I started in publishing at the Advocate magazine, twenty years ago in its heyday, then moved to Alyson Books, who first published Emma Donoghue among many others, offering a place for queer writers showcasing queer stories to find their audience. Afterwards, I became involved with Gertrude literary journal, a beloved, 25-year-old non-profit, LGBTQA journal that has now evolved to The Gertrude Conference. All the while, I read, wrote, and supported queer stories, like these gems!
James Hynes’ novel focuses on Jacob, nicknamed “Sparrow”, who’s a slave in a brothel in New Carthage at the end of the Roman Empire. Yum!
Although the book itself is too brutal for my taste, as it goes through development, perhaps they could add a thread of lightness, especially in the lives and friendships Sparrow develops with many of the “Wolves” (prostitutes). As a series, this could be a Gladiator-meets-Harlots, with a darkness and depth that would give us insight into the lowest rung of the Roman Empire, with the possibility of a dozen sub-stories to fill out as we trod through this dark time.
'A stunning work of historical imagination . . . masterful in its portrayal of love, sex and friendship' - The Observer 'Utterly engrossing, vivid and honest' - Emma Donoghue, author of Room
Meet Sparrow, a boy slave in the city of New Carthage in the twilight years of pagan Rome.
Raised in a brothel on the margins of a great empire, a boy of no known origin creates his own identity. He is Sparrow, who sings without reason and can fly from trouble. His world is a kitchen, a herb-scented garden, a loud and dangerous tavern, and the mysterious upstairs…
The setting, which brought ancient Pompei to life as a
vibrant, dangerous city; the immersive plot, which kept me reading when I
should have been doing many other things…
Most of all, though, the characters,
Amara and her fellow she-wolves (Pompeian slang for prostitutes) are loyal, inventive, and strong, even in the dreadful circumstances they have to endure.
I
felt utterly involved in their lives and struggles and terrified about what
might happen to them, all the way to the very last page. I’m saving the other
two books in the trilogy, even though I want to gulp them down because I don’t
want to run out of story and have to leave them behind.
Sold by her mother. Enslaved in Pompeii's brothel. Determined to survive. Her name is Amara. Welcome to the Wolf Den...
Amara was once a beloved daughter, until her father's death plunged her family into penury. Now she is a slave in Pompeii's infamous brothel, owned by a man she despises. Sharp, clever and resourceful, Amara is forced to hide her talents. For as a she-wolf, her only value lies in the desire she can stir in others.
But Amara's spirit is far from broken.
By day, she walks the streets with her fellow she-wolves, finding comfort in the laughter and…
I’m someone who feels everything deeply and longs for a kinder, healthier world for everyone. A humane educator and diverse books advocate, I’m drawn to true stories that inspire compassion, inclusivity, and taking action in our own unique ways to make a difference. My nonfiction picture books—including Winged Wonders, Cougar Crossing, Ocean Soup, Make Way for Animals!, So Much More To Helen, and more— focus on “solutionaries” who help people, animals, and the planet. They’ve won Golden Kite and Eureka! Nonfiction Honor Awards, starred reviews, and spots on best books lists.
I love how author/illustrator Don Tate re-discovered and brought to life this true story of an office clerk who risked everything to become a conductor, and took it upon himself to be the record keeper, of the Underground Railroad. With his painstaking records, he reunited countless families torn apart by slavery and preserved an important piece of history. “It wasn’t his job to do,” the book says, “but William thought these written records might help someday.” This message—that we often have to step beyond what may be our “job” to help others and make a difference—will linger in the hearts and minds of kids who experience this powerful story.
From award-winning author-illustrator Don Tate comes a remarkable picture book biography of William Still, known as Father of the Underground Railroad.
William Still's parents escaped slavery but had to leave two of their children behind, a tragedy that haunted the family. As a young man, William went to work for the Pennsylvania Anti-Slavery Society, where he raised money, planned rescues, and helped freedom seekers who had traveled north. One day, a strangely familiar man came into William's office, searching for information about his long-lost family. Could it be?
Motivated by his own family's experience, William Still began collecting the stories…
As an archaeologist, anthropologist, and historian who has worked on both the East Coast (Flowerdew Hundred and Jamestown, Virginia) and West Coast (San Diego, California) of the U.S. and dug sites from the 17th, 18th, 19th, and 20th centuries, I am passionate about how archaeology can serve to offer new insights for marginalized peoples in American history. I specialize in exposing how narrow thinking, revisionism, and myth-making warp local histories and turn them into fabrications of the present.
