I have been “running” Louise Penny’s Inspector Gamache mysteries since the COVID-19 pandemic began in 2020. I don’t read mysteries usually, but hers are addicting.
This book would make a fine Christmas-time read. It tickles our thinking about “the divine” and about being human.
This Penny murder mystery takes Gamache and Beauvoir into the Quebec wilderness to a monastery known for its chanting. The monks here try to “touch the divine” in everything they do while distancing themselves from the recent killing.
I love the author’s thematic artistry with light and darkness, as well as her sensory threading in a monastic setting that attempts to minimize it. As with the characters, our senses are activated all along the footpath of the mystery reveal.
Winner of the Anthony Award for Best Crime Novel Winner of the Macavity Award for Best Crime Novel Winner of the Agatha Award for Best Crime Novel
There is more to solving a crime than following the clues. Welcome to Chief Inspector Gamache's world of facts and feelings.
Hidden deep in the wilderness are the cloisters of two dozen monks - men of prayer and music, famous the world over for their glorious voices. But a brutal death throws the monastery doors open to the world. And through them walks the only man who can shine light upon the dark…
Ten-year-old me once looked in the bathroom mirror wondering who I would become. I tried to memorize the patterns in the tiles to hold on to that moment and carry it with me. My fascination with memory and the past permeates my novels. I love a good cold case—and my August Monet thriller trilogy is all about how the past weaves through the present—informing it, haunting it, transporting secrets. Maybe it’s our long, dark winters, but I see this same fascination in the novels of my fellow Canadian thriller writers. Many have created messy characters haunted by their messy pasts. Here’s a list of my favourites.
A thriller with a kick-ass premise: Chloe wakes up on the side of a highway not knowing who the heck she is or how she got there.
It’s a haunting, scary, unnerving story about a woman trying to figure out what could have happened to completely wipe out her memory. What I love about the novel is how Wong’s relentless pace matches lockstep with her protagonist’s frenzied and fractured state of mind.
Bits of the past begin to slip through the cracks as Chloe searches for the truth. I love that Wong chose to tell the story from Chloe’s POV so we’re only privy to what this messy character remembers—or chooses to tell us that she remembers. Twisted, damaged characters with secrets are my cup of tea.
“A chilling, nerve-jangling journey into lost memories and unforgettable terrors. Sandra Wong knows what scares us all—and what we can never forget.” —Tess Gerritsen, New York Times–bestselling author of Listen to Me
A jolting psychological suspense novel from an up-and-coming Chinese-Canadian crime writer about missing parents, a winning lottery ticket and the lies we tell ourselves in order to survive.
Some things are better left forgotten . . .
When a woman wakes up with amnesia beside a mountain highway, confused and alone, she fights to regain her identity, only to learn that her parents have disappeared—not long after her…
I am a Canadian with bachelor's degrees in history and communications and over thirty-five years of experience in the Canadian Army reserves. My interest in the German Army of the Third Reich period has led to interviews with surviving veterans, visits to various battlefields, a successful YouTube channel, and involvement in military-themed hobbies such as war re-enactment and wargaming which in turn has led to the publication of many related books and magazine articles. Like all of us writing on the subject of Germans in the Second World War, I find it often poorly understood yet hugely compelling for its complex legal, historical, and moral aspects.
I think it is only natural to include an autobiography in a list like this, and Bruno Friesen's book is compelling to me for several reasons, mainly because he was a Canadian who ended up in the German Army.
Friesen talks about these curious circumstances honestly and with good humour, and the book transitions quickly from light-hearted reminiscences to a really very good technical study of what it was like to fight in tanks on the Eastern Front.
I thought the book illustrated well how an individual could fight against the multiple dehumanizing forces of modern war and come out the other end with spirit intact. The book juxtaposes well the helplessness of men fighting in machines with their human survival instincts.
There are few memoirs available of German Panzer crews that focus on the climactic last 12 months of the war on the Eastern Front, 1944-45. What makes Bruno Friesen's account virtually unique is his family background: his parents came from a German-speaking Mennonite community in Ukraine, and were to all intents and purposes culturally German. To make matters even more complex, in 1924 his parents left Ukraine for Canada, where Bruno was born.
In March 1939 he and his brother Oscar found themselves on a ship bound for Bremerhaven in Germany. He barely spoke German, and had never been to…
This is a classic novel set in and beloved by readers across British Columbia, where I live. Like all my favorite novels, this one is full of heart.
It led me into the world of First Nations in a way that invited me to live it, too, which is what I love about any of my favorite reads.
I want to get into other minds and understand what and how they see and feel, and this tale of a son taking his dying father on a last journey did just that, recalling lost loves, lost chances, the toll of war, and a tender reconciliation that reminds me that we can always heal when we open ourselves to possibility.
