Here are 100 books that Wuthering Heights fans have personally recommended if you like
Wuthering Heights.
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As a reference librarian, I love doing research for myself and others. By reading a well-written historical novel, we can learn about the past and compare and contrast it to our present. All but the last of my choices have strong female characters who must overcome the customs of their time. The struggle goes on today. Let these books remind you of how far we have come and how far we have to go.
When I was fifteen, I stayed up reading the end of this book under the covers with a flashlight because I could not put it down.
A scandalous bestseller in 1847, this was the first romance to feature an antihero. Mr. Rochester is far from pure and kind. He mocks Jane, who describes herself as small and plain and stands up to him. He has an immoral secret and when Jane learns of it, she leaves him. I doubt I would have.
Introduction and Notes by Dr Sally Minogue, Canterbury Christ Church University College.
Jane Eyre ranks as one of the greatest and most perennially popular works of English fiction. Although the poor but plucky heroine is outwardly of plain appearance, she possesses an indomitable spirit, a sharp wit and great courage.
She is forced to battle against the exigencies of a cruel guardian, a harsh employer and a rigid social order. All of which circumscribe her life and position when she becomes governess to the daughter of the mysterious, sardonic and attractive Mr Rochester.
I have been enthralled with the idea of “dreams come true” for as long as I can remember. In middle school, I discovered the field of psychology. I made weekly trips to the library and read books on personal development, spirituality, and memoirs. This commitment to learning and growth has never wavered. Those early seeds that I planted and nurtured have bloomed into my long-standing career of professional coaching, facilitation, and leading transformational retreats. My passion is empowering others to believe in their dreams and goals and bring them to life.
International bestseller Paul Coelho wrote this book, and it is a classic and the perfect gift for yourself or others. This book is a vibrant story about a shepherd boy who dares to pursue his dreams. The book holds wisdom on every page.
One of my favorite quotes from the book: "Why do we have to listen to our hearts?" the boy asked. Because when you listen to your heart, that is where you will find your treasure." I like to revisit this little book for a dose of sweet inspiration and motivation. Our inner wisdom is always nudging us in the direction of our dreams; it's up to us if we heed the call!
A global phenomenon, The Alchemist has been read and loved by over 62 million readers, topping bestseller lists in 74 countries worldwide. Now this magical fable is beautifully repackaged in an edition that lovers of Paulo Coelho will want to treasure forever.
Every few decades a book is published that changes the lives of its readers forever. This is such a book - a beautiful parable about learning to listen to your heart, read the omens strewn along life's path and, above all, follow your dreams.
Santiago, a young shepherd living in the hills of Andalucia, feels that there is…
I’ve penned (so far) seventeen novels, most set during some historical conflict or other, all of them revolving around intense personal relationships (loyalty, love, betrayal, those sorts of profound truths). I tend to read the sorts of books I wish to write. I also teach creative writing at a university (VCU); I tell my students that if they want to really know what a character is made of, shoot at them or have them fall in love. In my own work, I do both.
When Inman decides he’s had enough of the Civil War, he takes a very long walk home. Along his path, he encounters the detritus of the conflict in shattered land and people. Meanwhile, his love, Ada, tries to cobble together some remnants of her former life.
Maybe a book out of fashion these days because it’s set in the defeated South, and that I understand. However, it remains a masterclass in style, vision, plot, and insight.
In 1997, Charles Frazier’s debut novel Cold Mountain made publishing history when it sailed to the top of The New York Times best-seller list for sixty-one weeks, won numerous literary awards, including the National Book Award, and went on to sell over three million copies. Now, the beloved American epic returns, reissued by Grove Press to coincide with the publication of Frazier’s eagerly-anticipated second novel, Thirteen Moons. Sorely wounded and fatally disillusioned in the fighting at Petersburg, a Confederate soldier named Inman decides to walk back to his home in the Blue Ridge mountains to Ada, the woman he loves.…
I’ve experimented with many careers during my adult life. I’ve been a nanny, high school Latin teacher, noontime talk-show hostess, computer instructor, college history professor, and president of a four-state charitable organization. But nothing has so occupied my passion as exploring and writing stories about America’s Civil War. Becoming an author was a career choice I made after I retired at the age of 65. I began with a small collection of letters written by my great uncle shortly before his death on a Civil War battlefield. My continuing inspiration comes from the enthusiasm of my readers who want to learn more than their history books offer.