As a historical archaeologist, I find this book especially compelling. Stolen Childhood does a fine job of blending insights from a variety of primary-source narratives and recently uncovered archaeological artifacts; but these insights transcend the specific research questions regarding the conditions of daily life for slave youth in nineteenth-century America and indirectly make an intriguing case for why current archaeologists should pay as much attention to issues of childhood, parenting, and aging as they do to ethnicity, class, and gender.
One of the most important books published on slave society, Stolen Childhood focuses on the millions of children and youth enslaved in 19th-century America. This enlarged and revised edition reflects the abundance of new scholarship on slavery that has emerged in the 15 years since the first edition. While the structure of the book remains the same, Wilma King has expanded its scope to include the international dimension with a new chapter on the transatlantic trade in African children, and the book's geographic boundaries now embrace slave-born children in the North. She includes data about children owned by Native Americans…
After serving in the military for several years, I pursued a scientific career as a plant biologist. It was during my military service in a unit that spent most of our time in the wilderness that I discovered plants, and particularly their smells. One cannot help it–if you step or crawl on a plant, you will smell it. As a military history buff, I also learned that many wars were fought over plants, and so I decided to write a book that combines the two–explaining what these plants do, why they are so important to people, and, therefore, how plants basically drive human behavior, often to violence.
This is another book that makes a plant more interesting than people. For the plant biologist that I am, this is perhaps not so difficult to achieve, but still.
Like bananas, cotton is another plant that started its existence in one corner of the world–actually multiple corners for cotton–and ended up having huge effects on humans everywhere else.
WINNER OF THE BANCROFT PRIZE • A Pulitzer Prize finalist that's as unsettling as it is enlightening: a book that brilliantly weaves together the story of cotton with how the present global world came to exist.
“Masterly … An astonishing achievement.” —The New York Times
The empire of cotton was, from the beginning, a fulcrum of constant global struggle between slaves and planters, merchants and statesmen, workers and factory owners. Sven Beckert makes clear how these forces ushered in the world of modern capitalism, including the vast wealth and disturbing inequalities that are with us today.
I’m a professor of Roman history who teaches and writes about the social world of the ancient Romans. I’m drawn to the topic of ancient Rome because it seems simultaneously familiar and alien: the people always “feel real” to me, but the many cultural differences between Rome and modern America prod me to contemplate those aspects and values of my own world that I take for granted. I enjoy the high moral stakes of the political machinations as well as the aesthetic beauty of the artistic creations of Rome. And the shadow of Rome still looms large in American culture, so I find the study of antiquity endlessly instructive.
Like many others, I have long been fascinated by the story of Spartacus and his fight for freedom (a story that has resonated with many activists and advocates around the world).
Strauss has a wonderful prose style that balances scholarly rigor with clarity for a popular audience. I still picture Kirk Douglas in my mind when I think about Spartacus, but reading this book also gave me a much fuller understanding of the sociopolitical context of this slave revolt.
The story of the most famous revolt of the ancient world, and its legendary leader, Spartacus the Gladiator.
Spartacus was a Thracian gladiator who started a prison breakout with 74 men, armed with kitchen knives. It grew into a full scale rebellion against Rome, the most famous slave revolt in history. With an army of gladiators, ex-slaves and other desperadoes, he managed to defeat a succession of Roman armies and bring the Republic to its knees.
I have worked as an illustrator and visual storyteller throughout my adult life, illustrating children’s fiction books and comics for educational publications. My educational work focused on publications for kids with special needs, this gave me training in how to communicate visually, very clearly and concisely. I now collaborate with my partner Sakina Karimjee making beautiful graphic novels full-time. Toussaint Louverture is our first; we are now working on our second.
In researching my graphic novel, I read many comics on slavery.
This atmospheric account of enslaved Virginians in 1831 is a hard read, but it made a great impression on me.
Powerfully, Baker uses the verbatim testimony from the confession of Nat Turner as he awaited execution in jail. The narrative does not pull its punches; in one scene, Turner recounts the murder of a plantation owner's baby. It is shocking, but Baker skillfully puts this in the context of the brutality of the lived experience of the enslaved, their own children being routinely abducted and sold by their masters.
The comic is a powerful slave narrative in this sparse and mostly wordless retelling of America’s most famous slave revolt.
