The most recommended George Orwell books

Although set in a near-future America, I related to the way these two sisters had to live, conserving electricity and resources, running a generator, and always having to think carefully about whether to drive the 30 miles into town. Most haunting to me were the scenes where Eva, a dedicated dancer, practiced over and over an audition routine without the benefit of music, having to rely on the soundtrack in her head.

These two women were at the precipice of their adult lives, just beginning to actualize their talents, when they experienced a societal collapse. As the reader going along with them, it made me think about priorities, relationships, and who I would be without modern technology.  

Although he instructed that no one should write his biography, Orwell has had many superb biographers including Taylor (2003) and Bowker (2003), and his close friends Richard Rees, Fugitive from the Camp of Victory (1961), and George Woodcock, The Crystal Spirit (1966).  John Rodden has written widely on Orwell’s reputation. However, the best full-scale biography remains the first, by Bernard Crick. Sonia commissioned it, then rejected it, but I like it because Crick knows more about politics than the others and, in the end, Orwell was a political writer.

One of Israel’s finest non-fiction writers tells the story of Israel’s failed war in Lebanon – the only war Israel lost – through his own experience as a soldier. A powerful meditation on the feelings of vulnerability and loss that are built into the Israeli experience – along with the deep commitment to protecting Israel from threats that unite Israelis across the political spectrum. This is the best book I know of in  English that conveys the complex experience of being an Israeli soldier. 

I had read the original book many years ago, but I was interested in this book, as what the Rickard sisters were doing, an adaption, was similar to my project. 

The graphic novel is a brilliant distillation of Robert Tressell's very long prose book, never simplifying the core political messages. 

The lead, Owen, is berated, hated, and admired for his determined belief in the idea of a better world. His explanation and the Rickard sisters' visual depiction of that world are indeed inspirational. 

The original book is said to have inspired many political thinkers on the left, with George Orwell describing it as "a book that everyone should read."

The original was described by its publisher as "Damnably subversive but extraordinarily real." Sophie and Scarlett Rickard's gorgeously designed and illustrated adaption certainly lives up to that description.

Humans are always curious about what the future will look like. They are also concerned about the state impinging on their privacy and interfering with their lives. George Orwell masterfully combined these two human impulses in his classic novel. He wrote the book in 1949 to present his view of the future.

I read this book when I was in my mid-20s. I found it an interesting read, especially since many of his predictions did not come true. I was curious to know how past generations viewed our generation. 

I have always been fascinated by Russian authors because of their command of presenting human nature and its fears. I picked up this book because the author is from Russia.

Yevgeny wrote this novel at the height of the  Russian Revolution in the aftermath of the First World War. He projected a society in a distant future, fearing that complete control of the state would turn us into monotonous machines. Anyone daring to be different would be eliminated to ensure compliance and similarity.

My only reservation is that the book borders on science fiction rather than historical fiction.

This book, about the CIA’s secret funding of art and culture in the Cold War battle for hearts and minds, caused a big stir on its publication in 2000. Written by a young British researcher, it scathingly criticized the Agency’s cultural operations (a source of some pride among intelligence veterans), arguing that they compromised and undermined the very artistic values they were supposed to defend. Several writers on the same subject since, myself included, have argued with aspects of her work, but Saunders’ research and storytelling are second to none. A harsh but hugely informative and entertaining account of one of the most intriguing chapters in the history of the Cold War.

First published in 1959, Naked Lunch was shocking then, and it still retains its power today. Both in content and structure, Naked Lunch is powerful and wholly original.  In effect, it becomes more than a work of fiction, it becomes an experience. Burroughs invented a technique called the “cut-up method,” where he cut up his coherent storyline into paragraphs, scenes, and even sentences, then reordered them both randomly and editorially. The disorder thematically represents the chaos of existence and the universe, and it also disrupts the reader. Like the book or not, it shakes you into realizing that there are possibilities beyond the conventional.

Burrough’s language is honed to a razor’s edge, and I find that many of the sentences in Naked Lunch burn like fire. The meaning of the title as Burroughs explains it is to bare the naked truth of reality on the end of a fork. From… show more.

The novel really captures the nature of memory and what it means to love and care about others.

Frightening stuff happens in the book—things are disappearing—but it’s told with a warm and light tone, almost as if you’re sailing down a river. Ogawa captures quiet moments like friends eating a slice of cake with such luminosity.

Even when the world is falling apart, there is time for conversations with friends and meals together. 

This collection of short detective stories features Sayers’ most famous sleuth Lord Peter Whimsey, but also the lesser-known Montague Egg. Sayers was a marketing professional, and this comes out in the Egg stories, about a travelling salesman who gets involved in mysteries, the police allowing him to do so partly because of his quirky and unassuming personality. Egg frequently quotes useful maxims from his favourite book The Salesman’s Handbook, thinking laterally to solve puzzles that elude formal detectives. This book has no supernatural aspect but is included here as the idea of a ‘detective that is not a detective’ always intrigued me. I chose this device for my (very different to Egg) detective protagonist Jack Sangster, partly as a result of reading In the Teeth of the Evidence.