In these difficult times when I flinch at the news daily, I need stories like this that give me hope and heart.
“A novel about the role of stories in our lives, those we tell ourselves about ourselves and those we agree to live by.” —Globe and Mail
When Franklin Starlight is called to visit his father, he has mixed emotions. Raised by the old man he was entrusted to soon after his birth, Frank is haunted by the brief and troubling moments he has shared with his father, Eldon. When he finally travels by horseback to town, he finds Eldon on the edge of death, decimated from years of drinking.
The two undertake a difficult journey into the mountainous backcountry, in…
My father was a pilot in WW2 and I learned to fly in Africa when I was 17. Subsequently I flew biplanes, some of them like the ones in these books, made of wood, glue, and fabric. Since childhood, I've been fascinated by flying in WW1. It was a time of incredible change. The dawn of aviation, when designers and pilots barely understood what they were doing. Biographies written at the time are typically laconic, “emotionally repressed” might be modern. So these novels help us understand today some of those stresses and joys of these remarkable adventurers who dared to undertake what mankind had never done before; fight in the heavens.
The first in the Bandy Papers series, and the best. Jack was a Canadian who served in the air force and managed the difficult task of providing a comedy about flying in WW1 with, once again, realistic, and well-researched flying scenes. This book is a comedic tour de force, wringing belly laughs from war without belittling the surrounding terror and angst. It won several Canadian comedy awards, and you can understand why. It made me laugh so hard in places, that it hurt. But I repeat, the flying scenes are first-rate, and the characters are a hoot as they blunder through the war.
"I enjoyed every word . . . terrifically funny." P.G. Wodehouse
With his disturbingly horse-like face and a pious distaste for strong drink and bad language, young Bartholomew Bandy doesn't seem cut out for life in the armed services, as we meet him at the start of the First World War.
Yet he not only survives the dangers and squalor of the infantry trenches, he positively thrives in the Royal Flying Corps, revealing a surprising aptitude for splitarsing Sopwith Camels and shooting down the Hun. He even manages to get the girl.
Research Professor of Psychology at Bryn Mawr College. Since the 9/11 attacks I have tried to understand how normal individuals, people like you and me, can move to terrorism in particular and political violence more generally. I retired from teaching in 2015 to have more time to write. I’ve written about genocide (Why Not Kill Them All? The Logic and Prevention of Mass Political Murder), about self-sacrifice (The Marvel of Martyrdom: The Power of Self Sacrifice in a Selfish World), and about terrorism (Friction: How Conflict Radicalizes Them and Us).
Mowat’s title is taken from John Keats’ poem La Belle Dame Sans Merci: “O what can ail thee, Knight in arms, Alone and palely loitering? The sedge has withered from the Lake, And no birds sing!”
Best known for his books People of the Deer and Never Cry Wolf, Farley Mowat here turns his naturalist’s eye to the experience of war. His brief memoir describes joining, training, and fighting as part of Canadian forces in WWII. He led a rifle platoon in the invasion of Sicily and up the spine of Italy against fierce German resistance. From humorous to horrible, from youthful fervor to enormous weariness, Mowat takes us with him. He was relieved of combat duty after crying over the unconscious body of a friend brought in with an enemy bullet in his head. I love this book for its vivid observations of men before, during, and after…
Turned away from the Royal Canadian Air Force for his apparent youth and frailty, Farley Mowat joined the infantry in 1940. The young second lieutenant soon earned the trust of the soldiers under his command, and was known to bend army rules to secure a stout drink, or find warm -- if nonregulation -- clothing. But when Mowat and his regiment engaged with elite German forces in the mountains of Sicily, the optimism of their early days as soldiers was replaced by despair. With a naturalist's eyes and ears, Mowat takes in the full dark depths of war; his moving…
Ten-year-old me once looked in the bathroom mirror wondering who I would become. I tried to memorize the patterns in the tiles to hold on to that moment and carry it with me. My fascination with memory and the past permeates my novels. I love a good cold case—and my August Monet thriller trilogy is all about how the past weaves through the present—informing it, haunting it, transporting secrets. Maybe it’s our long, dark winters, but I see this same fascination in the novels of my fellow Canadian thriller writers. Many have created messy characters haunted by their messy pasts. Here’s a list of my favourites.
What I loved about McKinnon’s thriller was the darkly twisted and funny ride she takes you on from the get-go.
In the opening pages, Lucas admits he had his wife murdered, so this is not so much a “whodunnit” as a “will-he-get-away-with-it” story.
McKinnon gives the reader a peek inside the mind of her very messy, down-right vile protagonist. Lucas shares all the details of his devious plan—how his heart-breaking past justifies what he did, how he charmed his way into his wealthy wife’s life, married her, then carefully executed her demise.
