I've long puzzled over the alien and elusive Australian Aboriginal peoples. I've been moved by their landscapes and art, and read much about them. But this book pulled it together.
It explains with wit and clarity the meaning of ancient patterns that can be sketched in sand, and how they apply to us now. They flow from the troublemaking Emu and wise Echidna to the five human minds: kinship, story, dreaming, ancestor, and pattern. These are how we relate to each other and to nature, the deep past, the continuous act of creation in which we live, and the future.
It makes nonsense of settler Australia rejecting 65,000 years of wisdom by refusing an Aboriginal Voice in parliament. They should have queued around the block to say 'yes.' Those who read this book will see why.
Winner, Small Publishers' Adult Book of the Year, Australian Book Industry Awards 2020
This remarkable book is about everything from echidnas to evolution, cosmology to cooking, sex and science and spirits to Schrödinger’s cat.
Tyson Yunkaporta looks at global systems from an Indigenous perspective. He asks how contemporary life diverges from the pattern of creation. How does this affect us? How can we do things differently?
Sand Talk provides a template for living. It’s about how lines and symbols and shapes can help us make sense of the world. It’s about how we learn and how we remember. It’s about…
I am a Somali scholar in the field of Somali Studies and African Studies, specialising in anthropology, history, and the politics of Somali society and state(s). I am recognised as an authority and expert on the historical and contemporary Somali conflicts in the Diaspora and back home. I am a Research Fellow at the Conflict Research Programme at the London School of Economics and Political Science, where I am tasked to study the political economy of Mogadishu. I am also a visiting professor at the African Leadership Centre, King’s College London, where I deliver lectures about the genesis of the Cold War in the Horn of Africa and the Civil War in Somalia.
This is one of the most compelling books written on Africa. The author insightfully and thoughtfully reassesses the predicament and plight of the African continent with regards to socio-cultural development, institution-building, nation-building, and state-building. The book – both challenging and stimulating as it is – proves to be a somewhat difficult read as the author alternately targets scholars of African studies more than students of Africa as his main audience and recipients.
In analyzing the obstacles to democratization in post- independence Africa, Mahmood Mamdani offers a bold, insightful account of colonialism's legacy--a bifurcated power that mediated racial domination through tribally organized local authorities, reproducing racial identity in citizens and ethnic identity in subjects. Many writers have understood colonial rule as either "direct" (French) or "indirect" (British), with a third variant--apartheid--as exceptional. This benign terminology, Mamdani shows, masks the fact that these were actually variants of a despotism. While direct rule denied rights to subjects on racial grounds, indirect rule incorporated them into a "customary" mode of rule, with state-appointed Native Authorities defining…
I spent my adolescence reading young adult novels that featured characters who were nothing like me, and yearned to read about characters who shared my struggle in mediating my community’s cultural expectations as a first-generation Australia. This is the inspiration for writing own voices stories as these are the books I wished I’d been able to read. I draw on my Bosnian-Muslim cultural heritage to write own voices stories for young people, who like me, are searching to mediate their identity and take pride in their diverse culture. Own voices books are an opportunity to learn and celebrate culture and diversity, and to show young people that they are not alone in the world.
This is a great dystopian young adult novel with red herrings and revelations that kept me reading to the end.
Kwaymullina draws on her Aboriginal heritage to create a world in which people have lost touch with nature and digital technology is forbidden because it led to disconnection of society.
Citizens with special abilities are called Illegals and are assessed and locked up because government officials view them as a threat, with the treatment of Illegals symbolising the mistreatment of Indigenous people by the Australian government.
It reads like a prophecy about our possible future with themes of environmental destruction due to climate change even as it stands as a testament to the scars left by Colonisation. This is a perfect dystopian novel with all the tropes that readers love: the young female inspirational leader, a heartfelt romance, and found family.
In a post-apocalyptic world, Ashala Wolf must lead her Tribe in their fight for freedom and justice. But first she must survive an interrogation at the hands of the authorities who are determined to destroy her and everything she stands for.
The world has ended, and the society which emerged from the ruins of environmental catastrophe is obsessed with maintaining "the Balance": preserving harmony between humans and nature. But there is one problem. Anyone born with an ability is deemed an Illegal, a threat to the Balance. They are feared, controlled and detained. Ashala Wolf has run away to escape…
I’m a scholar who has spent most of his working life looking at the history of North Africa. This passion was formerly directed toward looking at the conditions that Europeans imposed on local populations, but in recent times, I have moved solely to consider forgotten cultures made by indigenous Muslim and Jewish populations. Making this move has been the best, riskiest, and most rewarding choice I’ve ever made in my career, and I am now a cheerleader for the incredible forms of art made by ordinary people in these societies.
This was the book that convinced me that it is worthwhile exploring the past so as to rediscover and rethink works of art made by indigenous people living under imperial conditions.
