My passion for writing historical fiction set mainly in Poland, or including Polish protagonists is born from my own familial history. My grandfather was forced into the Wehrmacht as a young man, who managed to escape to the UK and join the Polish Army in exile, eventually going back to fight against the Germans. His story set me on a course to become a historical fiction author; reimagining the past and bringing little-known stories to a wider audience. I find that the best way to gain a basic understanding of Polish life during WWII is to read widely – try historical accounts, memoirs, second-hand accounts, and of course, historical fiction.
Poland is a historical novel that spans Polish history all the way back to 1240, and continues on to cover various years, including WWI, WWII, and up to the early 1980s. The book is centered around three interconnected families throughout this investigation into their pasts, and is a must-read in terms of truly understanding and getting an authentic view into Polish lives throughout the ages. I feel that this book is a stand-out in terms of the authenticity it achieves.
“A Michener epic is far more than a bedtime reader, it’s an experience. Poland is a monumental effort, a magnificent guide to a better understanding of the country’s tribulations.”—Chicago Tribune
In this sweeping novel, James A. Michener chronicles eight tumultuous centuries as three Polish families live out their destinies. The Counts Lubonski, the petty nobles Bukowksi, and the peasants Buk are at some times fiercely united, at others tragically divided. With an inspiring tradition of resistance to brutal invaders, from the barbarians to the Nazis, and a heritage of pride that burns through eras of romantic passion and courageous solidarity,…
Having edited 5 newspapers in North London a few years ago, I found that my love of reading–especially historical novels–expanded to writing once my business was sold to a well-known newspaper publishing company. All history fascinates me, as is obvious from my recommendations, and even though these could be listed as fiction, they all have a great deal of fact within them. I delved into historical reading as a very young girl and progressed from the Georgette Heyer novels to my current more in-depth novelists, so my range has been quite vast and varied over the years. I truly wish I had more time to read.
This book haunted me long after I had finished it.
It is based on a true story and takes us back to the horrendous days of Auschwitz, where Sophie had to make the choice of saving just one of her two children and she chose her son, Jan, sending her daughter Eva to the gas chamber. A choice no mother should have to make, and after making such a choice, sadly, she never saw her son again.
We must fast forward to 1947, and Sophie is a Polish immigrant in New York, where she lives in a boarding house with Nathan and Stingo. Her second choice, I will leave you to read, but there is so much more to this story by William Styron, and if you want to be depressed as well as impressed, this is definitely the book for you.
In this extraordinary novel, Stingo, an inexperienced twenty-two year old Southerner, takes us back to the summer of 1947 and a boarding house in a leafy Brooklyn suburb. There he meets Nathan, a fiery Jewish intellectual; and Sophie, a beautiful and fragile Polish Catholic. Stingo is drawn into the heart of their passionate and destructive relationship as witness, confidant and supplicant. Ultimately, he arrives at the dark core of Sophie's past: her memories of pre-war Poland, the concentration camp and - the essence of her terrible secret - her choice.
I am an artist-filmmaker, writer, and Professor of Experimental Film at the University for the Creative Arts in Canterbury, Kent, UK. I have worked at the London Filmmakers’ Co-op and BBC TV. I have been making films since 1974 and teaching since 1988. I have published extensively on Artists’ Film / Experimental Cinema. I have edited and contributed chapters to numerous other books and journals, including Millennium Film Journal, MIRAJ, Film Quarterly, Sequence, and others. I have completed over 70 single screen works in 16mm and video, gallery film and video installations, and multi-projector film performances. These have been screened worldwide.
David Curtis’ copiously illustrated book is a wide-ranging yet detailed introduction to the world of artists’ film, with over 400 filmmakers discussed. The survey is rooted in the historical avant-garde of the 1920s and ‘30s but covers work up to the present day. While major figures such as Steve McQueen and Bill Viola are mentioned, equal space is devoted to little-known filmmakers from France, Poland, and elsewhere.
This detailed survey presents for the first time an alternative history of the moving image, chronicling artists' ever-evolving fascination with filmmaking from the early twentieth century to now.
From early pioneers to key artists of the present, leading authority and film expert David Curtis offers a vivid account of the numerous individuals who have been inspired by the cinematic medium and felt compelled to interpret and respond to it in their own way. In doing so, he discusses artists' widely differing achievements, aspirations, theories and approaches.
Featuring over 400 international moving-image makers and drawing on examples from across the arts,…
I’ve been drawn to the Holocaust ever since a school project in the tenth grade. Later, as I worked to become a professional musician, the passion to learn more about the topic never left me. When I was first asked to perform some music of the Holocaust, the reaction of the audience (tears) and my own realization that through the power of this music, I could return a voice to so many who had their own voices so cruelly silenced changed my life. To date, I have interviewed multiple survivors of the Holocaust. Many became very dear friends, and my life has been infinitely enriched by knowing them.
