A summer with relatives in Belgium—a country divided by language and culture—inspired me to travel to Santo Domingo in 1988 to learn Spanish and study the fraught dynamics of two countries speaking different languages but sharing an island. My time in the Dominican Republic and Haiti inspired a lifelong exploration of complex issues using many lenses and stories. Today I write mainly about risk, drawing on psychology, culture, policy, and economics. The third book, The Gray Rhino, calls for a fresh look at obvious, looming threats. My fourth book, You Are What You Risk, explores risk perceptions and attitudes using a comparative, socio-cultural lens like the one I used in Why the Cocks Fight.
I wrote...
Why the Cocks Fight: Dominicans, Haitians, and the Struggle for Hispaniola
Like two roosters in a fighting arena, Haiti and the Dominican Republic are trapped by barriers of geography and poverty. One French-speaking and Black, one Spanish-speaking and mulatto, the two countries co-inhabit the Caribbean island of Hispaniola. They share a national symbol in the rooster and a favorite sport in the cockfight. Just as the owners of gamecocks contrive battles between their birds as a way of playing out human conflicts, Haitian and Dominican leaders often stir up nationalist disputes and exaggerate cultural and racial differences in order to deflect other tensions. Why the Cocks Fight explores the relations of each nation with each other and with colonial powers including the United States, and how their shared history impacts contemporary dynamics.
What I love most about Danticat’s writing—this is a very long list—is the way she evokes the inherent dignity of characters in almost unspeakably tragic situations. In this case, her subject is a pair of lovers and their community whose lives are upended by the 1937 massacre of Haitians and Dominico-Haitians living along the Dominican side of the border with Haiti. The mass killing is an inflection point in the two nations’ shared history, which individual human stories are essential to understanding.
It is 1937, and Amabelle Desir is a young Haitian woman working as a maid for a wealthy family in the Dominican Republic, across the border from her homeland. The Republic, under the iron rule of the Generalissimo, treats the Haitians as second-class citizens, and although Amabelle feels a strong sense of loyalty to her employers, especially since her own parents drowned crossing the river from Haiti, racial tensions are heightened when Amabelle's boss accidentally kills a Haitian in a car accident. The accident is a catalyst for a systematic round-up of Haitians, ostensibly for repatriation but in fact a…
A novel based on the real-life story of the three Mirabal sisters, known as las mariposas (the butterflies) who became national heroes for their resistance to the dictator Generalissimo Rafael Leonidas Trujillo. The murder of these three courageous women by Trujillo’s henchmen helped to catalyze his downfall after more than 30 years of iron-fisted rule. When my publisher sent her an advance copy of my book in 1999, Julia sent me a lovely hand-written note that began more than two decades of friendship. Readers particularly interested in the contemporary relationship between the Dominican Republic and Haiti will find her non-fiction book, A Wedding in Haiti, well worth a read.
"A magnificent treasure for all cultures and all time.” --St. Petersburg Times
It is November 25, 1960, and three beautiful sisters have been found near their wrecked Jeep at the bottom of a 150-foot cliff on the north coast of the Dominican Republic. The official state newspaper reports their deaths as accidental. It does not mention that a fourth sister lives. Nor does it explain that the sisters were among the leading opponents of Gen. Rafael Leónidas Trujillo’s dictatorship. It doesn’t have to. Everybody knows of Las Mariposas--the Butterflies. In this extraordinary novel, the voices of all…
A dark, brooding novel by a giant of Latin American fiction, the Peruvian winner of the Nobel Prize for Literature. Vargas Llosa appropriately placed a female protagonist, Urania Cabral, front and center in this book about a dictator who is remembered in part for his abuses of young women. Another storyline involves the men who conspired, with CIA support, to assassinate Trujillo. Vargas Llosa includes real historical characters, like Trujillo’s right-hand man and successor, Joaquín Balaguer, often with fictionalized aspects; and fictional composites bearing witness to the experiences of the Dominican people under their rule.
