I’ve been surrounded by maps all my life. As a child, a highlight of family summer holidays was the night before, pouring over road maps, planning every step of our drive from my home in rural English midlands, via the cross-channel ferry, to a rented gîte in France, perhaps in the Dordogne or the Loire Valley. Maps are to me a paragon of design: a true marriage of science and art. In an amazingly compressed space, a well-designed map can be incredibly beautiful at the same time as containing an incredible amount of raw data, more than could be contained in reams of tables or many pages of text.
No list of books about maps and map making would be complete without the inclusion of an atlas. Nor could any such list be complete without reflecting on the remarkable mapping achievements of First Peoples around the world.
My favorite atlas is the Macquarie Atlas of Indigenous Australia. It is meticulously researched, beautifully presented, and richly narrated. The atlas explores the concepts, technologies, and deep history of mapping by Australian First Peoples and charts the more recent devastating impacts of colonization on Indigenous Australians.
But it also celebrates the rich and vibrant culture of today’s First Peoples in Australia; their incredible diversity of language, culture, art, and science; and their unwavering connection to the land where I live today.
'The Macquarie Atlas of Indigenous Australia has a place on the work table of every Australian student, on the coffee table of every Australian home and on the desk of every Australian political representative.' Senator Patrick DodsonThe Macquarie Atlas of Indigenous Australia is a unique tool for exploring and understanding the lives and cultures of Australia's First Peoples.An atlas can represent - in graphic form - a pattern of human activities in space and time. This second edition of the award-winning Macquarie Atlas of Indigenous Australia opens a window onto the landscape of Australian Aboriginal and Torres Strait Islander lives,…
Kristyn Harman is an award-winning researcher who successfully completed doctoral research investigating the circumstances in which at least ninety Australian Aboriginal men were transported as convicts within the Australian colonies following their involvement in Australia’s frontier wars. She has published extensively on historical topics, and currently lectures in History at the University of Tasmania in Hobart, Australia. Having lived in both countries, Kristyn is fascinated by the different understandings that New Zealanders and Australians have of their nation’s respective pasts. She is particularly intrigued, if not perturbed, by the way in which most New Zealanders acknowledge their nation’s frontier wars, while many Australians choose to deny the wars fought on their country’s soil.
By the latter decades of the twentieth century, the so-called ‘history wars’ pitted those Australians who acknowledged the violent foundations of the Australian nation against others who denied that the frontier wars ever took place, and who advocated instead that Australians ought to celebrate the heroism of white colonists. The story of Australia’s founding as a nation starts in Sydney. It was the site of the initial encampment established by the British when they invaded a tiny area on the eastern edge of Australia in 1788, then claimed the entire east coast of the continent for the Crown. Stephen Gapps carefully analyzes a wide range of historical evidence to demonstrate how Sydney and its surrounding regions were the initial sites at which British and Aboriginal forces refined their military tactics during violent strategic encounters along the expanding frontier. These violent encounters set a pattern that played out, with local variations,…
Described by one early colonist as 'this constant sort of war', The Sydney Wars tells the history of military engagements between Europeans and Aboriginal Australians around greater Sydney.
Telling the story of the first years of colonial Sydney in a new and original way, this provocative book is the first detailed account of the warfare that occurred across the Sydney region from the arrival of a British expedition in 1788 to the last recorded conflict in the area in 1817. The Sydney Wars sheds new light on how British and Aboriginal forces developed military tactics and how the violence played…
I am an Australian author and I love messing with history – just about as much as history seems to love messing with me! I am fascinated by the different paths that history could have taken and those single moments upon which history often turns. I am also passionately interested in telling the histories of the First Nations people, whose stories have often been left out of many histories. As a result, I partnered with Indigenous author Harold Ludwick to write this book – not just providing an alternate history of early Australia, but telling it in both blackfellah and whitefellah voices.
This is a really tricky book to write about without giving away too many of the surprises in the plot – as for much of the book you don’t even realise that you are reading an alternate history. I was convinced I was reading about the violence of colonisation in early Western Australia – until the moment I discovered that I wasn’t. Claire G. Coleman is an indigenous writer which adds a particular strength to this amazing and surprising story (sorry, no spoilers allowed!).
“Coleman’s timely debut is testimony to the power of an old story seen afresh through new eyes.” —Adelaide Advertiser
“In our politically tumultuous time, the novel’s themes of racism, inherent humanity and freedom are particularly poignant.” —Books + Publishing
The Natives of the Colony are restless. The Settlers are eager to have a nation of peace and to bring the savages into line. Families are torn apart. Reeducation is enforced. This rich land will provide for all.