The most compelling thing about the novel is that Lucas is kind of hard not to love, despite being utterly despicable. That’s not easy to pull off and McKinnon does it delightfully.
I love gathering poets together to celebrate different causes. In fact, I hosted a weekly literary radio show, Gathering Voices, for seven years and published a book/cd collection, Gathering Voice. Since 1972, I have been publishing poetry as well as editing anthologies that collect differing voices, as an activist and poet/editor: gathering voices for women, nature, and social justice is my passion. Given the immensity of suffering in the war on Ukraine, I was galvanized to gather together poems in solidarity with Ukrainians. The anthology, co-edited with Richard-Yves Sitoski, was launched 3 months after the invasion began: a huge endeavor that included 48 activist poets.
Voicing Suicide is a collection of poems about suicide and its impact on lives. When my stepdaughter killed herself, I desperately needed an anthology like this. Decades later, the poems here still resonate and console me. The book arises out of a conviction that poetry offers an opportunity to understand some of the difficult aspects of suicide by allowing us to give it voice; through memory, and elegy, through an honest declaration of the draw of death. In poetry, we can enter the spaces suicide shapes around loss and sorrow and give it voice. Poems can speak to the loss of a loved one, to considering suicide, to struggling to make sense of suicide and poems can offer the words of those who have suicided. Although intense and sometimes painful, the book is honest, in moments delicate and tender. It offers an important exploration of suicide by writers who have…
Voicing Suicide is a collection of poems about suicide and its impact on lives. The book arises out of a conviction that poetry offers an opportunity to understand some of the difficult aspects of suicide by allowing us to give it voice; through memory, and elegy, through an honest declaration of the draw of death. In poetry, we can enter the spaces suicide shapes around loss and sorrow and give it voice. Poems can speak to the loss of a loved one, to considering suicide, to struggling to make sense of suicide and poems can offer the words of those…
I am a historian and a social geographer whose main interest is in examining why some of us are embraced (legally, politically, economically, culturally) by the society we live in while some others are excluded. Probably due to my status as someone who is an immigrant to Canada and also a person with a disability, the topic of belonging and exclusion fascinates me.
Omar Khadr is a personal friend of mine, the gentlest soul I have met since setting foot on Canadian soil. This collection has been essential to my understanding of Canada’s unwillingness to stand up for one of its own citizens. It highlights how belonging in the nation is not necessarily a right all citizens enjoy, and invites a serious reflection on what citizenship means in this country.
In 2002 a fifteen-year-old Canadian citizen was captured in Afghanistan for allegedly killing an American soldier. A badly wounded Omar Khadr was transferred to the US Bagram Air Force base and then Guantanamo Bay detention camp. He would remain there without trial until October 2010, when a military commission admitted evidence considered tainted by Canadian courts. A plea bargain and guilty plea initiated his promised return to Canada a year later. Some Canadians see Khadr as a symbol of terrorism in action. For others he is the victim of a jihadist father and Canadian complicity in the unjust excesses, including…
I love gathering poets together to celebrate different causes. In fact, I hosted a weekly literary radio show, Gathering Voices, for seven years and published a book/cd collection, Gathering Voice. Since 1972, I have been publishing poetry as well as editing anthologies that collect differing voices, as an activist and poet/editor: gathering voices for women, nature, and social justice is my passion. Given the immensity of suffering in the war on Ukraine, I was galvanized to gather together poems in solidarity with Ukrainians. The anthology, co-edited with Richard-Yves Sitoski, was launched 3 months after the invasion began: a huge endeavor that included 48 activist poets.
This anthology is as powerful as it is still necessary: beware. Some pieces may be triggering, but they raised my awareness and empathy. These collected poems from writers across the globe declare one common theme: resistance. By exploring sexual assault and violence in their work, each writer resists the patriarchal systems of power that continue to support a misogynist justice system that supports abusers. In doing so, they reclaim their power and their voice. Resistance underscores the validity of all women’s experiences, and the importance of dignifying such experiences in voice, however that may sound. Because once survivors speak out and disrupt their pain, there is no telling what else they can do.
Writers across the globe speak out against sexual assault and abuse in this powerful new poetry anthology, edited by Sue Goyette. These collected poems from writers across the globe declare one common theme: resistance. By exploring sexual assault and violence in their work, each writer resists the patriarchal systems of power that continue to support a misogynist justice system that supports abusers. In doing so, they reclaim their power and their voice. Created as a response to the Jian Ghomeshi case, writers including Joan Crate, Ashley-Elizabeth Best, and Beth Goobie are, as editor Sue Goyette explains, a "multitude, resisting." The…
