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I fell into medieval history from the moment I arrived at university, when I looked at a lecture list that included the Norman Conquest, King John and Magna Carta, Edward I – in short, the subjects of the books I have gone on to write. The attraction for me was that the medieval centuries were formative ones, shaping the countries of the British Isles and the identities of the people within them. After completing my doctorate on the thirteenth-century earls of Norfolk I was keen to broaden my horizons, and presented a TV series about castles, which was a great way to reconnect with the reality of the medieval past.
When I arrived in Oxford in 1998 to begin my doctorate, I knew a bit about English medieval history, but almost nothing about the histories of Wales, Scotland, and Ireland. That deficiency was corrected by Prof Rees Davies, at whose feet I was lucky enough to sit. Earlier that same year Rees had delivered the prestigious Ford lectures in Oxford, and they were published two years later as The First English Empire. Deeply learned, but also beautifully written, they are a powerful meditation on centuries when English power expanded aggressively into the rest of the British Isles, and the effects this had on national identities, which continue to resonate to this day.
The future of the United Kingdom is an increasingly vexed question. This book traces the roots of the issue to the Middle Ages, when English power and control came to extend to most of the British Isles. By 1300 it looked as if Edward I was in control of virtually the whole of the British Isles. Ireland, Scotland, and Wales had, in different degrees, been subjugated to his authority; contemporaries were even comparing him with King Arthur. This was the culmination of a remarkable English advance into the outer zones of the British Isles in the twelfth and thirteenth centuries.…
I decided to write this book because while there are many works on the Hundred Years War, they tend to dwell on the political and diplomatic, rather than the military aspects. I considered that this period marked a real revolution in military affairs, led by England. It was England that had the world’s only professional army since the collapse of the Roman Empire in the west in the 5th Century, that used technology (the longbow) as a force multiplier, and while moving on horseback did its fighting on foot. It was these three legs of the revolution that allowed tiny English armies to defeat far larger French feudal ones.
Henry of Monmouth, Henry V, was the second king of the disputed Lancastrian dynasty, and in my opinion the greatest Englishman who ever lived.
He was king at 25, slaughterer of the nobility of France at 27, regent and acknowledged heir to the French throne at 32, and dead at 34. Had he lived, the history of Europe might be very different. He was a man who shaped English history and who still affects Anglo-French relations to this day.
This book, by Ian Mortimer, one of the very best authors of the period, looks at the year 1415, the year when the young Henry led a sick, exhausted, and starving English army to a stunning victory over a far larger French force at Agincourt, in an example of leadership and military professionalism of the highest order.
Henry V is regarded as the great English hero. Lionised in his own day for his victory at Agincourt, his piety and his rigorous application of justice, he was elevated by Shakespeare into a champion of English nationalism for all future generations. But what was he really like? Does he deserve to be thought of as 'the greatest man who ever ruled England?'
In Ian Mortimer's groundbreaking book, he portrays Henry in the pivotal year of his reign. Recording the dramatic events of 1415, he offers the fullest, most precise and least romanticised view we have of Henry and what…
I have been fascinated by history my whole life and have now published 4 non-fiction history books. My fourth and latest book, Defenders of the Norman Crown: Rise and Fall of the Warenne Earls of Surrey, tells the story of the Warenne earls over 300 years and 8 generations. A Fellow of the Royal Historical Society, I have studied history academically and just for fun. I even worked as a tour guide at a castle! I also write the highly popular history blog History... the Interesting Bits, and I am also a feature writer for All About History magazine. My TV work includes Australian Television's Who Do You Think You Are?
There are so many reasons to love Crusaders and Revolutionaries of the Thirteenth Century: De Montfort by Darren Baker. The foremost reason is that it is a fabulous, enjoyable, and entertaining read. Darren Baker has fast become the ‘go-to’ historian for all things De Montfort. His research is thorough, and the story is recounted in an accessible manner that draws the reader in. Told in chronological order, the narrative flows freely, drawing the reader into the lives of this incredible family.
The second reason is the cover. If there ever was a cover to attract a reader, this is it. It is stunning! And the artwork was done by a de Montfort descendant, Rosana de Montfort. It epitomises the ethos of the medieval barons, their sense of duty, and dedication to the crusading ideal. It is a wonderful book for anyone interested in medieval history, either for leisure, research,…
One of the families that dominated the thirteenth century were the de Montforts. They arose in France, in a hamlet close to Paris, and grew to prominence under the crusading fervour of that time, taking them from leadership in the Albigensian wars to lordships around the Mediterranean. They marry into the English aristocracy, join the crusade to the Holy Land, then another crusade in the south of France against the Cathars.
