I can’t remember a time I haven’t been drawn to and fascinated by the link between absurdity/humor and horror. Both genres involve setups and payoffs. The tension built up needs to be released in either a gasp or a laugh. In my own writing, I try to make myself giggle in joy at the ridiculousness of a situation and then recoil at the underlying horror that anchors it to the real world. It’s a balance I constantly try to reach and that I personally find is a joy to read.
Beautiful, haunting, and grotesque, The Carp-Faced Boy and Other Tales offers stories reminiscent of traditional Japanese folktales alongside contemporary horror fiction. Matsuura’s unique voice, in its poignancy and lightheartedness, is unforgettable.
George Saunders balances humor and horror in a way very few can, in a word: perfectly. Every single one of the stories in this collection makes me smile and laugh and then with a turn, gasp and stop reading because I need to take in what is actually happening.
Saunders is a master at creating characters that are innocent and good-hearted, yet must deal with their life choices in this (at times) cruel world. His voice is unmistakable, both endearing and dark.
**ESCAPE FROM SPIDERHEAD NOW STREAMING ON NETFLIX - STARRING CHRIS HEMSWORTH AND MILES TELLER**
The prize-winning, New York Times bestselling short story collection from the internationally bestselling author of Lincoln in the Bardo
'The best book you'll read this year' New York Times
'Dazzlingly surreal stories about a failing America' Sunday Times
WINNER OF THE 2014 FOLIO PRIZE AND SHORTLISTED FOR THE NATIONAL BOOK AWARD 2013
George Saunders's most wryly hilarious and disturbing collection yet, Tenth of December illuminates human experience and explores figures lost in a labyrinth of troubling preoccupations.
A family member recollects a backyard pole dressed for…
While we all know Kurt Vonnegut as a brilliant satirist, his humor very often is covering something incredibly dark that is lurking just under the surface. I find Vonnegut’s Sirens of Titan can make me go from laughing at the absurdity of a situation to tears at the outcome, all of this in a matter of a few sentences.
His writing is so tight and clean, but his storytelling is richly layered. While I’ve read this book several dozen times, I still find something new upon every re-read. It’s like it has something new to show me on each reading.
Vonnegut was the first to teach me humor and horror are but two sides to the same coin.
A deep and meaningful masterpiece of science fiction, full of heart and mind-bending ideas. A true classic, Vonnegut will make you laugh and have you contemplating the meaning of life
When Winston Niles Rumfoord flies his spaceship into a chrono-synclastic infundibulum he is converted into pure energy and only materializes when his waveforms intercept Earth or some other planet. As a result, he only gets home to Newport, Rhode Island, once every fifty-nine days and then only for an hour.
But at least, as a consolation, he now knows everything that has ever happened and everything that ever will be.…
While Nathan Englander (especially his novels) weighs in a little heavier on the horror side of my humor-horror scales, his collection For the Relief of Unbearable Urgesdoes have a thread of humor running through it that juxtaposes that darkness in such a beautiful way as to make it all the more terrible.
The story “Reb Kringle” is about a cantankerous Jewish man who works as Santa in a department store.Or "The Tumblers", a story about a group of Polish Jews on a train headed for the death camps, who, realizing something is terribly wrong, pretend to be a group of acrobats in an attempt to escape their terrible fate. Hup!
Nathan’s writing makes me laugh and cry in the span of a single story.
Ruchama, a wigmaker from an ultra-orthodox Brooklyn enclave, journeys into Manhattan for inspiration, frequenting a newsstand where she flips through forbidden fashion magazines. An elderly Jew with a long, white beard reluctantly works as a department store Santa Claus every year - until he can take it no longer. And a Hasidic man, frustrated by his wife's lack of interest, gets a dispensation from a rabbi to see a prostitute for the relief of unbearable urges.
Southern Gothic author Flannery O’Connor is an incredible storyteller with characters often described as grotesque and morally flawed. Having been raised in the South, I find her characters so real it is as if I know them or have met them personally.
I know she disliked any of her stories being labeled ‘horror’ and instead called them ‘hard’. But you have to admit that a lot that happens naturally in life is indeed ‘horror’, so I use the term as a high compliment to her. But that alone would be too much, so she tempers it with her sardonic wit and has me chuckling at all the characters in “A Good Man is Hard to Find,” but the story itself hits in a very different way.
The publication of this extraordinary volume firmly established Flannery O'Connor's monumental contribution to American fiction.
There are thirty-one stories here in all, including twelve that do not appear in the only two story collections O'Connor put together in her short lifetime--Everything That Rises Must Converge and A Good Man Is Hard to Find.
O'Connor published her first story, "The Geranium," in 1946, while she was working on her master's degree at the University of Iowa. Arranged chronologically, this collection shows that her last story, "Judgement Day"--sent to her publisher shortly before her death―is a…
I read somewhere that Franz Kafka would laugh so loud when writing his stories that he woke up his neighbors. I’m not sure if that’s true, but I get it. It’s not what is commonly thought of when someone talks about Kafka’s stories. I mean, his name has come to mean a certain style. “Kafkaesque” is used to describe stories that are absurd, nightmarish, offensive, and heavy with bureaucratic pretentiousness and deceit.
Where is the humor? Oh, it’s there. I think sometimes readers get caught up in the horror and bizarreness of it all that they miss the subtle, absurdist, dark, and very dry humor dripping in all these stories in this collection.
THE TRIAL; THE CASTLE; AMERICA- Both Joseph K in THE TRIAL and K in THE CASTLE are victims of anonymous governing forces beyond their control. Both are atomised, estranged and rootless citizens deceived by authoritarian power. Whereas Joseph K is relentlessly hunted down for a crime that remains nameless, K ceaselessly attempts to enter the castle and so belong somewhere. Together these novels may be read as powerful allegories of totalitarian government in whatever guise it appears today. In AMERICA Karl Rossmann is 'packed off to America by his parents' to experience Oedipal and cultural isolation. Here, ordinary immigrants are…
Liam was orphaned at the age of two by a group of giant carnivorous insects called the chitin. Taken in by High Councilor Marcus and his wife, Lidia, Liam was raised with their older son, Randolf in New Olympia, the last remaining city on the planet Etrusci.
As an adult, Liam becomes a soldier. After being cut off from the city, Liam finds that there is an alien intelligence behind the chitin. To defeat it, he must discover who he is and how to use his powers. Then, Liam discovers that a traitor, responsible for his birth parents' deaths, had murdered his beloved foster parents. Will the price he has to pay in his quest for vengeance prove to be an even more unbeatable foe?
"From the cover to the opening pages, Price of Vengeance grabs the reader and takes them on a wild ride. Fasten your seat belts for this book." -S. J. Francis, author of Shattered Lies
What is the Price of Vengeance? One could understand why Liam was angry. He was orphaned at the age of two by a group of giant carnivorous insects called the chitin. Taken in by High Councilor Marcus and his wife, Lidia, Liam was raised with their older son, Randolf in New Olympia, the last remaining city on the planet Etrusci.
