100 books like Locking Up Our Own

I found Michelle Alexander’s book a potent reminder that the past is never really past, and that older practices of racial subjugation and use of the criminal law against minorities can be repurposed in later eras to serve the same or related ends.

The book raises the question of whether Jim Crow has really ended in all institutions in American society.

This might seem like a strange choice since this book is not directly about policing. But it shows in a powerful and direct way how inextricably bound policing is with the basic organization of this society.

Despite the controversies currently surrounding Hayley’s depiction of Malcolm X’s life, the book retains its power to express Malcolm X’s cutting critique of every one of this country’s justifications for its brutal criminal justice system. No one who engages with it can believe that police exist simply to deal with some criminal element in society.

But the book also shows how impossible it would be for this society to somehow “defund” the force used to keep under control the millions of people who, even with all their talents, this society can find no place for.

In colonial North America, plantation owners were equal opportunity exploiters who mistreated European and African laborers alike, and workers frequently resisted by running away, stealing or destroying property, and engaging in occasional rebellions. Theodore Allen explains how colonial elites invented America’s racial divide through a series of laws that ended up enslaving most African Americans for life and reserving the rights of freedom and citizenship for European Americans. Since then, race and class have been intertwined, laying the basis for white supremacist practices and beliefs that shaped the development of the United States and continue to allocate wealth and power unequally today.

This short and accessible book places the end of slavery in the United States in a comparative global context, illuminating the strategies used by employers in the American South, Haiti, the British Caribbean, and British colonies in Africa to deny economic independence to Black workers and ensure a continued source of cheap labor. The book is especially useful for its clear demonstration of how law and policy (rather than invisible market forces) structure economic relations. Foner shows that the fortunes of working people can shift dramatically depending on who controls the government and makes the laws—essential knowledge for countering the arguments of economic theorists and political leaders who claim that vast inequalities of wealth are natural or inevitable.

This book is a brilliant collection of essays highlighting “race rebels,” where Kelley looks outside of traditional politics and organized movements to find Black resistance to forces such as white supremacy, labor exploitation, and war. Kelley focuses in on the everyday lives of working-class Black men and women, highlighting a “hidden transcript” of expression and resistance in things like music, language, dance, and choice of dress.  He elevates the political potential found in these cultural elements, urging historians to see these “style politics” in the social and economic contexts which give rise to them, for they are powerful and worthy of our attention.

Labor unions played a key role in lifting millions of Americans—mostly white male industrial workers—into the middle class in the mid-twentieth century. The passage of civil rights legislation in the 1960s opened access to unionized manufacturing jobs and led to new waves of labor activism by women and people of color, but these were undermined by political and economic shifts that eliminated millions of jobs in the late twentieth century. Windham shows how anti-union policies and practices made it more difficult for workers to organize and force employers to the negotiating table, which explains the persistence of racial and economic inequality in the twenty-first century. Like Foner’s Nothing But Freedom (mentioned above), the book provides ample evidence that nothing about this was foreordained—once again, those who set the rules of a more globalized economy did so in ways that allowed some people to prosper while others starved.

This book powerfully explores justice, redemption, and the human capacity for compassion. Stevenson’s experiences advocating for marginalized individuals within the criminal justice system resonate with the themes of forgiveness and empathy I wanted to showcase in my memoir.

His narrative illuminates the complexities of navigating legal challenges and societal injustices, offering valuable insights into the pursuit of truth and fairness within the justice system.

I loved this book about the War on Crime for its deep research and historical sweep.

Hinton amasses a great deal of material about federal laws and agency priorities to go with changes in policing strategy on the ground (e.g., stop and frisk, militarization of policing equipment) to tell a disturbing story about how mass incarceration was developed as a national priority and carried out. Haunting.

Read this book if you want to understand the nuances of blackness in the nation’s capital.

Brandi Thompson Summers argues in her book, Black in Place, that gentrification along the H Street Corridor in DC has involved the embracing of blackness as an aesthetic alongside the displacement of actual Black people. Summers explains how blackness came to be valued as a prized aesthetic at the same time that Black people experienced the heavy policing, predatory lending, and displacement that both make possible and accompany the gentrification of Black neighborhoods.

This is a great book if you want to understand how some expressions of blackness can be valued while Black people are being displaced.

Derek Hyra describes gentrification and racial change in the Shaw neighborhood of Washington, DC – which went from 90 percent Black in 1970 to 30 percent Black by 2010. Shaw’s status as the cultural epicenter of the Black community in the early twentieth century has become a selling point: many of the new establishments highlight this Black history, with odes to Marvin Gaye, Langston Hughes, and Duke Ellington in their names and featured artwork.

Hyra argues many of the White newcomers to Shaw embrace its Black history while ignoring the needs and preferences of contemporary Black residents. Thus, Black residents are experiencing both political and cultural displacement as they have lost political and economic power in the neighborhood.