My first published novel, Mahu, was about a gay cop coming out of the closet in Honolulu while investigating a dangerous case. I didn’t even realize there was a whole genre of gay mysteries until I’d finished it, but since then I have made it my business to read as much as I can of these books, both classics and new ones. My reading has deepened my understanding only of my protagonist’s life, but of my own.
Doug Orlando is a conflicted New York City detective with a past, and that gives him a lot of psychological depth. Originally published in 1992, this was one of the best of the wave of gay mysteries. I loved it because the police procedures seemed so authentic and Doug seemed like a guy I’d want to know, and want on my side in case of trouble.
LAMBDA LITERARY AWARD FINALIST FOR BEST MYSTERY! The bestselling crime novels of New York life in the early nineties are back. Gruff, weary, gay Brooklyn Homicide cop Doug Orlando is facing his most shocking case: Rabbi Avraham Rabowitz lay in a pool of his own blood, a prayer shawl stuffed down his throat, and his beard shaved off. The question for Detective Orlando isn’t who hated the right wing religious sect leader—Rabowitz had been the open enemy of blacks, gays, pro-choice women, even fellow Jews. In a case that moves from the depths of the ghetto to the high-rise office…
I can’t count the number of conversations where I’ve been asked to slow down, or take a breath, or talk in a straight line. My neurodivergent heroes are versions of me: me if I were an alien, or a dying old lady, or a zombie. Gus is the closest I’ve come yet to writing my true self. He’s just me. I want readers who identify with Gus to feel seen and accepted and those who don’t—to understand what it’s like to live like this. And, just maybe, to have a little fun along the way.
Plot and style matter, but character is what I engage with. This book is a hilarious and touching portrait. Lionel Essrog doesn’t ‘suffer’ from Tourette’s Syndrome, but he happens to have it. He’s so natural that he completely normalizes his condition.
The plot involves an investigation that is told in Chandleresque prose, a very private-eye noir. Essrog is an unexpected narrator who nevertheless manages to own the story. I don’t use the phrase ‘pitch-perfect’ very often, but it fits here.
NATIONAL BOOK CRITICS CIRCLE AWARD WINNER • A complusively readable riff on the classic detective novel from America's most inventive novelist.
"A half-satirical cross between a literary novel and a hard-boiled crime story narrated by an amateur detective with Tourette's syndrome.... The dialogue crackles with caustic hilarity.... Unexpectedly moving." —The Boston Globe
Brooklyn's very own self-appointed Human Freakshow, Lionel Essrog is an orphan whose Tourettic impulses drive him to bark, count, and rip apart our language in startling and original ways. Together with three veterans of the St. Vincent's Home for Boys, he works for small-time mobster Frank Minna's limo…
The executions of Julius and Ethel Rosenberg seem so distant that it is jarring for me to contemplate that I was born in 1960, only seven years after their deaths. Growing up Jewish, I often heard the Rosenberg case invoked as an example of anti-Semitism. But it was not until I was an undergraduate history major that I read the scholarly literature about the Rosenbergs and subscribed to the newsletter of the Committee to Reopen the Rosenberg Case. My ongoing interest in the case helps me remind students about two crucial points: ongoing historical scholarship gets us closer to the “truth” but we may never know what “actually” happened. Which is OK.
This book was written in 1975 by the two Rosenberg children left orphaned after their parents were executed. Relying on Schneir as well as their own research, they also powerfully argued that their parents were innocent. Even though later disclosures would contradict this conclusion, the book is a moving and fascinating document that tells the previously secret story of whatever happened to the two Rosenberg boys—aged 10 and 6 at the time of their parents' death—whose parents had seemingly sacrificed their lives for a political cause. It turns out that the boys had quietly been adopted by a politically progressive New York family, the Meeropols, and then successfully pursued academic careers, gottten married, and had children of their own.
In 1950 Ethel & Julius Rosenberg lived with their two sons on New York's Lower East Side. The boys visited their father's machine shop on Houston Street, rode subways to the Bronz Zoo, were avid Brooklyn Dodger fans. Abruptly one day their life together dissolved - Julius was imprisoned, then Ethel; accused of "The Crime of the Century". They were utltimately sent to the electric chair; their sons were shunted between reluctant relatives and children's shelters. Eventually they were adopted and protected from the public eye. In this book the sons tell their own story, weaving together the nightmare events…
I was born in Odessa, USSR, a Southern Ukrainian city that many more people know now than when my family and I immigrated in 1977. Growing up in the US, everything I read about Soviet immigrants was either cliched, stereotyped, or plain wrong. A 1985 short film, Molly’s Pilgrim, about a (presumably Jewish) Soviet immigrant girl showed her wearing a native peasant costume and a scarf on her head which, for some reason, Americans insisted on calling a “babushka.” “Babushka” means “grandmother” in Russian. Why would you wear one of those on your head? I was desperate for more realistic portrayals. So I wrote my own. And the five books I picked definitely offer them.
