Here are 100 books that Indigenous Memory, Urban Reality fans have personally recommended if you like
Indigenous Memory, Urban Reality.
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I grew up on a family farm surrounded by larger vegetable and dairy operations that used migrant labor. From an early age, my siblings and I were acquainted with the children of these workers, children whom we shared a school desk with one day and were gone the next. On summer vacations, our parents hauled us around in a station wagon with a popup camper, which they parked in out-of-the-way hayfields and on mountainous plateaus, shunning, much to our chagrin, normal campgrounds, and swimming pools. Thus, I grew up exposed to different cultures and environments. My writing reflects my parents’ curiosity, love of books and travel, and devotion to the natural world.
This book centers around the plight of twelve young, urban Native Americans in Oakland, California, who, having lost connection to the land and their heritage, struggle to make sense of their identity. For various reasons, they all travel to and converge at the Big Oakland Powwow.
It is a gut-wrenching story that grapples with the disenfranchisement of Native Americans, starting with the colonies; the novel opens with a true account of the so-called Indian Wars. An account of history that was rewritten to make us feel good about Thanksgiving. I loved it for the opening scene and the historical references. An impossible to put down novel.
** Shortlisted for the 2020 International Dublin Literary Award **
One of Barack Obama's best books of 2018, the New York Times bestselling novel about contemporary America from a bold new Native American voice
'A thunderclap' Marlon James 'Astonishing' Margaret Atwood, via Twitter 'Pure soaring beauty' Colm Toibin
Jacquie Red Feather is newly sober and hoping to reconnect with her estranged family. That's why she is there. Dene is there because he has been collecting stories to honour his uncle's death, while Edwin is looking for his true father and Opal came to watch her boy Orvil dance.
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
This collection of short stories draws from Van Alst’s experience as a Native American growing up in Chicago, where racism and gang violence were everyday realities. Gripping and uncompromising, the stories walk a line between the traumas of Indigenous life in America and the possibilities of resilience and resistance.
Growing up in a gang in the city can be dark. Growing up Native American in a gang in Chicago is a whole different story. This book takes a trip through that unexplored part of Indian Country, an intense journey that is full of surprises, shining a light on the interior lives of people whose intellectual and emotional concerns are often overlooked. This dark, compelling, occasionally inappropriate, and often hilarious linked story collection introduces a character who defies all stereotypes about urban life and Indians. He will be in readers' heads for a long time to come.
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
LaPier and Beck’s book is the perfect backstory to Van Alst’s.
Chicago, built on the lands of the Three Fires Council, has a long history as an Indigenous metropolis, from activism around the famous 1893 World’s Fair to the building of urban Indian organizations. The authors show how Indigenous people are everywhere in the archives.
Robert G. Athearn Award from the Western History Association
In City Indian Rosalyn R. LaPier and David R. M. Beck tell the engaging story of American Indians who migrated to Chicago from across America to work and emerged as activists. From the 1893 World's Columbian Exposition to the 1934 Century of Progress Fair, American Indians in Chicago voiced their opinions about political, social, educational, and racial issues. City Indian focuses on the privileged members of the American Indian community in Chicago: doctors, nurses, business owners, teachers, and entertainers. During the Progressive Era more than any other time in the city's…
I came to Indigenous history through the experience as a settler growing up at the edge of a reservation. I also love cities as “texts,” and the ways in which urban places never fully erase what came before. These two interests led me to urban Indigenous studies. Urban and Indigenous histories are often treated as though they are mutually exclusive, when in fact they are deeply entangled with each other: for example, the majority of Indigenous people in the United States live in urban areas. These works capture the rich history of migration, political organizing, and cultural production that has taken place in Indigenous cities.
This edited collection of cutting-edge essays by scholars from across North America captures the profound diversity of Indigenous urban experience.
Ranging from Indigenous cities that existed prior to European arrival through the colonial period to the recent past, this anthology explodes the notion that Indigenous and urban histories have little to do with each other.
From ancient metropolises like Pueblo Bonito and TenochtitlAn to the twenty-first century Oceti Sakowin encampment of NoDAPL water protectors, Native people have built and lived in cities-a fact little noted in either urban or Indigenous histories. By foregrounding Indigenous peoples as city makers and city dwellers, as agents and subjects of urbanization, the essays in this volume simultaneously highlight the impact of Indigenous people on urban places and the effects of urbanism on Indigenous people and politics.
