Someone bought me Missouri. I had it on my shelf for ages, not thinking so much of it (judging the book by its cover). As soon as I started reading it though I was transfixed.
It’s a pitch-perfect novella, beautifully written, heartbreaking, tender, funny, and tragic; a remarkable gay love story, easily on a par with Annie Proulx’s wonderful Brokeback Mountain. Like all major novels – and this is a very short one – I came to care deeply about the two lovers at the heart of Missouri.
Erotic (in the best sense), cinematic in its evocation of the American landscape, I’d highly recommend it to any and every reader, but if you’re a gay man (like myself) you’ll find it especially moving.
This earnest, violent, yet utterly transfixing gay love story is set in the nineteenth-century American Midwest. Douglas Fortescue is a successful poet who flees England for America following a scandal; Joshua Jenkins is a feral young outlaw who was taught how to shoot a man at age six. The two men meet when Joshua robs Douglas’ carriage and takes him hostage; soon, a remarkable secret is revealed, and these two very different men grow closer, even as Douglas’ brother tries to “save” him from his uncivilized surroundings.
First published in Germany, Missouri is available in English for the first time.
I was an English major in college and my dream was to write the Great American Novel. My literary heroes were writers like Saul Bellow, Philip Roth, Bernard Malamud, Jean Rhys, Margaret Drabble, Truman Capote, and Norman Mailer. They “taught” me how to write. About a dozen years ago, I concentrated on writing crime novels, like Swann’s Last Song and Second Story Man, both of which were nominated for Shamus Awards (Second Story Man won the Beverly Hills Book Award.) I'm a magazine journalist and write nonfiction books, screenplays, plays, and book reviews. I teach writing here in New York City, and I’m on the Board of PrisonWrites and the New York Writers Workshop.
Like many of us, I’m fascinated by the Old West (maybe it’s all those cowboy shows and movies I watched as a kid).
The novel follows legendary Dalton Brothers gang (related to the Younger brothers who ran with Jesse and Frank James). I stumbled across Desperadoes, which artfully co-mingles truth and fiction.
Hansen uses the conceit of having a novel told in the form of a fictional memoir, written in 1937 by 65-year-old Emmett Dalton, the last surviving member of the infamous gang.
Hansen centers his action around the gang’s plot to rob two banks in Coffeyville, Kansas, and it’s a master class in the art of blending fact and fiction.
It’s something I’ve tried to do in my book, which incorporates into the plot an actual plot to knock over a “mob bank,” backed by a real-life New England mob boss.
At age 65, Emmett Dalton, the sole survivor of the infamous Dalton gang makes a living by selling his outrageous adventure stories to Hollywood. Desperadoes details his memories of the murders, bootlegging and thievery he and his posse committed. The grit and excitement of these violent times are expertly evoked by the sharp pen and authentic voice of HarperCollins' bestselling author Ron Hansen.
My love for magical and mysterious books was inspired by Harriet the Spy, Nancy Drew, Judy Bolton, and Harry Potter. Since I was 8 years old, I longed to write my own mystery series—SO I DID! My latest mystery series, The Curious Cat Spy Club, is based on my own childhood club. My friends and I played cryptic games, spied on suspicious neighbors, and helped abandoned kittens. I love writing about mysteries + animals. And I’m excited to share my favorite mysterious and magical books with you!!
When Sammy Keyes witnesses a burglary, she must solve the crime before the thief catches her! Sammy is clever, sneaky, sassy, and brave. Her actress mother is too busy for her, she doesn’t have a father, and she’s living illegally with her grandma in a seniors-only hotel. Exciting, mysterious, and funny! Not many series go past three books, but super sleuth Sammy stars in 18 books! I collected the whole series.
I mean it's bad enough that she has to live illegally in a seniors-only building with her grandmother while her mother tries to make it as a move star. And worse that she witnessed a burglary in progress--and that the theif saw her. And worse still that nosy neighbor Mrs. Graybill is onto her, and that the thief is after her. But on top of all that, she also manages to make an enemy of the queen of mean at her new school and get suspended on the first day.
Before I wrote crime novels, I was a lawyer. Legal mysteries back then were mostly set in traditional firms, with just enough lawyering to set up final courtroom scenes. I preferred novels that showed more of the nitty-gritty, the conflicts, and temperaments peculiar to different workplaces. I’d been binging Dick Francis, with his deep dives into jobs connected to racing, and I wished there were books with his level of detail in settings I knew—students scrabbling to make law review, firebrand litigators in labor firms, double-crosses in corporate practice, the horrors of bank law retreats. When I finished Francis’s excellent Whip Hand, I decided to try writing one myself.
