99 books like Shutter Island

This is one of the nonfiction books I read as a teenager that convinced me to become a professional writer. The author, Sebastian Junger, doesn’t just describe the titular storm (which hit the U.S. East Coast in 1991) in terrifying detail—he also manages to assemble all of the weather-driven chaos into a real, gripping narrative. We don’t know a lot about what actually happened to the Andrea Gail, the fishing boat at the center of the narrative, but Junger recreates its final hours in a way that feels bracingly real—and heartbreaking.

Even if you don’t like nonfiction books, The Perfect Storm has the pacing and heart of a novel. I consider it one of the finest—maybe the finest—disaster narrative ever written, and it’s a perfect choice of book if you’re trapped inside by a raging storm.

Although a suspense novel rather than a mystery, this one utilizes plenty of tricks to keep you enthralled and guessing. It starts with a “Strangers on a Train” kind of premise, the exchanging of murders by people who just met. Then it takes off, morphing into unexpected incarnations, each one exciting and satisfying.  If you become a fan, and I’m betting you will, be warned. Swanson uses similar plot developments in his other books. This is by far his best one.

I liked this book, not just because I’m a fan of detective stories, whodunnits, and the like, but more so for the deep dive into the understanding of why the antagonist, Francis, became what he became.

It’s hard to make a character believable when that character does things that, to most of us, are unthinkable, but the author here succeeds and wraps it up into a decent read.

There’s no storm in J.G. Ballard’s masterpiece of post-apocalyptic fiction, just the aftermath. This was another book that I read at a highly impressionable age and return to every so often, especially when I’m writing something disaster-related. It takes place in a London flooded by climate change: a science team is dispatched to the feverish swamp that was once a great city, where they’re confronted by pirates and other dangers.

It always blows my mind that Ballard wrote the book in 1962, well before the current debate over the climate. The thrilling set-pieces aside, it’s also a chilling reminder of how nature can still topple even the mightiest cities.

I find this book to be an unsettling but impactful read, both thought-provoking and complex. We Need to Talk about Kevin follows the mother of a troubled teenager responsible for a school shooting.

It’s about nature versus nurture, the relationship between mother and child, and deeply seated guilt. It draws inspiration from real events, including the 1999 shooting at Columbine, which wasn’t the U.S.’s first mass shooting at a school, but it would become one of the most infamous.

Shriver’s novel raises unsettling questions about a mother’s guilt and self-justification and a community’s heartache and blame. I consider it to be a captivating and moving book.

A classic shocker. When I first read this book sometime around 50 years ago, I was shocked at how quickly the characters reverted to a primal state.

Now, that I’m older and wiser, I’m still shocked. I’m shocked at how easily the characters went primal, because I think that is a sad reality, that for most people, civility is a thin veil easily torn by the right circumstance.

This book really set the bar for me in terms of psych thrillers. It has an ingenious plot and is one of the first genuinely shocking ‘Twist you don’t see coming’ books.

This book is so well-crafted, deliciously dark and manipulating, and, of course, so well-written. I was invested in both the main characters and constantly changed my mind about who I was routing for and what the truth really was. Bravo! 

I’m fascinated by the in-depth character development and details in this book. The film is a classic, but I think the book is even better. Many people think of Hannibal Lecter as the obvious villain of Silence of the Lambs, forgetting that Clarice and the FBI were seeking his guidance to find “Buffalo Bill,” a fictional serial killer attacking women.

Buffalo Bill is an amalgamation of real serial killers, including Ted Bundy, Ed Gein, and Gary Heidnik. By cherry-picking the methods and traits of real killers, I think Harris created a truly terrifying villain. I find the characters, and especially the villain, to be rooted in reality, making them stick in your mind long after the last page.

This island is a beautiful paradise that quickly becomes sinister when the surviving victims of a plane crash have to survive each other. It’s a thriller with shades of Lord of the Flies, and it has a dual narrative which I love and often use in my own stories. It also explores the ever-changing bond between sisters, something that again I personally find endlessly fascinating and wrote about in my first novel. The Castaways is an incredibly propulsive read as you try to find out the truth – an island thriller in its truest sense.

I’m a fan of speculative fiction and those rare novels set on Svalbard. This novel satisfies both cravings. 

Spurred by a desire to change his life, Jack Miller joins an expedition to northern Svalbard in January 1937 and is abandoned by his companions as the dark season approaches. Paver mines the psychological page-turning quality of a great ghost story with beautiful language and palpable descriptions of the Arctic landscape and its natural wonders. 

Left alone, Jack must deal with loneliness and isolation and their effects on his psyche. It’s hard to avoid such themes when you’re dealing with an extreme setting like the High Arctic, especially during the months of total darkness, but they are themes that make me think about the great philosophical questions such as how one finds meaning in life.