100 books like Children of the Spider

I actually have two books by this Jamaican author and environmental activist to recommend but this one feels more urgent. It is a climate change future dystopia set in the Caribbean, which in reality is among the most vulnerable to climate change notwithstanding its comparably small carbon footprint and often muted voice. In this story, youth is an asset and the sun has become deadly; it is survival of the fittest, and the fittest are whoever can survive the rough terrain, the angry packs, the totalitarian state, and the night. It is also a story built on love and alliances and adaptation; the things that could potentially save us in this reality. It’s the climate change messaging for me!

This has often been recommended for boys (including by me) but, since there is no such thing as exclusively boy books and girl books, I’m calling this a good book period – with a highly entertaining and deeply endearing adolescent-ish boy, surrounded by a robust cast of supporting characters, at its center. More vignettes than plot, it is rooted in character and voice – in this case, the rare and highly effective use of the second voice. Tonally, it’s a callback to the adventures of boyhood captured in Mark Twain’s Tom Sawyer and the mostly harmless incorrigibility of the boy protagonist as he moves between home, school, and community (the community, in this case, being rural Jamaica), getting into trouble and growing up. It’s the heart and humour for me!

The interiority of a depressed, perpetually anxious, and possibly suicidal teen girl recently relocated from Trinidad to Canada is captured with detail and sensitivity. Her trusted circle consists of a single friend from home, her aunt and aunt’s partner with whom she lives in Edmonton, and a new boy, who stirs other complicated feelings in her. The fractures in her relationship with her mother, back home, remain unhealed. It is a deeply melancholic book but it can also potentially make any young person struggling with the same issues feel a little less alone. All of Burt's books are published by Caribbean publishers; to Home Home’s credit, it is one of a handful to have also been released with the US publisher. It’s the realness and insight for me!

The Puerto Rican author draws on her grandmother’s experience to tell the story of a girl in Cuba on the cusp of revolution. While the historical fiction follows the day-to-day of the girl emerging to teen-hood and her family – brother, mother, father, and abuelo – it also feels dangerous as bombs go off, people are disappeared, and shadows of a more personal kind encroach on her familial bliss. Through this prism, the reader gets a sense of the class and power dynamics at play, from school where sadistic nuns are the law to the Law which acts with cruel impunity, and the resentment, heartache, and violence simmering underneath the alluring resort island. It’s the pressure cooker on the verge of blowing its lid for me!

This book is also a fascinating and completely new way of telling history, merging travel writing with personal family history. The author in this remarkable book travels through her own body to talk about the history of her family, and her own story – a story that is connected with the broader stories of colonization, post-colonialism, racism, capitalism, and many other macro, structural issues.

After Columbus Bartolomé de Las Casas probably was the most famous individual in the history of the early Spanish Caribbean. A man of great energy and determination, he wrote lengthy histories of the Caribbean and neighboring mainland as well as this much shorter, highly polemical one. He portrayed the horrors and abuses that the islands’ Indigenous peoples suffered at the hands of Spaniards and was instrumental in persuading the Spanish crown of the necessity of reforms that would offer Indians some protections from the extremes of exploitation. While he might have exaggerated the extent of Spanish cruelty, much of what he recorded can be corroborated. The writings of Las Casas are essential to understanding the Caribbean after Columbus.

This is similar to my first recommendation in its theme: a tremendous natural disaster overwhelming a small community (in this case a volcano and a Caribbean island). It moves at the pace of a novel … as does the lava when it starts flowing… building up to the terrible, climactic conclusion. I’ve read it three or four times and it never loses its power. Once you start reading, you can’t put it down. Don’t watch the terrible Paul Newman film which is loosely based on the book though!

Pity Bertram Francis. After more than a decade in the United Kingdom, the protagonist of Caryl Phillips 1986 novel has returned to his home – an unnamed island in the Caribbean – on the eve of independence. But in seeking to find a place for himself, Bertram quickly discovers that long-simmering resentments and petty grudges (particularly on the part of the island’s soon-to-be prime minister) might very well undermine his high-minded commitment to the nation’s future. But is Bertram’s own idealism also part of the problem, manifesting itself in part as a kind of smug elitism born of his studies in the metropole? Exploring the fraught space between obligation, dependency, and autonomy (in matters of state as well as of the heart), this supple novel and its complex protagonist will linger long after you’ve finished reading.

This book was mandatory reading for most of us going to the Caribbean in secondary school.

For that reason, it may elicit a groan from those who have less than pleasant memories of school-enforced reading. But for me, it really was the first time I remember reading a book set in my home country of Barbados.

It’s a heart-warming coming-of-age story that takes you back and makes you wish for the good old days.

Every so often you come across a book that opens up a world you have never encountered before. This 1957 novel by Trinidadian noble laureate V.S. Naipaul is one such book. Its account of the enterprising Ganesh Ramsumair – a Trinidadian of South Asian descent – and his rise from obscurity to national prominence is recounted with a satirical wink and rendered in delicious prose. Every scene is meticulously observed, and every character impeccably drawn – particularly Ganesh’s cantankerous father-in-law and sometime rival, Ramlogan. Sly, sardonic, and Dickensian in its (generally good-natured) reflection upon human frailty, The Mystic Masseur remains as fresh and fun today as ever.