Here are 92 books that The Curve of Time fans have personally recommended if you like
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During a lonely stretch of primary school, I recall discussing my predicament with my mother. “You only need one friend,” she said by way of encouragement. Some part of me agreed. I’ve been fortunate to have had (and to have) several friends in my life, never more than a few at a time, more men than women, and each has prompted me to be and become more vital and spacious than I was prior to knowing them. The books I’m recommending—and the one I wrote—feature these types of catalyzing, life-changing relationships. Each involves some kind of adventure. Each evokes male friendship that is gravitational, not merely influential, but life-defining.
It centers on and celebrates becoming—molting from one skin to another. For Ishmael this is a transition from a tired and limiting worldview to something fresh and alive.
The “bosom buddies” at the heart of the novel, Ishmael and Queequeg, seem comprised of opposites, but Ishmael’s etherealizing is grounded by Queequeg’s pragmatic ingenuity in ways that quiet and expand the young pagan-Presbyterian’s buzzing, anxious mind. Theirs is a friendship of succor, probably sex, and survival—all of it shadowed by the delusional obsessions of their mad captain.
Melville's tale of the whaling industry, and one captain's obsession with revenge against the Great White Whale that took his leg. Classics Illustrated tells this wonderful tale in colourful comic strip form, offering an excellent introduction for younger readers. This edition also includes a biography of Herman Melville and study questions, which can be used both in the classroom or at home to further engage the reader in the work at hand.
I’m a Colorado gal living in Maine, where I make the most of the long winters and gloomy springs by spending as much time as I can outside in our 20 acres of woods and fields. I hiked the Colorado Trail twice, in 1996 with my husband and in 2016 with my husband and three kids. My book tells the story of this second hike, as well as the natural and environmental history of Colorado. I’m a Maine Master Naturalist, and I’m passionate about connecting people to the natural world through nature journaling and nature writing workshops.
The book, which I first read as an assignment in a college class, was my first introduction to both personal narrative and nature writing, and I was hooked. I decided right then and there that I wanted to explore the natural world and write about it when I grew up.
I was—and still am—enamored by Williams’s descriptions of wild birds, the desert landscape around Great Salt Lake, and the solace she derived from the natural world as she faced her mother’s and grandmother’s illnesses. Williams’ lyrical writing and deep knowledge of and love for her home landscape are a constant source of inspiration for my own writing and living.
In the spring of 1983 Terry Tempest Williams learned that her mother was dying of cancer. That same season, The Great Salt Lake began to rise to record heights, threatening the Bear River Migratory Bird Refuge and the herons, owls, and snowy egrets that Williams, a poet and naturalist, had come to gauge her life by. One event was nature at its most random, the other a by-product of rogue technology: Terry's mother, and Terry herself, had been exposed to the fallout of atomic bomb tests in the 1950s. As it interweaves these narratives of dying and accommodation, Refuge transforms…
Kim Brown Seely was born and raised in Southern California and graduated from Stanford University. A Lowell Thomas Journalist of the Year, she has worked in publishing on both coasts, including as senior editor at Travel + Leisure magazine, contributing editor at National Geographic Adventure, and travel editor at Microsoft and Amazon. Her memoir Uncharted: A Couple’s Epic Empty-Nest Adventure Sailing from One Life to Another was named one of the best books about retirement by the Wall Street Journal and is also a Nautilus Award Winner. She has traveled to more than thirty countries for Virtuoso magazine, where she's a contributing writer and has won more than a dozen writing awards for her work.
I first read Passage to Juneau: A Sea and Its Meanings when I was the travel books editor at Amazon and took it home to review.
British-born Raban’s solo sailing journey from Seattle to Juneau, Alaska, is a riveting take on navigating the Inside Passage (the intricate waterway between Puget Sound and Alaska), weaving together history, science, literature, and intimate descriptions of his life at sea.
While Raban can be a prickly narrator, Passage to Juneau is extraordinary narrative nonfiction and was the initial inspiration for my own book and many seasons now spent boating (and reading) afloat.
With the same rigorous observation (natural and social), invigorating stylishness, and encyclopedic learning that he brought to his National Book Award-winning Bad Land, Jonathan Raban conducts readers along the Inside Passage from Seattle to Juneau. The physical distance is 1,000 miles of difficult-and often treacherous-water, which Raban navigates solo in a 35-foot sailboat.
