My picks reflect my passion for the cozy mystery genre (which I write myself!) One of the reasons I love cozy mysteries is that justice always prevails. There is no violence, bad language, or sex on the page. The murders take place in a small town or community where everyone is known to everyone else. If you like Murder She Wrote and Midsomer Murders, you’ll enjoy this genre.
I love the adventures of bookbinder Brooklyn Wainwright. There are 15 books in the series and each one features a well-known book as a backdrop that is integral to the plot. The plots are clever with a lot of laugh-out-loud moments. Most of all I enjoy the interaction of the characters – Brooklyn was brought up in a commune and was named after the bridge beneath which she was conceived … which says it all really!
Book expert Brooklyn Wainwright discovers that murder is always a bestseller in the first novel in the New York Times bestselling Bibliophile Mystery series.
Brooklyn Wainwright is a skilled surgeon. Sure, her patients might smell like mold and have spines made of leather, but no ailing book is going to die on her watch. The same can’t be said of Abraham Karastovsky, Brooklyn’s friend and former employer.
On the eve of a celebration for his latest book restoration, Brooklyn finds her mentor lying in a pool of his own blood. With his final breath Abraham leaves Brooklyn with a cryptic…
At heart, I just love a juicy story. For about three years of my life, I read nothing but non-fiction and textbooks on psychology, psychotherapy, and analyses of the human condition—everything from case studies to scientific papers. Cross that with an NYPD detective for a husband, and my obsession with the criminal mind, the detective mind, and everything in between was born. I am especially drawn to stories that show how working with the underbelly of society affects a police officer’s psyche. Nobody is unscathed. It is this vision of humanity on the razor’s edge between law and crime that I find most compelling to write and read.
Being a New Yorker, I’m a sucker for any true New York books, and this one is as authentic as they come. I also really appreciated how believable Chiara Corelli is. She has all the right mix of ethical and tough, but she is also a fully realized person with both external and internal goals and needs. Really good police procedural with a healthy dose of humanity.
Just back from her second tour in Afghanistan, NYPD Detective Chiara Corelli goes undercover to expose a ring of dirty cops. But when she’s ordered to kill to prove her loyalty, she aborts the operation without having identified the leaders. Now, Corelli is the one exposed. With her brothers and sisters in blue ostracizing her, can she trust Detective P.J. Parker to watch her back?
Parker is the daughter of a vehement critic of the NYPD. But that doesn’t stop her from wanting to work in the homicide division. And wanting to learn from the best. Unfortunately, Chiara Corelli is…
When I was twelve, my family moved to Brazil for a year because of my father’s work. I’ve been fascinated by the country and it has been always been the focal point of my research. Initially, my focus was how neighborhood associations in Rio’s favelas took advantage of new political opportunities during the transition to democracy in the mid-1980s. By the mid-1990s, however, the neighborhoods had all been occupied by heavily armed and occasionally violent drug gangs. Since then, I've tried to figure out the dynamics of this process, from the involved actors’ points of view. Including the voices of participants in drug gang life and those, like Bruno, who bring drugs to market.
This tremendous little book is about who has the right to discipline and kill. In an ideal world, the author argues, this right is monopolized by territorial entities we know as states. This is not the case in Brazil, however. In Brazil, or rather in metropolitan São Paulo, the right to discipline and kill is shared—hence the book’s title—between the various agents of the public security state and an extremely well-organized and powerful criminal faction known as the Primeiro Comando do Capital or PCC.
We hold many assumptions about police work that it is the responsibility of the state, or that police officers are given the right to kill in the name of public safety or self-defense. But in The Killing Consensus, Graham Denyer Willis shows how in Sao Paulo, Brazil, killing and the arbitration of normal killing in the name of social order are actually conducted by two groups the police and organized crime both operating according to parallel logics of murder. Based on three years of ethnographic fieldwork, Willis' book traces how homicide detectives categorize two types of killing: the first resulting…
My dad was a Cleveland Police detective. Yeah, I know that doesn’t tell you anything about “American Demon,” but hear me out…
Dad grew up in Cleveland when the Torso Murders were taking place, a string of grisly killings. He was too young to be involved in the investigation, but he talked about it and like everyone else in town, wondered who the deranged killer was who dismembered so many bodies.
In this incredible book, Daniel Stashower wonders, too. He examines the case from a new angle, the involvement of Eliot Ness, the city’s Safety Director at the time.
Stashower might not give us all the answers when it comes to the Torso Murders, but he provides new insights and takes readers along as he tells a macabre and absorbing tale.