The authors-Native and non-Native, anthropologists and geographers as well as historians-use the term "Indian cities" to represent collective urban spaces established and regulated…
William Heath has a Ph.D. in American Studies at Case Western Reserve University. He has taught American history and literature as well as creative writing at Kenyon, Transylvania, Vassar, the University of Seville, and Mount Saint Mary’s University, retiring as a professor emeritus. He has published two poetry books, The Walking Man and Steel Valley Elegy; two chapbooks, Night Moves in Ohio and Leaving Seville; three novels: The Children Bob Moses Led (winner of the Hackney Award), Devil Dancer, andBlacksnake’s Path;a work of history, William Wells and the Struggle for the Old Northwest(winner of two Spur Awards); and a collection of interviews, Conversations with Robert Stone.
What Calloway does for Washington, Wallace does for Jefferson. Even more than Washington, Jefferson talked one game and played another. He could be splendidly eloquent on how much he wanted the Indian nations to become Americans, yet that could only happen, in Jefferson’s mind, if they surrendered their identity as Indians. If anything, the situation was even worse than Wallace suggests, as I point out in detail in my book on William Wells. While there is much to admire about Jefferson, his Indian policy shows how idealism can serve as a front for blatant exploitation and near genocide.
In Thomas Jefferson's time, white Americans were bedeviled by a moral dilemma unyielding to reason and sentiment: what to do about the presence of black slaves and free Indians. That Jefferson himself was caught between his own soaring rhetoric and private behavior toward blacks has long been known. But the tortured duality of his attitude toward Indians is only now being unearthed.
In this landmark history, Anthony Wallace takes us on a tour of discovery to unexplored regions of Jefferson's mind. There, the bookish Enlightenment scholar--collector of Indian vocabularies, excavator of ancient burial mounds, chronicler of the eloquence of America's…
I am a retired Foreign Service Officer with the U. S. Department of State and, more to the point for the purpose of the topic at hand, the author or editor of eighteen books on the Indian Wars and the Civil War. Among them is the bestselling, multiple award-winning The Earth is Weeping: The Indian Wars for the American West.
The bloodiest and most decisive Indian wars occurred not in the American West but in the Ohio Valley shortly after the United States gained its independence. The little known struggles with the formidable tribes of the Midwest opened the way for westward expansion. Autumn of the Black Snake is a scrupulously balanced account of what is sometimes called President George Washington’s Indian War, enhanced with an intriguing recounting of the often dirty policies behind the creation of the United States Army. Author William Hogeland also offers engaging portraits of towering but largely forgotten Indian leaders such as Little Turtle and Blue Jacket and their peoples. Read this book before turning to the Indian Wars in the West.
William Hogeland's Autumn of the Black Snake presents forgotten story of how the U.S. Army was created to fight a crucial Indian war.
When the Revolutionary War ended in 1783, the newly independent United States savored its victory and hoped for a great future. And yet the republic soon found itself losing an escalating military conflict on its borderlands. In 1791, years of skirmishes, raids, and quagmire climaxed in the grisly defeat of American militiamen by a brilliantly organized confederation of Shawnee, Miami, and Delaware Indians. With nearly one thousand U.S. casualties, this was the worst defeat the nation would…
William Heath has a Ph.D. in American Studies at Case Western Reserve University. He has taught American history and literature as well as creative writing at Kenyon, Transylvania, Vassar, the University of Seville, and Mount Saint Mary’s University, retiring as a professor emeritus. He has published two poetry books, The Walking Man and Steel Valley Elegy; two chapbooks, Night Moves in Ohio and Leaving Seville; three novels: The Children Bob Moses Led (winner of the Hackney Award), Devil Dancer, andBlacksnake’s Path;a work of history, William Wells and the Struggle for the Old Northwest(winner of two Spur Awards); and a collection of interviews, Conversations with Robert Stone.
The Middle Ground is by far the best overview of the Great Lakes frontier over a period of almost two hundred years. White traces how French fur traders were able to establish a fluctuating “middle ground” with the Indian nations of the region that allowed for a degree of respect, understanding, and intermarriage. When the French were succeeded by the British, this middle ground began to shrink, as English traders wanted to let the cash nexus determine their business practices. When the Americans came to dominate the situation, the middle ground, with the exception of a few figures like William Wells, almost entirely disappeared. The result was devastating for the Indian nations, whose cultures nearly disappeared. White’s thesis has been challenged by Alan Taylor and other historians of the period, but the book remains an essential classic.
