I founded Critical Metaphor Analysis, an approach that has become well known in English language studies. My books Corpus Approaches to Critical Metaphor Analysis, Politicians and Rhetoric: The persuasive power of metaphor, and Analysing Political Speeches have over 5,000 citations. I am also ranked first on Google Scholar on political rhetoric. I have always tried (though not always successfully) to write in an accessible style to reach out to audiences beyond academia. As well as lecturing, I assist in the training of Westminster speechwriters. I love languages and speak French, Spanish, Moroccan Arabic, and Malay with varying degrees of incompetence; I have rediscovered the pleasure of watercolour painting.
I found this a fascinating account of the origins and history of quarantine, stretching from medieval times right up to the Covid-19 pandemic, the authors take us on a tour of the many different forms that quarantine has taken in different parts of the world. Quarantine is about finding out what may be hidden within the body but this book reveals much about the different cultural and historical settings where quarantine has been employed. The book helped me understand why the responses to Covid-19 were so diverse in spite of the fact that governments were dealing with the same illness.
'Manaugh and Twilley shed illuminating light on a phenomenon that seems utterly of the present moment.' Financial Times' Best Books of the Year
'Startlingly timely, authoritatively researched, and electrifyingly written.' Steve Silberman, author of NeuroTribes: The Legacy of Autism and the Future of Neurodiversity
Quarantine has shaped our world, yet it remains both feared and misunderstood. It is our most powerful response to uncertainty, but it operates through an assumption of guilt: in quarantine, we are considered infectious until proven safe. An unusually poetic metaphor for moral and mythic ills, quarantine means waiting to see if something hidden inside of…
Brian Fagan is a Distinguished Emeritus Professor of Anthropology at the University of California, Santa Barbara. He is the author of numerous books about archaeology, the past, and climate change for general audiences. I was asked to write my first climate change book (on El Niños) and was astounded to find that few archaeologists or historians focused on the subject, whether ancient or modern. Now that’s all changed, thanks to the revolution in paleoclimatology. I’m convinced that the past has much to tell us about climate change in the future. Apart from that, the subject is fascinating and vital.
The Third Horseman combines a discussion of climate change with a major disaster, the great famine of the fourteenth century. Vividly written and fast-paced, this well-written book makes history enjoyable. The author wears his research lightly, which makes for a rattling good story. Not a global book, but it will make you think.
The incredible true story of how a cycle of rain, cold, disease, and warfare created the worst famine in European history—years before the Black Death, from the author of Justinian's Flea and the forthcoming Miracle Cure
In May 1315, it started to rain. For the seven disastrous years that followed, Europeans would be visited by a series of curses unseen since the third book of Exodus: floods, ice, failures of crops and cattle, and epidemics not just of disease, but of pike, sword, and spear. All told, six million lives—one-eighth of Europe’s total population—would be lost.
I’ve been fascinated by epidemiology since I was a little kid first reading about the Black Death, and that interest only grew as I learned more about it over the years. Diving into the study of environmental history was especially fascinating for me, as I learned how under-emphasized the role of epidemics and pandemics has been in history, as if humans were trying to pretend that history was actually under our own control. This eventually culminated in me writing The Wrack, my own plague novel which, for better or worse, ended up coming out at the beginning of the Covid-19 pandemic. (Slightly awkward timing, there.)
Aliens crash-land near a medieval European village during the Black Death, and establish friendly relations with the villagers- but Earth’s food lacks vital nutrients for them, and the plague creeps closer every day. Wonderful, heart-wrenching book about communities during times of crisis and disaster, and about the fundamental humanity that crisis brings out in us—even towards those who aren’t human.
The alien world of medieval Europe lives again, transformed by the physics of the future, by a winner of the Heinlein Award
Over the centuries, one small town in Germany has disappeared and never been resettled. Tom, a historian, and his theoretical physicist girlfriend Sharon, become interested. By all logic, the town should have survived. What's so special about Eifelheim?
Father Dietrich is the village priest of Eifelheim, in the year 1348, when the Black Death is gathering strength but is still not nearby. Dietrich is an educated man, and to his astonishment becomes the first contact person between humanity…
I’ve always been drawn to social history, so the chance to learn what people used for toilet paper in the middle ages or how deodorant was invented and popularized in the early 20th century was perfect for me. The three years I spent researching The Dirt on Clean included trips to see the bathing facilities in Pompeii and actually bathing in ancient mineral baths and spas in Hungary, Switzerland, and Germany, and what’s not to like about that?