Boston had its Strangler. California had the Zodiac Killer. And in the depths of the Great Depression, Cleveland had the Mad Butcher of Kingsbury Run.
On September 5th, 1934, a young beachcomber made a gruesome discovery on the shores of Cleveland's Lake Erie: the lower half of a female torso, neatly severed at the waist. The victim, dubbed "The Lady of the Lake," was only the first of a butcher's dozen. Over the next four years, twelve more bodies would be scattered across the city. The bodies were dismembered with surgical precision and drained of blood. Some were beheaded while…
For almost thirty years, I worked as a cop in the back alleys, poorly lit laneways, and forgotten neighbourhoods in Toronto, the city where I grew up. Murder, mayhem, and sexual violations intended to demean, shame, and haunt the victims were all in a day’s work. Whether as a beat cop or a plainclothes detective, I dealt with good people who did bad things and bad people who followed their instincts. And now that I’m retired, I can take some of those experiences and turn them into crime fiction novels.
I really enjoyed the entire 87th Precinct series, wherein Ed McBain creates the American police procedural genre.
Cop Hater, the first in the series, is hard-hitting, fast-paced, filled with complex characters, and captures the essence of a cop’s soul while giving the reader a wonderful glimpse into the world of criminal investigations.
The murder of three detectives in quick succession in the 87th Precinct leads Detective Steve Carella on a search through the city's underside and ultimately into the murderer's sights
While the werewolf curse isn’t real (as far as we know/thank goodness!), I do know what it’s like to have my life turned upside down by a painful illness that seems like a curse. When I was 23, I almost died from a rare autoimmune disease that tried to devour my lungs. More than a decade later, I’m still here and fighting, and my escapist love of reading fantasy books turned into a passion to write them. I also love metaphors and werewolves, and it all combined nicely with my BA in English! Aside from writing, I help other “underdog” authors as COO for indie publisher Thinklings Books.
Werewolf Cop is a hard-boiled noir quite unlike the other books on my list, but Klavan’s powerful voice drew me in and never let go. The book wasn’t entirely hard and gritty like I assumed at first. I especially like the way Klavan portrays the relationship between the main character and his wife. My favorite quote from the book is: “Bloody hard to know who the good guys are, isn’t it?” “It is,” said Zach. “I’m not even sure that’s how it works... It’s more like—messed-up guys, some fighting for the good, some for the bad, and the rest just wandering around bumping into the furniture.”
Zach Adams is one of the best detectives in the country. Nicknamed Cowboy, he's a soft-spoken homicide detective known for his integrity and courage under fire. He serves on a federal task force that has a single mission: to hunt down Dominic Abend, a European gangster who has taken over the American underworld.
In a centuries-old forest under a full moon, a beast assaults Zach, cursing him forever. In the aftermath, he is transformed into something horrible-something deadly.
Now, the good cop has innocent blood on his hands. He has killed-and will kill again-in the form of a beast who…
While completing a Master’s degree in Victorian Studies at the University of London, I stumbled across a passing reference to a series of killings in 1831 in East London. I was astonished that I had never heard of these and further research resulted in my first book, The Italian Boy.
Three books later I realise now that all my work is an attempt to squeeze out of the archives the less-recorded aspects of the everyday life of ‘marginalised’ people. And I guess that’s why I have selected the true crime books below – they all shine a bright light on previously little-known aspects of our world, and reveal the inter-relationship of victims, criminal, and location of the deed.
There is something very wrong with the official version of the Ratcliff Highway Murders of 1811, in which seven were killed – so much that simply does not add up. Detective fiction writer James and historian Critchley teamed up in 1971 to use their respective talents to sift the contradictory accounts of the killings of the Marr and Williamson households. They brilliantly capture the atmosphere of Regency Wapping and come up with an unusual partial solution, exonerating John Williams, whom tradition has always fingered as the killer.
In 1811 John Williams was buried with a stake in his heart. Was he the notorious East End killer or his eighth victim in the bizarre and shocking Ratcliffe Highway Murders? In this vivid and gripping reconstruction P. D. James and police historian T. A. Critchley draw on forensics, public records, newspaper clippings and hitherto unpublished sources, expertly sifting the evidence to shed new light on this infamous Wapping mystery.
