Here are 100 books that Spaceships Over Glasgow fans have personally recommended if you like
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“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
I’ve always loved mysterious musicians. Musicians who seem otherwordly. Musicians who make magic in the studio and take you to magical places.
I used to never want to know the process behind that magic. But as I get older, I’ve enjoyed learning about the human behind the magician.
Thom Yorke is a wizard. I’ve been a fan since 1993, so it’s fascinating to take a look at some of his process in the Kid A Mnesia book. It’s gorgeous. Weird. And yes… magical.
Stanley Donwood’s art is fantastic, and is just as important as the music. I heard the albums differently after flipping through these pages.
Whilst these records were being conceived, rehearsed, recorded and produced, Thom Yorke and Stanley Donwood made hundreds of images. These ranged from obsessive, insomniac scrawls in biro to six-foot-square painted canvases, from scissors-and-glue collages to immense digital landscapes. They utilised every medium they could find, from sticks and knives to the emerging digital technologies.
The work chronicles their obsessions at the time: minotaurs, genocide, maps, globalisation, monsters, pylons, dams, volcanoes, locusts, lightning, helicopters, Hiroshima, show homes and ring roads. What emerges is a deeply strange portrait of the years at the commencement of this century. A time that seems an…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
I never related to “hardcore” hip-hop when I was younger. NWA was too much for me. Even some Public Enemy hit my ears with a harshness that was hard to overcome.
It was the music of De La Soul and A Tribe Called Quest that sparked my need to become a poet. J Dilla is the pulse of that music, and all 90s hip-hop, in my opinion.
This book is a music lover’s dream. It goes deep into Dilla’s process and talks about his beat machines (as an electronic musician, I can’t get enough of those pages). This book is also a bittersweet and tragic story about someone whose thumbs literally changed the landscape of music. But someone whose earthly body left us too soon.
It's Dilla Time. Finally. Dilla Time is the story of the invention of a new kind of time, a new kind of sound, by the most influential music producer of the last twenty-five years, someone you may never have heard of: J. Dilla. He's revered by rappers and producers from Kanye West to Kendrick Lamar, and he worked with the likes of Michael Jackson and Janet Jackson-but Dilla himself never rose to mainstream fame, despite revolutionizing the way music sounds before his untimely death at the age of thirty-two.
In Dilla Time, Dan Charnas chronicles the life of J. Dilla,…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
Before I heard Ani DiFranco’s music, I was writing about one topic - love - in simple rhyme schemes.
After I heard Ani DiFranco’s music, I realized that figurative language was a powerful tool to make my poetry sounds better. She’s simply the best wordsmith we have. She’s as impactful and relevant as any other folk singer to walk the earth.
She also helped me to appreciate the acoustic guitar in a way I hadn’t before. Ani is a phenomenal record producer ad visionary.
(Can you tell I’m a fan?)
Her memoir is honest and eye opening. I enjoyed reading about the seeds that sprouted her work and her career. Highly recommended.
"A memoir as fierce, freewheeling, and passionate as her music." --O, the Oprah magazine
A memoir by the celebrated singer-songwriter and social activist Ani DiFranco
In her new memoir, No Walls and the Recurring Dream, Ani DiFranco recounts her early life from a place of hard-won wisdom, combining personal expression, the power of music, feminism, political activism, storytelling, philanthropy, entrepreneurship, and much more into an inspiring whole. In these frank, honest, passionate, and often funny pages is the tale of one woman's eventful and radical journey to the age of thirty. Ani's coming of age…
“Big Butt.” That’s all you need to know about me. It was the first song I wrote and recorded on a dusty cassette tape in 1986. I was 10 years old and an obsessive Prince fan. On the back of his records, he wrote some variation of “written, recorded, produced and performed by Prince.” Those words empowered me to be an artist. More specifically, here’s what I wrote as a 10-year-old: “When I grow up, I want to be a rock star like Prince.” Five years later, I started writing poetry, and all of the poems I wrote felt like songs. Music is the fuel for all that I create.
Can we have more books on Alice Coltrane, please? I enjoy telling people I love “Coltrane” and then correcting them when they assume I’m talking about John.
John was great. He was transcendent. And so was Alice.
Alice came into her true self after John dropped his body. I am eternally fascinated by her music and where it takes me.
Franya J. Berkman’s book is tragically one of the few books where you can learn about Alice’s story. It’s expertly factual and insightful.