This is not the Australia we know. This is not the Australia of the history books. Terra Nullius…
As a Jew growing up in the United States, I’ve spent a long time reflecting on how genocide, culturecide, and assimilation operate across majority-minority relations. My focus on Indigenous politics in my career as a political scientist stems from a devotion to pluricultural democracy as a way that people can live together well. I want to be part of a world where we can bring our whole selves to our societies and don’t have to cut out certain parts of our identities to be accepted. And I like to read well-researched, compellingly written books that offer insight into how communities do that.
Ka’m-t’em both describes how communities can heal from colonization, and is itself a product of that healing. This book brings up so many emotions: shame around White violence, hope to build a community of support for Indigenous peoples, and longing for a decolonized future. The chapters featuring youth voices at the end of the book are particularly moving, as we hear from teenagers in their own words as to why they are willing to fight for their identities, and what everyone can do to help.
Many generations ago, along the Klamath River, there lived a wise woman who wove the most beautiful baskets known to humankind. Her baskets were woven so tightly that water could not penetrate them. She was aging and had many experiences to share. Through prayer, she began to weave a basket for the people. The wise woman worked day after day, weaving, praying, and singing. As her strong hands moved gracefully over her materials, she shared a story to be retold, a song to be sung again, and a lesson to be learned. When she finished, she had created a large…
As someone who grew up in Australia without any gay literary characters to relate to, I’m incredibly passionate about queer stories set in our beautiful country. We now have a wealth of brilliant books by LGBTQ+ authors, and I hope that by sharing my recommendations, our stories find even more of the readers they’re meant to find. I’ve focused on books featuring gay male protagonists, as that’s how I identify, and they’re the type of queer stories I relate to the most. Some of the books are fiction, others are memoir, some are written for teens and others are for adults, but all of them share an incredible level of authenticity.
This is a heartwarming contemporary story about a gay Aboriginal teen exploring his sexuality and falling in love for the first time, set against the vivid backdrop of a fictional, rural Indigenous community. It’s evocative and heady and compelling. It’s one of those stories that makes you want to reach into the book and hug all the characters and tell them everything is going to be okay. Such an important story from a brilliant new voice in Australian YA.
SHORTLISTED: 2022 CBCA Book of the Year, Older Readers
'I don't paint so much anymore,' I say, looking to my feet.
'Oh. Well, I got a boy who needs to do some art. You can help him out,' Aunty Pam says, like I have no say in the matter, like she didn't hear what I just said about not painting so much anymore. 'Jackson, this is Tomas. He's living with me for a little while.'
It's a hot summer, and life's going all right for Jackson and his family on the Mish. It's almost Christmas, school's out, and he's hanging…
Plus, Tariq's
9, 11, and 17-year-old's favorite books.
Why did Tariq love this book?
There was one night reading this, when the story affected my breathing,
heart rate, and time left on this planet, for the worse, as I galloped through
it even though I knew every paragraph could hold up to a few years worth of
study, if I hadn’t been so impatient to learn more!
Very crudely, White seems to say that it doesn’t matter what people do, goodness matters and
the imaginative and usually obtrusive ways in which he shows good is often
quieter than evil, more basic and durable, but sometimes not as strong, seem to
me the discipline he tried to train himself in, to get it all down and write
the novel in the first place.
That story often feels more painted than written,
and when written, written in Australian and not English; people seem to speak
when its someone else’s turn…
Through the crumbling ruins of the once splendid Xanadu, Miss Hare wanders, half-mad. In the wilderness she stumbles upon an Aborigine artist and a Jewish refugee. They place themselves in the care of a local washerwoman. In a world of pervasive evil, all four have been independently damaged and discarded. Now in one shared vision they find themselves bound together, understanding the possibility of redemption.
With our 2.5-year-old we read all the time. She is a great critic, letting us know if the book is to be read ‘again’ or to be put ‘away!’ As well as a PhD in Education, I am also a trained teacher, having worked with preschoolers running Steiner Waldorf inspired parent and child groups and playgroups, so I am fascinated by the power of story. I try and choose books that are inclusive and age-appropriate, keeping the child in a magical space, as well as allowing for lots of laughs! I also love to share books that I am happy to read three times in a row!
Our whole family loves this book about an Indigenous child’s smoking ceremony. As a white settler-colonial family in Australia we are keen to read and learn from Indigenous authors and the publisher, Magabala press, are outstanding in the quality of the books they publish. The simple yet effective computer-created artwork gives an intimate insight into the importance of the first lesson of law, connecting to Country, which leads to great conversations and reflection. The inclusion of Indigenous words within the story adds to the depth of sharing with the audience and allows the voices of the women to be heard beyond those who usually attend such an important rite of passage. A real treasure. I wish it came as a board book as our copy has had to be taped together many times!