An acclaimed book and widely acknowledged classic, The Middle Ground steps outside the simple stories of Indian-white relations - stories of conquest and assimilation and stories of cultural persistence. It is, instead, about a search for accommodation and common meaning. It tells how Europeans and Indians met, regarding each other as alien, as other, as virtually nonhuman, and how between 1650 and 1815 they constructed a common, mutually comprehensible world in the region around the Great Lakes that the French called pays d'en haut. Here the older worlds of the Algonquians and of various Europeans overlapped, and their mixture created…
I started my scientific career as an Astrophysicist. However, I have always been interested in Archaeology. This finally led me to conjugate the two passions when I started working in Archaeoastronomy, in 2003. Working in Archaeoastronomy first means having a direct experience of the sites (preferably, of every single stone, although in places like Giza they count in the millions…). So I have made fieldworks in Italy, Egypt, Cambodia, and, recently, on Chinese imperial necropolises. I currently teach Archaeoastronomy as a professor at the Politecnico of Milan. I have always been interested also in scientific communication on TV and social media, and my introductive Archaeoastronomy course is available for free on the Coursera platform.
Two thousand years ago, Native Americans created thousands of mounds and geometrically shaped earthworks across the Eastern Woodlands. In many cases, these structures are connected with the celestial cycles. This book presents a comprehensive study of the Ohio sites, framing them into Adena-Hopewell's religious beliefs and practices and showing how, for these ancient people, the entire landscape – including the sky – was a sacred space.
Two thousand years ago, Native Americans created thousands of mounds and geometrically shaped earthworks across the Eastern Woodlands. Many are larger than Stonehenge; most are aligned to celestial events. Among the most impressive of these earthworks were those created by people of the Adena and Hopewell cultures in south and central Ohio. This book presents one of the most comprehensive and detailed studies of the Ohio earthworks ever written. More than one hundred sites are documented using on-site photographs, maps, and LiDAR imagery. Using these data the author assesses each earthwork relative to its astronomy, geometry, mensuration, and landscape setting.…
As a Chicago native, the Great Lakes area is part of my identity. My family spent summers in Michigan and, one year even went up to Sault St. Marie on the border between Michigan and Canada to spend a week on Lake Superior. A knitting retreat in Petosky was another Michigan adventure I enjoyed. The idea of writing about Northern Michigan turned out to be a fascinating exploration of an area I barely knew. And I’ve been able to meet other writers from there and enjoy their varied mysteries set in the region. From Minnesota to Ohio, I hope you enjoy the many faces of the Great Lakes.
Another Great Lakes writer, Meredith Doench is an Ohio native who teaches in the English Department at the University of Dayton. Meredith, another member of my writing group, is the author of the Luce Hansen series, Whereabouts Unknown is a standalone introducing Office Theodora Madsen of the Dayton P.D.
Theo is investigating the case of two missing teenage girls, who vanish, each leaving behind a bloody handprint. When Theo is injured and faces a lengthy recovery, the case goes cold while Theo tries to piece together the connection between the two girls before time runs out.
Theodora Madsen has everything she’s ever hoped for: a distinguished career as a homicide detective with the Dayton Police Department, a woman she loves, and a baby on the way.
While Theo and Bree nest and plan for their family’s future, two sixteen-year-old Ohio girls vanish—one from Dayton and the other from Brecksville—each leaving behind a bloody handprint. Then a routine interview goes disastrously wrong, and Theo’s injured and facing a lengthy recovery.
With her professional future uncertain and the cases growing cold, Theo scrambles to piece together the links between the girls. But the clock is ticking and time…
I’ve loved cinema since I was 9 years old growing up in New York City and my grandmother took me to see The Ten Commandments at the Paradise Theater, Loew’s magnificent flagship theater in the Bronx. The theater’s famous canopy of twinkling stars on the ceiling was the perfect magical venue, and I was thunderstruck not only by the epic sweep of the movie but also by the opulence of the theater, which mirrored the monumental pyramids that Ramses constructs in the film. Ever since, my passion for movies has been as all-consuming as DeMille’s jello sea was for the infidel Egyptians who doubted the power of special effects and cinematic illusion.
Based on the boyhood memories of author Sherwood Anderson, Winesburg, Ohio is one of the best portraits of small-town American life in the 19th century.
Centered around the coming-of-age of George Willard, the 22 stories in the book provide numerous character sketches of people in the fictional town of Winesburg. Anderson writes in a plain style that suits the world he describes.
The book pioneers an approach to fictional portraiture also taken up by Wiseman in his later Our-Town cycle of films that focus on individual rural communities—Aspen, Belfast, Maine, In Jackson Heights, and Monrovia, Indiana—and adopt a seemingly similar straightforward style. Like those films, the book features a series of glimpses that together add up more than just the sum of its parts.
Anderson profoundly changed the American short story, transforming it from light, popular entertainment into literature of the highest quality. His art belonged as much to an oral as a written tradition, and, as this collection shows, the best of his stories echo the language and the pace of a man talking to his friends. They explore with penetrating compassion the isolation of the individual and capture the emotional undercurrents hidden beneath ordinary events.