Beyond the usual five stages of grief—denial, anger, bargaining, depression, and acceptance—a sixth stage of heavy responsibility may develop when someone dies in the service of a great cause. As the Battle of Franklin played out in the yard of her Carnton Plantation, Carrie MccGavock felt that sense of obligation to the 9000 soldiers who died in that battle. It is in that sense that Carrie called herself the “Widow of the South.” She disinterred over 1000 anonymous bodies, identified them, reburied them in her own cemetery, and sought to give their families a sense of closure. This moving novel, based on a true story, reminds us that the Civil War was more than maps and casualty statistics. It is a story of heartbreak and devotion.
Tennessee, 1864. On a late autumn day, near a little town called Franklin, 10,000 men will soon lie dead or dying in a battle that will change many lives for ever. None will be more changed than Carrie McGavock, who finds her home taken over by the Confederate army and turned into a field hospital. Taking charge, she finds the courage to face up to the horrors around her and, in doing so, finds a cause.
Out on the battlefield, a tired young Southern soldier drops his guns and charges forward into Yankee territory, holding only the flag of his…
As a writer of Gothic-inflected suspense and horror fiction, I just can’t help it: I love to be scared! We are lucky to be in a time when so many wonderful thrillers, mysteries, suspense, and horror stories are being written and published, but I have a great love for the classics of the genre. These are the books I turn to again and again, not just to marvel at their craft and ingenuity, but to feel the skin prickle on my arms and shoulders and the hairs rise on the back of my neck. Whether for the first or the twentieth time, let these masterworks cast their spells over you.
I can’t get enough of this supernatural classic, which is made all the more vivid by the way its story unfolds through letters, telegrams, diary entries, and newspaper clippings. It is the found-footage horror story of its era.
Like Frankenstein, it has been adapted hundreds of times, officially and unofficially, into nearly every medium, yet the original novel is unparalleled for holding the reader in its icy grip. Stoker brought his own fears to the page, and I am always surprised at how, in just a few pages, they become my fears, as well.
22
authors picked
Dracula
as one of their favorite books, and they share
why you should read it.
This book is for kids age
17.
What is this book about?
'The very best story of diablerie which I have read for many years' Arthur Conan Doyle
A masterpiece of the horror genre, Dracula also probes identity, sanity and the dark corners of Victorian sexuality and desire. It begins when Jonathan Harker visits Transylvania to help Count Dracula purchase a London house, and makes horrifying discoveries in his client's castle. Soon afterwards, disturbing incidents unfold in England - an unmanned ship is wrecked; strange puncture marks appear on a young woman's neck; a lunatic asylum inmate raves about the imminent arrival of his 'Master' - and a determined group of adversaries…
When we authors name our characters, we gift them with meaning—a single word that somehow encompasses everything they will experience on the page. The name of my heroine, Akmaral, hails from Kazakhstan and means “white deer.” It resounds with the sound of hooves on the ancient Central Asian steppes and the deep connection to the natural world of the nomadic people who once lived there. Names bear unconscious expectations—hopes for strength and wisdom, dreams of triumph, beauty, and love. I hope that someday, hearing “Akmaral” will bring to mind vast, windswept steppes and a strong woman on horseback, head held high, contemplating her journey from warrior to leader.
Well, perhaps her name isn’t unfamiliar anymore, and it wasn’t historical fiction when it was written. But this luscious, complex, and moving classic is about more than the titular Anna and her ill-fated romance. For me, the best parts were about Levin and his longing for a simpler life.
Maybe I’m projecting, but when compared with Moscow society's social climbing and deep disillusionment, it’s hard not to want to turn away and opt for an admittedly idealized simple life working the soil. Yes, I know it’s long, but it’s well worth reading—or rereading!
In 1872 the mistress of a neighbouring landowner threw herself under a train at a station near Tolstoy's home. This gave Tolstoy the starting point he needed for composing what many believe to be the greatest novel ever written.
In writing Anna Karenina he moved away from the vast historical sweep of War and Peace to tell, with extraordinary understanding, the story of an aristocratic woman who brings ruin on herself. Anna's tragedy is interwoven with not only the courtship and marriage of Kitty and Levin but also the lives of many other characters. Rich in incident, powerful in characterization,…
I've always been drawn to stories in which all that glitters isn't gold, and all three of my novels contain this theme. They are, at the bottom, tales of hubris, which is why I like them. A character strives to obtain some glittery thing, confident it will be better than what they have. Yet, ultimately, their confidence is misplaced, and their ambition brings about their downfall. Perhaps because I'm someone who's naturally quite risk-averse but also believes little good comes in life without taking chances, stories like this attract me. They allow me to safely hunt for the Aristotelian mean between being overly sensible and irrationally ambitious.
Daphne Du Maurier has made a permanent mark on my soul. Whether it was Hitchcock's adaptation of The Birds, which I watched when I was far too young, or the wrecked ships of Jamaica Inn, her imagery and ideas are unforgettable.