The controversial stewardship of Simon de Montfort (V) in that conflict is explored in depth. It is his son Simon de Montfort (VI) who is perhaps best known. His…
I fell into medieval history from the moment I arrived at university, when I looked at a lecture list that included the Norman Conquest, King John and Magna Carta, Edward I – in short, the subjects of the books I have gone on to write. The attraction for me was that the medieval centuries were formative ones, shaping the countries of the British Isles and the identities of the people within them. After completing my doctorate on the thirteenth-century earls of Norfolk I was keen to broaden my horizons, and presented a TV series about castles, which was a great way to reconnect with the reality of the medieval past.
The reign of King Stephen (1135–1154) was characterized by chaos and disorder, as he and his cousin Matilda fought over the succession to the English throne. This makes it a challenge to offer a coherent account, but Carl Watkins succeeds where others have failed in his short history of Stephen’s reign. The whole book, minus its academic endnotes, runs to under 90 pages, but it packs a considerable punch, thanks to Watkins’ elegant and enviable prose style.
'Stephen risked being seen as a man who never quite transcended the essential flawed-ness of his claim to be king. His actions betrayed uneasiness in his new skin'
Remembered as a time in which 'Christ and his saints slept', Stephen's troubled reign plunged England into anarchy. Without clear rules of succession in the Norman monarchy, conflict within William the Conqueror's family was inevitable. But, as this resonant portrait shows, there was another problem too: Stephen himself, unable to make good the transition from nobleman to king.
My first recollection of a fascination with medieval history occurred while watching Errol Flynn in The Adventures of Robin Hood. I soon exhausted our school library’s limited selection of tales of kings and castles. Much later, a history degree and decades spent in Germany and England allowed me to delve deeply into historical research, gaining a specialized knowledge into the areas in which I was most interested. I am particularly fascinated with the lives of women, most of whom medieval chroniclers relegate to a brief mention as wives and mothers. There are clearly stories here yet to be told and I am always excited to learn of new scholarship.
How can I write about fierce women of the Middle Ages and not include the woman referred to by the sobriquet She-Wolf of France?
Carol McGrath’s The Stone Rose presents the story of Queen Isabella’s strength and determination framed around her ill-fated marriage to King Edward II in a beautiful tapestry threaded with both painstakingly researched historical fact and masterfully imaginative fiction.
The author’s extensive knowledge of the time period is evidenced by the accuracy of detail that is interwoven into the narrative. Since Edward’s reign forms the backdrop for my series, my own interest is obvious; however, the tale of Isabella’s struggle to protect herself and those she loves in the face of rampant intrigue and treachery will appeal to all.
'A real tour de force of gripping writing, rich historical detail and complex, fascinating characters. Superb!' NICOLA CORNICK on The Stone Rose _________________
EARLY READERS ARE GRIPPED BY THE STONE ROSE!
* 'Springs to vivid life for the reader . . . A compulsive read' ANNE O'BRIEN
* 'An enticing and intriguing tale of a woman who is driven to desperate and ruthless lengths to protect those she loves' ALEXANDRA WALSH
* 'Carol McGrath really got into Isabella's head . . . Enlightening' SHARON BENNETT CONNOLLY
I spent much of my childhood living close to Whitby Abbey and heard many stories of the famous Saint Hilda. As a mother of three, I began writing stories, initially to entertain my children, and eventually published many historical stories for children and young adults – twice shortlisted for the Carnegie Medal. I moved back to the Whitby area in my 60s determined to write for an older age group and indulge my lifelong fascination for the Anglo-Saxon period. I took the half pagan Fridgyth character from my Young Adult adventure mystery – Wolfgirl - and developed her role as a warm, curious, flawed, investigator. I'm working on a third Fridgyth the Herbwife novel.
I first came across this short book when researching for stories set in the Anglo-Saxon kingdom of Northumbria. Kathleen Herbert, (herself a historical novelist) provided not only excellent information, but also a practical vision of the period specifically from a woman’s point of view. It is easy to read and presents the information in an accessible way; perhaps one of the earliest books focussed on women’s history.
An account of the earliest Englishwomen; the part they played in the making of England, what they did in peace and war, the impressions they left in Britain and on the continent, how they were recorded in chronicles and how they come alive in heroic verse and jokes.
Before I could start writing Into the Lion’s Mouth, I spent a lot of time researching the medieval and renaissance Venice. I was astounded to see how relevant that history is to today. Not only are there many parallels that can be drawn between the past and today there is so much to learn about the consistency of human nature. I find myself currently gravitating towards books that mix history and fiction and these are some of my favorites.
This book was a Newberry Award winner and it’s easy to see why. It is hard not to love Alyce and root for her as she grapples with the difficulty of learning midwifery under the not to tender tutelage of Jane the Midwife. The story is at times funny, poignant and fascinating. I was moved by the courage and persistence Alyce shows. This book transported me to another era and left me wanting more.
