The most recommended sci-fi horror books

Here is another period piece, set in the 1850s and inspired by Mary Shelley’s Frankenstein.

Our Hideous Progeny is a Gothic, magical novel that begs to be brought (no pun intended) to life. It’s a rich, delicious adventure through time and across several countries while Mary, the name of the main character, tracks down the secrets of her great uncle, Victor Frankenstein, in an effort to build back some of the money lost by her husband, Henry, a gambler.

Like the series, Lessons in Chemistry (also an adaptation) and others, there is a feminist current running through the book, which modern audiences might appreciate, in the trials a woman had to overcome in a time when there were no “scientists”, only “men of science.” And, of course, a queer love story.

Author C.E. McGill has already ruminated on possible actors to play the key roles in an adaptation, including Sophie… show more.

There is nothing more fun than a rag-tag group of kids living in a tree house and battling monsters, zombies, and whatever else bleeds into their dimension.

Max Brallier does an amazing job of tapping into a middle grader’s pituitary. What he squeezes out is a thrilling and hilarious roller-coaster of an adventure. Just writing this makes me want to take the ride all over again. And I didn’t even mention the art yet either.

Douglas Holgate draws monsters so cool, that they are often drool inducing. Seriously. Do a Google search if you don’t believe me.

This hefty collection of Ray Bradbury adaptations is also a great representation of a beloved era of American comic books. These 1950’s stories were first published by EC comics in their titles Tales from the Crypt, Weird Science, and more, which featured short (6-8 page) stories illustrated by some of the best cartoonists of the day: Wallace Wood, Jack Davis, B. Krigstein, among others. Many were written by Al Feldstein, who also adapted the Bradbury fantasy and science fiction stories reprinted here. They’re well-crafted stories with ornate art; you can see the loving care invested by the creators. The comic books were originally printed in garish color (which has its charms), but the black and white reproductions in this volume show off the meticulous brushwork and unique styles of the artists. 

I have always loved the hapless heroes and gruesome thrills of the Resident Evil video game series! When a friend bought me this book, I was a bit skeptical at first, but it quickly became my favorite book series I’ve ever read! It builds depth and likability into the characters and situation beyond what the games have ever achieved, and it’s just fun to spend some more time with zombies and other horrifying creatures! S.D. Perry is definitely one of the biggest influences on my early writing.

In the zombie sub-genre, it’s hard to move for the countless books and films about battle-hardened troops trying to maintain law and order as the world tears itself apart. All too often, these stories are little more than battle scene after battle scene, when the gauge of ammo being fired at the zombies is given more importance than a cohesive plot, character development, or any other such trivialities! Not so with Tooth and Nail. A fantastic writer of military fiction, DiLouie cut his teeth here with a startlingly realistic story of a pack of exhausted soldiers trying to deal with the impossible as society crumbles around them.

Charles Beaumont was close friends with Richard Matheson, and they worked together on such projects as the Roger Corman Edgar Allan Poe films and Rod Serling’s original Twilight Zone. Beaumont’s stories are as rich and varied as Matheson’s, with delightfully witty language and fantastic plot twists. If you love classic Matheson short stories like “Nightmare at 20,000 Feet” and “Death Ship,” you’re bound to love Beaumont.

Set on a treacherous sea voyage in 1634, this impossible crime is cloaked by an atmospheric setting. Is a demon hiding on the ship—or is there a very real killer stalking victims in the claustrophobic setting? This was unlike any locked-room mystery I’d ever read, and it was impossible not to get swept up in the adventure on the high seas. With detective Samuel Pipps accused of a crime and imprisoned in cramped quarters on the ship, it’s up to his bodyguard to act on his behalf and prove a human hand—not a demon—is responsible for the murder and mayhem aboard.

Ever since I read this collection I’ve become unapologetically evangelical about it.

I’ve gushed about it to friends and put it on course lists for classes I’ve taught. There’s something strangely timeless about the writing of this book, like it’s from both the past and the future at the same time. Ballingrud has a supernatural ability for using the otherworldly as a lens to examine the struggles and horrors of our own reality. There are monsters here, sure, but the real horror comes from humans and the systems we create and perpetuate; poverty, abuse, control.

A stylistic blend of noir, Southern gothic, and horror featuring elegantly sinister prose and characters that will haunt you, North American Lake Monsters is utterly unforgettable. Ballingrud is a class of his own.

Dean Koontz has influenced my writing more than any other author. For decades, his books have been at the top of my reading list. Year after year, he consistently writes top-tier, inventive page-turners. His villains are evil. His heroes and heroines are likable and easy to relate to. He gets that one can’t traverse a frightening world without humor, and by analogy, neither can we. Elsewhere is one of his best in a long time. Equal parts bone-chilling, creepy, nerve-racking, and sinister, balanced by love, compassion, loyalty, and second chances, it doesn’t get better than this. 

Okay, so maybe you didn’t exactly miss at least hearing about this novel, but many readers skip over the original Lovecraft stories as being too difficult to read which is a shame.

This is the where the elder god mythos truly began for me, the first of any Lovecraft story I ever read. Split into three sections this book is linked together around nightmares, cults, and a sleeping god.

Call of Cthulhu was where I learned that not every question in a story requires an answer, and that heroes can face overwhelming odds and lose in the end. It is bleak and the perfect introduction to this world.