I taught myself to read when I was 4 and have been an omnivorous reader ever since. By the time I was in high school, I was reading the Grand Dame Agatha Christie’s wonderful mysteries. The cozy genre captured me with its deft characterization and clever solutions to “who dunnit.” I wanted to be a writer, received a B.A. and M.A. degree in Literature and later a Ph.D. Once retired from full-time work, I returned to my original desire and as Lia Farrell wrote and published The Mae December Mysteries. Since then, as Lyn Farrell, I have written The Rosedale Investigations series. Together the books have sold 30,000 copies.
I love it when a book takes me to an entirely new world. This series fascinates me with it’s deft portrayal of a wholly different culture in one of the most antithetical-to-life climates on earth.
Arthur Upfield takes us deep into the Australian outback with Detective-Inspector Napoleon Bonaparte (Bony), a half white and half aboriginal detective. The two sides of Bony’s heritage are constantly at war and to prevent his black side from winning, he must solve all his cases. Prejudice against the aboriginals is rampant in this world and as readers, we too suffer his stings of rejection.
In this one, Bony must find a missing man who nobody wants found and solve a mystery nobody wants solved. Jeffrey Anderson is a sadist and a brutal drunk. He once stock-whipped an aboriginal man to death.
Now he seems to have fallen off the earth and the aboriginals are the…
Jack Anderson was a big man with a foul temper, a sadist and a drunk. Five months after his horse appeared riderless, no trace of the man has surfaced and no one seems to care. But Bony is determined to follow the cold trail and smoke out some answers.
I’ve been fascinated by sisters, siblings, and my place in the family since I was old enough to realize I had an older sister and a younger brother. I asked my parents a lot of questions. Why am I blonde? Why is my sister taller? Lots of questions my parents didn’t have answers for. At school in biology, we studied genes, familial traits, and nature versus nurture. I was fascinated, and still am today. Why does my sister behave the way she does? Why do I? Is it because of our upbringing, or was she just born with an aversion to cheese? I wanted to know the answers. I’m still searching.
I devoured this book! Written like she’s chatting to her sister or best friend, Ash comes across as friendly and self-deprecating when highlighting the mental and physical strain that years of being on the WTA tour took on her.
Family is always on her mind, and Ash isn’t afraid to wear her heart on her sleeve when it comes to thanking and acknowledging the many sacrifices her parents and sisters made to enable her to realise her dream of becoming the world's number one female tennis player.
I admire Ash’s focus and determination. "If I win, it’s a bonus. If I lose, the sun still comes up the next day, and it’s all good." This quote particularly resonates with me because it captures her down-to-earth, resilient, and positive nature. She sounds like a thoroughly decent person.
It's a tennis story. It's a family story. It's a teamwork story. It's the story of how I got to where and who I am today.
WINNER OF THE ABIA AWARD FOR BEST BIOGRAPHY 2023
I'm only in my mid-twenties, and some might think that's young to write a memoir. Who does that, right? But for me and my team it's always been important to reflect on every part of the journey, especially the end. In that context, the timing is perfect to share my story, from the first time I picked up a racquet as a 5-year-old girl in…
I’ve always wanted to travel and have always been obsessed with exploring the natural world with my camera. Over the past 30 years I’ve been lucky to film in 120+ countries and meet thousands of inspiring people in the most unlikely of places. Experience has taught me that there are certain core positive traits that unify us all and help bind us to the natural world within which we live. The books I’ve chosen remind me of how complicated, beautiful, and precious; and how full of wonder and mystery our planet is. They have helped inspire me to pack my bags and get out there to explore it for myself.
Chatwin’s classic is a must read for anyone interested in the concept of the human relationship with landscape and spirituality.
A deeply thoughtful book that made me think very hard about my own place in the world, about how I connect to and interact with nature, and where my life’s journey may be leading me. By focusing on the quality of journey the destination will take care of itself.
This Moleskine-bound edition is sold together with a blank Moleskine notebook, for recording your own thoughts and adventures. Perfect for the travel writers of the future.
The Songlines is Bruce Chatwin's magical account of his journey across the length and breadth of Australia, following the invisible and ancient pathways that are said to criss-cross the land. Chatwin recorded his travels in his favourite notebook, which he would usually buy in bulk in a particular stationery shop in Paris. But when the manufacturer went out of business, he was told "Le vrai moleskine n'est plus". A decade after its publication, on…