I love this memoir because the author was a very dear and cherished friend.
I first met Helena, already quite elderly, when I was interviewing former members of the Auschwitz-Birkenau women’s orchestra. Over the next several years, we built a warm friendship, with Helena helping me every step of the way with her discerning criticisms and fierce quest for remembrance and truth.
Years later, I was desperate for her to remain alive long enough to see publication of the book we were working on. Literally, on her deathbed, I was sending parts of the manuscript to the hospital in Poland. Miraculously, she rallied to give feedback and corrections. Helena lived another two years and died at the age of 102. This is the autobiography of my dear friend.
Helena Dunicz Niwińska was born in Vienna in 1915. She lived with her parents and brothers in her hometown of Lwów until 1943. At the age of 10, she began learning to play the violin at the conservatory of the Polish Musical Society. She studied pedagogy from 1934 to 1939, continuing her musical education the whole time. After their arrest in January 1943 and incarceration in Łącki Prison, she and her mother were deported to Auschwitz in October 1943. In Birkenau, she was a member of the women's orchestra—as a violinist—until January 1945. After being evacuated to the Ravensbrück and…
I’ve always been fascinated by history, by the way that the past informs the present, how it makes us who we are. And I’ve found myself drawn, as a reader and as a writer, towards those stories that incorporate some element of magic into the past. I’ve written two magical historical novels. And my third book, which I hope to be finished with soon, is a fabulist tale set in the future, which I like to say is history that hasn’t happened yet.
Yes, it’s almost a thousand pages long. But this sprawling magical historical novel by the Nobel Prize winner is one of the best books I’ve read in years. Following the rise and fall of the 18th-century Jewish mystic and would-be messiah, Jacob Frank, the novel paints a vivid picture of a vibrant multicultural society in Poland and beyond.
In the mid-eighteenth century, as new ideas begin to sweep the continent, a young Jew of mysterious origins arrives in a village in Poland. Before long, he has changed not only his name but his persona; visited by what seem to be ecstatic experiences, Jacob Frank casts a charismatic spell that attracts an increasingly fervent following. In the decade to come, Frank will traverse the Hapsburg and Ottoman empires, throngs of disciples in his thrall as he reinvents himself again and again, converts to Islam and then Catholicism, is pilloried as a heretic and revered as the Messiah, and wreaks…
If there's a throughline in all my books, it occurs to me I've always been writing about the dangers of extremism, the times when we get sucked too deeply into ideologies that lead to dangerous action. So this most recent novel felt like an ideal time to take that head-on: to see what would happen within a sect of Kabbalists, led by a self-proclaimed prophet, when things went bad. With that in mind... here's a bunch of books focused around prophecy!
The only other novel I know, along with my book, directly about the 17th-century false prophet Sabbetai Tzvi. Singer's is a kind of historical novel of that moment, imagining the effect of that prophet on a small European town during his days of false prophecy. It's a good one.
As messianic zeal sweeps through medieval Poland, the Jews of Goray divide between those who, like the Rabbi, insist that no one can "force the end" and those who follow the messianic pretender Sabbatai Zevi. But as hysteria and depravity reign free, it becomes clear that it is not the Messiah who has come to Goray.
Praise:
"Beautifully written by one of the masters of Yiddish prose, and beautifully translated, ''Satan in Goray'' is folk material transmuted into literature." — The New York Times Review of Books
"A gripping parable of reason versus revelation, hysteria in the face of apocalypse"…
I am a Professor of Philosophy at the University of Vienna (Austria), interested in ethics, political philosophy, and the philosophy of law. I am fascinated by the work of classical philosophers—foremost, Immanuel Kant and David Hume. A particularly interesting question for me concerns how political and legal systems shape people's identity and self-understanding. One focus of my research is on the distorted legal framework of National Socialist Germany. I wrote, together with Professor J. David Velleman (New York University), Konrad Morgen: The Conscience of a Nazi Judge. In German: "Weil ich nun mal ein Gerechtigkeitsfanatiker bin." Der Fall des SS-Richters Konrad Morgen.
How could ordinary policemen be implicated in the Holocaust by participating in mass shootings of Jews? After SS leader Heinrich Himmler took over the police forces in 1936, he was able to call up regular (i.e., non Nazified) police battalions and order them into Nazi-occupied Poland.
The historian Browning's book is based on the post-war interrogations of some of these policemen for trial. Browning delves into the reasons they went along with the mass shootings, even though they could have opted out and requested a different assignment.
His gripping analysis shows how peer pressure shapes individuals, and how participation in unspeakable, genocidal crimes becomes possible in an order-based hierarchy.
