I’m endlessly fascinated by people’s resilience—how we hold onto life and find meaning in it when everything seems to be falling apart. As a queer and genderqueer author, I especially love to see stories about queer characters in all of their human messiness, characters who aren’t forced to be models of perfection in order to earn readers’ empathy, stories that show us queer people don’t deserve dignity because we’re perfect; we deserve it because we’re human. These five novels have affected me deeply because they don’t shy away from the complexities of grief, love, parenting, trauma, sex, social justice, gender identity, and more.
It's 2003, and artist Dawn Levit is stuck. A bookbinder who works at the Metropolitan Museum of Art, she hasn’t created anything in years. What’s more, although she doesn’t have a word for it yet, Dawn is genderqueer, and with a partner who wishes she were a man and a society that wants her to be a woman, she’s struggling to express herself.
One day, Dawn discovers something hidden under the endpapers of an old book: the torn-off cover of a mid-century lesbian pulp novel, with an illustration of a woman looking into a mirror and seeing a man’s face. Even more intriguing is the queer love letter written on the back. Dawn becomes obsessed with tracking down the author, convinced they can help her find her place in the world.
Using the surreal premise that a human woman named Tiny gives birth to an owl, Chouettepaints one of the truest and most beautifully messy portraits of motherhood I’ve ever encountered.
Chouette is not like other babies, and Tiny is nothing like other mothers. Holding tightly to her dream/memory of the female owl lover who impregnated her, Tiny embraces her life as the wild mother of a wild child, as she both struggles to contain Chouette’s most violent impulses and loves and protects her fiercely from everyone’s perceptions of what she’s supposed to be.
Chouettechallenged my ideas and made me think more deeply about what it means to be a woman and a mother—as well as an atypical child—amid society’s rigid expectations.
'A MARVEL' RUMAAN ALAM 'MAGNIFICENT' NEW YORK TIMES 'A TRIUMPH' i 'SUBLIME' GUARDIAN 'DAZZLING' OBSERVER
When Chouette is born, Tiny's husband and family are devastated by her condition and strange appearance. Doctors tell them to expect the worst. Chouette won't learn to walk; she never speaks; she lashes out when frightened and causes chaos in public.
Tiny's husband wants to make her better but Tiny thinks their child is perfect the way she is. In her fierce self-possession, her untameable will, Chouette teaches Tiny to break free of expectations - no matter what it takes.
Against the backdrop of a speculative future in which extra shadows have become the alternative to prison and cameras watch our every move,I Keep My Exoskeletons to Myselftakes a raw, honest look at grief, family, queerness, and how we survive.
Kris has lost her wife Beau and gained an extra shadow—along with a child who also has an extra shadow. As she navigates her new reality, Kris can either sink deeper into her grief, accepting a life of surveillance and oppression for herself and her kid, or she can choose love and hope.
Crane’s approach to storytelling, open and vulnerable and using small fragments and pop quizzes, allowed me deep into Kris’s heart, and I rooted for her as she forged a life against all odds.
Dept. of Speculation meets Black Mirror in this lyrical, speculative debut about a queer mother raising her daughter in an unjust surveillance state
In a United States not so unlike our own, the Department of Balance has adopted a radical new form of law enforcement: rather than incarceration, wrongdoers are given a second (and sometimes, third, fourth, and fifth) shadow as a reminder of their crime—and a warning to those they encounter. Within the Department, corruption and prejudice run rampant, giving rise to an underclass of so-called Shadesters who are disenfranchised, publicly shamed, and deprived of civil rights protections.
I immediately fell for the premise of Scorched Grace—a lesbian, chain-smoking, tattooed, former punk-rocker nun—becomes an amateur sleuth when a series of fires threatens her school.
Then this mystery novel went deeper than I expected, following two intriguing questions: who’s setting the fires and how did Sister Holiday end up in a convent? Both storylines do something important and compelling: expose the extreme traumas that women can suffer and show us the ways they survive.
I can’t wait to see what Sister Holiday is up to next.
Sister Holiday, a chain-smoking, heavily tattooed, queer nun, puts her amateur sleuthing skills to the test in this "unique and confident" debut crime novel (Gillian Flynn).
When Saint Sebastian's School becomes the target of a shocking arson spree, the Sisters of the Sublime Blood and their surrounding New Orleans community are thrust into chaos.