This true crime novel begins amid the horror of a dark, wintry London in the year 1811. Using elegant historical detection P.D. James and police historian T.A. Critchley piece together…
My father advised me that to be a good writer, I should first learn a trade and particular subject matter from the inside out. As a working criminal justice practitioner for the last two decades, I’ve been lucky to work with some of the smartest people and best run organizations in the country. I’ve always been a big reader and someone who likes to link the sometimes brutally practical, day-to-day work of running an organization (I lead New York City’s main pretrial services agency) to larger philosophical issues. My life’s goal is to show how big ideas play themselves out in the day-to-day practice of public policy.
I am a huge fan of mystery novels written by Michael Connelly featuring the detective Harry Bosch, so I was delighted to read Jill Leovy’s account of real-life homicide detectives in Los Angeles working under very difficult circumstances to provide a measure of justice to otherwise ignored crime victims and their families.
The book does a wonderful job of documenting the craft of good police work and shows how poorly functioning formal legal systems – a legacy of Jim Crow – negatively impacts Black communities.
As the fictional detective Harry Bosch likes to say, “everyone counts or no one counts.”
Leovy’s book shows what it takes for that vision of everyone counting to become a reality.
NEW YORK TIMES BESTSELLER • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY SAN FRANCISCO CHRONICLE, USA TODAY, AND CHICAGO TRIBUNE • A masterly work of literary journalism about a senseless murder, a relentless detective, and the great plague of homicide in America
NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • The Boston Globe • The Economist • The Globe and Mail • BookPage • Kirkus Reviews
I have loved mysteries and crime thrillers since I worked at the legendary R.J. Julia Booksellers in high school. A lifelong love of books and movies led me to pursue a career in screenwriting and later in indie publishing. My most popular books, including Seattle On Ice, Chokecherry Canyon, and The Grimwood Trilogy all mix fast-paced action with film references and plenty of humor.
Ace Atkins is a master of the crime genre. It’s no wonder Robert B. Parker’s estate tapped him to carry on the Spenser series. He’s great at capturing places and the internal monologues of weary men. He’s also able to tell stories just seedy enough to keep readers curious, without making them cringe. The first book in Atkins’ Quinn Colson series is on par with Elmore Leonard’s Raylan Givens books. Quinn seems entirely real, the small town he returns to after a years-long absence feels lived in and believable. And the pacing is masterful. Whereas Perry drags readers along for the action, Atkins makes you feel as though you’re sitting in the backseat, riding down the winding roads of Tibbehah County in northeast Mississippi as Quinn uneasily approaches another backcountry crime scene.
Northeast Mississippi is hill country, rugged and notorious for outlaws since the Civil War, where killings are as commonplace as they were in the Old West. To Quinn Colson, just back from a tour of Afghanistan, it's home. But home has changed.
Quinn returns to a place overrun by corruption. His uncle, the county sheriff, is dead - officially it was suicide, but others whisper murder. In the days that follow, it will be up to Colson, now an Army Ranger, to discover the truth - not only about his uncle, but also about his family, friends, hometown and himself.…
Today's reporter inhabits an environment ranging from hostile to apathetic. Somewhere beyond the blistering criticism and rabid mistrust is the writer's haunting suspicion that today's revelatory art will line the reader's birdcage before his or her lunchtime McChicken. I get it. My entire professional career has been spent filing Right-to-Know and other public information requests, working the phones, chasing the perfect photo, and hammering at the keyboard in the hopes of something legible. On occasion I've mined something of both meaning and impact. That's what the writers I've featured have done as well as anyone I've ever read. May you find their journalism as inspiring as I do.
Real-life P.I. Ethan Brown pulls no punches with this wrenching exposé of deep-South police corruption.
Murder in the Bayou parts the curtain on inescapable connections between eight women killed in a rural Louisiana parish between 2005-2009..
Clocking in at less than 250 pages, this one is thick as swamp fog with the backgrounds and rap sheets of all players, indicted and unindicted. Brown's boots-on-the-ground approach to this story is evident in the interviews he scored with the central characters of this backwoods underworld.
The result is not just a triumph of journalism; it's a triumph of courage. I was inspired by Brown's devotion to the story and, more importantly, to the families and friends of these marginalized women.
An explosive, true-life southern gothic story, Murder in the Bayou chronicles the twists and turns of a high-stakes investigation into the murders of eight women in a troubled Louisiana parish.
Between 2005 and 2009, the bodies of eight women were discovered around the murky canals and crawfish ponds of Jennings, Louisiana, a bayou town of 10,000 in the heart of the Jefferson Davis parish. Local law enforcement officials were quick to pursue a serial killer theory, opening a floodgate of media coverage—from CNN to The New York Times.…
