100 books like The Women's Room

I have been studying Celtic myth and history since I was in college and took a class on Arthurian literature. Drawing heavily from Irish and Welsh lore to build my “land beyond the veil” known as the Five Quarters, I have always been intrigued by the Celtic view of the land of the dead as a distinct world to which we go and then return, like two sides of the mirrored surface of a well. I hope you enjoy these mythic fantasy books as much as I did!

When we authors name our characters, we gift them with meaning—a single word that somehow encompasses everything they will experience on the page. The name of my heroine, Akmaral, hails from Kazakhstan and means “white deer.” It resounds with the sound of hooves on the ancient Central Asian steppes and the deep connection to the natural world of the nomadic people who once lived there. Names bear unconscious expectations—hopes for strength and wisdom, dreams of triumph, beauty, and love. I hope that someday, hearing “Akmaral” will bring to mind vast, windswept steppes and a strong woman on horseback, head held high, contemplating her journey from warrior to leader.

Born in Baghdad and raised in America, I come from an ancient lineage of people called the Chaldeans (Neo-Babylonians who still speak Aramaic). The first book I read was Gone with the Wind, at age nine, in Arabic. We lived in Jordan at the time, awaiting a visa to the United States and Scarlett O’Hara’s land and people were my impressions of what America would look like. But Michigan in the 1980s was not Georgia in the 1860s. Still, that book proved that great storytelling transcends ethnicity, age, and gender. So in my writing and film career, I have focused on the art of storytelling as I share the stories my people, culture, and heritage. 

In 1995 I performed with the Women’s Circus (Australia) at the 4th International Conference and Forum on the Status of Women in Beijing. Our show was called Leaping the Wire and presented thirteen women’s stories from Amnesty International through physical narrative. My story was about a Brazilian woman who had been shot and killed for identifying the police who had rounded up her son and a group of his friends. The Brazilian women expressed their gratitude that I had told their story when they could not. I believe women’s stories are important to be told, to be shared, and I made a commitment to make our stories accessible, first through theatre, and now through my novels.

I am an astrophysicist. I am a mother. I am an author. I am a cleaner of dishes, a cooker of meals. I am a daughter, a friend on the end of the phone, a reader of bedtime stories, and the one who hugs away the tears and kisses it better. But I am also just me. Emma. And the books I read are always to escape or understand the internal fight I have between identities and the feeling that pursuing one is failing all the others. Lift yourself above it all, breathe, and read yourself into a different world.

I am a Paris-born, award-winning artist and author. Although I have lived on four continents, France is in my blood and draws me back time and again. It’s no surprise that countless novels are set in France – and Paris in particular. My debut historical fiction L’Origine: The secret life of the world’s most erotic masterpiece marries my three passions – History (I majored in French history), Art, and Literature. I'm the recipient of six literary honors and my freelance articles and blog posts can be found on platforms such as HuffPost, France Magazine, DailyArt Magazine, Bonjour Paris, The Book Commentary, and BookBrunch. I hope you enjoy the eclectic range of books on my recommended list!

I have always loved reading and its ability to take you far away to a distant time and place and lift you up. As a kid, I never left the house without a book, and the ones that made me laugh were my go-to's. I believe the ability to make people laugh is a truly special talent, especially while making the text relatable, so the reader’s always asking, wow, what would I do in that situation? My readers often tell me that my writing sounds just like me, which is wonderful because there’s no need to pretend. You will always know what you’ll get with me!

Both my books have a survival theme. Whether it’s foraging for mushrooms, wild camping, or trying to survive lockdown, I’ve always been interested in the relationship between endurance and creativity; what happens when humans are pushed to their limits. After teaching English in a secondary school for 25 years, I decided that I wanted to write a book of my own. I hid away in my caravan in West Wales, living off tomato soup and marshmallows, to write The Island. The books on this list represent the full gamut of survival: stripping yourself raw, learning nature’s lore, healing, falling, getting back up again. Ultimately, to read is to escape into story. To read is to survive.

My novel Nourishment is loosely based on stories I was told about the war by my parents who lived through it. My mother was a firewoman during the Blitz and my father was in Normandy after the D-Day landings. They married during the war. I wish now I’d written down the stories my parents used to tell me. There was always humour in their stories. My parents could both see the absurdity and the dark comedy that can sometimes be present in wartime situations, especially on the home front, and I hope some of that comes through in Nourishment.

I’m the author of two novels, a memoir, and numerous essays and humor pieces. As a reader, I’ve always been drawn to strong, flawed, funny female characters and voices. The pull is even stronger now that I’m at midlife, a phase that’s equal parts misery, hilarity, and night sweats. I read a wide range of books, from literary fiction and classics to psychological thrillers to graphic novels that I steal from my teenagers when they’re not looking. But I have a special place in my heart for books that explore the many facets of what it means to be a woman “of a certain age” today, while making me laugh—and sometimes cringe—with recognition.