, based on her own experience in the profession, blazes with a kind of honesty unavailable to more conventional moral reformers. Originally published in 1909, The Underworld Sewer asks why "the social evil" is universally considered necessary or inevitable. Washburn minces no words in exposing the…
Despite
being the second book in a series, it stands beautifully on its own. Amara, the
main character, is a freedwoman living in Pompeii.
She has seen her freedom
bought from the brothel and has been set up in the titular house. However, she
also wants her best friend to be free, so she purchases Victoria from the
pimp. The twist, however, is that Amara discovers she can run a lucrative
business by renting out her slaves and immediately returns on her word to free Victoria.
This
book is rich in historical detail. Again, it deals with politics and
women’s roles in a completely different milieu. The characters are all
complex and believable, given that no one questions the way their lives are
dictated by Roman law.
Schoolteacher turned writer. With the encouragement of my old college friend, the great Michael Crichton I began writing detective novels—paperback originals at first, then a hardback thriller called Target of Opportunity, which was a detective novel but included a long section of historical background about the Resistance in southern France. From there I moved to biographical fiction: novels about Thomas Jefferson, Andrew Jackson, Ulysses S. Grant. Then straight historical fiction, often with a Parisian background, because I’ve lived and worked in that marvelous city and can’t get enough of it.
Here is the other archetypal plot, the reverse of the first: “A Stranger Comes to Town.” In this case, a protagonist who seems an unlikely but brilliantly persuasive amalgam of Theodore Roosevelt and Henry Adams—a bookish Easterner—arrives in the Dakota Territory in 1883 to make a new life for himself after the death of his wife. The new life will feature lynchings, cattle drives, saloons, brothels, and an even harsher wilderness than Diony Hall found in Kentucky. The author’s cinematic Warlockis a western masterpiece. This forgotten title is every bit as good.
It's 1883 in Johnson County, in the old Dakota Territory a rugged, wide-open landscape of rolling, red earth, prairie, and cattle as far as the eye can see. But the land is closing, the "Beef Bonanza" is ending, and the free-range cattlemen are stuck watching a way of life disappear in a blaze of drought and gunfire. An action-packed western from one of the masters of the genre, Oakley Hall's The Bad Lands blends round-ups and rustlers, whorehouses and land grabs, shoot-outs and the threat of hangings in a tale of the war between the cowboys and the cattle barons.…
I picked this up cheaply in a second-hand
bookstore. What a bargain it was. It introduced me to Detective Sergeant
Washington (there is a subplot here) Poe of the National Crime Agency’s
Serious Crime Analysis Section and his offsider Matilda ‘Tilly’ Bradshaw, a brilliant mathematician and programmer extraordinaire.
I immediately spent much
more per copy (see homo economicus in my third
choice entry) buying all of Craven’s books: and consuming (I am an economist at
heart) them avidly.
I appreciated the anti-authority stance of Detective Poe
but fell in love with the socially naïve Tilly: it was good to see a role-model
female geek taking center stage.
The writing is outstanding: the darkest crimes
are lightened by humor, and clever solutions are thrown by unexpected twists.
Winner of the prestigious CWA IAN FLEMING STEEL DAGGER AWARD 2022
Longlisted for the Theakston Old Peculiar Crime Novel of the Year 2022
'Heart-pounding, hilarious, sharp and shocking, Dead Ground is further proof that M.W. Craven never disappoints. Miss this series at your peril.' Chris Whitaker
'Dark and entertaining, this is top rank crime fiction.' Vaseem Khan, Author of the Malabar House series and the Baby Ganesh Agency series
'M. W. Craven is one of the best crime writers working today. Dead Ground is a cracking puzzle, beautifully written, with characters you'll be behind every step of the way. It's…
The ad declared
“Debauching, graphic sex scenes,” and the title involved a vicar. Well, I’ve
never bought a book on the strength of an advertisement before, but this ad copy
intrigued me.
Actually, Melissa and the Vicar turned out to be a very
well-written Regency romance with vivid characters and a delightful English
village setting, in which a London brothel madam convalescing in the country catches
the eye of the angelic village curate.
I loved this tale for its vivid
characters, humour, and twisting plot. Oh, and then there was the debauchery—it’s
definitely there, it’s pretty steamy, but this romance has so much more to
offer beyond sex.
Melissa Griffin is quite literally sick and tired. She's the owner of one of London's most exclusive brothels, but her failing health is telling her she can't continue to keep working at her current pace. A relaxing stay in the country is exactly what she needs. Falling for the small town's gorgeous young vicar--a virgin, no less--was never part of her plan. Their love is scandalous, forbidden...and everything Melissa never knew she wanted. Denying her feelings is unthinkable. Avoiding devastation when her past inevitably drives them apart? Impossible.
Magnus Stanwyck never resented his vow of celibacy...until meeting Melissa. As beautiful…