But Passage to Juneau also traverses a gulf of centuries and cultures: the immeasurable divide between the Northwest's Indians and its first European explorers-- between its embattled fishermen and loggers and its pampered new class. Along the way, Raban offers captivating discourses on art, philosophy, and navigation…
I had always wanted a grand adventure and I’ve always loved reading about epic journeys. When I was a teen, I read an article in National Geographic about walking the Appalachian Trail and thought, I need to do that. I grew up in an outdoorsy family and married a man who loved the outdoors even more. But we never got to an adventure until we were empty nesters. In our late fifties we decided to walk 1400 miles from the cold North Sea to the warm Mediterranean on the legendary long-distance trail the GR5. After finishing our epic journey, I needed to share my love of European walking with others.
I love this amazing adventure memoir because Van Hermert is much more courageous than I. As she and her husband row, trek, ski, and canoe 4,000 miles across Alaska, I get to come along for the ride without breaking a sweat.
Van Hemert, who studied birds, uses the birds she observes as metaphors for what she is feeling, and this increases the depth of her writing. She and her husband take this journey before having children, and I like comparing it to my husband and my journey after our kids had flown the nest. I highly recommend this well-written wild journey of a book.
During graduate school, as she conducted experiments on the peculiarly misshapen beaks of chickadees, ornithologist Caroline Van Hemert began to feel stifled in the isolated, sterile environment of the lab. Worried that she was losing her passion for the scientific research she once loved, she was compelled to experience wildness again, to be guided by the sounds of birds and to follow the trails of animals.
In March of 2012 she and her husband set off on a 4,000-mile wilderness journey from the Pacific rainforest to the Alaskan Arctic. Travelling by rowboat, ski, foot, raft and canoe, they explored northern…
Kim Brown Seely was born and raised in Southern California and graduated from Stanford University. A Lowell Thomas Journalist of the Year, she has worked in publishing on both coasts, including as senior editor at Travel + Leisure magazine, contributing editor at National Geographic Adventure, and travel editor at Microsoft and Amazon. Her memoir Uncharted: A Couple’s Epic Empty-Nest Adventure Sailing from One Life to Another was named one of the best books about retirement by the Wall Street Journal and is also a Nautilus Award Winner. She has traveled to more than thirty countries for Virtuoso magazine, where she's a contributing writer and has won more than a dozen writing awards for her work.
An exquisite novel, Doig’s The Sea Runners combines the suspense and drama of a great escape with lovely, spare descriptions of the Northwest Coast’s sea, wind, and space.
Based on an account of three men who survived a coastal canoe voyage from indentureship in Russian Alaska during the winter of 1852, it is a remarkable story of the human spirit versus inhuman elements.
Based on an actual incident in 1853, award-winning author Ivan Doig's The Sea Runners is a spare and awe-inspiring tale of the human quest for freedom.
"Goes beyond being 'about' survival and becomes, mile by terrible mile, the experience itself."—New York Times Book Review
In this timeless survival story, four indentured servants escape their Russian Alaska work camp in a stolen canoe, only to face a harrowing journey down the Pacific Northwest coast. Battling unrelenting high seas and fierce weather from New Archangel, Alaska, to Astoria, Oregon, the men struggle to avoid hostile Tlingit Indians, to fend off starvation and…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
Sigurd Olson’s booktransported me on a wonderful, multifaceted journey through the Quantico-Superior country of Northern Minnesota by blending stories of places and people of the northern lake country with rich ecological, geological, and cultural history.
I was particularly engaged and amazed by Olson’s ability to maintain a theme of the man/nature interface and how history has impacted and still impacts ecology. I learned an incredible amount of history while reading, and at the same time, I felt literally transported to the unparalleled beauty and magical landscape (or “lake scape”) through delicious and vivid sensory imagery.
I cannot imagine ever traveling the lakes and forests of the Quantico-Superior region without having first read Olson’s book!
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
A sense of light-hearted serendipity in Fulghum’s book made me smile during every single essay in this book.
Naturally, the theme of children learning ran through the book, but I particularly enjoyed the more subtle theme of adults learning from children and childlike innocence, which was delightful and insightful. The short, concise essays were quite diverse as well and encompassed much more than just teaching stories.
I could pick the book up any time and enjoy any chapter all by itself. I loved that so many of the stories were focused on extraordinary insights about ordinary people that Fulghum encountered over time. I really enjoyed taking moments out of an often stressful life to laugh and smile with Fulghum’s essays!
