100 books like Educating for Shalom

I’ve always felt that a foundational knowledge of human anatomy is an absolute necessity for anyone serious about becoming a figurative artist. It’s like learning how to dribble if you want to play for the NBA. Although I used a different anatomy book growing up, An Atlas of Anatomy for Artists by Fritz Schider, I feel that Anatomy for Artists is a more solid choice for today’s up-and-comers. It’s an extensive compendium of high quality, detailed photography, and drawings, showing the human figure in a variety of shapes, sizes, and poses. It consists of stunning photography and comprehensive drawings showing the muscular structure of figures of varying body types. These male and female references will act as an invaluable starting point for artists trying to create art based on the human form.

I love In My Mosque by M.O. Yuksel and illustrated by Hatem Aly because of how authentic, vibrant and beautiful it is. I love how peaceful it feels and the beautiful lyrics describing the beauty of Mosques. I also love the back matter with so many different Mosques featured!

Since the recent passing of Peter Berger, Christian Smith is arguably the most well-known and influential sociologist working in the field of religion. 

In this book, Smith lays the groundwork for his vision of what it means to be a person, something so often overlooked in the social sciences. Smith claims that humans have a particular set of capacities and proclivities that distinguish them from animals. Despite the vast differences in humanity across cultures and historical eras, Smith offers the possibility that human beings have a universal human personhood. Humans, who, though part of the animal kingdom, are spiritual beings that have a moral and spiritual dimension.

This is something that I have been struggling with for years, and Smith simplified it.

When I wrote Rationality, I mentioned Hume 32 times. He didn’t think of everything, but he explained an astonishing range of topics related to rationality, including causation versus correlation, is versus ought, and individual versus collective self-interest.

His follow-up, An Enquiry Concerning Human Understanding, explained why we shouldn’t believe in miracles. He explored all of these topics with clarity and wit, putting modern academic writing to shame.

This is my favourite introduction to epistemology. It relates questions about knowledge and scepticism to human psychology, human knowledge to other animals’ knowledge, and the development of Western epistemology to epistemology elsewhere, such as ancient India. Amongst leading epistemologists today, Jennifer Nagel probably has the deepest understanding of relevant work in psychology.

In Žižek’s view, philosophy as we know it today does not well and truly begin until the late-eighteenth century, with Kant’s critical-transcendental “Copernican revolution.” The Critique of Pure Reason inaugurates this revolution. It insists on the ineliminable centrality of the structures and dynamics of minded subjectivity for the constitution of what we experience as objective reality. Moreover, on Žižek’s psychoanalytic rereading of Kant’s epoch-making 1781/1787 masterpiece, Kant anticipates, among many other things, Lacan’s idea of an internally divided subject as the ultimate unconscious condition of possibility for how we humans register and understand ourselves and our world. Moreover, the Kant of the first Critique is crucial for Žižek as the inspiration for the entire tradition of post-Kantian German idealism so central to Žižek’s own philosophical program.

If you’d like to take a relatively straightforward but sophisticated tour through ignorance, this book is for you. 

Frankly, it’s a book I would like to have written. The author is a philosopher and I’m not, so his viewpoint and voice differ from mine, but his book echoes, parallels, and expands my own work and a host of others’ writings on ignorance. DeNicola uses four engaging metaphors as vehicles for his tour: ignorance as a place, a boundary, a limit, and a horizon. 

His treatment of ignorance nicely avoids the usual negative bias against it. Like me, he recognizes that ignorance has its uses and even can be beneficial or virtuous. And his footnotes and bibliography provide plenty of material if you want to find out more. 

Did it ever occur to you that economics might be theological, even a form of religious idolatry?

This is not, by the way, about the Worship of Mammon; it is about capitalism as a system of beliefs and practices.

Nelson carefully maps out the genealogy of modern economics, showing that its underlying foundation can be traced back to competing Greek philosophies as filtered through Catholicism and Protestantism. We have never been secular!

Kenneth R. Miller is a professor of cell biology at Brown University who’s co-written several widely-used biology textbooks and contributed to journals including Nature, Cell, and Scientific American. 

In 2000, I attended a conference on Intelligent Design, with leading speakers both for and against. Miller was unique as a believing Catholic who opposed Intelligent Design in favor of Darwinian evolution. I was predisposed against him, but wound up being convinced by his arguments.

Finding Darwin's God is an excellent book for explaining why no outside “Designer” is necessary to explain the origin of species, and also why this shouldn’t cause anyone to lose their faith in God or conclude that life is meaningless.

I call him HIM is an apocalyptic horror story about a man who is a fighting machine.

Hell has come to earth and wreaked havoc. Demonic beings lurk everywhere, feasting off of humanity. Our main character is simply called Him. He has no name, but only rage as he kills demonic hordes with his sword and his strength.

Where is God in a world filled with demonic influences? Where is God when the cry of humanity reaches out for answers? This thought consumes Him, but there may be a light. A young girl who may be the key.

Scott Kimak blends this horror, apocalyptic story with gritty violence, intense action scenes, coarse language, but also themes of redemption and sacrifice.