75 books like Prodigal Son

I find the combination of mystery and fantasy in the Harry Dresden books irresistible, and Storm Front is certainly no exception. A typical detective has to watch out for the as-yet-undiscovered killer. Harry has to watch out for the killer—as well as the White Council, the organization of wizards that is profoundly suspicious of him and more than ready to execute him if he takes one step out of line. And then there are various supernatural creatures who want either to kill humans or to use them for their own purposes.

Butcher’s imaginative humor is second to none. I have to laugh every time I think about Bob, the skull animated by an air spirit, or Toot-Toot, the wyldfae who serves Harry in exchange for pizza. Butcher seamlessly blends such touches of original humor with pulse-pounding excitement.

I have been a fan of Gothic and melodrama since I first watched the 1931 film Frankenstein with Boris Karloff–and I was delighted to discover that the book is even better and so much more than what we’ve ever seen on screen.

Frankenstein’s monster is articulate and soulful in Mary Shelley’s atmospheric, dread-filled original novel, and his plight is all the more moving because of it. She wrote it when she was just 18 years old, still grieving over the death of her first child two years earlier. I feel her aching sorrow on every page. 

Gaiman doesn’t just incorporate one myth into his story; he goes for them all and brings all the gods to America.

This novel defies categorizing. I have always been interested in probing the nature of religion and humanity’s invention of gods. How did we first encounter them, and are they still relevant in today’s world? How does the nature of story itself relate to the lives of the gods?

All of these points are dealt with in this unique and entirely new introduction to some very old gods. I found it not only highly entertaining but thought-provoking.

There’s no list I can create in my head about haunting locations that doesn’t include this book. One of the most interesting aspects of horror novels that take place in a vivid setting is that they draw you in and both make you wish you could visit the location while at the same time thanking all that’s good and holy that you’re not there. That’s what The Shining did for me when I read it. 

The Overlook hotel is larger than life, treacherous, and inviting, and King does an incredible job at maintaining the high-pitched hum of tension from the moment the Torrances walk through its doors.

Leave it to the master of horror, Stephen King, to dream up the ultimate comeuppance story.

High school student Carrie is bullied relentlessly by her peers, both at school and outside its walls. Her mother’s treatment of her at home doesn’t help. But one day Carrie realizes she has supernatural powers that dwarf the “powers” her classmates think they wield over her.

I don’t condone what happens on prom night, of course, but anyone who’s ever been bullied will agree that the fantasy of turning the tables on your tormentor(s) can be…very satisfying.

There are a lot of great stories filled with graphic sex, gore, and violence, as Clive Barker does so well, in this anthology but for me the standout story is the one of revenge titled, "Confessions of a (Pornographer's) Shroud". It was written as a black comedy and Barker does it well.

Ronnie is a fervent Catholic who is falsely accused by the Mafia of being the ringleader of a pornography cartel. After killing two mobsters in retribution, he is brutally tortured and murdered by the mob. Except, Ronnie manifests as a vengeful spirit and animates the shroud covering his body in the morgue. He then takes revenge on the rest of his enemies, and in a gory climax, the spirit enters the mouth of the mob boss and turns him inside out. There is also a twist at the end of the story.

There are several nods to this… show more.

The two most influential writers of the 19th Century, who perfected the art of writing revenge stories were French-born Guy de Maupassant and American Edgar Allan Poe. Maupassant is the quintessential go-to Gothic storyteller for revenge and considered the greatest master of the short story in world literature. This collection has all his classic tales like “La Vendetta,” a tale about a grieving mother’s need for revenge, and my favorite, “The Hand,” about an avenging appendage. Plus, many more tales. 

Poe was the first writer I read as a kid, and “The Cask of Amontillado,” to me is the penultimate story of jealousy and revenge that is as suspenseful as it is horrifying. Plus, there are two other tales of revenge and painstaking cruelty within this anthology: “Hop-Frog” and “The Fall of the House of Usher”.

This is classic revenge writing from the Gothic master, no offense Guy de Maupassant.

I picked up this book because it reminded me of a writing assignment I did in college. Instead of a traditional critical essay on Frankenstein, I wrote a “scene” in which Mary Shelley and Victor Frankenstein discussed the novel's themes. (I got a good grade if you are curious.) This isn’t the most lyrically written novel, but I loved the bold premise of bringing Victor into the real world to interact with the Villa Diodati group, telling them the unbelievable tale of his creation.

I admired the clever turns throughout, and the climactic discovery was well-earned. I’ve always been a fan of the fictional character stepping off the page. This one had me thinking long after I’d finished it.  

One of the classic novels about monsters having internal lives. Grendel doesn’t even survive the first half of the Beowulf poem.

But what was his life like? This creature who went into rages over music and merriment? This outsider who clearly had no one to commune with? Where there could just be pathos, Gardner injects surprising dorkiness and humor that further round out Grendel’s existence. And there’s a huge bonus in the poem’s dragon also showing up as an utter weirdo neighbor.