Alice Coltrane was a composer, improviser, guru, and widow of John Coltrane. Over the course of her musical life, she synthesized a wide range of musical genres including gospel, rhythm-and-blues, bebop, free jazz, Indian devotional song, and Western art music. Her childhood experiences playing for African-American congregations in Detroit, the ecstatic and avant-garde improvisations she performed on the bandstand with her husband John Coltrane, and her religious pilgrimages to India reveal themselves on more than twenty albums of original music for the Impulse and Warner Brothers labels.
In the late 1970s Alice Coltrane became a swami, directing an alternative spiritual…
As a life coach and author of two dozen self-help books, I’ve spent the past twenty years helping people to be more creative. I love reading about the early lives of artists because it is an engaging way to learn about the creative process. Even rock stars have doubts, insecurities, regrets, and setbacks. Yet, fueled by their passions, they persist. They overcome their obstacles and pursue unique paths to success. These books are inspirational and informative for anyone with a creative dream.
This is a candid autobiography of an unlikely rock star. Relying on her early journals, Carly Simon conveys the details of her privileged childhood and storybook career as a singer/songwriter. Woven through her musical accomplishments are her relationships – primarily her marriage to James Taylor – but also with Warren Beatty, Mick Jagger, Jack Nicholson, Cat Stephens, and Kris Kristofferson.
#1 New York Times Bestseller A People Magazine Top Ten Book of the Year 'A sensational memoir ...brilliantly well written. Carly Simon is incapable of writing a boring sentence ...you can forgive anything for the unparalleled brilliance of her writing' - Lynn Barber, Sunday Times 'Hugely affecting memoir ...heartfelt and remarkable' - Fiona Sturges, Independent Carly Simon is a household name. She was the staple of the '70s and '80s Billboard charts and was famously married to James Taylor with whom she has two children. She has had a career that has spanned four decades, resulting in thirteen top 40…
Over many years of being an African American fan of rock music, I’ve learned that the combination of my gender, race, and musical taste can be disconcerting to people who expect Black women to adhere to a limited set of cultural interests. My frustration with these kinds of assumptions, my awareness that rock has deep roots in African American musical culture, my curiosity about the experiences of African American women who participated in rock and roll, and my desire to make sure that they are part of the stories we tell about the music’s history led me to write Black Diamond Queens: African American Women and Rock and Roll.
One of my favorite memoirs, Rage to Survive is a no-holds-barred dive into the life and times of a powerful singer who traversed the genres of rock and roll, blues, and R&B during her decades-long career. James tells compelling stories about her tough upbringing on the west coast and her teenage immersion into sex, drugs, and early rock and roll (check out her 1955 hit “The Wallflower”); shares her experiences touring in the segregated south during the 1950s; offers gossip about well-known musical figures; and reflects on her development as an artist navigating the recording industry in the fifties, sixties, seventies, and eighties. Throughout she offers insights about love, loss, motherhood, hard knocks, bad choices, addiction, and personal and professional triumphs. James speaks with passion, humor, and honesty.
One of the great women of American music, equally at home singing blues and jazz, Etta regales us with tales of her chaotic childhood, the stars she has known, and her troubled trip to stardom in this mesmerizing autobiography.
Ever since childhood, I’ve wondered about people who led inventive, innovative lives. How did they get their inspiration? Where did their ideas come from? How did they take that inspiration and change the world? I found information, but not the answers I was looking for, at the library. When I became an elementary library teacher, new forms of biographies – beautiful picture book biographies about people of all kinds – became available. My students loved them and so did I, and I became inspired to write for children. I’m excited that my first two picture book biographies, which received starred reviews, are out in the world – with more coming your way!
I shared books with children as an elementary librarian for 20 years, and I know what makes a great read-aloud!
This story about the guitar-picking little girl who grew up to inspire music legends like Chuck Berry, Elvis Presley, and Little Richard begs to be not read aloud, but performed! The energy in this picture book leaps off the page! Pair this with Rosetta’s music for an awesome listening and dancing session!
