Environmental storytelling in comics is something that I’ve always admired and want to be better at. As a cartoonist I’m always thinking of better ways to tell visual stories, because it’s fun.
Olivia Stephens is one of the most skilled cartoonists of our generation. I was lucky enough to blurb Artie: Artie and the Wolf Moon, like all of Stephens’ work, is heartbreaking and heart-mending, gorgeously and lovingly rendered with a voice and eye for the gentle and powerful ways characters interact with one another…“ Like the best graphic novels set in the Pacific Northwest, Artie’s story could not be told without dense forests that hold both danger and sanctuary.
“A heartfelt, magical family drama you can really sink your teeth into.” ―Nilah Magruder, M.F.K.
After sneaking out against her mother's wishes, Artie Irvin spots a massive wolf―then watches it don a bathrobe and transform into her mom. Thrilled to discover she comes from a line of werewolves, Artie asks her mom to share everything―including the story of Artie's late father. Her mom reluctantly agrees. And to help Artie figure out her own wolflike abilities, her mom recruits some old family friends.
Artie thrives in her new community and even develops a crush on her new friend Maya. But as…
I’ve always been fascinated with the first-person voice, the way it magically pulls us into a story through the character’s/narrator’s perspective, and how when done well, can feel so natural and personal. I’ve tried to write in this perspective over the years, sometimes successfully, sometimes not. I hope I have done it adequately with this current novel. I wouldn’t say I’m an expert when it comes to the first-person, but I am an interested participant. I am a creative writing professor, but I am also a student of writing and always will be. The more I investigate, the more I read, the more I learn. Focusing on this topic has been no exception.
There such an intimate sense of discovery in this novel, narrated by Linda, a teenage girl taken under the wing of a strange family.
Linda guides us through this natural world, the cold woods of Minnesota, both mysterious and beautiful. Her simple descriptions of place always build on a subtle sense of dread in her voice, “The sky between the branches looked like sunburn. It was twenty minutes through the snow and sumac before the dogs heard me and started braying against their chains.”
Linda’s is a vulnerable first-person voice, not in command of her world, but constantly open to its possibilities, for better or worse. As authentic as it gets.
"So delicately calibrated and precisely beautiful that one might not immediately sense the sledgehammer of pain building inside this book. And I mean that in the best way. What powerful tension and depth this provides!" Aimee Bender
Fourteen-year-old Linda lives with her parents in the beautiful, austere woods of northern Minnesota, where their nearly abandoned commune stands as a last vestige of a lost counter-culture world. Isolated at home and an outlander at school, Linda is drawn to the enigmatic, attractive Lily and new history teacher Mr. Grierson. When Mr. Grierson is charged with possessing child pornography, the implications of…
Growing up, I’m not embarrassed to admit the horror genre was too scary for me. I don’t remember when it was but at some point that changed and it’s become my favourite. It started with horror movies but as I became a writer, that love transferred to horror books. My favourite type of horror focuses more on the character than the scares. I don’t see why I should be worried about a character’s fate if they’re one-dimensional. I’d trade in great character development for clichéd scares in horror any day.
This book is based on one of my favourite movies. However, it takes its time to expand on the characters (delving into their feelings and motivations more). It’s a zombie story set at Christmas about a young girl who wants to break away from her life in Scotland. The zombies are second to the characters. Time is taken to explore Anna, her friends, and the eventual villain through flashbacks and their relationships. As a Scotsman it’s nice to see a horror story set in Scotland, which is something I try to do with most of my horror books.
Anna and the Apocalypse is a horror comedy about a teenager who faces down a zombie apocalypse with a little help from her friends.
Anna Shepherd is a straight-A student with a lot going on under the surface: she’s struggling with her mom’s death, total friend drama, and the fallout from wasting her time on a very attractive boy. She’s looking forward to skipping town after graduation—but then a zombie apocalypse majorly disrupts the holidays season. It’s going to be very hard to graduate high school without a brain.
History is my passion. I’m a graduate of medieval history from the Hebrew University, Jerusalem, and post-graduate of London University. Former high school history teacher, and previously held the post of assistant researcher at the Museum of the Diaspora, Tel Aviv. I was commissioned by the Council of Zambian Jewry to research and write the history of Northern Rhodesian/Zambian Jewry. I have lectured frequently on my subjects and have contributed diverse historical articles in newspapers and journals. I have published six books, fiction, and non-fiction.
I pick Rendel’s books because she knows how to get inside the complex workings of the human mind. I have always been a keen enthusiast of Rendel’s crime fiction thrillers. What amazes me is her depth of understanding of human psychology. On the one hand, I just couldn’t put the book down, and yet due to the interest, it evoked I never wanted to finish it. The story revolves around a teenager Liza who is kept away from the outside world in an isolated rural mansion and is completely dominated by her mother. Secrets, murders, and love affairs interlock, twist and turn and evolve into a thrilling page-turner.
