100 books like Deathbed Conversions

Once upon a time, writers could make a good living selling short stories to American magazines. Those days are almost as long gone now as the Wild West. But the stories live on…provided you find the right used book store. First published in 1957, The Hanging Tree and Other Stories collects some of the best work by a prolific specialist in short fiction about the frontier: Dorothy M. Johnson. Years before Little Big Man, she was writing sympathetically and convincingly about Native Americans. Her stories could also be funny, thrilling, and surprising. It’s no wonder Hollywood turned to her for inspiration so often: The classic Westerns The Man Who Shot Liberty Valance and A Man Called Horse are based on Johnson stories.

Speaking of ancient wisdom: Here you have a manual of right and wrong. You’re not going to agree with all of it, or even most of it. But what I got out of reading this, before I became Catholic, was that some very smart people over the course of hundreds of years had thought through the basic norms of correct action and written them down. The catechism embeds rules for living within a larger framework of reality, built on faith in Jesus of Nazareth as the Son of God. Again, most of you aren’t going to believe that, as I didn’t when I first read the Catechism. But the critical thing is the coherence and accountability in this document. Nothing is out of place. Every rule for right action has some connection to the overarching scheme. There are no inconsistencies (this is the church’s theory, not its actions).

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What I especially liked about Devolution is that some spy novels portray the protagonist as a larger-than-life superhero who knows more than everyone else and is never beset by personal uncertainty and struggle. John Casey, however, has created a character in Michael Dolan who has been wounded by a past trauma, and shows his humanity. I found myself identifying with him. I have never been able to identify with seemingly invulnerable superheroes. John Wayne or 007, I am not, nor will I ever be. Still, in Devolution, Michael Dolan is a man who is committed to the truth and fighting for what is right. Confronting truths about himself helps him to do that powerfully. 

John is a teenager who is starting to work in his family’s business, which is a mortuary. He is concerned about how much he enjoys being around death, and worries that he might be a sociopath. His concerns take a back seat when a murdering demon comes to town and John’s the only one who seems to know what is happening. A surprisingly warm and engaging book, given the subject matter. It’s also been made into a film.

In Jesus and John Wayne, Du Mez examines the rise of the Christian right through the lens of popular culture. She argues that over the past seventy-five years evangelicals have remade Christianity into a form of toxic masculinity and Christian nationalism. They have extolled strong, heroic models of masculinity from the fictionalized characters in John Wayne and Mel Gibson movies to political figures, including Ronald Reagan, Oliver North, and even Donald Trump. Their projected strength was vital to protect and promote Christian values. This muscular Christianity supports patriarchy, authoritarianism, and aggressive foreign policies, and opposes the expansion of rights for minorities and women. Du Mez explores a vast array of artifacts of evangelical popular culture—popular books, movies, songs, and merchandise—all intended to promote those values as the essence of Christianity. Jesus and John Wayne helps to explain how evangelicalism became the cultural and political force it is today and how… show more.

Because this book concentrates on only six 1939 movies – Gone with the Wind, The Wizard of Oz, Mr. Smith Goes to Washington, Stagecoach, The Hound of the Baskervilles, and The Adventures of Huckleberry Finn – Adams is able to go into much more detail about the making of each film and the critical reaction each received. I'd be hard-pressed to pick only six movies from that eventful year and movie fans will disagree with Vieira's choices somewhere down the line. But once you get past that, this book is filled with important information and plenty of trivial details that it is a great read.

The author, son of a silent screen star and a respected actress, acted in nine movies made by the man he called “Uncle Jack”—John Ford, winner of four Oscars and arguably the greatest director in Hollywood history. Carey could ride, shoot, and wear a convincing toupee—all of which were requirements for actors in Ford’s classic Westerns, including She Wore a Yellow Ribbon, Rio Grande, and The Searchers. His memoir is affectionate, intimate, and critical, not just of the hard-drinking, physically and emotionally abusive Ford—“the man I loved and, at times, tried very hard to hate”—but also of John Wayne, the great man’s favorite actor and regular whipping boy, and other members of the cast and crew whom Ford mercilessly bullied and inspired in film after film, many of them shot in breathtakingly picturesque Monument Valley.          

Forget the Alamo is a take-off on the popular saying at the time in Texas, “Remember the Alamo,” which was a battle cry. I love this book because of the logic the authors use and the tremendous hard-core research of letters and documents, to show why one of America’s legendary tales was a lot more myth. The true story of “why” more than the actual outcome continues to be battled today. John Wayne’s version, which many of us grew up with, was so far from the truth, it boggles the mind. The documentation in this book and the logic behind the letters that were written reveal the sad truth of what happened and more importantly what led up to the tragic end for so many brave souls.

I love this story because it portrays people choosing to die to themselves in order to live for God.

These Benedictine sisters are not running away from the world. Each woman faces her past, present, and future through the lens of devotion to God. Centering their lives around worship has cost them dearly but, as I read, I began to grasp its worth with greater clarity. I’ve seen myself that believers in Christ who die to themselves, paradoxically, seem more alive.

This House of Brede made me reflect on the concept of losing your life to save it. It reminded me that losing my life is tragically inevitable, but saving it is gloriously possible.

There are a bazillion romances about good girls attracted to bad boys.

Here’s one about a good girl attracted to a good guy, but neither of them can seem to get past his bad boy past. It’s easy to give lip service to redemption – sure, people change! But to build a life on that change? That’s another thing.

There’s a lot of forced proximity in West Castle that helps bring Caitlyn, our good girl (who has her own flaws), and Jared, our bad boy (who is trying so hard to be a better man), together. The romantic tension kept me reading through to the end!