100 books like Crankenstein

I love this concept of a boy turning a saccharine, boring picture book called Birthday Bunny into Battle Bunny. A pencil his weapon of choice, he attacks the book, driven by his creativity, and turns it into a book he actually wants to read. A daring idea from the author, this hilarious and engaging book is something any young boy can relate to.

As author John Scieszka himself says he’s sold “bazilions of books” so he sure doesn’t need my endorsement but this is such a funny book I couldn’t resist. Yes, it tells the familiar story of the three little pigs but it does so in a wildly unfamiliar way—from the wolf’s point of view. Alexander T. Wolf tells the reader what really happened and professes his innocence. Despite having a cold, he was baking a cake for his dear grandmother when he needed to borrow a cup of sugar from the neighboring pig. What happens next he declares was not his fault yet he’s gotten a bad rap ever since. This is an offbeat, fractured fairytale that completely reverses the message of the original tale to give a new one: there are always two sides to every story.

Charming artwork, with a touch of the silly, like all of Catrow’s books. Catrow gets into the head of his adorable mutt main character as he searches the house and backyard, coming up with all sorts of household and garden items that have no remote connection to dinosaurs. Undaunted, our hero continues his search, interpreting tools and toys for dino body parts, until miraculously his creature comes to life!

Everyone should spend 30 minutes each day admiring Calvin and Hobbes, the best comic strip ever made.

Calvin is one of the truly magnificent heroes of children’s literature, an embodiment of all the imaginative and moral power that kids have and grownups don’t.

His best friend, Hobbes, is a profound thinker as well as an intermittently alive stuffed tiger, and together they live, squabbling and happy, in their own crazed world, triumphing over parents, teachers, and other authorities with dazzling illogic and hairbreadth escapes to other realities, much more interesting than this one, where you can evade chores by traveling into a future when they’ve already been done or mysteriously shrink to the size of an insect and wreak revenge on bullies.

Ted Conover, a journalist, wanted to better understand life as a corrections officer.

After Conover’s request to shadow a recruit at the New York State Corrections Officer Academy was denied, he decided to apply to become a corrections officer himself—and was hired.

Conover spent a year working as a corrections officer at Sing Sing, and his insights about the chaos, lack of training, and harsh culture at the institution—and the impact that serving as a corrections officer had on him psychologically and on relationships with his loved ones—were eye-opening. 

Lillian is an 84-years old woman walking around New York City on New Year’s Eve.

She loves the city, made her way there as a young woman in advertising in the 30s, became well-known as a poet of light verse. She alternately reminisces about her life and encounters people you would not expect.

She remembers her life in pieces, the way one does, so the reader puts together the mystery.

I found her to be a delightful and refreshing character. The book is a beautiful lacing of the past with the promise of unexpected things to come. 

Franny and Zooey are the two youngest siblings in the Glass family. Originally, “Franny” was published as a short story and “Zooey” as a novella, both of them being published later in one book.

In “Franny”, the protagonist visits her college boyfriend who speaks about his experiences in great detail. But Franny increasingly becomes disenchanted with the ideals of accomplishment he speaks about.

The way “Zooey” opens is memorable: he is reading a letter from his brother Buddy who has written about their eldest brother Seymour’s suicide many years ago. Meanwhile, Franny has entered a state of distress. The book then focuses on Zooey trying to help her.

I love that the story centers around these siblings, living and dead and away, and that despite past tragedies there is hope. 

I have been hooked on reading the fascinating stories of ordinary people that Brandon Stanton captures in his Humans of New York social media posts since he started over a decade ago.

His posts reveal that every single person we pass on a daily basis has a story to tell, a challenge they’re facing or have overcome that we will never know; Brandon actually stops to ask them. It amazes me how in a few minutes he’s able to gain the trust of people so they feel comfortable to reveal the most vulnerable and intimate sides of themselves.

Brandon writes each story with honesty and respect and without judgment. And we all feel a little more connected and a little less alone.

As a teenager, Sophie leaves behind all that she knows in Haiti to be reunited with her mother. In New York, she falls for a man closer in age to her mother than herself. Her mother rages against him, or any man deemed unsuitable. Desire to guard Sophie's purity drives a wedge between them. The patriarchy of Haiti has lingering effects, resulting in maternal protection that resembles cruelty. Sophie tries to make a marriage work out in different ways and for different reasons than the women (mother, aunt, grandmother) who raised her and formed her ideas of womanhood. Stories of family often center on the differing priorities and expectations of different generations. This aspect of the gracefully written Breath, Eyes, Memory is what drew me in and kept me hooked.

This book describes the rich multi-ethnic, multi-cultural, and multi-lingual communities that co-existed peacefully in Alexandria and Cairo in the 1940s and early 1950s. They forged close ties in such public domains as commerce and schooling, while keeping their family and religious lives mainly private and marrying within the community. By the mid-50s as Arab-Israeli problems spread to Egypt, the Nasser government stoked animosity against the Jews and other non-Muslim communities, forcing many to migrate. The book shows graphically how even during normal times cultural communities distinguish between areas where it is safe to mingle with outsiders and those where it is better to draw tight boundaries against penetration if they are to sustain their uniqueness. The latter are mostly areas that define them, including religion, values, and bloodlines.