The story of Nat Turner and his slave rebellion-which began on August 21, 1831, in Southampton County, Virginia-is known among school children and adults. To some he is a hero, a symbol of Black resistance and a precursor to the civil rights movement; to others he is monster-a murderer whose name is never uttered. In Nat Turner, acclaimed author and illustrator Kyle Baker depicts the evils of slavery in this moving and historically accurate story of Nat Turner's slave rebellion. Told nearly wordlessly, every image resonates with the reader as the brutal story unfolds. Find teaching guides for Nat Turner…
Improbable trailblazers have fascinated me ever since I told the story of Black cardiac surgery pioneer Vivien Thomas in a 1989 Washingtonian Magazine article that won the National Magazine Award and inspired the Emmy-winning HBO film Something the Lord Made. My passion for chronicling unheralded genius has led me from one of the most remote corners of the American west to Baltimore operating rooms to the classrooms and courtrooms of Washington, DC. My decade-long collaboration with civil rights pioneer Dovey Johnson Roundtree in co-writing her autobiography Mighty Justice whetted my interest in a host of fierce African American women pathbreakers.
Like the thousands of other readers who’d been haunted by Harriet Jacobs’ 1861 autobiography Incidents in the Life of a Slave Girlwhen it resurfaced during the civil rights era, I had questions. Were the horrific events of her enslavement and escape really true? Did Jacobs herself write the book, or was it the work of the white abolitionist she identified as her “editor”? In this biography, we’re given answers based on the documentary evidence Jean Yellin unearthed over 30 years of research. We learn that Jacobs’ stranger-than-fiction slavery narrative is factually accurate and that it was the work of Jacobs herself. In our present age of exploded myths, there’s something breathtaking about that discovery, and about Yellin’s masterful rendition of the life of an icon of Black female resistance.
Harriet Jacobs's Incidents in the Life of a Slave Girl remains the most-read woman's slave narrative of all time. Jean Fagan Yellin recounts the experiences that shaped Incidents-the years Jacobs spent hiding in her grandmother's attic from her sexually abusive master-as well as illuminating the wider world into which Jacobs escaped. Yellin's ground-breaking scholarship restores a life whose sorrows and triumphs reflect the history of the nineteenth century, from slavery to the Civil War, to Reconstruction and beyond. Winner of the 2004 Frederick Douglass Prize, presented by Yale University's Gilder-Lehrman centre for the Study of Slavery, Resistance, and Abolition, awarded…
As an engineer, I have constructed bridges, highways, and power plants throughout Africa, and on journeys learned and explored the continent's history. My novel, Ama, a Story of the Atlantic Slave Trade, won the 2002 Commonwealth Writers Prize for the Best First Book. My 200 plus sources, and excerpts from many of them, are listed on the companion website.
In the introduction, dated July 1978, Mattoso writes. … my purpose in writing this book was to discover what life was really like for the slaves in Brazil … This book is addressed to an audience of general readers. I have therefore felt free to dispense with the usual scholarly apparatus of extensive footnotes and bibliography … Its title … signals my intention to adopt the standpoint of the slaves themselves … to trace the various stages in the lives of the slaves as individuals and of the slave group as a community.
The book has the great advantage of placing the slave in the center of the history not simply as a type of labor, but as an actor whose culture, actions and decisions influenced the operation of the system... written with verve and grace for a general readership.
I am a historian of early American history who discovered the history of medicine somewhat by accident. As a history graduate student, I wanted to understand how ordinary Americans experienced the American Revolution. While digging through firsthand accounts written by average Americans, I came across a diary written by a sailor named Ashley Bowen. Although Bowen wrote made entries daily beginning in the 1760s, he hardly mentioned any of the political events that typically mark the coming of the American Revolution. Instead, day after day, he wrote about outbreaks of smallpox and how he volunteered to help his community. From then on, I began to understand just how central and inseparable health and politics are.
Gretchen Long’s book Doctoring Freedom includes remarkable stories not only of how Black people were abused and left out of American health care, such as it was in the 19th century, but centers the book on Black Americans’ efforts to support their health and their citizenship while being denied both. Long’s finely detailed case studies of Black doctors, such as John Donalson Austin who had been an enslaved herbal healer who was denied the right to practice when free, is one of many stories Long uncovers as she details the ways Black healers and doctors used clinics, hospitals, and dispensaries as sites of resistance to both medical and political authorities.
For enslaved and newly freed African Americans, attaining freedom and citizenship without health for themselves and their families would have been an empty victory. Even before emancipation, African Americans recognized that control of their bodies was a critical battleground in their struggle for autonomy, and they devised strategies to retain at least some of that control. In Doctoring Freedom, Gretchen Long tells the stories of African Americans who fought for access to both medical care and medical education, showing the important relationship between medical practice and political identity. Working closely with antebellum medical journals, planters' diaries, agricultural publications, letters from…