Essays on life that will resonate deeply as readers discover how universal insights can be found in ordinary events.
More than thirty years ago, Robert Fulghum published a simple credo—a credo that became the phenomenal #1 New York Times bestseller All I Really Need to Know I Learned in Kindergarten. Today, after being embraced around the world and selling more than seven million copies, Fulghum’s book retains the potency of a common though no less relevant piece of wisdom: that the most basic aspects of life bear its most important opportunities.
Here Fulghum engages us with musings on life, death,…
I am a highly experienced outdoorsman, musician, songwriter, and backcountry guide who chose teaching as a day job. As a writer, however, I am a promoter of creative and literary nonfiction, especially nonfiction that features a thematic thread, whether it be philosophical, conservation, historical, or even unique experiential. The thread I used for thirty years of teaching high school and honors English was the thread of Conservation, as exemplified by authors like Aldo Leopold, Rachel Carson, Edward O. Wilson, Al Gore, Henry David Thoreau, as well as many other more contemporary authors.
I felt like I was actually in the Alaskan wilds, ocean kayaking, hiking, camping, and exploring while reading Kim Heacox’s book. His descriptions, sensory imagery, and recounting of adventure and experiences both on and off the water made me feel like I was on the trip with him.
His interaction with wild animals was amazing and often was so exciting that it gave me chills. In addition, I enjoyed learning much about the amazing cultural and natural history of Alaska. The places, the people, and even the ancient past all came to life as I lost myself in this wonderful compilation of essays.
Throughout the book ran the poignant thread of human impact and change, which made me more aware and ready to vote for and write for change.
In this coming-of-middle-age memoir, Kim Heacox, writing in the tradition of Abbey, McPhee, and Thoreau, discovers an Alaska reborn from beneath a massive glacier, where flowers emerge from boulders, moose swim fjords, and bears cross crevasses with Homeric resolve. In such a place Heacox finds that people are reborn too, and their lives begin anew with incredible journeys, epiphanies, and successes. All in an America free of crass commercialism and overdevelopment.
Braided through the larger story are tales of gold prospectors and the cabin they built sixty years ago; John Muir and his intrepid terrier, Stickeen; and a dynamic geology…
As a transplant to the west coast of North America, I’m always on the lookout for books that capture aspects of the history of this region and help me understand my new home. For me, the books on this list have shed light on different communities, worldviews, and a complicated past. Besides, I am a pushover for epic stories that span generations and geographies and teach me new ways of thinking and looking at the world.
Coupled with Celia’s Song which extends this family saga, this story painted a picture for me about Indigenous history and the interconnected issues on the coast such as the environment, colonization, justice, and transformation. Maracle’s prose reads like poetry, and yet what I found most remarkable was the storytelling. She effortlessly twines together past and present, human and non-human worlds, breaking many rules of Western narrative tradition. Rarely do you run across a book where equal attention is paid to both form and theme. This one does, and it encouraged me to reflect on literary conventions deeply embedded into my subconscious and then ask myself why and, most importantly, how we tell stories.
Set along the Pacific Northwest Coast in the 1950s, Ravensong tells the story of an urban Native community devastated by an influenza epidemic. Stacey, a 17-year-old Native girl, struggles with the clash between white society's values and her family's traditional ways, knowing that her future lies somewhere in between. Celia, her sister, has visions from the past, while Raven warns of an impending catastrophe before there is any reconciliation between the two cultures. In this passionate story about a young woman's quest for answers, author Lee Maracle speaks unflinchingly of the gulf between two cultures: a gulf that Raven says…
As a transplant to the west coast of North America, I’m always on the lookout for books that capture aspects of the history of this region and help me understand my new home. For me, the books on this list have shed light on different communities, worldviews, and a complicated past. Besides, I am a pushover for epic stories that span generations and geographies and teach me new ways of thinking and looking at the world.
Packed with detail about Victoria, Vancouver Island, and the Gold Rush days in British Columbia, I thought this book was engaging, epic, funny (wait until the camels appear—and the wake!), and a real page-turner. I swooned over the descriptions of the landscape and would go so far as to say the land and sea, so alive in this book, should be considered a character. I was so profoundly invested in the fates of Jim, Dora, and Eugene, that I almost missed how cunningly the novel took on gender, class, and race, illuminating so many of the contemporary issues dogging us here on the coast.
