100 books like The Shadow-Line

Adapted into an Academy award-winning film in 2012, Martel’s original novel follows an Indian boy named Piscine “Pi” Patel who is fascinated by religion, learning and adopting different teachings in his quest to understand God.

After a shipwreck, he is forced to survive for months while stranded on a lifeboat in the Pacific Ocean with only a Bengal tiger for company. Pi’s reflections at sea, and the fantastical nature of his voyage, raise questions about the purpose and function of religion: such as, why people seek faith in a higher power, how it shapes our perception of reality and morality, and the paradoxical notion that sometimes truth can only be glimpsed through fiction rather than fact.

Richard Hughes has always been my favorite under-read author. I tell people he writes as though he were the love child of A. A. Milne and Joseph Conrad.

A High Wind begins in an idyllic Caribbean setting, with the five Thornton and two Fernandez children living in what seems to be pre-lapsarian innocence; but Hughes soon plunks them square into the world of “Typhoon” and Lord Jim.

There are hellacious hurricanes and swashbuckling pirates involved, but it’s the pirates that are finally defenseless in the face of the children they unluckily take on board from an England-bound passenger ship. Time and time again, Hughes captures the bizarre ways in which children see the world, just as often warped by imagination as consolidated by fact.

I’m struck by the way his empathy for his characters never guarantees that their fate in his hands will be anything other than brutal.

Studying the journals of the surviving crew, the historian of this real-life nineteenth-century tragedy pieces together the situation aboard the ship that set sail out of Massachusetts for the whaling grounds of the North Pacific. What happens aboard makes the literary Captain Ahab's monomaniacal actions seem heroic in comparison. Druett's true-crime-at-sea story provides a brutal counterpoint to the American epic, Moby Dick, and calls to mind The Wreck of the Whaleship Essex, a true account that is said to have inspired Melville. I pick Druett's account because of its historical true-crime approach, and because it is a lesser-known account.

A real-life survival story written by Captain Frank Worsley, one of the participants. Six men, part of the 1908 Shackleton expedition that was shipwrecked in Antarctica pack ice for fourteen months, set off in an open boat across eight hundred miles of ocean to South Georgia Island for help, leaving the rest of the crew on Elephant Island awaiting rescue. There are a lot of books on sea adventures gone bad, but Shackleton's Boat Journey is my favorite because it is told by one of the survivors. Frank Worsley's account demonstrates how teamwork, fortitude, endurance, and luck work together to save them from disaster.

The author has a great YouTube channel that offers writing advice for Christian authors. After getting so much value from her channel, I was happy to buy her first novel Free. It’s such a clever book that had me quickly rooting for the main character. She overcomes so much. And I found the process of the ship’s crew and captain slowly warming up to her to be heartwarming. It’s a great story of a person without a family finally finding one on the high seas!

This is the first book in what was conceived of as a series about various members of the (fictional) Crogan family and their adventures throughout different periods in history. This initial volume starts with a West Indies pirate adventure featuring “Catfoot” Crogan, who’s forced to join a pirate crew and winds up making a mortal enemy of another member of the crew. The series unfortunately seems to have stopped with only three books, but this first one is well worth reading on its own. Note that this book was initially published in black and white as Crogan’s Vengeance. 

I had never heard of Zygmunt Bauman when I picked up this book, but then I couldn’t put it down. By the time I had finished reading it, I was filled with the deepest appreciation and respect for both the man, and his biographer. Bauman’s life spanned almost a hundred years and his story is also the story of Europe, from 1925-2017.

Izabela Wagner has done monumental work to produce a biography worthy of its subject. Her loving respect for Bauman is tangible and adds greatly to the pleasure of reading the story of this extraordinary man’s life: Polish Jew, refugee, soldier, sociologist; an intellectual who spent his life reflecting on what he saw, and speaking and writing about it with pristine clarity.

Erving Goffman was a Canadian sociologist and the founder of the “dramaturgical” tradition within sociology, where metaphors of the stage and theatre are brought to the analysis of everyday life. This particular book is a collection of his early essays concerning “encounters,” or what happens when people, wittingly or unwittingly, come face-to-face and share information, handle interpersonal incidents, and manage identities. With surgeon-like precision, Goffman engages in “micro-sociology” analyses, nuanced descriptions of the ritual expression games in which interactants engage when they come into each other’s presence. The book is a delight to read partly due to Goffman’s uncanny ability to verbally capture the most subtle of expressions and to sum up relevant dynamics within interpersonal interaction; many of his sentences bear the fine-grade clarity of high-definition TV.

This is a profound and disturbing work written after reading his wife’s account of how she, her mother and sister, all of Jewish origin, survived the Nazi/war years in Warsaw (Winter in the Morning by Janina Bauman (1986)). Bauman exposes the popular fallacy that the Holocaust was a singular event, an unfortunate tear in the fabric of civilization, demonstrating with devastating clarity that it was, in fact, a (logical) product of modernism: “Without modern civilization and its most central essential achievements, there would be no Holocaust”.

Can a society as mired in misery and oppression as ours be helped by a few well-intentioned “progressors” from another world? You land in secret, wielding godlike powers (remember Clarke’s Third Law: any sufficiently advanced technology is indistinguishable from magic) and possessing a perfect understanding of sociology and historical dynamics, only to find how hard it is to be a god. What would you do?