Here are 100 books that Home before Dark fans have personally recommended if you like
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When the pandemic arrived, I feared that my father, who was then in his late eighties, would certainly die from the coronavirus. What made my anxiety more terrible, I think, was that I was at work on a novel where the father was dying. Then, the vaccine became available, and I was relieved when, living thousands of miles away from my father, I heard the news that my father had been vaccinated. The father in my novel wasn’t so lucky. While my father lived, I began reading what other writers had written about their fathers, particularly their deaths. I’m listing below a few of my favorites.
I read this book long before Annie Ernaux was awarded the Nobel Prize. It was the first of her books that I read, and I was so seized by her style of narration that I proceeded to read with devotion everything she had written.
In one of the early pages of this book, Ernaux declares that in writing about her father, she didn’t want falsity or an overblown style, no artsy attempt to produce something “’ moving’ or ‘gripping.’” The style she followed was true to the life she was describing as a working-class man with minimum education. Here is a book that pays tribute to life but also enacts a credo for what Ernaux calls a “neutral way of writing”: “no lyrical reminiscences, no triumphant displays of irony.”
Annie Ernaux's father died exactly two months after she passed her practical examination for a teaching certificate. Barely educated and valued since childhood strictly for his labor, Ernaux's father had grown into a hard, practical man who showed his family little affection.
Narrating his slow ascent towards material comfort, Ernaux's cold observation reveals the shame that haunted her father throughout his life. She scrutinizes the importance he attributed to manners and language that came so unnaturally to him as he struggled to provide for his family…
When the pandemic arrived, I feared that my father, who was then in his late eighties, would certainly die from the coronavirus. What made my anxiety more terrible, I think, was that I was at work on a novel where the father was dying. Then, the vaccine became available, and I was relieved when, living thousands of miles away from my father, I heard the news that my father had been vaccinated. The father in my novel wasn’t so lucky. While my father lived, I began reading what other writers had written about their fathers, particularly their deaths. I’m listing below a few of my favorites.
A year before my own father died, I had read Blake Morrison’s tragicomic memoir about his father. I had marked several passages but the page I had book-marked with a card from a London restaurant contained the following lines: “I’ve become a death bore. I embarrass people at dinner parties with my morbidity. I used to think the world divided between those who have children and those who don’t; now I think it divides between those who have lost a parent and those whose parents are still alive.”
That line haunts me even more powerfully now, and I cannot think of a more true line.
The critically-acclaimed memoir and the basis for the 2007 motion picture, directed by Anand Tucker and starring Colin Firth and Jim Broadbent
And when did you last see your father? Was it last weekend or last Christmas? Was it before or after he exhaled his last breath? And was it him really, or was it a version of him, shaped by your own expectations and disappointments?
Blake Morrison's subject is universal: the life and death of a parent, a father at once beloved and exasperating, charming and infuriating, domineering and terribly vulnerable. In reading about Dr. Arthur Morrison, we come…
When the pandemic arrived, I feared that my father, who was then in his late eighties, would certainly die from the coronavirus. What made my anxiety more terrible, I think, was that I was at work on a novel where the father was dying. Then, the vaccine became available, and I was relieved when, living thousands of miles away from my father, I heard the news that my father had been vaccinated. The father in my novel wasn’t so lucky. While my father lived, I began reading what other writers had written about their fathers, particularly their deaths. I’m listing below a few of my favorites.
A writer’s book about a writer-father. In this remarkable memoir, Amis pays tribute to Kingsley Martin. The book is truthful about the anxiety of influence and about the collision of ambition, the competitiveness between writers, even when they happen to be father and son.
What made the book touching was Martin Amis’s love and sorrow not only for Kingsley Martin, his biological father but also for his literary father, the novelist Saul Bellow. Bonus: Amis’s probing, ruthless, but always burnished sentences: “The trouble with life (the novelist will feel) is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental, and ineluctably trite.”
The author traces his life and career, examining his relationship with his father, comic novelist Kingsley Amis, and the changing literary scene in Great Britain and the United States.
When the pandemic arrived, I feared that my father, who was then in his late eighties, would certainly die from the coronavirus. What made my anxiety more terrible, I think, was that I was at work on a novel where the father was dying. Then, the vaccine became available, and I was relieved when, living thousands of miles away from my father, I heard the news that my father had been vaccinated. The father in my novel wasn’t so lucky. While my father lived, I began reading what other writers had written about their fathers, particularly their deaths. I’m listing below a few of my favorites.