Europeans had feared water since the Black Death of 1347 when the doctors of the Sorbonne pronounced that people who took warm baths were more susceptible to the plague. There followed what the French historian Jules Michelet called (with some hyperbole) “five hundred years without a bath.” Goubert’s scholarly but always readable book describes the gradual and tentative death of this longstanding myth. Beginning in the 18th century, the emergence of the idea of water as a benefit and not a danger to public health was complicated and touched many areas of life. Goubert is adept at moving from social to cultural to administrative sectors, with just the right balance of theory and anecdotes.
"The preoccupation with water is, according to Jean-Pierre Goubert, one of the subdivisions of the religion of progress. . . . Goubert's research is entirely interdisciplinary, and his procedure is highly original. The first in his field, the author has at all points built up a study which never departs from its faithfulness to texts, documents and facts."--From the introduction
This book is the first major study of the social and cultural conquest of water during the nineteenth and twentieth centuries. Jean-Pierre Goubert discloses the changing meanings of everyday reality as he explores the transition from water-scarce cultures, in which…
As writers, one of the things that most commonly unites us is how quickly we are able to point to our favourite teacher from school—almost always our literature teacher. These people instilled in us a love of reading, and encouraged us to explore and hone the craft of writing. I’m always drawn to, and fascinated by, the idea of how certain individuals can impact our lives, this butterfly effect of personal connection. Sometimes these relationships can have very complex dynamics; other times these mentors won’t even know the impact they have had on us. In this list, I have selected five works that I have read recently and which I think examine these relationships masterfully.
One of the most masterfully-wrought novels I’ve had the pleasure to read.
Here we follow a bitter, veteran knight, Thomas, wounded at the Battle of Crecy and divested of his landholdings, as he leaves behind a life of brigandage in order to deliver a young oddball girl to Avignon.
All the while France descends into chaos, not just because of the bubonic plague, but because the forces of heaven and hell are locked in a battle for the fate of humankind. Freighted with pathos and lyrical in its allegory, this is a novel that will both inspire and terrify you.
His extraordinary debut, Those Across the River, was hailed as “genre-bending Southern horror” (California Literary Review), “graceful [and] horrific” (Patricia Briggs). Now Christopher Buehlman invites readers into an even darker age—one of temptation and corruption, of war in heaven, and of hell on earth… And Lucifer said: “Let us rise against Him now in all our numbers, and pull the walls of heaven down…” The year is 1348. Thomas, a disgraced knight, has found a young girl alone in a dead Norman village. An orphan of the Black Death, and an almost unnerving picture of innocence, she tells Thomas that…
I love history, and it infuses most of my fiction. Since I first picked up a book, I’ve never stopped learning about the past. Now, I listen to college courses and podcasts and read books both popular and academic. Sometimes this is for my writing or personal travel, but those things are often just excuses for the fun of immersion in a subject. I particularly enjoy reading and writing alternate/secret history because it merges creative imagination with factual scholarship. But I’m picky about the use of history in all media—factual sloppiness bumps me out of a story as quickly as bad physics drives a scientist from an SF movie.
Robinson’s book is alternate history on the boldest scale, covering hundreds of years after a very dramatic change indeed: around the year 1400, 99% of Europeans have been killed by a double whammy of plagues, leaving the rest of the world’s story to go on without them.
Such a saga in other hands might be too far removed from the human, character-driven level to be enjoyable, but Robinson has a clever solution to that problem—reincarnation. The main characters are reborn again and again, for the most part lacking memories of their past lives, but identifiable by the initial letter/sound of their names (e.g., there’s a “K” character).
An emotionally moving view of humans struggling to meet the challenges of their times to build a better world.
With the incomparable vision and breathtaking detail that brought his now-classic Marstrilogy to vivid life, bestselling author KIM STANLEY ROBINSON boldly imagines an alternate history of the last seven hundred years. In his grandest work yet, the acclaimed storyteller constructs a world vastly different from the one we know....
The Years of Rice and Salt
It is the fourteenth century and one of the most apocalyptic events in human history is set to occur–the coming of the Black Death. History teaches us that a third of Europe’s population was destroyed. But what if? What if the plague killed 99 percent…
I have been writing the Owen Archer mysteries, set in and around the city of York in the late 14th century, for 30 years, ever since falling in love with the city of York on a visit. As I studied medieval literature and culture in graduate school, with a special interest in Chaucer, I’ve focused my research on the period in which he lived. I’ve spent months walking the streets of the city, hiking through the countryside, and meeting with local historians. Besides the 13 Owen Archer mysteries I’ve also published 3 Kate Clifford mysteries covering Richard II’s downfall, both series grounded in the politics and culture of medieval York and Yorkshire.
This is a masterful work covering the period from the Norman conquest to the Black Death. Sarah Rees Jones is one of my go-to scholars for medieval York, as well as an engaging writer. I particularly appreciate her looking beyond the importance of the royal government in the city’s development to include the strong influence of the Minster and other ecclesiastical institutions in the city as well as the significance of the people of York—merchants and craftspeople.