And like the titular character of Rebecca, part of me still roams the halls and grounds of Manderley. I first encountered the story at a transitional moment in early adulthood. Having been a child drawn to spooky stories about ghouls and spectres, this book marked the moment I came to understand that not every haunted house has a ghost.
* 'The greatest psychological thriller of all time' ERIN KELLY * 'One of the most influential novels of the twentieth century' SARAH WATERS * 'It's the book every writer wishes they'd written' CLARE MACKINTOSH
'Last night I dreamt I went to Manderley again . . .'
Working as a lady's companion, our heroine's outlook is bleak until, on a trip to the south of France, she meets a handsome widower whose proposal takes her by surprise. She accepts but, whisked from glamorous Monte Carlo to brooding Manderley, the new Mrs de Winter finds Max a changed man. And the memory…
I’ve been a fanatic of horror, especially Gothic horror since I was about eight years old when I read all of Poe’s short stories. It’s the genre I read most often and the one I’m dedicated to writing about. For me, the most effective horror novels have a setting that is as rich and fully developed as any of the characters. You can battle vampires, zombies, and all of the other delightful monsters out there, but how do you battle what’s trapped in the walls around you? How do you fight a home that hates you? Or one that loves you too much to let you go? It’s endlessly fascinating.
This book is a unique take on the haunted house trope that is just so striking. It has genuinely frightening scenes that don’t depend on anything but tension and careful pacing.
Sarah Waters’ writing is always a gut-punch of beauty but this novel, in particular, has roamed around my head for years. It’s so masterfully written. I feel like I’ve seen the house, lived in it, loved it just like the protagonist.
After her award-winning trilogy of Victorian novels, Sarah Waters turned to the 1940s and wrote THE NIGHT WATCH, a tender and tragic novel set against the backdrop of wartime Britain. Shortlisted for both the Orange and the Man Booker, it went straight to number one in the bestseller chart. In a dusty post-war summer in rural Warwickshire, a doctor is called to a patient at Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once grand and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable…
I was adopted as a baby, so I have first-hand experience of the emotions and challenges this presents. I am passionate about shining light on this often misunderstood and complex family trauma through my writing. My memoir Blood and Blood, an emotive exploration of the search for my birth relatives, was shortlisted for the Mslexia Prize. My research extends to fiction and non-fiction, where the psychological effects of adoption are referenced or highlighted. I am always keen to chat with fellow care-experienced people. I hope you find the books on this list helpful.
One thing about being adopted is you have an in-built radar to seek out others who are too. I read Jeanette Winterson’s first novel, Oranges Are Not The Only Fruit when I was a teenager, and since then, I have been in awe of her as a writer and her ability to eloquently describe her personal experience as an adoptee.
This book is her autobiography, and there were occasions while reading it that I had to stop and cry. Finally, someone else had written about what I had kept holed up inside me. Her final chapter, "The Wound," speaks so profoundly to me as an adopted adult. It is honest, sharp, and fierce.
The shocking, heart-breaking - and often very funny - true story behind Oranges Are Not the Only Fruit.
In 1985 Jeanette Winterson's first novel, Oranges Are Not the Only Fruit, was published. It was Jeanette's version of the story of a terraced house in Accrington, an adopted child, and the thwarted giantess Mrs Winterson. It was a cover story, a painful past written over and repainted. It was a story of survival.
This book is that story's the silent twin. It is full of hurt and humour and a fierce love of life. It is about the pursuit of happiness,…
Rabbit Hole is about Teddy’s obsession with her sister Angie’s cold-case disappearance. When Angie was alive, she was angry and difficult, but Teddy still misses her. While writing the book, I thought a lot about my relationships with my own sisters and how unique that particular bond is. I love books that capture the at-times-uncomfortable closeness of sisterhood and grapple with its power.
Austen writes sisters like no one else, and the dynamic between tempestuous Marianne and practical Elinor is the template for so many novels that have followed.
Austen keeps the two sisters from becoming caricatures by making them more alike than different, and the love that anchors their relationship is at the heart of the novel.
I first read this as a freshman in college, and I still think about it every time I’m writing sisters. A classic.
'The wit of Jane Austen has for partner the perfection of her taste' Virginia Woolf
Jane Austen's subtle and witty novel of secrets and suppression, lies and seduction, brilliantly portrays a world where rigid social convention clashes with the impulses of the heart. It tells the story of two very different sisters who find themselves thrown into an unkind world when their father dies. Marianne, wild and impulsive, falls dangerously in love, while Elinor suffers her own private heartbreak but conceals her true feelings, even from those closest to her.
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