Here are 100 books that The Confessions of Jean-Jacques Rousseau fans have personally recommended if you like
The Confessions of Jean-Jacques Rousseau.
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Fiona Sampson is a leading British poet and writer, a Fellow of the Royal Society of Literature, awarded an MBE for services to literature. Published in thirty-seven languages, she’s the recipient of numerous national and international awards. Her twenty-eight books include the critically acclaimed In Search of Mary Shelley, and Two-Way Mirror: The life of Elizabeth Barrett Browning, and she’s Emeritus Professor of Poetry, University of Roehampton.
Simone de Beauvoir’s Memoirs of a Dutiful Daughter is a classic. First published in France in 1958, it’s the opening volume of an autobiographical trilogy. This exploration of the childhood and young womanhood that created the world-famous writer and intellectual is compendious, descriptive – and alert at every turn, as befits the mother of existentialism, to how the emerging psyche understands the world around it.
“[Beauvoir’s] graciously written memoirs carry distinct appeal in recording the emotional and intellectual birth pangs of a fascinating woman.” —Time
A superb autobiography by one of the great literary figures of the twentieth century, Simone de Beauvoir's Memoirs of a Dutiful Daughter offers an intimate picture of growing up in a bourgeois French family, rebelling as an adolescent against the conventional expectations of her class, and striking out on her own with an intellectual and existential ambition exceedingly rare in a young woman in the 1920s.
Beauvoir vividly evokes her friendships, love interests, mentors, and the early days of the…
With over 20 years of experience as a professional artist and a successful track record of earning six figures a year from my art, I know firsthand what it takes to build a thriving artistic career. As the host of the Inspiration Place podcast, and founder of the Artist Incubator program, I’ve dedicated my life’s work to helping artists everywhere achieve their full potential and reach their goals. When you overcome the common challenges and mindset blocks that hold so many artists back and learn the practical tools and strategies you need for selling your art, you too find the same success.
This is an in-depth and well-researched exploration of the abstract expressionist movement, with a particular focus on the female artists who played a crucial role in shaping the movement. This book offers a fresh perspective on a significant period in the history of modern art and provides readers with a deeper understanding of the contributions made by women artists during this time. What I liked most about this book was the spotlight it shines on the critical role of key female artists in the abstract expressionist movement, who often get overlooked in traditional art historical narratives. Overall, Ninth Street Women is a must-read for anyone interested in learning about the groundbreaking contributions of female artists in the 20th century, and the impact of the abstract expressionist movement on contemporary art.
NINTH STREET WOMEN is the impassioned, wild, sometimes tragic, always exhilarating story of five women who dared to enter the male-dominated world of twentieth-century abstract painting--not as muses but as artists. From their cold-water lofts, where they painted, drank, fought, and loved, these pioneers burst open the door to the art world for themselves and groundbreaking artists to come.
They include Lee Krasner and Elaine de Kooning, whose careers were at times overshadowed by the fame of their husbands, Jackson Pollock and Willem de Kooning, but who emerged as stunning talents in their own right, as well as a younger…
Elizabeth Buchan began her career as a blurb writer at Penguin Books. She moved on to become a fiction editor at Random House before leaving to write full-time. Her novels include the award-winning Consider the Lily, The Museum of Broken Promises, and the international bestseller, Revenge of the Middle-Aged Woman, which was made into a CBS Primetime Drama. Elizabeth’s short stories are broadcast on BBC Radio 4 and published in magazines. She has reviewed for The Times, the Sunday Times, and the Daily Mail, and has chaired the Betty Trask and Desmond Elliot literary prizes. She has been a judge for the Whitbread First Novel Award and for the 2014 Costa Novel Award.
I first read this many years ago and it has stayed with me. Every so often, I return to it in order to immerse myself in its wonderful prose and insights. It combines travelogue with biography, detective work with a probing inner exploration and is both an account of a physical journey and a remap of the writer’s imagination. He begins with his homage to Robert Louis Stevenson’s Travels with a Donkey and describes his own trek over the Cevennes. He starts out with the idea that he will be a poet and finishes his walk having been led "far away into the undiscovered land of other’s men and women’s lives. It led towards biography."
It is the turning point of his life and for the remainder of the book – as he hunts down his subjects which include Mary Wollstonecraft, Shelley, Gerard de Nerval, and Gautier – he goes…
Richard Holmes knew he had become a true biographer the day his bank bounced a check that he had inadvertently dated 1772. Because for the acclaimed chronicler of Shelley and Coleridge, biography is a physical pursuit, an ardent and arduous retracing of footsteps that may have vanished centuries before.