I love its movement around the world, the close readings of works that no other scholars had ever considered, and the moral urgency that underpins every one of its lines.
It is often assumed that the verbal and visual languages of Indigenous people had little influence upon the classification of scientific, legal, and artistic objects in the metropolises and museums of nineteenth-century colonial powers. However colonized locals did more than merely collect material for interested colonizers. In developing the concept of anachronism for the analysis of colonial material this book writes the complex biographies for five key objects that exemplify, embody, and refract the tensions of nineteenth-century history. Through an analysis of particular language notations and drawings hidden in colonial documents and a reexamination of cross-cultural communication, the book writes…
In grade school, I was taught that my ancestors in Borikén (Puerto Rico) were eradicated by the Spanish, just a few decades after Christopher Columbus “discovered” the Americas. I have since become an Anthropologist of technology, where I study how the infrastructure failures and disasters like hurricanes are reactivating a dormant Taíno identity on my ancestral archipelago. My speculative fiction is inspired by this research and my fractured family history as a descendant of the Taíno, enslaved Africans, and their colonizers from Spain. In my stories, I challenge the narrative of my own extinction, imagining alternative pasts and futures where the Taíno are flourishing and Boricuas are free from American colonial rule (Taínofuturism).
Among the more insidious and tragic consequences of colonialism and its assimilationist policies is the eradication of indigenous conventions around gender and sexuality. In many indigenous communities, gender and sexuality do not operate in as binary as a fashion as they do in European societies.
Highlighting these historical and contemporary possibilities for what we might call queer identities (or “two-spirit” in some communities), is Joshua Whithead’s breathtaking “Indigiqueer” anthology, Love After the End. Contributors amend the provocation, the future is indigenous, to consider how the future is also queer or indigiqueer.
Weaving between the traditional and the contemporary, the past and the future, the ancestral and the posthuman, these tales of queer joy, love, and thriving remind us of what was lost and what is still possible as we strive toward mass decolonization.
This exciting and groundbreaking fiction anthology showcases a number of new and emerging 2SQ (Two-Spirit and queer Indigenous) writers from across Turtle Island. These visionary authors show how queer Indigenous communities can bloom and thrive through utopian narratives that detail the vivacity and strength of 2SQness throughout its plight in the maw of settler colonialism’s histories.
Here, readers will discover bio-engineered AI rats, transplanted trees in space, the rise of a 2SQ resistance camp, a primer on how to survive Indigiqueerly, virtual reality applications, motherships at sea, and the very bending of space-time continuums queered through…
I have been a historian of the Indigenous world for more than two decades, but I have learnedso much since I expanded my perspective from Mesoamerica and the Aztec-Mexica into the wider history of Native peoples. There are literally hundreds of Indigenous communities across the world and so there is always more to learn. I have been incredibly privileged to learn by listening to Indigenous people – in person, in print, and on digital and social media. I hope these books can offer some starting points to set you on a similar journey of discovery, opening up some new ways of thinking and of seeing both the past and the present.
In this humane call to action, Anishnaabe author Patty Krawec combines an accessible introduction to the European invasion of the Americas with practical suggestions for grappling with these histories and their legacy.
Weaving the stories of her ancestors with personal accounts and historical context, Krawec makes a case for how Christian and Indigenous worldviews can become compatible, and makes suggestions for how we can all become better kin to each other. I devoured this book and have been recommending it to everyone ever since.
The invented history of the Western world is crumbling fast, Anishinaabe writer Patty Krawec says, but we can still honor the bonds between us. Settlers dominated and divided, but Indigenous peoples won't just send them all "home."
Weaving her own story with the story of her ancestors and with the broader themes of creation, replacement, and disappearance, Krawec helps readers see settler colonialism through the eyes of an Indigenous writer. Settler colonialism tried to force us into one particular way of living, but the old ways of kinship can help us imagine…
Between the two of us, we have written over a dozen books and won numerous prizes. Wilson, when not writing critically-acclaimed music or explaining how to catch a haggis, has received the Ontario Historical Association’s Joseph Brant Award for King Alpha’s Song in a Strange Land.Reid, who wisely passed up the chance of a law career in order to play an extra year of soccer, received the C. P. Stacey Award for African Canadians in Union Blue. Both writers believe that sports offer a valuable lens by which to examine a society’s core values.
Most Canadians are likely unaware that Canada has an official national summer game and that it is lacrosse. Even fewer realize that the sport reflects a tangled story of appropriation and reappropriation that exposes complex relationships between European and Indigenous peoples.
In a provocative and creative book, Downey, an Indigenous historian, uses First Nations storytelling and his own rigorous research to follow the transformation of lacrosse by Anglophone Montrealers and their exclusion of Indigenous players.
By the end of the nineteenth century, lacrosse was the most popular sport in Canada, before giving way to hockey. Then, almost a century later, the sport was reclaimed by a new generation of Indigenous athletes and activists who used the game as part of a broader cultural and spiritual renewal.