What is it like to be a thief? I picked up Ghostman after writer Barbara Ehrenreich (Nickel and Dimed) joked on Facebook that the book taught her how to rob a casino. This exciting story does that and much more. The protagonist is forced to untangle a caper gone FUBAR and then disappear without a trace. Through multiple twists and backstabbings, readers learn the fine points of pulling off grand thefts and long cons, the tricks and trials of becoming a permanent “ghost.” The information is offered seamlessly, with no jarring breaks from action or characterization. In my opinion, there’s never been a better heist novel, though its sequel, Vanishing Games, comes close. (Sadly, Hobbs died when he was only 26, leaving behind no additional manuscripts.)
'Fast, hard and knowing: this is an amazing debut full of intrigue, tradecraft and suspense. Read it immediately!' Lee Child
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I make things disappear. It's what I do. This time I'm tidying up the loose ends after a casino heist gone bad. The loose ends being a million cash. But I only have 48 hours, and there's a guy out there who wants my head in a bag.
He'll have to find me first. They don't call me the Ghostman for nothing...
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'Brilliantly clever, gripping and action-packed. Utterly original and bound to become a big-budget movie.' SUNDAY MIRROR…
I grew up on a small Nebraska farm where a grove of trees was a vast forest, a cow pasture was an endless desert, and a corn cob pile was the tallest mountain in the world. Our horse barn doubled as a castle and fortress for fighting every evil bad guy—including aliens from outer space. I was mortally wounded dozens of times, conducted my first wedding in a grain bin-cathedral at age eight, and read every book our country school could borrow. In college I majored in sociology, minored in history, and receive a Master of Divinity in seminary. My reading list reflects my love of adventurous variety.
Lemay combines historical facts with great fiction. The prologue had me hooked and rooting for a couple of juvenile delinquents determined to find Billy the Kid’s missing tombstone. Two cousins make some astonishing discoveries, from digging their own graves to chasing desperados. I couldn’t help but wish every adventure was true and Pancho and Dorado were friends of mine. I look forward to a sequel.
THE OLD WEST'S MOST LEGENDARY LOST TREASURE... AN OUTLAW'S STOLEN TOMBSTONE... A DESPERADO'S GRAVE SECRET!
26 years ago, outlaw Billy the Kid’s tombstone was stolen from Fort Sumner, New Mexico. Now it has mysteriously been returned. When teenage brothers Pancho and Dorado Dumez steal it themselves, they get more than they bargained for. Encased inside the tombstone is a map that leads to the Southwest’s greatest treasure: The Lost Adams Diggings—a canyon comprised of solid gold. But the brothers aren’t the only ones on the treasure’s trail. So is bounty hunter Seven McCaw, and along with him comes a modern…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
This book does a fine job of laying out the complex plots and cross-plots of a most complicated New Mexico Territory of the 1870s.
The full spectrum of politics, murders, and factions can be overwhelming to a first-time student. There are clearly too many players in the story for a reader to grasp the overarching drama. Mr. Wallis found a way to guide the reader across this challenging terrain without shortcuts.
Award-winning historian Michael Wallis has spent several years re-creating the rich, anecdotal saga of Billy the Kid (1859-1881), a deeply mythologized young man who became a legend in his own time and yet remains an enigma to this day. With the Gilded Age in full swing and the Industrial Revolution reshaping the American landscape, "the Kid," who was gunned down by Sheriff Pat Garrett in the New Mexico Territory at the age of twenty-one, became a new breed of celebrity outlaw. He arose amid the mystery and myth of the swiftly vanishing frontier and, sensationalized beyond recognition by the tabloids…
As a nonbinary trans guy, I grew up obsessed with novels about women disguising themselves as men. I loved everything about the trope, and always felt disappointed when they had to go back to living as women. It is a trope I eagerly embraced when I wrote Shrouded Loyalties, and though I didn’t yet know the term “transgender,” I was already exploring my own gender identity through my reading and writing of this theme. The books I’ve chosen to highlight here are ones that became some of my very favorites, and also feature action-packed wartime settings like the one used in Shrouded Loyalties.
This is slightly outside the boundaries of a wartime novel, as it takes place in the Old West, but it’s a fantastic book for this list, and shouldn’t be overlooked if you love this trope. Jess Harney makes a name for herself as a notorious male sharpshooter and outlaw. Her first-person voice is one of the most interesting I’ve read, and I loved how she fit in as one of the guys while never sacrificing who she was. She barely even thinks about her gender as she so naturally considers herself male. Books like this really highlight the blurred lines between cross-dressing out of necessity or desire, and I’m excited to see more authors addressing this trope with the nuance of queerness which is often part of it.
Named a Best Book by Entertainment Weekly, O Magazine, Goodreads, Southern Living, Outside Magazine, Oprah.com, HelloGiggles, Parade, Fodor's Travel, Sioux City Journal, Read it Forward, Medium.com, and NPR's All Things Considered.