"A profile as bold and vivacious as the singer herself." -Kirkus (starred review)
"Terrific for all collections that want to inspire the musically inclined and highlight innovative pioneers." -Booklist (starred review)
"Bolden uses alliteration, assonance, repetition, and rhythm to create an irresistibly musical text that effectively communicates the feel of Tharpe's music. Christie's lively illustrations. . . capture the physicality of Tharpe's performance style and the intensity of her sound." -Publishers Weekly (starred review)
"Impressive offering about an often-overlooked figure in American music." -The Horn Book (starred review)
"The marriage of Bolden's words and Christie's pictures is almost as satisfying…
I love realm of the sensual. I sometimes call it The Magic Kingdom—the experience that sets us apart from our childhoods and teenage years. Intimacy—not just with people or lovers, but with the stuff we love as adults—is a compelling quest. For me, it lives in writing, cooking, singing, painting, befriending, loving—the things that lift my life out of the ordinary into time-stopping moments. Sharing it my writing, especially in my new fiction (Stay with Me, Wisconsinand my upcoming novelThe Seven Mile Bridge) has been an experience of helping us all get our hands and hearts and skin into the things we love and then abide there as long as life allows us.
Laurie Colwin is by far my favorite fiction writer. She died in 1992 at the age of 48, and Goodbye Without Leaving is one of my all-time favorite books of hers.
In it, Geraldine Coleshares—a privileged graduate student who is unmoved by her insulated and expectation-laden world—goes on the road as backup singer for Ruby Shakely and the Shakettes—an Ike and Tina Turner-type rock and roll band.
Her parents are horrified and will barely speak to her when she calls them from the road, but there’s nothing she loves more than to stand on stage in a day-glow fringed dress, singing her heart out.
When love finds her in the form of a straight-ahead lawyer who adores her and knows every rock n roll and rhythm and blues artist from the last century, she grudgingly lets him in, and though she knows she loves him, she resists marriage at every…
One of the most beloved novels from the critically acclaimed novelist Laurie Colwin, Goodbye Without Leaving explores a woman’s attempts to reconcile her rock-and-roll past with her significantly more sedate family life as a wife and mother.
As a bored graduate student, Geraldine Colshares is plucked from her too-tame existence when she is invited to tour as the only White backup singer for Vernon and Ruby Shakely and the Shakettes. The exciting years she spends as a Shakette are a mixed blessing, however, because when she ultimately submits to a conventional life of marriage and children, she finds herself stuck…
I am not a rock star but I do play a mean (computer) keyboard. My debut picture book, How to Be a Rock Star, was inspired by my musical children and our endless hours jamming as a family band. I was always on the lookout for books to inspire my little rock star, and because they were hard to come by, I wrote one! These books will inspire your budding musician, or just help you embrace a spirit of creative play in any way they want to rock.
When my son was a rocking toddler, he needed everything just so—a twisted guitar strap could ruin his gig. We both drew inspiration from Elizabeth Cotten, who managed to play guitar despite being left-handed and teaching herself upside down and backwards. By the age of 11, Cotten had written “Freight Train,” one of the most famous folk songs of the last century. Take that, perfectionism.
Elisabeth Cotten was only a little girl when she picked up a guitar for the first time. It wasn't hers-it was her big brother's-and it wasn't strung right-she was left-handed. But she flipped that guitar upside down and backwards and taught herself how to play it anyway. By eleven, she'd written "Freight Train," one of the most famous folk songs. And by the end of her life, everyone from the California beaches to the rolling hills of England knew her music.
This lyrical, loving book from acclaimed singer-songwriter Laura Veirs and debut illustrator Tatyana Fazlalizadeh tells the story of the…
My expertise as a scholar of the women’s music movement spans 40 years--ever since I attended my first concert and music festival in 1981. A lecturer at UC-Berkeley, I’m the author of 19 books on women’s history, and published the first book on women’s music festivals, Eden Built By Eves, in 1999 (now out of print.) More recently I’ve organized exhibits on the women’s music movement for the Library of Congress, co-authored The Feminist Revolution(which made Oprah’s list), and I’m now the archivist and historian for Olivia Records.
This wonderfully written memoir by one of the most successful singers in American rock and popular music offers a thoughtful look at the artist’s rise to fame in multiple musical genres—from folk clubs to sold-out stadium concerts, to Broadway, torch songs, and the Mexican Canciones music of the author’s Sonora heritage. The book is a keen glimpse at the pressures of the road (and expectations for women in the spotlight), but a triumphant story of talent and artistic innovation.
Linda Ronstadt was born in 1946 to a modest family outside Tucson. From an early age, she, her brother and sister began making their own music, eventually performing their own shows in the folk and Mexican traditions of the area.
By the time Ronstadt was in community college, she realized the music scene in LA was where she wanted to be, just in time for the folk revival that was sweeping the nation. Despite some setbacks with her first band-the Stone Poneys-she quickly found her niche as a soloist with the new record label run by David Geffen. Soon she…
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