Here are 100 books that The Great Gatsby fans have personally recommended if you like
The Great Gatsby.
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On the morning of September 11, 2001, I woke up expecting to spend that day – and the rest of my academic career – leisurely studying the interplay of culture and individual temperament in second language acquisition. As the rest of that terrible day unfolded, however, my research up to that point suddenly seemed very small and almost decadently privileged. Recruiting the rudimentary cultural anthropology toolbox I had already amassed, I took a deep breath and plunged into the rabbit hole of studying the role of culture in human conflict. Twenty-two years later, using my Japan base and relevant language skills, my research has focused on the Japanese experience in World War II.
Have you ever read a book that literally changed your life? I have, and that book is The Denial of Death by Ernest Becker, for which he won the Pulitzer Prize for General Non-Fiction in 1974.
Becker’s basic thesis is that the institution of “culture” has evolved not so much to facilitate our physical survival (the orthodox viewpoint), but rather, as an elaborate symbolic framework that psychologically protects us from our species’ unique awareness of our own inevitable mortality, both individually and collectively.
Becker basically blew the top of my head off when I first read him during my PhD work in the mid-Oughts, and he remains a major influence on my teaching and research to this day.
Winner of the Pulitzer prize in 1974 and the culmination of a life's work,The Denial of Death is Ernest Becker's brilliant and impassioned answer to the "why" of human existence. In bold contrast to the predominant Freudian school of thought, Becker tackles the problem of the vital lie -- man's refusal to acknowledge his own mortality. In doing so, he sheds new light on the nature of humanity and issues a call to life and its living that still resonates more than twenty years after its writing.
I have been a Francophile for as long as I can remember. Something about France and French literature grabbed me by the heart when I was a young man and continues to do so. I’ve lived in France twice–a year each time–and have written about those experiences in books and essays. It’s 19th-century French literature that especially draws me and has deeply influenced my own writing.
We all know the title. It’s become a record-breaking musical phenomenon. The book is a phenomenon in itself. It was a voyage I took for a few spellbound weeks, and I read it in a stone house in a small village in the South of France. It is a book of great sympathy and grace.
Victor Hugo’s heart is large—at least measured by this story of an escaped prisoner who tries to do good with his life but is pursued relentlessly by a police officer, Javert. I found with this book, as the great writers always show me, that character is all. Hugo drew me into the struggles and losses of his people so ably and memorably that I still think of them years later.
The only completely unabridged paperback edition of Victor Hugo’s masterpiece—a sweeping tale of love, loss, valor, and passion.
Introducing one of the most famous characters in literature, Jean Valjean—the noble peasant imprisoned for stealing a loaf of bread—Les Misérables ranks among the greatest novels of all time. In it, Victor Hugo takes readers deep into the Parisian underworld, immerses them in a battle between good and evil, and carries them to the barricades during the uprising of 1832 with a breathtaking realism that is unsurpassed in modern prose.
I am passionate about the Vietnam War because my male relatives served and came back changed by the experience. I spent ten years as the editor of The Patton Saber, writing articles about the experience of World War II soldiers, but when I came across an idea for a novel about past life memories, I decided to focus on memories of the Vietnam War. What I love about this list is that it reflects many facets of the war, including soldiers, nurses, veterans, and the family members touched by those affected by war.
O’Brien’s depiction of American soldiers in Vietnam was vivid and moving. It gave me a deeper understanding of the soldier’s experience. His artful use of the metaphor of what they carried revealed not only the items on hand but also the psychological baggage each soldier dealt with.
The stories were haunting and made me a full witness to the complexity of war and the many ways it is experienced. It is artfully written, moving, complex, touching and unforgettable.
The million-copy bestseller, which is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling.
'The Things They Carried' is, on its surface, a sequence of award-winning stories about the madness of the Vietnam War; at the same time it has the cumulative power and unity of a novel, with recurring characters and interwoven strands of plot and theme.
But while Vietnam is central to 'The Things They Carried', it is not simply a book about war. It is also a book about the human heart - about the terrible weight of those things we carry through…
I am an activist-politician, who’s been both militant anti-apartheid protestor and Cabinet Minister, someone who tries to convey sometimes complex issues in straightforward terms, impatient with taking refuge down academic rabbit holes, striving to see the wood-for-the-trees. With the exception of George Orwell, each of the books I have recommended is by an author I know personally. My new thriller, The Elephant Conspiracy, sequel to The Rhino Conspiracy, reflects dismay at the corrupt betrayal of Nelson Mandela’s freedom struggle and the values which inspired it, the main characters fighting to revive those values of social justice, liberty, equal opportunities, and integrity, as well as service to others not selfish enrichment.