A poor girl in medieval England gains a name, a purpose, and a future in this “delightful”* and beloved Newbery Medal-winning book. Now with a new cover!
* “A truly delightful introduction to a world seldom seen in children’s literature.” —School Library Journal*, starred review
* “A fascinating view of a far distant time.” —Horn Book, starred review
* “Gripping.” —Kirkus, starred review
A girl known only as Brat has no family, no home, and no future until she meets Jane the Midwife and becomes her apprentice. As she helps the short-tempered Jane deliver babies, Brat—who renames herself Alyce—gains knowledge,…
I have three lifelong passions, the first was reading, then writing, and then archaeology/history. To this end I studied and trained as an archaeologist before I sat down and decided to write stories set in the past as a way of bringing it to life. Of course, there had to be an adventure, a bit of a mystery, and a dash of magic to bring it all together. The books on my list are just a few of those that I have enjoyed reading during my hunt to get to know the past in intimate detail – on my own time travelling journey.
I have read a lot of history and archaeology books and more often than not they can be a little dull, dry and in some cases work better than a sleeping tablet.
Not with this book, here you learn about parts of medieval England you just wouldn’t think about, written from a more personal point of view its less about political stuff like kings, queens, and those pesky archbishops and much more on the practicalities of living in medieval England.
Would you know what to eat, wear, or where to go to the toilet? Would you know how to address a lord or lady? Would you know what to do if you got sick? This is a vital guide for all time travelers!
The past is a foreign country. This is your guidebook. Imagine you could get into a time machine and travel back to the fourteenth century. What would you see? What would you smell? More to the point, where are you going to stay? Should you go to a castle or a monastic guest house? And what are you going to eat? What sort of food are you going to be offered by a peasant or a monk or a lord? This radical new approach turns our entire understanding of history upside down. It shows us that the past is not…
I am a Professor of Early Medieval English History at the University of Cambridge. I also work on relations with the rest of Britain, and between Britain and its European neighbours, especially from an economic and social point of view. My interest in early medieval history arose from the jigsaw puzzle approach that it requires: even more so than for other periods, sources are few and often challenging, so need to be seen together and interpreted imaginatively.
Most books covering the early Middle Ages in Britain start with the fifth century and end around the tenth or eleventh. Edward James’s Britainis different, in that it embraces the Roman period too. Breadth on this level is stimulating, especially when (as here) it is accompanied by elegant and insightful prose that takes care to pay attention to diverse constituencies in society.
Ideal for undergraduates, this survey of medieval Britain is a coherent narrative of events between the two great invasions from continental Europe. It is unique both for its broad historical perspective and for its wide geographic coverage: it spans the 'long' millennium from the first century BC through the Norman conquest and covers events across the whole of Britain, from Cornwall to the Shetlands. Edward James provides the European context for events in England while also examining the many ways Britain differed from the rest of Europe. Students of medieval Europe will find his book an invaluable synthesis.
I am a strong, independent woman (*snaps fingers through the air*), yet I adore a soul-sucking romance. Many might think this is a contradiction, but it’s not! A woman can be both loving and stubborn…both enamored by her partner yet still strong enough to speak up for herself. Sadly, I think historical fiction often defaults to portraying dependent and subjugated women, and this isn’t necessarily wrong—in fact, it’s probably more accurate. However, when I’m getting lost in the magic of a novel, I want to experience the all-consuming love without sacrificing the resiliency and independence of the women involved, and these books spin stories where both outcomes are possible!
Star-crossed lovers and a strong female heroine! This setting is the beginning of the end for the Plantagenets. Their royal court is turbulent—filled with secrets and enemies after the dramatic coup of the current king’s father, King Edward II (the events of which are featured in my book). When the beautiful and willful Joan of Kent, cousin to the royal family, is sent to live among them, she soon learns they’re the ones responsible for her father’s unjust execution and her family’s subsequent shame. Though the handsome and chivalrous Black Prince of Wales is falling at her feet, she twists his affection against him in an act of revenge, only allowing Fortune’s Wheel to turn once she decides it should be so.
The daughter of a disgraced earl, she matched wits with a prince.
It is the fourteenth century, the height of the Medieval Age, and at the court of King Edward III of England, chivalry is loudly praised while treachery runs rampant. When the lovely and high-spirited Joan of Kent is sent to this politically charged court, she is woefully unprepared for the underhanded maneuverings of her peers.
Determined to increase the breadth of his rule, the king will use any means necessary to gain control of France—including manipulating his own son, Edward, Prince of Wales. Joan plots to become involved…
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![Book cover of The Chronica Maiora of Thomas Walsingham [1376-1422]](https://res.cloudinary.com/hzpwrwfdi/image/upload/w_220/media/covers/81OHr5D264S_yc7asn.webp "Book cover of The Chronica Maiora of Thomas Walsingham [1376-1422]")