Every Father’s Day, someone or the other on my social media feed will post Robert Hayden’s wonderful poem “Those Winter Sundays.” The poem takes me back not only to the many acts of kindness and unheralded small sacrifices that my father made but also to the ambition and the anxiety of Seepersad Naipaul on behalf of his son away at Oxford and starting in life as a writer, a writer who later in life will win the Nobel Prize.
The poignant part of this drama is the father’s own ambition and anxiety about making it as a writer. It doesn’t happen. Instead, the son receives a telegram with some terrible news. He sends his family a telegram in return: “= HE WAS THE BEST MAN I KNEW STOP EVERYTHING I OWE TO HIM BE BRAVE MY LOVES TRUST ME = VIDO”
An “extraordinary rich correspondence” (The New York Times Book Review) between a seventeen-year-old aspiring writer at Oxford who would go on to become a Nobel Prize winning author and his sacrificing, beloved father.
At seventeen, V.S. Naipaul wanted to "follow no other profession" but writing. Awarded a scholarship by the Trinidadian government, he set out to attend Oxford, where he encountered a vastly different world from the one he yearned to leave behind. Separated from his family by continents, and grappling with depression, financial strain, loneliness, and dislocation, "Vido" bridged the distance with a faithful correspondence that began shortly before…
Widowed at age fifty and now eighty-four, I know first hand the search for love in late life. I have three adult children and can't avoid bringing baggage to any new relationship, whether with humans or the cats I adore. Coming to writing seriously only after my husband’s death, I remain fascinated by questions of craft, how the story is told (as my recommendations show), and I’ve published several essays on aspects of that subject. My first career in dance, my conversion to Catholicism, and my psychoanalytic therapy have been major parts of my life and play significant roles in my memoir, my novel, and my more recent novella and stories.
This true story of love and lasting marriage in later life is told by the husband and wife in alternating first-person voices. Ingrained habits of social and personal life and relationships with both parents and children all create stumbling blocks as the two lovers strive to create a unified way of life. I admire this book for its frank and vivid presentation of the pitfalls that can threaten a union of two individuals who meet in late middle age, already well set on their paths. In its presentation of problems and solutions, this book offers the most “self-help” of these five recommendations.
Jill Robinson, the author of Bed/Time/Story and Past Forgetting, and her husband, Stuart Shaw, share their true story about finding love when they both had lost faith in romance.
When Stuart and Jill first met, neither felt ready for love. Stuart was recovering from the alcoholism that had wrecked his marriage and ravaged his career. Jill was recovering from a second failed marriage and believed she was done with love forever.
But then, in a crowded Connecticut diner, Jill caught Stuart's eye and shot him a look that she knew would draw him in. What follows is a sexy journey…
I’ve been fascinated by absurdist comedy and ideas for as long as I can remember. At sixteen, I wrote my first book, Mr A, which followed a man who would turn into a superhero after taking LSD and his talking dog. As an adult, I continue to revel in these types of stories. I brought this passion to my chart-topping debut non-fiction book, where I interviewed several people who believe McDonald’s has interdimensional properties. Now, I hold no bars in fiction writing, having authored a ‘genius of a book’ that follows a talking pencil.
Many of us writers are subject to the terrible cliché of substance abuse, none so much as Charles Bukowski. Having dabbled in the debauched myself, Ham on Rye sadly reflects what life could be like if the idiocy of adolescence continues into adulthood. This book is hilarious, vulgar, shocking, and oddly insightful. Not only is this my favourite Bukowski book, but it’s the book that introduced me to his work and changed my writing forever.
'He brought everyone down to earth, even the angels' LEONARD COHEN
Charles Bukowski is one of the greatest authors of the twentieth century. The autobiographical Ham on Rye is widely considered his finest novel. A classic of American literature, it offers powerful insight into his youth through the prism of his alter-ego Henry Chinaski, who grew up to be the legendary Hank Chinaski of Post Office and Factotum.
Bad boys in young adult romance have always been one of my favorite tropes to read. For seven years, I facilitated a poetry workshop with teens in a juvenile detention center and got to hear their stories—the heartbreak, the challenges, and the triumphs under all that bad boy façade. My memoir, Kids in Orange: Voices from Juvenile Detention, is about the workshops and helped me understand both myself as a writer and the “bad boys” who wrote poetry each week. There are a lot of complexities to bad boy characters and the most satisfying stories are the ones where the bad boys redeem themselves and find love.
Bad boy, Tim, has struggled with drinking and now is a member of AA and is trying to start his life over. He and my character, Christopher, could attend AA meetings together and I am always happy to find a young adult character who is a reformed bad boy and trying to stay sober with AA and this story does not disappoint.
