100 books like The Clockwork Dynasty

I needed a gripping story for a drive across Australia, 800 miles from Sydney to Adelaide. I wanted one that would grab me and keep me awake and alert. This one really got my brain fizzing because it lifts you out of today and transports you into a future that could easily come true (let's hope it doesn't!).

It's the sort of audiobook that has you still sitting in your car, listening to the end of the chapter in your driveway because you can't turn it off!

This is one of those books that I almost wish I’d written, except no one but Nayler could have done it justice.

It starts with a discovery of potentially sentient octopuses, the scientist studying them, and the global corporation that controls her access and funding. From there, the story gets dizzying in scope: it spans countries and social classes, somehow managing to be a thriller while delving deep into zoology, climatology, neurology, the consequences of war and colonization, and the nature of consciousness itself—while still showing the wonder of this new-found species.

Everyone’s fate, terrifyingly, lies in the hands of this corporation that has its own motivations for studying the octopuses, unless they (and the octopuses themselves) can stop it.

Autonomous robot Sal has run a tea shop for hundreds of years, trying to stick to the mission of her master and romantic partner who passed away years ago. But the shop is failing, and Sal is slowly breaking down when she meets AI technician Clara. Clara is able to switch Sal’s programming, and give her a new lease on life. I love how Katz’s quiet prose gives us a careful exploration of Sal’s struggle with being true to her aims and with the concept of moving on.

Here we are in the world of the metaverse. So many public relations books are about what the practice looks like now. This one is different. It’s inviting us to look at what the world will look like when just about everything is infused with AI and total sensory immersion is commonplace. It invites us to look at how public relations can harness these technologies and the power they will give us to develop incredible knowledge about people, build deep relationships and emotional connections. If so inclined, we could manipulate people without them even knowing it. For me this was a wake-up call to the profession. We can’t just be seduced by the shiny tools of technology, but need to step back and reflect on their ethical implications.

What is creativity, and what makes it possible? If a new idea came from nothing, would it be magic? If a new idea were generated by recombining old ones, would it really be “creative”? In this book, Margaret Boden, a distinguished philosopher of science, thinks through what creativity really is, whether it takes the form of a world-altering advance in science or a novel jazz improvisation. To help understand human creativity, the book compares it to the workings of computer programs—ones capable of generating art or music that at least appears creative. Readers who have followed more recent developments in artificial intelligence will be able to consider for themselves whether machine creativity is, or could be, a reality. The book helped me think about what it means to create an “authentic” poem.

A friend gave me this when I was almost done writing my book.

I couldn’t figure out how to justify footnoting a science fiction novel written from the point of view of a one-thousand-year-old spaceship in my own book, which was mostly about theories of musical evolution, but I still wish I had. The spaceship-protagonist can’t tell genders apart and refers to every single character as “she,” and it loves (I mean loves) to sing.

The book tackles surprisingly relevant questions about the way power, gender, and difference circulate through a post-colonial society. It’s completely different from the kind of work I do as an academic, but I think it has something just as important to say about music, human identity, and modern science.

Columbus Day is the first entry in the Expeditionary Force Series, and it's one to take serious note of...despite the constant onslaught of humor! It reads like your typical Mil SF novel until chapter 10, where it takes all of your expectations and blows them up right in your face.

I loved the intense military combat scenes, coupled with Avenger's style humor and the introduction of a certain hyper-intelligent beer can...yes, it's that kind of story, and it's way better than I'm making it sound.

There's a reason each new release of this series breaks the Audible download page on release day. Some of the funniest science fiction I've ever read, with interesting alien races and tons of problem-solving fun, references to other SF series...what's not to love?

When I’m not developing AI methods (or writing about them) I read. Most of what I read is science fiction. There’s nothing more imaginative than a good science fiction book, and many science fiction stories have inspired us to develop whole new technologies. This one probably won’t do that, but it has such a bizarre mind-bending world that I couldn’t resist recommending it. Niven is great at this kind of thing – the Ringworld books were a favourite of mine as a kid, and frankly, I could recommend another 30 of his books. But Integral Trees is entertaining, a little bizarre, and it even has diagrams to illustrate the underlying concepts at the start – what more could you ask for in a science fiction book?

The nanotechnological apocalypse at the background of Anthropocene Rag has turned the United States into a mythological vision. A mysterious construct known as Prospector Ed (who sometimes adopts the persona of Mark Twain) delivers six magical tickets to various scattered Americans, all of whom have lost something in the “Boom.” While the post-nanoboom landscape is deadly (one of the main characters was orphaned when an intelligence-imbued stadium containing her parents simply decided to become something else), there’s also a lot of wonder, and the book is a loving homage to American mythology and lore.

Woolridge presents the history of artificial intelligence from the point of view of an insider. This book is one of the few accounts of AI history presenting a measured perspective, one that has weathered more than one boom and bust cycle.

The book is nicely complemented by his recent series of lectures, which can be easily found on YouTube. I read Woolridge as saying, “Yes, something new has happened with the advent of large language models, but much work remains.”