A psychological thriller about an isolated young woman and her murderous mother from the New York Times–bestselling author of The Girl Next Door.
Far from London, the isolated estate called Shrove House looms over the English countryside. Inside, two women hide from the world. For sixteen years, Eve has protected her daughter, Liza, from the corrupting influence of modern life, never letting her outside, hiding her from those who visit, and killing to keep her safe. Raised in her mother’s shadow, Liza has never questioned that this is the way things must be—until the night the police come to call,…
Right after college, I lived abroad in Asia, in the small, landlocked country of Laos. A key theme of the book is the role of the U.S. in the world. During the Vietnam War, Laos was subject to a massive bombing campaign by the U.S., and decades later, the country was still coping with the effects. As unexploded bombs continued to kill people every year, how would my colleagues and neighbors react to an American living among them? The book is mainly about the joys of navigating another culture, and while Laos is unique, I’ve read a lot of books about living abroad in Asia, and common themes certainly emerge.
I guess that this book doesn’t really count, as Duras was born and grew up in Vietnam; a Frenchwoman in Indochina, she wasn’t living abroad.
Her portrayal of her own coming of age and sexual awakening (still rather controversial to many) illuminates not only the way colonial society was structured but also larger themes of love and loss.
It was one of the first things I read before moving to Laos, and her voice, singular and astonishing, has never left me.
A sensational international bestseller, and winner of Frances' coveted Prix Goncourt, 'The Lover' is an unforgettable portrayal of the incandescent relationship between two lovers, and of the hate that slowly tears the girl's family apart.
Saigon, 1930s: a poor young French girl meets the elegant son of a wealthy Chinese family. Soon they are lovers, locked into a private world of passion and intensity that defies all the conventions of their society.
A sensational international bestseller, 'The Lover' is disturbing, erotic, masterly and simply unforgettable.
Second novels rarely get the love that they deserve. People come to them with all kinds of presumptions and expectations, mostly based on whatever they liked (or didn’t like!) about your first novel, and all writers live in fear of the dreaded “sophomore slump.” I spent a decade trying to write my second novel and was plagued by these very fears. To ward off the bad vibes, I want to celebrate some of my favorite second novels by some of my favorite writers. Some were bona fide hits from the get-go, while others were sadly overlooked or wrongly panned, but they’re all brilliant, beautiful, and full of heart.
Lorrie Moore is another one of my favorite writers and someone I’ve been lucky enough to write about on multiple occasions. Her first novel, Anagrams, is smart, fun, and resolutely—even defiantly—weird. Her second novel, Who Will Run the Frog Hospital? is all those things and more.
Berie, the narrator, is on a bad vacation in Paris, where her marriage is teetering on the brink of collapse. Instead of dealing with her obnoxious husband, she thinks back to the summer she turned fifteen and the profound friendship she forged with a girl she worked with at a Disney-knockoff theme park in upstate New York.
Like Home Land, this novel has its cultists, and I’m happy to count myself among them. Moore, like Lipsyte, is a stylist as unmistakable as she is unprecedented, someone whose sentences I would recognize anywhere. This slim coming-of-age novel bears all her hallmarks—comic timing, gimlet…
"Touches and dazzles and entertains. An enchanting novel." --The New York Times
In this moving, poignant novel by the bestselling author of Birds of America we share a grown woman’s bittersweet nostalgia for the wildness of her youth.
The summer Berie was fifteen, she and her best friend Sils had jobs at Storyland in upstate New York where Berie sold tickets to see the beautiful Sils portray Cinderella in a strapless evening gown. They spent their breaks smoking, joking, and gossiping. After work they followed their own reckless rules, teasing the fun out of small town life, sleeping in the…
I’ve always believed in magic, the kind that’s just around the corner, out of view. I loved books and libraries. So, it was no surprise that I became a teacher, and later, a poet and novelist. Now, as the author of four novels, I want my books to capture what I love best from poetry and teaching: beautiful, unexpected language, a touch of wonder, and themes that probe the big questions of life. A library shows up in most of my novels along with a bit of the fantastic.
I love books where magic infuses the everyday world.
Ava Lavender is born with wings. That’s only one thing that sets her apart and makes her life difficult. She is the third generation of women in her family who are doomed in love. Like most that I love, this story asks what it means to be human, how we can protect those we love, and how we balance the need for freedom with safety.
No, neat conclusion at the end. Beautiful prose and unexpected metaphors fill this book. I’m a sucker for a good metaphor.
A mesmerizing, lyrical tale of the bright and dark sides of love and desire. First-time author Leslye Walton has constructed a layered and unforgettable mythology that "follows Ava Lavender's discovery of her one-of-a-kind self" (Teen Vogue).