"A thunderclap of originality, here is a fresh voice and fresh take on one of the oldest stories we tell about ourselves as Americans and Westerners. It's riveting in all the right ways -- a damn good read that stayed with me long after closing the covers." - Timothy Egan, New York Times bestselling author of The Worst Hard Time
Incarceration is a gigantic problem in the US, especially because of its connection to racial injustice. I have no firsthand experience with prison or the system, and yet it looms large in my imagination and my deepest fears. That should not be the case merely because I’m a Black gay American, but here we are. I feel that with the help of my mother and others, I have managed to sidestep a lot of the potential pitfalls of people’s misguided perception of my identity, but I have an active, paranoid imagination and profound survivor guilt, so I gravitate toward stories about people at who are odds with our society in ways that reflect that precarious status which allows me to explore a wide range of human experiences.
Genet’s prose really kicks a lot of others to the curb, even
in translation, and the curb is where he is most comfortable. To paraphrase Wilde, he was definitely in the gutter but looking at the stars.
His
visionary, unabashed grit, queer defiance, and uncanny lyrical ability really
should make him required reading for everyone. But if you’re a defiant freak,
you get mixed up in the prison system, and you need a North Star, you can’t do
much better than Genet, a beautiful, wild thinker about all things related to
the place of punishment and jails in society.
He truly lived the life he
described, which people love nowadays. The Thief’s Journal is shockingly
countercultural and exhilarating even now.
Jean Genet, French playwright, novelist and poet, turned the experiences in his life amongst pimps, whores, thugs and other fellow social outcasts into a poetic literature, with an honesty and explicitness unprecedented at the time. Widely considered an outstanding and unique figure in French literature, Genet wrote five novels between 1942 and 1947, now being republished by Faber & Faber in beautiful new paperback editions.
The Thief's Journal is perhaps Jean Genet's most authentically autobiographical novel; an account of his impoverished travels across 1930s Europe. The narrator is guilty of vagrancy, petty theft and prostitution, but his writing transforms such…
Because I grew up in the 1950s and ’60s, my supply of heroes was liberally doled out by the 130+ Western series that dominated nighttime televisions. My parents allowed me one program per week. It was a Western. I was soon interested in history, to know what really happened in the American West, and so I came to understand the great discrepancies between fact and TV. The truth, for me, is much more interesting than the myth. But that truth carries some heavy weight, which informs us of our national foibles, crimes, and embarrassments. As a Western historian, I've done my share of historical research, but I still gravitate toward historical fiction as a writer.
As it is often said, “history is written by the winners.”
The Hispanic population had very little voice in the outcome of the Lincoln County War, but it is they who had the deepest insight into who Billy was, for they were his friends and he their champion. Mills has mined that forgotten voice to publish a more thorough understanding of who the Kid was.
The result is a greater appreciation for Billy as a human being. This is a long overdue perspective that better defines Billy Bonney’s admirable traits.
In the annals of American western history, few people have left behind such lasting and far-reaching fame as Billy the Kid. Some have suggested that his legend began with his death at the end of Pat Garrett's revolver on the night of July 14, 1881, in Fort Sumner. Others believe that the legend began with his unforgettable jailbreak in Lincoln, New Mexico, several months prior on April 28, 1881. Others still insist his legend began with the publication in 1926 of Walter Noble Burns's book, The Saga of Billy the Kid.
I’m the youngest of five, and my siblings are what shaped me and my world. Growing up, I never felt alone, except climbing the stairs to bed half an hour before anyone else (such an injustice!). We played cards and games and had noisy discussions throughout my childhood and youth, and we still do. I wouldn’t be me without siblings. It’s the relationship that most fascinates me. There are siblings in all the books I’ve written and probably in all the books I’ll ever write. It’s not a theme I look for when I read, but I recognize the feeling when I encounter it and it feels like home.
I read this book accidentally. When ordering The Witch’s Boy by Michael Gruber (so good! no siblings), this title came up alongside it. Barnhill won the Newbery with The Girl who Drank the Moon, but this one won my heart first. I loved the woods that separated the two worlds and the two main characters; I loved the image of magic pulsing in the veins; and I loved the subtle sibling theme. The title character, Ned, is defined in part by his dead twin. He fears that the villagers are right in saying the wrong boy survived. Having siblings is not all cozy belonging. There’s guilt and insecurity and competition and heartbreak too. This book captures some of those lost feelings among its thrills and terrors, while being ultimately uplifting.
When Ned and his identical twin brother tumble from their raft into a raging river, only Ned survives. Villagers are convinced the wrong boy lived. But when a Bandit King comes to steal the magic Ned's mother, a witch, is meant to protect, it's Ned who safeguards the magic and summons the strength to protect his family and community. Meanwhile, across the enchanted forest that borders Ned's village lives Aine, the resourceful and pragmatic daughter of the Bandit King, who is haunted by her mother's last words to her: "The wrong boy will save your life and you will save…