Christopher R. Browning's shocking account of how a unit of average middle-aged Germans became the cold-blooded murderers of tens of thousands of Jews-now with a new afterword and additional photographs. Ordinary Men is the true story of Reserve Police Battalion 101 of the German Order Police, which was responsible for mass shootings as well as round-ups of Jewish people for deportation to Nazi death camps in Poland in 1942. Browning argues that most of the men of RPB 101 were not fanatical Nazis but, rather, ordinary middle-aged, working-class men who committed these atrocities out of a mixture of motives, including…
Growing up, I loved studying history, and reading historical, family sagas, and crime novels. Even though I have four degrees—three engineering and one accounting—I love to write. My goal is that my readers who don’t like history, learn it through my novels. What I like about writing is you learn not just about history not taught in school, but also other topics, including meeting and learning from very interesting people. Therefore, it is an interesting hobby to have. I am currently writing my third novel set in the 1960s, and written several articles and short stories. I have also written screenplays for two of my short stories.
This novel by Jeffery Archer is about the hotel industry started by Polish immigrant Abel, his rivalry with Kane, who owns a bank, and how they try to destroy each other. It is similar to the characters in my novel, but in this case, the person trying to destroy the protagonist, who also owns a chain of hotels, is not known until she is almost kidnapped, which shocks everyone.Kane and Abelhelped me understand the history of early twentieth-century America, and the struggles rich people went through during the Great Depression after losing everything due to the stock market crash of 1929. So anyone who is interested in early twentieth-century history will love this book.
Jeffrey Archer's Kane and Abel is a global phenomenon that has captivated readers worldwide, spawning two sequels and dominating bestseller charts the world over.
Two strangers born worlds apart with one destiny that will define them both.
William Lowell Kane, the son of a Boston millionaire, and Abel Rosnovski, the son of a penniless Polish immigrant, are born on the same day on opposite sides of the world and brought together by fate and the quest of a dream.
Locked in a relentless struggle spanning sixty years and three generations, the two men battle for supremacy in pursuit of an…
I’ve always loved movies. In my 20s, I went to film school – perhaps you can still find a couple of the short films I wrote with animator Matthew Hood on Vimeo (Hourglass and Metalstasis) – and I worked a little in the UK film industry reading scripts for Film4, among others. I’ve also interviewed filmmakers, including Nicolas Winding Refn, Christopher Hampton, Life of Brian producer John Goldstone and editor Anne V. Coates. And I’ve always found a romance, despite the seedy aspects, of Tinseltown being developed out in Hollywoodland, a place of orange groves and pepper trees where people from the Midwest went to retire in the sun.
In contrast to Hollywood, Krzysztof Kieslowski worked under Polish Communism for the first 20 years of his career, before he became better known in the West with the Three Colours Trilogy. In Poland, it wasn’t the box office that determined a filmmaker’s fate but what the state censors thought. His film Blind Chance wasn’t released for six years because it suggested that a person’s political affiliation – whether they become a dissident or party member – was up to, well, blind chance. This is a wonderfully thoughtful book not only about film-making, but working under Communism, what it is to be a creative artist, and, if I may, life.
Decalogue, The Double Life of Veronique and his trilogy, Three Colours, earned Kieslowski his reputation as a world-class film-maker. Kieslowski was notoriously reticent, and even dismissive of his work and talent, but these frank and detailed discussions show a passion for film-making and a career which was often threatened by political and economic change within Poland. In the book he talks at length about his life: his childhood, disrupted by Hitler and Stalin; his four attempts to get into film school; and what Poland and its future meant to him at the time of writing, before his death in 1996.
Since I first began to study the events of the Holocaust in 1991, I became deeply engaged and committed to trying to understand why individuals engaged in the abuse and murder of their neighbors, fellow countrymen, and those deemed racially or politically inferior. In exploring this question, I drew in part on my own military experience to think about how a warped organizational culture and corrupted leadership emerged in Nazi Germany in which state-sponsored propaganda and ideological socialization combined to pervert existing moral and ethical norms and led many within the SS, police, and the German military to engage in genocide.
The Holocaust survivor, Richard Glazar, authored a compelling memoir of his imprisonment and escape from the Nazi killing center at Treblinka in occupied Poland, a site at which an estimated one million Jewish men, women, and children perished at the hands of the SS and their Ukrainian auxiliaries.
Glazar provides a first-hand and extended look not only at the process of mass murder at the camp, but he also provides extensive descriptions and analysis of the SS men he encountered in the camp including their daily habits, personalities, and actions.
The memoir exposes the full range of the emotional, psychological, and physical hardship experienced by Glazar in the “death factory” of Treblinka and places perpetrator actions within the context of prisoner experience.
Trap with a Green Fence is Richard Glazar's memoir of deportation, escape, and survival. In economical prose, Glazar weaves a description of Treblinka and its operations into his evocation of himself and his fellow prisoners as denizens of an underworld. Glazar gives us compelling images of these horrors in a tone that remains thoughtful but sober, affecting but simple.