Shortlisted for the 2015 Waterstone's Children's Book Prize, Leslye Walton's stunning debut novel is "rich with lyrical and whimsical writing" (Kiera Cass, New York Times bestselling author of the Selection series). Magical realism is woven through this generational saga, creating a narrative reminiscent of Gabriel Garcia Marquez, with a taste of Chocolat by Joanne Harris.
Foolish love appears to be a Roux family birthright.…
Tenacity—that can’t quit, won’t quit attitude—isn’t always seen as a particularly good quality to have for women and girls. As a tenacious woman myself, I know from where I speak. My mother once told me no one would ever marry me because I argued too much (she was wrong). That was part of the inspiration for Amanda in Fair Game—a young woman who just won’t quit, even when she’s not sure exactly what winning looks like. Here are some of my favorite stories about women and girls refusing to give up in the face of challenging circumstances.
Who doesn’t love a book with dragons? Bonus—a magic Hogwarts-ish school where you go to learn about how to control your dragon.
The extra twist in To Shape a Dragon’s Breath is that the story is told from the perspective of an indigenous woman, Anequs. People like her aren’t supposed to have dragons, let alone be capable of learning how to manage them. No one at the Anglish dragon school she’s forced to attend believes Anequs can succeed, but Anequs doesn’t care what the Anglish think.
What I loved about this book was how firmly grounded Anequs is in her family and her people, as well as the confidence that gives her. Anequs never wavers in her belief in herself and the value of indigenous wisdom and culture.
“An early contender for the best fantasy novel of 2023.”—The Washington Post
“A very entertaining and fun read, full of loveable characters and intricate, original worldbuilding.”—NPR
The remote island of Masquapaug has not seen a dragon in many generations—until fifteen-year-old Anequs finds a dragon’s egg and bonds with its hatchling. Her people are delighted, for all remember the tales of the days when dragons lived among them and danced away the storms of autumn, enabling the people to thrive. To them, Anequs is revered as Nampeshiweisit—a person in a unique relationship with a dragon.
I have a Master’s degree in Philosophy and for a (very) brief time was a stand-up comic (now I'm more of a sprawled-on-the-couch comic). Despite these attributes, I have received four Ontario Arts Council grants. This Will Not Look Good on My Resume was shortlisted for the Rubery Book Award, and excerpts from my several other books have appeared in The Cynic Online Magazine and 222 More Comedy Monologues, and on Erma Bombeck’s humor website.
I found out after I'd read and thoroughly enjoyed this novel that it's classified as YA. Pity. It made this adult laugh and laugh often. Alice is a refreshing change to … normal. Fortunately, there are two more books in the series.
I was so disappointed that the novel did not win the Leacock (technically, the Stephen Leacock Award for Humour). It definitely should have. But then … written by a woman … blah blah when will men get over themselves?)
The hilarious diary of Alice and her attempts to survive the embarrassments that are her parents, the small-minded nature of her hometown, and her own struggle to fit in. Highly observant, satirical and wise.
Fifteen years old and nursing a "serious case of outcastitis," Alice MacLeod is having a hard time finding anything much to like in small town Smithers, British Columbia. Her mum's a folk-festival hippie chick with a hair-trigger temper, her dad's a mild and reasonable sort of loser who hides out in the basement trying to write soft-core romance novels, and her last school counsellor threw a…
Stephanie Storm is a talented young adult fantasy author whose writing is reminiscent of classic fantasy novels with a modern twist. Her imaginative storytelling and richly developed characters draw readers into immersive worlds filled with magic, adventure, and breathtaking landscapes. Her writing style is enchanting, capturing the hearts of readers of all ages and leaving them eagerly turning pages late into the night. Growing up with her nose buried in a book, she found solace and inspiration in the escapism and limitless possibilities of the genre. Her imagination was sparked by the enchanting stories she devoured, which fuelled her passion for writing and creating her own fantastical tales.
I’ve never seen this take on demons before! I’m a sucker for a unique story line and Jeniffer delivers time and time again.
Compassion, intrigue, magic, action, and deception all form part of this series and the characters are hilarious! I love this world that she’s built and I can’t wait to see if she continues to build on it.
"Jennifer L. Armentrout is a master of weaving rich contemporary realism with magic and mayhem. Her characters will grab hold of your heart and refuse to let go. Every page left me wanting more."—New York Times bestselling author Brigid Kemmerer
From the author of From Blood and Ash, one kiss is enough to kill in this instant New York Times bestselling start to the Dark Elements series…
Layla just wants to fit in at school and go on a date with Zayne, whom she's crushed on since forever. Trouble is, Zayne treats Layla like a sister—and Layla is a half…