For these athletes, the current goal is to have the Haudenosaunee Nationals recognized as an independent participant at the Olympic Games in 2028.
Lacrosse has been a central element of Indigenous cultures for centuries, but once non-Indigenous players entered the sport, it became a site of appropriation - then reclamation - of Indigenous identities. The Creator's Game focuses on the history of lacrosse in Indigenous communities from the 1860s to the 1990s, exploring Indigenous-non-Indigenous relations and Indigenous identity formation. While the game was being appropriated in the process of constructing a new identity for the nation-state of Canada, it was also being used by Indigenous peoples to resist residential school experiences, initiate pan-Indigenous political mobilization, and articulate Indigenous sovereignty. This engaging and innovative…
I am an Australian writer with a passion for all books about the South Pacific. Thirty years ago, I embarked on a two-year mission to the Kingdom of Tonga, and soon after, my job as a naturalist on cruise ships took me to many beautiful, fascinating, and often very remote island nations in that region. Nowadays, my jobs as a writer, scientist, high school teacher, and mother leave little room to navigate to that beautiful part of the world, but I continue to read whatever seems even slightly related to the South Pacific Theme. I hope you enjoy the books on this list as much as I have!
Although this book is set in 1952, I picked it because I have a soft spot for Easter Island. In the 1990s, when working on a cruise ship, I was fortunate enough to visit this remote place and was deeply fascinated by the Moai statues and how society can function so far from the mainland.
Dr. Verdugo, a doctor recruited to the island, gives a vivid account of the culture shock he experienced there, and the carefree, simple culture of the locals. This mirrored my own experience on Tin Can Island in Tonga, as did his insights into the importance of family ties, tradition, and the solitude one experiences on such a remote island.
LIFE AND SOLITUDE IN EASTER ISLAND. The exotic Easter Island: Isla de Pascua as it's known to Chileans, Rapa Nui as it's known to the natives, and Te Pito O Te Henua to their ancestors who erected the mysterious moai statues which placidly stand guard throughout this most isolated island on Earth. Although Easter Island is still a rustic place by current standards, today you'll find running water, electricity, money, plus other amenities, and a growing population of several thousand, most of whom came from the mainland. But a mere 50 years ago, Easter Island had none of these. In…
I’ve been traveling since age seventeen when I boarded a plane and headed to Europe on my own. Over the next three years I lived in London, took weekend jaunts across the continent, and became completely bitten by the travel bug. Since then, I’ve traveled to more than 95 countries. I’ve lost and gained friends and lovers and made a radical career change so that I could afford my travel addiction. Like my readers, I am an ordinary person. Through travel I’ve learned courage and risk-taking and succeeded at things I didn’t know I could do. My goal in writing is to inspire others to take off and explore the world.
What happens when an out-of-shape, stay-at-home book reviewer is talked into trekking into one of the most remote parts of the world?
Misadventures abound in the jungle, terrifying at the time but hilarious in retrospect. This is one of the books I use for inspiration when I am considering venturing into unusual, distant areas of the globe. It demonstrates that anyone with the will to do it can explore, survive, enjoy, and even see the humor in outrageous situations.
The story of a 1983 journey to the center of Borneo, which no expedition had attempted since 1926. O'Hanlon, accompanied by friend and poet James Fenton and three native guides brings wit and humor to a dangerous journey.
I really am passionate about children and education. Reading to children is such a joy especially when they snuggle in and get absorbed in the story. Education is the only way to achieve some sort of equity in our world. The world I knew as a child is no more and that is a good thing. Cruel biases and intolerance hurt so many. Today there is more freedom and the potential to live true to yourself whatever that may be. I like books that show the diversity of our humanity, that can be read to children to broaden their understanding, acceptance, and tolerance of family which may be very different from their own.
This book is a conversation between a grandchild and their grandma who is a residential school survivor. With childlike simplicity, grandma explains why her colourful clothes, long hair, and treasured time with her brother are a reaction to being taken “from community” and being sent “far far away”. Grandma talks about students forced to wear uniforms, cut their hair, forbidden from speaking Cree, and separation from her brother.
This is a book I would probably have steered clear of “not wanting to frighten my children” when I was parenting, David Roberson does a masterful job of gently laying out facts without explanation or accusation. The book opens the door to further questions and conversations that have to be had but are very difficult to start. This is a great start.
A young girl notices things about her grandmother that make her curious. Why does her grandmother have long, braided hair and beautifully coloured clothing? Why does she speak Cree and spend so much time with her family? As she asks questions, her grandmother shares her experiences in a residential school, when all of these things were taken away.
Also available in a bilingual Swampy Cree/English edition.
When We Were Alone won the 2017 Governor General's Literary Award in the Young People's Literature (Illustrated Books) category, and was nominated for the TD Canadian's Children's Literature Award.