Check here first if you want a feel for how the city grew, who were the makers and shakers, how the neighborhoods developed, where the influential people lived. Every time I dip into this book I learn something new. With 18 useful maps and an extensive bibliography.
York was one of the most important cities in medieval England. This original study traces the development of the city from the Norman Conquest to the Black Death. The twelfth and thirteenth centuries are a neglected period in the history of English towns, and this study argues that the period was absolutely fundamental to the development of urban society and that up to now we have misunderstood the reasons for the development of York and its significance within our history because of that neglect.
Medieval York argues that the first Norman kings attempted to turn the city into a true…
I recall my younger self looking at the reading lists on Oxford University history courses, and asking, “Where are all the women?” I have always wanted to know what it was like to be there, in any century up to the present. How did families form and pass on their values, what did people wear and eat, when (and if) children learned to read, and what were people’s daily routines? Political, military, and economic history is important, but I have flourished in the social history trenches. I discovered women writers and historians have more acute antennae for the details I wanted, even when writing about wars and dynasties.
Who knew that an account of a disappeared medieval world could be so gripping?
I’ve always regarded history as a literary and intellectual exercise, and Pulitzer-winning Barbara Tuchman has been my model ever since I picked up this absorbing history of a Europe riven by war, climate catastrophes, plague, and religious schisms.
Academic historians might denigrate Tuchman’s approach, but through pen-portraits and narrative momentum, Tuchman immersed me in a world that had subtle echoes of today.
The fourteenth century was a time of fabled crusades and chivalry, glittering cathedrals and grand castles. It was also a time of ferocity and spiritual agony, a world of chaos and the plague.
Here, Barbara Tuchman masterfully reveals the two contradictory images of the age, examining the great rhythms of history and the grain and texture of domestic life as it was lived: what childhood was like; what marriage meant; how money, taxes and war dominated the lives of serf, noble and clergy alike.
Granting her subjects their loyalties, treacheries and guilty passions, Tuchman recreates the lives of proud cardinals,…
I’m a historical fiction author but have always enjoyed actually making things as well as writing. In the past, I was a theatre designer, so I was often immersed in recreating antique objects for the stage. Our versions weren’t the real thing–but it meant researching old crafts and then imitating them to build a convincing fake version. My research filled me with great admiration and respect for the real craftsmen of the past–their skill and artistry, and I only have to look at our old cathedrals–so lovingly created, to be inspired all over again.
I loved the detail of the craft of gilding in this book, a craft that is little known today. I was interested, too, in the effect that the plague had on the city of Venice. Another plus for me was that Maria’s love interest was a Moor, Cristiano, and this added to the slow-burn tension of the relationship.
For me, this was the sort of historical fiction I don’t read often–immaculately researched with plenty of insider details that could only be known by an expert. Though the story doesn’t move particularly fast, it did make me think and immersed me in the period.
Would you rather sacrifice your livelihood, your lover, or your life?
When the Black Death comes knocking on your door, you'd better decide quickly.
ERIC HOFFER GRAND PRIZE FINALIST
EDITOR'S CHOICE, HISTORICAL NOVELS REVIEW
Venice, 1510. Maria Bartolini wants nothing more than to carry on her father’s legacy as a master gilder. Instead, her father has sent her away from the only home she’s ever known to train as an apprentice to Master Trevisan, a renowned painter.
Maria arranges to leave the painter’s workshop to return to her family workshop and to a secret lover waiting for her back home.…
I have loved horror since my early teens, when I first discovered The Rats and Lair and other horror stories by James Herbert. The thing I like about horror, in particular, is that there are no holds barred, no censorship, as to what can be written. I grew up on movies like The Exorcist, Friday the 13th, Jaws, Alien, The Thing, etc., but horror writing takes you deeper and gives a more visceral experience than anything any film can do.
This was pretty much the first true horror book I read.
My mother, who had read it, thought I'd like it. Reading as a teenager, the scenarios of giant rats attacking people were frightening, and Herbert's description lent a realism to those scenes which I'd not encountered before. I found myself eagerly turning the pages to feast on the horrors of that which was contained within with relish. I was also fortunate, in my adult life, to meet and interview James Herbert and gain an insight into how he wrote and came up with the stories he told.
A special fortieth anniversary edition of The Rats, the classic, bestselling horror novel that launched James Herbert's career.
With a foreword by Neil Gaiman, author of Norse Mythology.
It was only when the bones of the first devoured victims were discovered that the true nature and power of these swarming black creatures with their razor sharp teeth and the taste for human blood began to be realized by a panic-stricken city. For millions of years man and rats had been natural enemies. But now for the first time - suddenly, shockingly, horribly - the balance of power had shifted .…