In this gripping book, Holmes takes us from France’s Massif Central, where he followed the route taken by Robert Louis Stevenson and a sweet-natured donkey, to Mary Wollstonecraft’s Revolutionary Paris, to the Italian villages where Percy Shelley tried to cast off the strictures of English morality and marriage. Footsteps is a…
Fiona Sampson is a leading British poet and writer, a Fellow of the Royal Society of Literature, awarded an MBE for services to literature. Published in thirty-seven languages, she’s the recipient of numerous national and international awards. Her twenty-eight books include the critically acclaimed In Search of Mary Shelley, and Two-Way Mirror: The life of Elizabeth Barrett Browning, and she’s Emeritus Professor of Poetry, University of Roehampton.
Drusilla Modjeska’s Stravinsky’s Lunch is an absolutely original study of art and life. Its starting and finishing points are the contrasting lives of two major Australian artists, Stella Bowen and Grace Cossington, born twelve months apart in the 1890s. Don’t be put off if you’ve never heard of them (though their work is wonderful). This brilliant book involves its author – and even the reader – in an untricksy but radical look at the self who makes.
A moving, deeply insightful study of two artists-both twentieth-century Australian women-who lived and worked in divergent realms
Drusilla Modjeska's title derives from an anecdote about the composer who, while creating a piece of music, ordered his family to remain silent while taking a meal with him-so Stravinsky could preserve his concentration on his work. Modjeska's book investigates the life patterns of women artists, most of whom have been unable to manage such a neat compartmentalization of daily life and creativity.
Stravinsky's Lunch tells the stories of two extraordinary women, both born close to the turn of the century in Australia…
I am a chameleon scholar. Though my first love is poetry, I have written about all the arts, about 18th-century authors (especially Samuel Johnson), about theories of literature and literary vocations, about Sappho and other abandoned women, about ancients and moderns and chess and marginal glosses and the meaning of life and, most recently, the Scientific Revolution. But I am a teacher too, and The Ordering of the Arts grew out of my fascination with those writers who first taught readers what to look for in painting, music and poetry—what works were best, what works could change their lives. That project has inspired my own life and all my writing.
This book about rebels itself rebels against historians such as Abrams, who view Romanticism as a single movement unified by an expressive theory of art.
Instead, Butler argues, there are many different sorts of Romantics, and they are best understood not through theories of art but through "the fierce personal and artistic politics of an age in the midst of profound change." That Age of Revolution had begun in the 1760s, and the ordering of the arts reflects debates about the social standing of the arts, not any consensus. Butler relishes these conflicts.
She pays attention to the groundswell of "art for the people" as well as "the war of the intellectuals," and she is not afraid to embrace the chaos and complications that thwart any effort to paint all arts and artists with one brush.
The Age of Revolutions and its aftermath is unparalleled in English literature. Its poets include Blake, Wordsworth, Coleridge, Byron, Shelley, and Keats; its novelists, Jane Austen and Scott. But how is it that some of these writers were apparently swept up in Romanticism, and others not? Studies of Romanticism have tended to adopt the Romantic viewpoint. They value creativity, imagination and originality - ideas which nineteenth-century writers themselves used to promote a new image of their calling. Romantics, Rebels and Reactionaries puts the movement in to its historical setting and provides a new insight in Romanticism itself, showing that one…
I’m not a trained historian (I received my B.S. in geology and spent my career in commercial banking). However, I grew up in Europe during the 1960s and developed a passion for history. I learned to write as a banker back in the “good old” days. I enjoyed it so much that I told myself, “One day, I'm going to write a book.” Well, that day came in Nashville when I was running a small company. Then I found Leonard Pitt’s book called Walks Through Lost Paris. As we walked through the streets of Paris, I turned to my wife and said, “I can write a book like this.” And so I did.
Women played a major role in the French Revolution. Providing fuel for the core of the revolution, the female sans-culottes, poissardes, and other working-class women were instrumental in shaping the events and opinions of the revolutionaries such as Robespierre and Danton.
During the revolution, prominent women became agitators, hosted politically influential salons, led several major revolutionary clubs, wrote contemporary political position papers, organized and led women in para-military groups, and murdered key revolutionaries. The women of the French Revolution were no “shrinking violets.”
Ms. Stephens’s book is an excellent introduction to the various women who influenced the revolutionaries on a day-to-day intellectual basis. Madame Guillotine did not discriminate by gender⏤many of these women ultimately lost their heads.
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Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank…
I’m a historian who has been researching and writing on the French Revolution and the Napoleonic Wars for thirty-five years now. Since the age of ten I have been fascinated by these years, partly through childhood holidays in France, but also because of their sheer drama. British history in the same period has nothing to compare with the storming of the Bastille or Napoleon’s meteoric career. Specializing in this turbulent era has made me particularly interested in how regimes fall, and whether under different circumstances they could have survived.