Most books about the USSR, World War II, and refugees, feature saintly people suffering in noble silence. Something Unbelievable reminds us that the Soviet citizens fleeing Communism and Nazis were all individuals, not one-dimensional ciphers. They were sometimes vain, sometimes selfish, sometimes bored, and sometimes frustrated. They were real, flesh and blood, petty, complicated human beings who lived through the unthinkable… while still managing to think about sex, romance, jealousy, and betrayal. The granddaughter in Something Unbelievable is moved to learn all this and more about her grandmother’s evacuation to Asia during World War II. And so is the reader.
An overwhelmed new mom discovers unexpected parallels between life in twenty-first-century America and her grandmother’s account of their family’s escape from the Nazis in this sharp, heartfelt novel.
“A fresh perspective—one that’s both haunting and hilarious—on dual-timeline war stories, a feat that only a writer of Kuznetsova’s caliber could pull off.”—Fiona Davis, New York Times bestselling author of The Lions of Fifth Avenue
Larissa is a stubborn, brutally honest woman in her eighties, tired of her home in Kiev, Ukraine—tired of everything really, except for her beloved granddaughter, Natasha. Natasha is tired as well, but that’s because she just had…
All my books, for adults and kids, include the theme that things are seldom what they seem. I link this to the slow realization when I was young that my family had an uncommon history. Novels featuring spies go deep into this theme, as a good spy is always manipulating their environment and presenting versions of themselves that may or may not be true. When my own children were little, we read so many of these novels. That reading is what inspired the Mrs. Smith’s Spy School for Girls series.
I love how Georges and Safer are relatable. Their friendship has ups and downs and tensions that resonate for young readers.
Middle school is challenging! The realism extends to Georges’s family and the challenges he faces at home. But this story is driven by the mystery of Spy Club and Mr. X. Important themes of friendship, empathy, and self discovery are flawlessly woven into the expert storytelling. I read this in one sitting!
When Georges moves into a new apartment block he meets Safer, a twelve-year-old self-appointed spy. Soon Georges has become his spy recruit. His first assignment? To track the mysterious Mr X, who lives in the flat upstairs. But as Safer becomes more demanding, Georges starts to wonder: what is a game and what is a lie? How far is too far to go for your only friend?
Winner of the Guardian Children's Fiction Prize and shortlisted for the Carnegie Medal.
'A joy to read' Independent
'Rebecca Stead makes writing this well look easy' Philip Ardagh, Guardian
Having edited 5 newspapers in North London a few years ago, I found that my love of reading–especially historical novels–expanded to writing once my business was sold to a well-known newspaper publishing company. All history fascinates me, as is obvious from my recommendations, and even though these could be listed as fiction, they all have a great deal of fact within them. I delved into historical reading as a very young girl and progressed from the Georgette Heyer novels to my current more in-depth novelists, so my range has been quite vast and varied over the years. I truly wish I had more time to read.
This book haunted me long after I had finished it.
It is based on a true story and takes us back to the horrendous days of Auschwitz, where Sophie had to make the choice of saving just one of her two children and she chose her son, Jan, sending her daughter Eva to the gas chamber. A choice no mother should have to make, and after making such a choice, sadly, she never saw her son again.
We must fast forward to 1947, and Sophie is a Polish immigrant in New York, where she lives in a boarding house with Nathan and Stingo. Her second choice, I will leave you to read, but there is so much more to this story by William Styron, and if you want to be depressed as well as impressed, this is definitely the book for you.
In this extraordinary novel, Stingo, an inexperienced twenty-two year old Southerner, takes us back to the summer of 1947 and a boarding house in a leafy Brooklyn suburb. There he meets Nathan, a fiery Jewish intellectual; and Sophie, a beautiful and fragile Polish Catholic. Stingo is drawn into the heart of their passionate and destructive relationship as witness, confidant and supplicant. Ultimately, he arrives at the dark core of Sophie's past: her memories of pre-war Poland, the concentration camp and - the essence of her terrible secret - her choice.
My picks reflect my passion for the cozy mystery genre (which I write myself!) One of the reasons I love cozy mysteries is that justice always prevails. There is no violence, bad language, or sex on the page. The murders take place in a small town or community where everyone is known to everyone else. If you like Murder She Wrote and Midsomer Murders, you’ll enjoy this genre.
I love the adventures of bookbinder Brooklyn Wainwright. There are 15 books in the series and each one features a well-known book as a backdrop that is integral to the plot. The plots are clever with a lot of laugh-out-loud moments. Most of all I enjoy the interaction of the characters – Brooklyn was brought up in a commune and was named after the bridge beneath which she was conceived … which says it all really!
Book expert Brooklyn Wainwright discovers that murder is always a bestseller in the first novel in the New York Times bestselling Bibliophile Mystery series.