For fans of Morgan Matson's Since You've Been Gone, Rainbow Rowell's Fangirl and John Green's Paper Towns
Tim Mason was The Boy Most Likely To find the drinks cabinet blindfolded, need a liver transplant, and drive his car into a house.
Alice Garrett was The Girl Most Likely To ... well, not date her little brother's baggage-burdened best friend, for starters.
For Tim, it wouldn't be smart to fall for Alice. For Alice, nothing could be scarier than falling for Tim. But Tim has never been known for making the smart choice, and Alice is starting to wonder if the…
It took a career as a librarian to help me understand my need for order, instead of the emotional chaos I grew up with in a large family. Being the child of an alcoholic father and a codependent mother gave me little personal value. After gaining some sense of worth in college, I wanted to give my kids the stability and support every child deserves, but I had to learn how to do this. I used my resources: education, self-scrutiny, honesty, art, nature, and the good Lord of the universe.
As the daughter of an alcoholic, I took enough college psychology classes to know I was part of an unchosen cycle, at risk to continue the family chaos.
Despite my resistance, my personal, unanticipated, troubled behavior did emerge, baffling me, and this book was exactly what I needed to sort things out, especially when I became a parent and feared contaminating my children.
Reading about negative, senseless, and too-familiar family habits of concealment, disparagement, anger, pain, and especially the role-playing coping mechanisms that commonly develop in a dysfunctional family, gave me hope.
Family hero, scapegoat, quiet one, mascot, all of these I recognized clearly. By learning, understanding, and erasing the blame, I could redefine normal and finally “crawl out of the trap.”
Reveals what happens in an alcoholic home, discusses the scars that the children of alcoholics must bear, and explains how adult children of alcoholics can deal with their parents and their own problems.
I’m a fiction and humor writer whose imagination was initially sparked by superheroes and comic books. The idea of an otherwise average person who could turn themselves into a superbeing was transformative and powerful. As a teenager, these early heroes faded, and I became fascinated by The Twilight Zone’s compact and poignant storytelling that contained moral messages. This eventually led me to the fiction of Stephen King where the idea of average people encountering the supernatural and overcoming obstacles was a recurring theme. In my own work, I have tried to carry forward the idea that our everyday lives are more absurd, complex, and magical than they appear.
A master class on “less is more,” the stories in this collection are set in everyday, locations: a suburban front yard, an airport lounge, a kitchen, and are populated by working-class people in the midst of one or more traumas such as alcoholism, divorce, or financial trouble.
Though Carver doesn’t employ fantasy, the tight, accessible writing lures you in and immerses you in a comic-tragic world that is uniquely his own. This collection taught me the power of economical prose and that writing about the kinds of people you encounter at the supermarket can be just as transportive and resonant as stories that involve characters who live in exotic places, or universes.
This powerful collection of stories, set in the mid-West among the lonely men and women who drink, fish and play cards to ease the passing of time, was the first by Raymond Carver to be published in the UK. With its spare, colloquial narration and razor-sharp sense of how people really communicate, the collection was to become one of the most influential literary works of the 1980s.
When I was going to church as a kid, I noticed there were a lot of things about faith that were really important to people but that they rarely talked about. In my work as a pastor, professor, and church historian, I’ve tried to identify and name those core values, so that we can learn from one another, share our beliefs in meaningful and respectful ways, and grow together as we explore life’s big questions and practice living out our beliefs in the here and now.
Founder of a church called House for All Sinners and Saints in Denver, Colorado, Nadia Bolz-Weber describes her path from a Fundamentalist upbringing to agnostic comedian to Lutheran pastor. Walking with people who had long been forgotten, dismissed, or condemned by mainstream American Christianity, Bolz-Weber has brought the traditional Reformation message of God’s unconditional love to life in new ways. With stories that range from vulnerable to hilarious, this book is fun to read and full of refreshing insights about God, church, hospitality, and grace.
"Seven years on from its original publication, Pastrix remains bracing and beautiful. Nadia's bold vulnerability and tender heart are timeless gifts. And the words she has added to this edition remind me: We need her call to tender grace and a loving, forgiving God now more than ever." -- Jeff Chu, Author of Does Jesus Really Love Me?
Pastrix: a derogatory term used by Christians who refuse to recognize female pastors.
Heavily tattooed and foul-mouthed, Nadia Bolz-Weber, a former stand-up comic, sure as hell didn't consider herself to be religious-leader material-until the day she ended up leading a friend's funeral…
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