This is not an easy read, but it is a seminal work by the greatest modern historian of the French Revolution, which made an enormous impression on me when I first read it as a student in the 1980s. It marked a decisive break with what up until then had been the standard view of the Revolution as a class struggle. For Furet, the Revolution’s real importance lay elsewhere, as the first modern experiment with democracy – in his eloquent words, "a beginning and a haunting vision of that beginning."
The French Revolution is an historical event unlike any other. It is more than just a topic of intellectual interest: it has become part of a moral and political heritage. But after two centuries, this central event in French history has usually been thought of in much the same terms as it was by its contemporaries. There have been many accounts of the French Revolution, and though their opinions differ, they have often been commemorative or anniversary interpretations of the original event. The dividing line of revolutionary historiography, in intellectual terms, is therefore not between the right and the left,…
I grew up loving the works of Shakespeare and the Romantic poets. Now I write romantic fantasy with a lyrical, fairy-tale vibe. The Seasons Cycle is a spin-off series from my main Lake Traveler saga. My poetry includes Poems of Myth & Magick, andSongs of Love & Longing. I compose songs and background music for key scenes in my stories. My music has been described as GoT meets LoTR with a lyrical twist and a musical theatre vibe. You can check out my songs and instrumental pieces on my youtube channel and my music website.
"La Belle Dame Sans Merci" may not be Keats’ most well-known poem but it’s right up there with his best, and Keats’ best might just be the very best when it comes to romantic poetry. This is a beautiful fantasy poem that’s both hot and disturbing. It’s dark fantasy at its best. Its lyrical and sensuous beauty will give you chills and goosebumps.Other fantasy-themed poems in this collection include "Endymion," "Lamia and Hyperion," "Isabella," and "St Agnes’ Eve," all based on myths and legends.
'What the imagination seizes as Beauty must be truth' So wrote the Romantic poet John Keats (1795-1821) in 1817. This collection contains all of his poetry: the early work, which is often undervalued even today, the poems on which his reputation rests including the 'Odes' and the two versions of the uncompleted epic 'Hyperion', and work which only came to light after his death including his attempts at drama and comic verse.
It all demonstrates the extent to which he tested his own dictum throughout his short creative life. That life spanned one of…
I have been a professional writer for over 40 years. Much of my work has been focused on biographies and historical drama for radio. Both topics involve extensive research. The French Revolution has always fascinated me. The stories about the wild extremes of human behaviour exercise a morbid power on the imagination. I have written much on the subject and the people caught up in, and often generating, the madness and inhuman folly. I have, I believe, developed a particular feel for the period and the lesson it teaches us. My book about the Terror is the culmination of many years of study and deliberation. I write well, vividly, and forcefully and I speak and read French.
Blanc discovered in the National Archives in Paris a remarkable cache of letters kept in an old tin labelled as the property of Fouquier-Tinville, the Public Prosecutor of the French revolutionary Tribunal. He was a man who in sending off the last batch of victims to be beheaded, even after hearing that Robespierre was dead and with him, the Terror, said ‘justice must run its course’
The letters, written by prisoners on the eve of their own execution, to wife, family, plangent pleas to be remembered – some containing a little keepsake: a shirt stud, maybe – were never delivered, but, on Fouquier’s order, impounded as possible evidence. Post mortem? What was the point? The letters are heart-rending, sad, pathetic, drained of hope, but as poignant a souvenir of the effect of the vicious law which was sending their authors to the scaffold as any you will read. Fouquier, whose…
Drawing on a centuries-old file, this volume reproduces the last letters by prisoners of the French Revolution in the last few moments before their death, and sheds new light on this turbulent time
I’m a historian of eighteenth-century France, above all, the French Revolution. Throughout my career, my primary goal has been to try to reconstruct the experience of revolution in all its dimensions. I have published extensively on subjects relating to the French Revolution, including the French revolutionary terror; the politics of the Jacobins; ideology, emotions, and revolution; revolutionary leaders – including Robespierre and Saint-Just; fear of conspiracy as a driver of actions; the influence of classical antiquity; women participants in the Revolution.
This is a gripping, wide-ranging, and detailed study of the explosive years of ‘the Terror’. Andress ranges far beyond the claustrophobic assemblies, clubs, and streets of Paris to show the country-wide impact of war, revolution, and terror. Andress has little time for revolutionary idealism, and there are no heroes in this book. His deep knowledge of his subject shines out from every page. The result is a vivid and disturbing account, dense, lively, and well-written.
The French Revolution marks the foundation of the modern political world. It was in the crucible of the Revolution that the political forces of conservatism, liberalism and socialism began to find their modern forms, and it was the Revolution that first asserted the claims of universal individual rights on which our current understandings of citizenship are based. But the Terror was, as much as anything else, a civil war, and such wars are always both brutal and complex. The guillotine in Paris claimed some 1500 official victims, but executions of captured counter-revolutionary rebels ran into the tens of thousands, and…