Patience is a virtue, but punk rocker turned nun Sister Holiday isn't satisfied to just wait around for officials to return her home and sanctuary to its former peace, instead deciding to unveil the mysterious attacker herself. Her investigation leads her down a twisty path of…
Lawlor’s novel gave me the best gift a book can offer: it changed my mind halfway through.
I had been so intrigued by the premise of a shapeshifting character who can change their gender at will, that I forced myself to read on even though I wasn’t enjoying the emphasis on sex, especially as conquest, and I was sorely disappointed the story didn’t seem to go deeper.
But as I continued, I was happy to be proven wrong. By the end of the novel, I was checking my own biases and prejudices and empathizing deeply with Paul and his/her/their struggles. Reading this novel was an emotional experience unlike any I’ve had with a book.
'Paul Takes the Form of a Mortal Girl is quite simply one of the most exciting - and one of the most fun - novels of the decade.' Garth Greenwell
It's 1993 and Paul Polydoris tends bar at the only gay club in a university town thrumming with politics and partying. He studies queer theory, has a lesbian best friend, makes zines, and is a flaneur with a rich dating life. But Paul's also got a secret: he's a shapeshifter. Oscillating wildly from Riot Grrrl to leather cub, Women's Studies major to trade, Paul transforms his body at will in…
Reese, a transgender woman, has been in a tailspin since her girlfriend Amy detransitioned to become Ames and their relationship ended.
Now the thing she wants most—a child—is getting further and further out of her reach. Meanwhile, Ames’s lover, Katrina, gets pregnant. Ames can’t commit, either to Katrina or to life as a father, because it would feel untrue to his gender identity, and Katrina doesn’t want to keep the baby without a partner.
Seeing a chance to revive his connection with Reese and to live in a way that feels more authentic, Ames proposes the three of them become a family and raise the baby together.
This novel is a complicated and beautifully messy exploration of how three women might entwine their lives to fulfill their own and one another’s deepest desires.
NATIONAL BESTSELLER • The lives of three women—transgender and cisgender—collide after an unexpected pregnancy forces them to confront their deepest desires in “one of the most celebrated novels of the year” (Time)
“Reading this novel is like holding a live wire in your hand.”—Vulture
Named one of the Best Books of the Year by more than twenty publications, including The New York Times Book Review, Entertainment Weekly, NPR, Time, Vogue, Esquire, Vulture, and Autostraddle
PEN/Hemingway Award Winner • Finalist for the Lambda Literary Award, the National Book Critics Circle Award, and the Gotham Book Prize • Longlisted for The Women’s…
I am adopted. For most of my life, I didn’t identify as adopted. I shoved that away because of the shame I felt about being adopted and not truly fitting into my family. But then two things happened: I had my own biological children, the only two people I know to date to whom I am biologically related, and then shortly after my second daughter was born, my older sister, also an adoptee, died of a drug overdose. These sequential births and death put my life on a new trajectory, and I started writing, out of grief, the history of adoption and motherhood in America.
I grew up thinking that being adopted didn’t matter. I was wrong. This book is my journey uncovering the significance and true history of adoption practices in America. Now, in the wake of the U.S. Supreme Court’s overturning of Roe v. Wade, the renewed debate over women’s reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, I am uniquely qualified to uncover the policies and practices of adoption.
The history of adoption, reframed through the voices of adoptees like me, and mothers who have been forced to relinquish their babies, blows apart old narratives about adoption, exposing the fallacy that adoption is always good.
In this story, I reckon with the pain and unanswered questions of my own experience and explore broader issues surrounding adoption in the United States, including changing legal policies, sterilization, and compulsory relinquishment programs, forced assimilation of babies of color and Indigenous babies adopted into white families, and other liabilities affecting women, mothers, and children. Now is the moment we must all hear these stories.
Who Is a Worthy Mother?: An Intimate History of Adoption
Nearly every person in the United States is affected by adoption. Adoption practices are woven into the fabric of American society and reflect how our nation values human beings, particularly mothers. In the wake of the U.S. Supreme Court's overturning of Roe v. Wade, the renewed debate over women's reproductive rights places an even greater emphasis on adoption. As a mother, historian, and adoptee, Rebecca C. Wellington is uniquely qualified to uncover the policies and practices of adoption. Wellington's timely-and deeply researched-account amplifies previously marginalized voices and exposes the social and racial biases embedded in the United States' adoption industry.…
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