100 books like High, Wide and Handsome

Jump for Joy was written by my favourite showjumper when I was growing up in London, Pat Smythe. One of the first two women to compete in the Olympics, Pat was a household name in England in the 1950s and 1960s and was awarded an OBE. Jump for Joy is one of several books she authored, and tells stories about some of her most famous horses, including Prince Hal and Tosca. I was thrilled to own this book in my teenage years. 

Teenagers will love The Outback Riders series by Leanne Owens. An Australian author, Leanne is an English/History teacher who also writes freelance for horse magazines. Her experience with horses growing up in the outback is combined with stories about teenagers in her very popular Outback Riders series. She has also written the Dimity Horse Mysteries for readers who like mysteries, crime, romance, and horses. 

Free Rein is the autobiography of two-time Australian Olympic champion, Gill Rolton, who famously remounted at the Atlanta Olympics with a broken collarbone to finish the team event. Gillian was a late starter to eventing at the age of twenty-one but went on to compete for thirty years. This autobiography reveals the injuries to herself and her horses which meant missing the LA and Seoul Olympics, the success she achieved with her wonderful horse, Peppermint Grove and her inclusion in the Australia Sporting Hall of Fame.

Dick Francis combines the wonderful world of horses with crime mystery. Dick Francis wrote many books and later combined with his son, Felix, who continued the dynasty after his father’s death. This is exciting and factual fiction. In Come to Grief, Sid Halley, an ex-champion jockey turned investigator, uncovers an obnoxious crime committed by a close friend, whom he had held in high regard. 

A kid’s novel about wild horses (known as brumbies in Australia) might seem a strange choice for recommendations about Australian animals, but Elyne Mitchell’s The Silver Brumby was the first book I read that really captured the Australian landscape and its plants and animals. It was also one of the few books that told a story from the perspective of a wild animal without anthropomorphizing.

It’s a wonderfully evocative homage to the Australian alps and the creatures that live there and it reflects a lot of the dilemmas facing Australian conservation today. Wild horses, or brumbies, do a huge amount of environmental damage in Australia and yet a lot of people love them. In some ways, this book is symbolic of the difficult decisions we have to make to rectify some of the damage we have done, and continue to do, to our wildlife.

I’m a sucker for a good title, and this one had me hooked before I read a word. But the fun doesn’t stop there with this cosy spy thriller. Reading this book left me breathless.

The pace never lets up as the hapless Dawson travels to Australia where, confused, he is chased by a colourful collection of Germans, Russians, Brits, and Aussies, all intent on getting their hands on the eponymous teapot. 

I love books where the underdog finds their inner hero, and Dawson–with some help from the resourceful Lucy–is such a character. I galloped through this witty, clever book, eager to discover the secret of that teapot. I wasn’t disappointed.

This is a heartwarming contemporary story about a gay Aboriginal teen exploring his sexuality and falling in love for the first time, set against the vivid backdrop of a fictional, rural Indigenous community. It’s evocative and heady and compelling. It’s one of those stories that makes you want to reach into the book and hug all the characters and tell them everything is going to be okay. Such an important story from a brilliant new voice in Australian YA.

My next book is by far the least well-known of my authors, and it’s by far the least well-known book. It’s by my friend and colleague, Samuel Alexander, with whom I’ve co-written a couple of books now, including This Civilisation is Finished.

It’s a splendid read. For philosophers, it’s charming, because Sam is continually bringing in implicitly, and most explicitly, the great philosophers. He’s quoting or talking about Hobbes, Rousseau, Marx, and the rest. His characters sometimes offer lines of one of them to each other. And, in that sense, it’s very much a novel of ideas in the tradition of utopias and dystopias.

The premise of this short novel sucked me in right away. Missy Wright is shy, unhappy, poor, and a spinster. She is stifled and demeaned by her overbearing sisters and the local small-town gossips where she lives. Despite the fact that Ms. McCullough paints the portrait of a fairly unsavory heroine in the form of Missy, I still found myself rooting for her, wishing with all my might that she would (under the most improbable circumstances) find love. When I write about a heroine in my own novels, I want my readers to see past appearances and the superficial trappings of our society’s ideals. That is what this novel does—it draws you in and makes you believe the impossible is possible if only we can see beyond what is right in front of our faces—that dreams really can come true, for all shapes, sizes, styles, and substance.

When Tegan dies, she wakes up a hundred years later, locked in a government facility with no idea what happened. As she tries to make sense of this future world, it starts to feel as if something is very wrong. Should she keep her head down and just live out her life, or should she fight to make the future better for all? An excellent story from a world-class writer. “Accessible, thoughtful and compelling — science fiction done right.” – Kirkus Reviews