The most recommended books about Edward III of England

Crispin is a young serf in Medieval England--an orphan despised by everyone for reasons he does not understand. Though I never had problems as dire as Crispin faced, I frequently felt mistreated as a child, and like him, the forest was my comfort and refuge. Like him, I had a lively curiosity about the lives of others and many times learned important lessons through observation. I shared Crispin's tendency to hero worship those who befriended me, and like him, I generally chose my role models well.

A glimpse into medieval times. It’s a sumptuous tale of passion and danger.

Katherine comes to the court of Edward III aged fifteen and turns the head of the King’s favourite son, John of Gaunt.  But their paths in life pull them apart until their love forces them back together. This is a wonderful book by a writer who manages to make you experience life as it was then, but without trying to teach you, and asks, ‘how much would you give up for love?’

This is a work of fiction, but one so well imagined that I felt like I was actually in the medieval English countryside.

It’s the story of Will, a peasant heading to France to join the English army as an archer in the Hundred Years War during the summer of 1348, when the Black Death swept across northern Europe. Along with him travel a gentlewoman avoiding an unwelcome marriage, some soldiers harboring a sordid secret, and a cleric with troubles of his own.

Following behind is Will’s gender-fluid childhood friend and would-be lover, Hab-Madlen, who is endangered as much by people’s prejudices as by the disease stalking the population. Will they escape England and their pasts before the plague catches up with them?

Thomas Costain’s series introduced me to a fascinating world of castles and cathedrals, of tournaments where mounted knights broke lances on behalf of their ladies, where courtly love and chivalry ruled the day. (In theory. Seldom in practice.) How strange, my preteen self thought. How enchanting! I was particularly fascinated by The Three Edwards, which recounts the reign of one of England’s worst kings sandwiched between two of its greatest. With the eye of a natural storyteller, Costain intersperses tales of wars, rebellions, and political machinations with myths such as Arthur and Guinevere’s tombs being “discovered” in Glastonbury and the possible origins of Robin Hood. While there are newer series mining the same period, Costain’s research remains relatively solid, and his prose retains its powerful simplicity.  

This is the first part of S.D. Skyes’ medieval mystery series, following nobleman and investigator Oswald de Lacy. Sykes always creates an intriguing, compelling plot for each of the five de Lacy novels but it is the fourteenth-century setting that draws the reader in.

This is a land ravaged by the Black Death and the reader is not only entertained but informed by this powerful evocation of a society dealing with a disaster almost beyond comprehension.  

Walking Among Lions deals with not only a very obscure female figure but a medieval time frame, the reign of Richard II, that is not as often used in fiction as perhaps the 14th century or the time of Lionheart and King John. Constance is from a family that would become very famous the next century—the House of York. Her father is Edmund, son of Edward III—great-grandfather of Edward IV and Richard III. This book, part 1 of a series yet to be published, tells the story of her youth and early time at court, setting the scene for high and dangerous drama. It is beautifully written and packed with fine, accurate historical detail.

There are lots of books about Crecy, the first major land battle of the war, but here the authors examine and compare all the original sources. 

Medieval historians were not necessarily interested in the things that modern historians are, so there are many gaps in the various accounts. Similarly, many academics, through no fault of their own, do not understand the mechanics of organising, deploying, and administering an army, or how it actually fought. 

Here the authors do examine points such as what formation the English armies would have taken up, where exactly the archers would have been placed, and suchlike. 

While I, with my own military experience, might not agree with all the Authors’ conclusions, they do an admirable job of comparing, contrasting, and shining light into dark corners.

Bernard Cornwell’s fight scenes are what I would call emotional rather than technical. You feel his fights, the vibration of sword against shield, the panic of your feet slipping in the mud, the fear rising up in your guts that will allow only a half-crazed scream to come out of your mouth. If you’re looking for a manual on sword fighting, Cornwell is not your man. But if you want to be put in a character’s armor while someone is trying to skewer him with a spear, no one does it better. I was drawn to this book because it was about an archer, and I know how hard it is to write fight scenes with archers in them. I am an amateur bowyer and having made more than a few bows I know how much skill it takes to make and use these weapons. Cornwell did a lot of… show more.

Star-crossed lovers and a strong female heroine! This setting is the beginning of the end for the Plantagenets. Their royal court is turbulent—filled with secrets and enemies after the dramatic coup of the current king’s father, King Edward II (the events of which are featured in my book). When the beautiful and willful Joan of Kent, cousin to the royal family, is sent to live among them, she soon learns they’re the ones responsible for her father’s unjust execution and her family’s subsequent shame. Though the handsome and chivalrous Black Prince of Wales is falling at her feet, she twists his affection against him in an act of revenge, only allowing Fortune’s Wheel to turn once she decides it should be so.

Forget the Wars of the Roses! Give me the fourteenth century and the reign of Edward III—whose like, according to the chronicler Jean Froissart, “has not been seen since the days of King Arthur." A happy warrior, exuberant ruler, and skilled commander, who at least one modern military historian has described as “the greatest general in English history.” Edward kicked some serious French butt during the beginning of the Hundred Years War. (Great from the English point of view. Devastating for those on the receiving end of Edward’s chevauchees.) The poignancy of outliving one’s peers and one’s time and dying alone—all of that is compassionately detailed in Ian Mortimer’s compelling biography, which reminds us why Edward of Windsor ranks among England’s greatest kings.