I recall reading it in my late teens, less as the classic it was on the barbarous Spanish Civil War of the 1930s, and more as a personal discovery by Orwell of how his democratic socialist instincts were sharpened and shaped by the buffeting swirl of ideological clashes and bitter sectarian struggles within the inspirational resistance to Franco’s fascism in Spain. As he witnessed the heroism and the horror, the passion and sometimes the ulterior purposes of these competing groups, Homage to Catalonia for me was a gripping narrative, climaxing in the internecine firefight in Barcelona where the left helped defeat itself, and thereby opened the door to Franco’s murderous victory and equally murderous rule.
Like Orwell’s, the socialism that I had come to believe in during the first ten years of my life in Britain was instinctively ‘libertarian’ rather than ‘statist’, favouring democracy and liberty rather than central control…
Homage to Catalonia remains one of the most famous accounts of the Spanish Civil War. With characteristic scrutiny, Orwell questions the actions and motives of all sides whilst retaining his firm beliefs in human courage and the need for radical social change.
Part of the Macmillan Collector's Library; a series of stunning, clothbound, pocket sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. This edition is introduced by Helen Graham, a leading historian on the Spanish Civil War.
I am captivated by memoirs that shed light on the deeper life experiences of their authors. My curiosity about inner life compelled me to learn about the psychological essence of memoir writers, resulting in my writing a memoir from an in-depth psychological perspective. My curiosity also led me to become a psychotherapist, which helped me better navigate dark and uncertain waters with my clients. By probing the inner psychological dynamics of such memoirs, I learned more about myself and became a writer with rare psychological insight. Such illumination served to ignite my very soul. My passion is fueled by tapping the mysteries of what lies within us all.
At age 15, I was captivated by Ernest Hemingway and his depiction of Paris in the 1920s. This book today reignites the enchantment of those years. Hemingway's profound influence shaped my aspirations as a writer. Through his eyes, I can vividly see Paris's cafés, salons, and vibrant social scenes, which ultimately became the backdrop of my dreams.
This book, rich with lovemaking, drinking, writing, betting at the track, and the bohemian lifestyle of so many young artists in Paris, reawakens my desire to immerse myself in that world. Hemingway's narrative voice and his novels continue to speak to me in a language that feels intimately mine, reminding me of the undying impact of his work on my life and aspirations.
Published posthumously in 1964, A Moveable Feast remains one of Ernest Hemingway's most beloved works. Since Hemingway's personal papers were released in 1979, scholars have examined and debated the changes made to the text before publication. Now this new special restored edition presents the original manuscript as the author prepared it to be published.
Featuring a personal foreword by Patrick Hemingway, Ernest's sole surviving son, and an introduction by the editor and grandson of the author, Sean Hemingway, this new edition also includes a number of unfinished, never-before-published Paris sketches revealing experiences that Hemingway had with his son Jack and…
“And what do you do?” someone asked at a crowded reception at the NY Academy of Science. “Write—comparative religion.” Startled, he backed away, asking suspiciously, “Why religion? Are you religious?” Yes, incorrigibly—although I grew up among people who regarded religion as obsolete as an outgrown bicycle stashed in a back closet. While many of us leave institutions behind, identifying as “spiritual, not religious,” I’ve done both—had faith, lost it; then began exploring recent discoveries from Israel and Egypt—Dead Sea Scrolls, Christian “secret gospels,” Buddhist practices, asking, Why is religion still around in the twenty-first century? What I love is how such stories, art, music, and rituals engage our imagination and illuminate our experience.
This book is full of stories, using case studies that include the lives of Walt Whitman, Saint Augustine, and Russian writer Leo Tolstoy—that I found fascinating. Here psychologist William James challenges what he—and I—were both taught: namely, that religions are primarily childish fantasies (the view of Sigmund Freud, founder of psychoanalysis, in The Future of an Illusion). But after James, as a young man, experienced a terrifying depression, he describes his surprise at what felt to him like a spiritual breakthrough that enabled him to recover. James skips questions about dogma and belief, instead identifies a range of different “varieties of religious experience” that, far more than “belief,” can give rise to spiritual insight.
Standing at the crossroads of psychology and religion, this catalyzing work applied the scientific method to a field abounding in abstract theory. William James believed that individual religious experiences, rather than the precepts of organized religions, were the backbone of the world's religious life. His discussions of conversion, repentance, mysticism and saintliness, and his observations on actual, personal religious experiences - all support this thesis. In his introduction, Martin E. Marty discusses how James's pluralistic view of religion led to his remarkable tolerance of extreme forms of religious behaviour, his challenging, highly original theories, and his welcome lack of pretension…
The key to a great contemporary thriller—as opposed to older novels about say, Sherlock Holmes or James Bond—is that solving the mystery reveals something essential about the protagonist. In other words these are character investigations as well as whodunits, where the same action provides revelations in both arenas. It’s what I discovered I wanted to do, when I veered from “serious fiction” to the books I began to write, starting with Presumed Innocent.