Brooklyn Wainwright is a skilled surgeon. Sure, her patients might smell like mold and have spines made of leather, but no ailing book is going to die on her watch. The same can’t be said of Abraham Karastovsky, Brooklyn’s friend and former employer.
On the eve of a celebration for his latest book restoration, Brooklyn finds her mentor lying in a pool of his own blood. With his final breath Abraham leaves Brooklyn with a cryptic…
It’s no wonder South Brooklyn, in the latter half of the last century, is the setting for so many remarkable dramas for both page and screen. In fact, when legendary former NYPD Detective Thomas Dades offered to make introductions to a Colombo Crime Family associate who cooperated with the federal government, I leapt at the opportunity. I was born in Greenpoint in 1971 and grew up on 16th Avenue in the heart of Bensonhurst. It’s not just South Brooklyn’s raw, urban chaotic physical setting, but the sheer volatility of this period in time, where so many transformational trends of the larger culture were evident, and some even epi-centered.
In adapting Nicholas Pileggi’s 1985 non-fiction Wiseguy for film, Martin Scorsese delivered a “staged documentary,” depicting a far more gritty and authentic account of organized crime than Mario Puzo’s Godfather trilogy.
Much of what makes Pileggi’s masterpiece work is how he captures South Brooklyn culture as it morphs from the 1950s through the 1980s. Pileggi’s tale of the tarnishing of the Golden Era of Italian American organized crime is recounted from the pedestrian perspective of un-makeable underling and ultimate-turncoat Henry Hill.
That bygone Brooklyn landscape leaps off the pages, from its gambling dens and gangster bars, to its corner cafes, criminal courts, and cab stands. BONUS: Pileggi’s no-nonsense non-fiction prose, peppered with Hill’s verbatim account, delivers even more days-in-the-lives of lowlifes than Scorsese could ever have packed into his classic film.
Locations of interest: The Prospect Park Zoo (stand-in for The Tampa Zoo); Smith Street in Red Hook (Jimmy Conway’s…
A longtime member of organized crime recounts his criminal career, his involvement in the six-million dollar Lufthansa robbery, and his decision to become a federal witness
I have been fascinated about other people’s family history mainly because I did not know one-half of mine. I have been intrigued by memoir writers’ descriptions of their childhoods, feeling like a detective looking for clues as to why they wrote and if their experiences could give me clues to my personality and longing for belonging. The more memoirs I read, the more confident I became in believing that I had a story to tell, and my voice could help others in their quest for family and identity. I hope you enjoy my list of books as well as my own memoir. Let me know what you think.
I was attracted to Bess Kalb’s memoir because it deals mostly with the relationship between a grandmother and granddaughter.
My grandmother was a huge force in my life and her strength and independence were a big influence on me. She loved me unconditionally and like the grandmother in Kalb’s book, my grandmother came to the United States to escape.
Kalb describes her grandmother, Bobby, as full of strong opinions, glamorous, and the person that gave her unconditional love and pragmatic advice. Her support and unwavering love remind me that we all need a Bobby in our lives to remind us that we are loved.
**I HAVE NOT BEEN AS PROFOUNDLY MOVED BY A BOOK IN YEARS' JODI PICOULT** **I LOVED THIS BOOK MORE THAN I CAN SAY**NIGELLA LAWSON
A brilliantly original memoir of a grandmother speaking to her granddaughter from beyond the grave, telling the story of her life with hilarious candor and love.
Bess Kalb has saved every voicemail message her grandmother - her best friend, her confidante - ever left her until the day she died.
In this wildly imaginative memoir, Bobby Bell's voice is still in Bess's head. Stubborn, glamorous, larger than life, she gives Bess critical advice on everything and…
I’m intrigued by baseball. The passion and drama of the games and the way the sport is nearly always linked to a meaningful relationship with someone dear. That curiosity has only been fueled by the books I’ve read over the years and inspired me to write a baseball story of my own. The All-American is my ninth novel and I couldn’t feel more privileged to have been able to write it.
My friend and fellow novelist, Allison Pittman, recommended this one to me.
It’s a story told in letters written between a goofball kid named Joey and a New York Giants player named Charlie. I laughed and cried my way through this winner of a novel, rooting for both Joey and Charlie the entire time. It’s a story about the love of baseball, yes.
But it’s also a book about ambition and friendship, heartache and dreams, disappointments and hope. And with every page I read, I fell more and more in love with baseball. It’s one of the finest novels I’ve read.
A contemporary American classic—a poignant and hilarious tale of baseball, hero worship, eccentric behavior, and unlikely friendship
Last Days of Summer is the story of Joey Margolis, neighborhood punching bag, growing up goofy and mostly fatherless in Brooklyn in the early 1940s. A boy looking for a hero, Joey decides to latch on to Charlie Banks, the all-star third basemen for the New York Giants. But Joey's chosen champion doesn't exactly welcome the extreme attention of a persistent young fan with an overactive imagination. Then again, this strange, needy kid might be exactly what Banks needs.
