Magpie Murders

By Anthony Horowitz,

Book cover of Magpie Murders

Book description

'Want to read a great whodunnit? Anthony Horowitz has one for you: MAGPIE MURDERS. It's as good as an Agatha Christie. Better, in some ways. Cleverer.' Stephen King

'The finest crime novel of the year' Daily Mail

*****

Seven for a mystery that needs to be solved . . .…

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Why read it?

4 authors picked Magpie Murders as one of their favorite books. Why do they recommend it?

I adored this love letter to classic crime fiction, which is a marvelously clever novel within a novel.

As a writer and former editor, I couldn’t help but cheer for Susan Ryeland, the beleaguered editor trying to manage her bestselling author (and all-around dislikable human being), Alan Conway.

If you love a twist like I do, this book has a doozy, which turns the first half of the book into a code that Susan (and readers) must break to solve the murder in the second half of the book. Ingenious.  

I reread books I love, including this one, which I feel is the best of the mysteries of Anthony Horowitz. This mystery-within-a-mystery is narrated by the editor of a now-deceased crime writer who is presently working on the manuscript of his final book as she actively solves his murder.

Not just a mystery, this is an inspection, perhaps even a parody of cozy English mysteries; engaging, humorous, effective, and deeply clever, this is a favorite novel because it gives us not only what we seek in mystery but what we seek in any good book.

I will read this one…

Magpie Murders has a very clever structure that keeps the reader guessing throughout.

It’s a mystery within a mystery, with a brilliant twist. One part of the book introduces us to editor Susan Ryeland, who is editing the latest manuscript by famous mystery writer, Alan Conway. The second part is Conway's manuscript; a classic whodunit set in an English village. As Ryeland delves deeper into the manuscript, she realizes that the fictional mystery holds the key to solving a real murder.

I was in awe at how Horowitz cleverly intertwined the two converging plot lines, with clues hidden in plain…

The Midnight Man

By Julie Anderson,

Book cover of The Midnight Man

Julie Anderson Author Of The Midnight Man

New book alert!

Why am I passionate about this?

I write historical crime fiction, and my latest novel is set in a hospital, a real place, now closed. The South London Hospital for Women and Children (1912–1985) was set up by pioneering suffragists and women surgeons Maud Chadburn and Eleanor Davies-Colley (the first woman admitted to the Royal College of Surgeons) and I recreate the now almost-forgotten hospital in my book. Events take place in 1946 when wartime trauma still impacts upon a society exhausted by conflict, and my book choices also reflect this.

Julie's book list on evocative stories set in a hospital

What is my book about?

A historical thriller set in south London just after World War II, as Britain returns to civilian life and the men return home from the fight, causing the women to leave their wartime roles. The South London Hospital for Women and Children is a hospital, (based on a real place) run by women for women and must make adjustments of its own. As austerity bites, the coldest Winter then on record makes life grim. Then a young nurse goes missing.

Days later, her body is found behind a locked door, and two women from the hospital, unimpressed by the police response, decide to investigate. Highly atmospheric and evocative of a distinct period and place.

The Midnight Man

By Julie Anderson,

What is this book about?

BEWARE THE DARKNESS BENEATH

Winter 1946

One cold dark night, as a devastated London shivers through the transition to post-war life, a young nurse goes missing from the South London Hospital for Women & Children. Her body is discovered hours later behind a locked door.

Two women from the hospital join forces to investigate the case. Determined not to return to the futures laid out for them before the war, the unlikely sleuths must face their own demons and dilemmas as they pursue - The Midnight Man.

‘A mystery that evokes the period – and a recovering London – in…


An overworked editor. An egotistical bestselling author. A murder. A missing last chapter.

It might sound like something you’ve read many times, and yet, Anthony Horowitz takes it all to a new level. As our beleaguered editor, Susan Reyland, goes on a hunt for that last chapter, she uses clues from the manuscript—which quickly become clues that might help solve a real murder.

The book-within-a-book structure causes the reader to continually jump between fiction and reality (which is also, let’s remember, fiction). It’s a high-wire act, and Anthony Horowitz pulls it off brilliantly. 

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