Set in Mexico in the 1930s when the revolutionary government engaged in an active campaign against the Catholic Church, Greene’s hero, the so-called Whiskey Priest, is a drunk who has also failed to adhere to his vow of chastity, but his kindness and commitment to worshippers make him an intensely sympathetic figure, as he is hunted by the local police chief determined to put him behind bars.
The book was a revelation to me when I first read it in college. I did not realize that the Mexican government had engaged in this war against the Church so recently. Nor did I realize that a novel so gripping could be told with such literary grace.
During an anti-clerical purge in Mexico, a priest is hunted like a hare. Too human for heroism, too humble for martyrdom, the little worldly priest is nevertheless impelled towards his squalid Calvary as much by his own compassion for humanity as by the efforts of his pursuers.
My passion and subsequent expertise in this subject have followed years of self-study and reading. I have tried to make sense of the conflicting views that the world has thrown at me, confusing me by each claiming to be the truth, the whole truth, and nothing but the truth (the seller's marketplace).The books in this series, reflect how difficult it is to be yourself and how much courage it takes to break free of your conditioning, parental or societal. It covers the necessary breakdown of the internal personality, so that a new you can emerge from the cocoon of the reassembled old you, butterfly-like.
The Divided Self kick-started my search for the truth of the human condition. It taught me that I didn't have to follow the life laid out for me and that I was expected to follow. Through it I discovered that I was not the only person trapped in a world and struggling to make sense of the bizarre and contradictory reality around me, that lied and lied about existence continually. Further books by him reinforced this awareness of the illogic of it all, including The Politics of Experience, The Self and Others, and Knots. I was Brer Rabbit, caught in the honey trap of the tar baby and this book showed me that.
Presenting case studies of schizophrenic patients, Laing aims to make madness and the process of going mad comprehensible. He also offers an existential analysis of personal alienation.
My life and work have been profoundly affected by the central circumstance of my existence: I was born into a very large military Catholic family in the United States of America. As a child surrounded by many others in the 60s, I wrote, performed, and directed family plays with my numerous brothers and sisters. Although I fell in love with a Canadian and moved to Canada, my family of origin still exerts considerable personal influence. My central struggle, coming from that place of chaos, order, and conformity, is to have the courage to live an authentic life based on my own experience of connectedness and individuality, to speak and be heard.
Frank McCourt's classic book, the memoir of his childhood, is proof in the pudding that the origin of humor is the suffering of the low-status character. And that’s only one reason why I love it.
He had me at “Above all -- we were wet.” His descriptions of the impossible and undignified conditions of his childhood, where children had absolutely no control over anything and adults were at the mercy of life itself, brought me so close to him that I think I started believing we were actually related and scribbled him into the family tree as a long-lost uncle.
McCourt captures the hapless quality of gullible, unsupervised children let loose on an unforgiving world with a buoyancy that comes through every sentence and rises above the brutal conditions of his childhood.
And the truth he finds in the details, from the brutality of religious authority figures to the abject…
The author recounts his childhood in Depression-era Brooklyn as the child of Irish immigrants who decide to return to worse poverty in Ireland when his infant sister dies.
I’ve been a traveler and a dreamer ever since I was a little girl. I used to write to the tourism bureaus of different countries and tape pictures of faraway places onto the walls of my bedroom. It’s no surprise I ended up living in Europe, my home base for excursions all over the world. My historical fiction always features places that mean a lot to me, whether it’s Germany (where I live now), or Sicily – where my mother’s family came from. Digging into my Sicilian heritage and the culture and life of the island for my third novel was like discovering a new home.
This is the novel to read if you want to submerge yourself in Sicily’s culture and history.
I read it during a visit to Italy, and was sucked right into this tale of an aristocratic Sicilian family decaying in the 19th century in the time of Garibaldi’s revolution. I really despised the patriarch Don Fabrizio, and was still fascinated by the choices he had to make to keep his family status in turbulent times.
Once you finish the book, check out the 1963 film starring Burt Lancaster and Alain Delon.
The Leopard is a modern classic which tells the spellbinding story of a decadent, dying Sicilian aristocracy threatened by the approaching forces of democracy and revolution.
'There is a great feeling of opulence, decay, love and death about it' Rick Stein
In the spring of 1860, Fabrizio, the charismatic Prince of Salina, still rules over thousands of acres and hundreds of people, including his own numerous family, in mingled splendour and squalor. Then comes Garibaldi's landing in Sicily and the Prince must decide whether to resist the forces of change or come to terms with them.
