100 books like Summer Hours at the Robbers Library

Set in Victorian England, this novel begins where romances often start—with a beleaguered heroine. She is a brilliant cook with a questionable past. Her patron dies. His brother takes over the estate where—let’s say—she’s been multi-tasking. The brother has perversely cut all pleasure from his life. But oh, that food. Complications develop, including his desire to not desire the food or the cook. There are dark secrets and dark hungers including a hunger for revenge on both the hero’s and heroine’s parts. I love a sexy, twisty story that I can’t put down. This one meets all of my marks. 

Spending is about a divorced artist and mom. It starts with a middle-aged protagonist reluctantly giving a gallery talk. She complains that male artists often have muses to do their laundry and supply sex, thereby providing practical and “therapeutic” support. A man in the audience stands up and offers to be the artist’s muse. The story is about what happens when this stubbornly independent woman takes him up on it. I totally related to the crusty heroine who has fought for everything she has and distrusts fortune when it offers abundant gifts. 

I confess that almost everything Baxter has written is too intellectually frigid for me. But this novel is one of my favorites. At times sweet, at times intense, it is a meditation on the ways we love, and the various stages of love based on our ages and the duration of our relationships. Baxter explores romantic love, first love, old love, love for our children, and sexual obsession. Grief and hope figure prominently. At first, seemingly a series of short stories, the novel’s characters gradually drift into one another’s orbits and their stories become integrated. I love the author’s mastery of form while telling a brilliantly humane—and sexy—story about what it means to love.

Ms. Wesley didn’t publish until she was seventy, which I find inspiring. She produced ten slim interconnected novels. Like the heroine of Delicious although a century later, this one cooks. She cooks for elderly ladies, visiting for a week or two to stock their freezers with fabulous meals. Her less innocent sideline is “visiting” with men. These occupations earn her enough to keep her fatherless son in an excellent private school. Then, the unthinkable happens: two men who were previously unknown to each other discover they may be sharing the same mistress. The problem is they thought their arrangements were exclusive. A comedy of manners ensues. Wesley’s prose cuts like a finely honed knife. And she does her cutting with very few words. I so admire that skill!  

I just love this book. Again, it’s set against such an evocative landscape – this time in Western Australia. It tells the story of a tentative love affair between a reckless poacher and the wife of a wealthy landowner – and the inevitable fall-out. There’s even a soundtrack to go with it – Winton’s a musician too.

The writing’s so pitch-perfect that I had to keep stopping to scribble phrases down. It’s that good. Why is it about survival? As well as Luther Fox, the poacher, struggling to get over the tragedy of his past, the last third of the book focuses on his walkabout up north to Coronation Island, where he deliberately shipwrecks himself. Cue the wilderness: scavenging, hunting, sheltering. True, haunting, survival in its rawest sense as he battles to redemption.

This is a chatty and intimate fly-on-the-wall book look at everyday things through the lens of aging and mortality.

Nora Ephron makes the bittersweet mix of chattiness and philosophy seem so easy. The engrossing, snippet-write-ups of her friends, family, and career in New York give you a vivid snapshot into her heart and soul.

Patrick Hamilton has a wonderfully simple and direct style, and is always utterly compelling, no matter if he’s writing about ordinary people going about their daily lives. This wartime novel seems to happen a long way from the war itself, though it is set in Maidenhead, which was far enough away from the capital to be thought safe for evacuees. We spend our time with a wonderfully cliquey and gossipy set of boarding house tenants who constantly compete with each other and have their own little wars and conflicts. Like many of Hamilton’s novels it has a theatrical quality, reading it is almost like watching actors performing on a stage. Indeed, one of the characters is an actor, and theatre provides a note of redemption in this beautifully bleak novel. 

I love this memoir because Robin Rinaldi fiercely loves and trusts herself for being sexual, and shows us from the inside what it means to positively claim our sexuality in midlife.

Rinaldi undertook a brave and vulnerable journey—a year-long break from her companionable but passionless marriage to find passion by pursuing a variety of sexual traditions and relationships with men. Her story is not only an entertaining page-turner, but deeply vulnerable and satisfying. 

She chronicles her heart as well as her body, and reminds us that it is not always easy to take risks—there are challenges, heartaches, and rewards in creating a deeply satisfying life. Further modeling bravery, she also wrote an Atlantic article about transcending the slut shaming she received from writing the book.  

Even though this book has an element of girl-meets-guy-in-Paris, I included it under the title of ‘books set in France that go beyond the rom com’ because it was so refreshing to read about a woman of a ‘certain age’ who comes into her own during a stay in Paris. The protagonist struggles with real-life issues, not the usual Emily-in-Paris dilemmas. Cram knows Paris like the back of her hand and deftly titillates all the senses with her food-inspired passages.

As a parent on the verge of becoming an empty nester (noooooo!!), I was immediately drawn to Mrs. Fletcher. The titular character is a 46-year-old divorcee who has a sexual awakening—and develops an appetite for online porn—after her son leaves for college. Her son, meanwhile, gets his own education in sex, gender, and consent on campus. It’s an entertaining and surprisingly sweet exploration of sexuality, relationships, and the ways people navigate turning points in life.