'The Feast of the Goat will stand out as the great emblematic novel of Latin America's twentieth century and removes One Hundred Years of Solitude of that title.' Times Literary Supplement
Urania Cabral, a New York lawyer, returns to the Dominican Republic after a lifelong self-imposed exile. Once she is back in her homeland, the elusive feeling of terror that has overshadowed her whole life suddenly takes shape. Urania's own story alternates with the powerful climax of dictator Rafael Trujillo's reign.
In 1961, Trujillo's decadent inner circle (which includes Urania's soon-to-be disgraced father) enjoys the luxuries of privilege while the…
A central theme in all of Díaz’ work is his critique of toxic machismo in Dominican society, which extracts a heavy emotional toll on men as well as women. That’s why it’s such a delight that the protagonist of this award-winning multi-generational novel is a chubby science-fiction-loving nerd who dares to challenge the hyper-masculine norms. Set in New Jersey—where Díaz grew up—and the Dominican Republic, this novel is the story, in part, of Oscar’s doomed quest for love with a Dominican sex worker. Its larger theme is the way Oscar—and Dominicans by extension—is caught between the US and the DR and between the shadow of the past and fantasies for the future. The narrator, Yunior, who also appears in many of Díaz’s short stories, is the author’s alter ego.
A SUNDAY TIMES TOP 100 NOVEL OF THE TWENTY-FIRST CENTURY
A ghetto nerd living with his Dominican family in New Jersey, Oscar's sweet but disastrously overweight. He dreams of becoming the next J. R. R. Tolkien and he keeps falling hopelessly in love. With dazzling energy and insight Diaz immerses us in the tumultuous lives of Oscar; his runaway sister Lola; their beautiful mother Belicia; and in the family's uproarious journey from the Dominican Republic to the US and back.
'The Best Novel of the 21st Century to Date' - BBC Culture.
The title of this novel took me back to 1989, when I was living in the Dominican Republic they year and Juan Luis Guerra and his band 4-40 released their hit song, "Ojala que llueva café", an homage to rural Dominicans and their hopes; and another iconic song, "Visa para un sueño" (Visa for a Dream). This book is about the Dominicans in those songs: a family saga and the historical and contemporary realities that shaped their lives, aspirations, and disappointment. Its backdrop, unlike the other novels here, is mainly the post-Trujillo era: the brief presidency of Juan Bosch, his overthrow, and the revolution and US invasion that followed, catalyzing a wave of emigration that persists today.
With her first novel, Angie Cruz established herself as a dazzling new voice in Latin-American fiction. Junot Diaz called her "a revelation" and The Boston Globe compared her writing to that of Gabriel García Márquez. Now, with humor, passion, and intensity, she reveals the proud members of the Colón family and the dreams, love, and heartbreak that bind them to their past and the future. Esperanza did not risk her life fleeing the Dominican Republic to live in a tenement in Washington Heights. No, she left for the glittering dream she saw on television: JR, Bobby Ewing, and the crystal…
I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through young adulthood. Miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are displaced from their land by multinational energy companies. They are taken in temporarily by Sadie’s aunt, a human rights activist who heads a cultural exchange program.
Stefan promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his story, has grown sympathetic to his cause and complicit in his pushback against prejudiced accusations. Their mutual attraction is stymied when Stefan’s older brother, Joachim, who stayed behind, becomes embroiled in the resistance, and Stefan is compelled to return to Canada. Sadie, concerned for his safety, impulsively follows on a trajectory doomed by cultural misunderstanding and oncoming winter.
After her mother is killed in a rare Northern Michigan tornado, Sadie Wixom is left with only her father and grandfather to guide her through the pitfalls of young adulthood. Hundreds of miles away in western Saskatchewan, Stefan Montegrand and his Indigenous family are forced off their land by multinational energy companies and flawed treaties. They are taken in temporarily by Sadie's aunt, a human rights activist who heads a cultural exchange program. Stefan, whose own father died in prison while on a hunger strike, promptly runs afoul of local authority, but Sadie, intrigued by him and captivated by his…
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