The most recommended crime books

Ian is probably the most famous of all Tartan Noir writers. In fact the term Tartan Noir was coined when Ian met James Ellroy at a crime fiction event in Nottingham many years ago. Ian explained that he too was a crime writer and wrote about Edinburgh and the darker side of Scottish life. He said, you could call it Tartan Noir. Ellroy laughed and signed the book 'To the king of Tartan Noir'.

Black and Blue was Ian’s breakthrough novel and when you read it you can see why. Dark and compelling and complex, with perhaps greater depth than the ones that came before, this was my introduction to Rebus and remains a favourite still. 

For anyone about to enter the world of Ian Rankin’s Rebus, Black and Blue is the ideal way in, with plenty more in store.

In the depths of the Cotswolds, Andy Caplet is a small-town journalist with a disastrous career (and life). Until, that is, the mysterious Inspector Hobbes offers him a spare room and the chance to follow along on some investigations. The only problem being, none of the cases are exactly the usual sort of crime, and Inspector Hobbes is not a usual inspector. Or a usual human. These stories are just fun, goofy escapism, caught somewhere between cosy mystery and urban fantasy, and they’re pure entertainment. Andy can be a bit annoying, but Inspector Hobbes is delightful.

I’ll devour any novel by Grisham, and I love that he took a departure from his standard legal thrillers to pen a story about the theft of rare books and the man suspected of selling them on the black market.

The hook is Mercer Mann, the young novelist who’s not only suffering from writer’s block but she’s also just been canned from her job. How can Mercer possibly turn down the mysterious woman who offers her a hefty fee to work undercover and infiltrate Bruce Cable’s illegal operation? 

Grisham’s flawless storytelling had me looking at the world through Mercer Mann’s eyes and pondering what choice I would have made if I were in her shoes.

Eli is a broken man, running from his own demons and past and looking for a safe haven at Whiskey Beach (just like the character from my book, Sophia). 

He believes he has nothing to give, certainly not as a writer... until Abra comes into his life. Yet dangers are lurking near and they are both being watched. Love, danger, and a beautiful setting. 

While not your typical cut-and-dried cold case mystery—the first half of this suspense thriller centers around the present-day case of Maddie Lane, a 12-year-old girl who is either a runaway or abducted from her bedroom—the second half is set four years in the future, and in my opinion, this is where the book really comes into its own. I found the past/present structure—no back and forth, no fancy flashbacks—refreshing, and Mofina does a fine job detailing the scrutiny Maddie’s family faces in the aftermath of her disappearance, while slowly and methodically revealing not only their secrets but their feelings of guilt.

This is a risky choice because the author is my old university colleague and later television writing partner, to whom I’ve been married for 41 years. I feel comfortable about it because of the number of fine British and American writers who have recommended this and her earlier books. I picked it because it’s the first novel I’ve read that makes a credible artistic attempt to grasp the experience of the current Pandemic. It’s a murder mystery that takes place during those first few months, when what was happening in the world seemed unthinkable, going out meant breaking a lockdown, and contact with anyone might be fatal. The amateur investigator, a young woman with an aimless and undisciplined past, takes a deep expedition into death, and it galvanizes her into taking charge and being really alive. 

Plot and style matter, but character is what I engage with. This book is a hilarious and touching portrait. Lionel Essrog doesn’t ‘suffer’ from Tourette’s Syndrome, but he happens to have it. He’s so natural that he completely normalizes his condition.

The plot involves an investigation that is told in Chandleresque prose, a very private-eye noir. Essrog is an unexpected narrator who nevertheless manages to own the story. I don’t use the phrase ‘pitch-perfect’ very often, but it fits here. 

My wife first turned me on to the Anita Blake: Vampire Hunter series, for which I am forever grateful.  Smart, passionate and endlessly resourceful, Anita is one of my favorite characters in modern fantasy fiction. 

I like to think of her as being, if not the spiritual sister to the protagonist of my own novel, at least her great-auntie. A necromancer working in St. Louis, Anita regularly deals with the resurrected dead and the undead, as part of both her professional and (increasingly complicated) personal life. 

The slam-bang pacing of this first book in the series makes it hard to put down, as Anita gets drawn deeper into a web of lies and murder involving the local vampire community, but manages to come out on top.         

A masterful book about a tough subject.

Separated from her young son, Romy Hall is serving two consecutive life sentences for killing a customer from the Mars Room, a strip club where she’d been dancing. Brilliantly written with compassion and dry, dark humor, the book explores Romy’s relationships with her fellow prisoners and the despair, dangers, and absurdities of life behind bars.

I loved this novel’s gritty texture, its sentences, its characters, and how it forced me to think more deeply about why and how we incarcerate people. The final sequence in Muir Woods is heart-pounding, wondrous, devastating, and strangely hopeful.

This book made me shudder. 

Three families on a cruise go ashore in Central America. Then the unthinkable happens: their children vanish. Thankfully, I’ve never experienced that particular nightmare, but years ago my four-year-old son went AWOL for about five minutes while we were at the airport. I was a quivering blob of panic until kiddo turned up safe and sound. Of course, for the parents in this story, the terror stretches on for much longer than five minutes—and, believe me, you wouldn’t want it any other way. The unrelenting tension is just one of the elements that make this novel such a compelling read.